February 2024 in Pens and Paper

I started the month ready to spend the first half of it in hospital, with my dad. So the fountain pens I chose were all expendable pocketable pens that I was willing to have stolen (apart from the Schon Design Pocket 6 which was a leftover from January and never left my desk). So that meant I inked 4 Kaweco Sport fountain pens using various ink cartridges that I had on hand.

The portable lineup:

Once my dad got out of hospital and back home, I decided to celebrate by “shopping” from my collection. I inked up a Parker 51 Plum (use the good china!), a Parker Vacumatic, a Franklin Christoph 45L Turqish (spelled like that on their site) Crush that I had purchased but hadn’t inked before, and a vintage Radius Comet (because I heard that the brand was being revived).

The Franklin Christoph EF nib isn’t the best companion to the Eau de Nil as the ink tends to dry in the nib, causing hard start issues. The Radius is a flexible nib of the vintage kind, which means it’s really flexible and not just springy. It also rattles, which makes me not carry it around with me — it stays at home at my desk. The Leonardo is a beautiful pen with a beautiful ink that I refilled immediately — the only Inkvent 2023 ink I did that with. The two vintage Parkers are phenomenal, as usual. The extra fine nib on the vacumatic somehow really well with Diamine Ash, though I was worried at first that the combination would be too light to be readable. The Parker 51 Aeromatic is a treat to use. It’s the rare Plum colour, and it’s got a fantastic nib (as all 51’s have) which pairs very nicely with the Monteblanc The Beatles Psychedelic Purple.

In terms of paper I’ve been using Kokuyo A4 KB paper which I cut to half size (so A5) to manage my daily to do list. The paper is relatively cheap and very fountain pen friendly. I’m also able to use both sides of the page despite there being some show through.

Kokuyo A4 KB paper cut in half to A5 size. This is why standards are great.

I’ve got a Field Notes Heavy duty on my desk at home and at work, and I just bought a new stock of them. These are where I jot down quick notes, phone call details, doodles during boring meetings. When they’re filled up they get tossed out as nothing in them is permanent — everything important in them moves to somewhere else as I work my way through them.

Field Notes Heavy Duty pocket spiral bound reporter notebooks

I have finally found a use for my Dingbats notebooks (beyond giving them away as gifts, as I have in the past): this lined purple hippo one is my blog notebook. I discovered that I have a much easier, much quicker time writing blog posts if I first draft them on paper, and this is where I do it in. I’ll likely write a dedicated post to this notebook soon.

Apart from them I still use the notebooks I used last month.

Pencils

I’ve been using the Drehgriffel Nr. 2 as my daily driver. I use pencils extensively to plan, as my plans tend to change, and there’s something about this solid little mechanical pencil that makes me want to use it.

Apart from that I brought two pencils into the rotation, to try to use. One is from my last purchase from the late and great C.W. Pencils Enterprise, and it’s the “Big Dipper” J.R. Moon Pencil Co 600. It’s an oversized pencil, the kind of pencil that kids who are learning to write are expected to use. I’ve been having pretty significant neuropathy in my hands lately and I thought that this would be nice and easy to use, as after all it’s designed for kids just learning to develop their fine motor skills. So far it’s been a disappointment – the eraser and ferrule make it very top heavy, and I’ve been having a hard time manipulating it. I can’t imagine kids using this pencil and having an easy time with it. I like the over the top red foil with gold writing look though, so I haven’t given up on it yet.

The second pencil is a Blackwing Volumes 56, the baseball themed one. The core is soft and dark, and I’ve been using it for quick and loose sketches. I’m trying to ease into one week 100 people by training myself to work faster than I normally would.

What did you use in February? Any planner changes? Pencil revelations? Pen preferences?

Journaling Series: On Starting a Journal

After finishing my previous journal I just started a new journal, which is both an exciting and daunting prospect whenever it happens. There is so much potential in a new journal – it makes me want to crack it open and fill as many pages as possible in the first sitting. Yet opening that first blank page also makes me freeze in fear of “ruining” a perfectly good notebook with my scrawls.

There are many tips on how to overcome that fear, ranging from deliberately destroying the first few pages to using various formulas to inspire you to fill those first pages. What I currently do is just open a new Stalogy 365 Days notebook, turn it upside down (so the header, which I don’t like, is at the bottom) and slap 2-3 stickers on the back endpages. This time I chose a 10th anniversary fountain pen day sticker and a Goulet Pens dream pen sticker to start off, but I usually add a few more stickers as I use the journal.

I then turned to the first page and started my first journal entry with the following sentence:

“New journal! My third Stalogy 365.”

After that came my usual daily gratitude list, and so I had most of the first page filled up in no time and had no problem moving on after that.

For those still in search for “new journal” inspiration, here are some pointers:

Personalize your new journal in some way. It’s about to hold your innermost thoughts, so you might as well make it your own.
Switch formats mercilessly if you find an old journaling format isn’t working for you – page size, ruling, type, etc.
Have a starting formula for your journal. If you find it difficult to start journaling each day, then pick a formula that you can use each day – like a daily gratitude list, a quote, notes about the weather, your plans for the day.
The first few entries are the hardest, but they’re also only 2-3 days out of the entire life of a journal. It’s worth remembering that and plowing through those days.
When in doubt pick a quote from a book or article you’re reading and start a discussion with the author.
If you’re really at a loss for starting ideas, use the first page, not the last one, as an ink testing page.

Do you have any new journal rituals or tips? Do you enjoy starting a new journal or find it daunting?

Journaling in Hospital

I’ve been spending practically every day for the past week or so with my dad in hospital.
There’s this phenomena that when you most need journaling, the it will help you the most, you find yourself least able to do it.
Hospitals are journaling hostile environments. There are no tables to use, there’s constant noise and distractions, there’s zero privacy and you never know when the staff will pop into the room with something. Whether you yourself are hospitalized or you’re there with someone else, there’s very little opportunity to crack open your journal and start writing.
Hospitals are also where weird, interesting, scary and new things happen, so you generally do what to write about them, to process them on paper. Fo instance, today three policemen escorted a prisoner into the heart surgery department. It wasn’t something I ever expected to see, a sort of non-sequitur that took me a minute or two to process.
The solution is to take temporary notes on your phone, put a reminder for an appointment with your journal in the evening or when things quiet down around you.
If you’re the one hospitalized, try to journal two or three times a day, documenting what’s going on, how you’re feeling, what the staff said, who visited you, etc. The best time to journal is during the nursing staff shift changes, because that’s when nobody will bother you.
Journaling is like running – oftentimes it’s really hard to start, but I haven’t regretted a run or a journaling session yet.

At night you can escape to these empty spaces and write

How I Use My Notebooks: My Kindle Unread Book List

One of the things that I set up in my Leuchtturm1917 Bullet Journal is a list of the unread books on my Kindle. It’s supremely easy to buy books on a Kindle, as the whole system is set up a way to make book purchasing as fast and frictionless as possible.

This is a problem for me.

I love books, I adore reading, and I have pretty large group of friends that love reading too. This means that I’m inundated with great recommendations that run the gamut from light hearted fantasy and sci-fi to contemporary and classic literary fiction, with a whole host of fiction and non-fiction books in the middle (I don’t read horror and I don’t read romances and I rarely read poetry but that’s about the only limits I have in terms of my reading tastes). I get several such book recommendations a month, and with my initial impulse to rush out and buy them, and with the ease of purchasing books on a Kindle, things could get out of hand very quickly. This was one of the reasons why for years I was so resistant to buying a Kindle.

You see, it’s very easy to lose track of just how many unread books you have on your device. Even if you sort by unread books, you just don’t get a real feel for how many of them are actually waiting to be read. There’s no bookshelf groaning with the weight of unread books, and I was feeling the lack of that.

Enter my list of unread books on my Kindle:

It’s a simple numbered list of books that I haven’t read and are on my device. As I read a book, I cross it out. As I purchase more books I add them to the end of the list. As I’ve gotten into the habit of downloading samples, I’ve started to write them down too so they don’t get out of hand. It’s super simple, as bare-bones as it can be, and as practical as possible. The point is just to give my brain an idea of the scale of unread books on my device, and it works.

It works.

I’ve stopped compulsively buying books in the fear of “running out of something to read” or “forgetting what I was recommended”. Recommendations go into my GoodReads “Want to Read” list. And my brain can now see that there’s just no chance that I’ll run out of things to read any time soon. If I buy something I have to go over the list and convince myself that what I’m buying deserves precedence over the lovely books waiting patiently in line, some of them for years. I also photograph this list and keep it on my phone for reference, to prevent me from accidentally buying the same book in physical format (unless I purposefully intend to, which is rare).

What about the physical books stacked on shelves, some of them two books deep? I would love to have such a list for them as well, but that task is too daunting for me now. I remember where my books are visually, and moving them all just to catalogue them not only seems like an awful lot of backbreaking work, it will destroy my “memory catalogue of books”. So it seems that my physical books will remain uncatalogued for years to come.

Do you keep a list of all the books you own but haven’t read yet? Do you just keep a list of the books you intend to read next? Do you track your physical books in some way?

Adventures in Time Blocked Planning

With time blocked planning the idea is to break down your day into blocks of time where you do things. The point is to structure your day so that you’re never faced with the question of “what do I do next?” Instead you sit down ahead of time and block out large sections of time where you do a specific large task, or bundle together a group of small tasks. You don’t block the day out into a minute by minute plan, but instead work in blocks of at least 30 minutes and usually 1-2 hours.

The idea isn’t new, and I haphazardly gave it a try when I was a student, and not surprisingly I failed spectacularly at it. It was only very recently when I decided to give it a serious try. The reason I decided to give time blocking a try was to solve a problem that I think is pretty common: I’d run out of steam about two-thirds into my day and end up just vegging out in the evenings, not accomplishing what I wanted, not even consuming the sort of media that really interested me. There’s only so many decisions my mind could make throughout the day, and late in the afternoon I would run on empty.

Since I was already “front-loading” my day (i.e. doing the really important work first thing in the morning or as early as possible) it was pretty easy to see the benefit of deciding what to do at a given point of time early on in the day, or even the night before. My issue with time blocking in the past had been that my work day is inherently unstructured. I may plan to work on something in the morning, but then a slack message or an email comes in, or someone bursts into the room with a problem and suddenly I’m working on something completely different.

Here, however, is where maturity kicks in. When I gave time blocking a chance years ago, I didn’t really take it seriously as an approach to work and life. Once something interrupted my day (and something always interrupted my day), the plan went out the window never to return. The plans rarely survived until lunchtime, and very quickly I decided that there was little point in time blocking for people like me. What I failed to realize at the time was that the majority of people are people like me: we live in a world where we are constantly being interrupted, and rarely does the day end in the way we envisioned it at the beginning.

Given this new found realization, and the realization that some very smart, very accomplished people whose work I follow use time blocking successfully and consistently, it was clear that the issue wasn’t with time blocking itself but with how I was approaching it. So I decided to make a more consistent, serious attempt to use time blocking for at least a month or two and see where it gets me.

I’m still very early into the process, but I decided to write about it as I go along, so I’ll have a record of how I tweaked things, and for those who like me, wanted to try time blocking but have failed in the past. Maybe my successes and failures will help them in their journey.

The First Mistakes

I started out with two mistakes, one easily fixed and another a mistake that I’m still working on correcting. The first mistake was trying to create separate time blocks for my work day and my “home day”. That failed spectacularly. Lesson learned: you need to follow one timeline, one plan, from waking up until going to sleep. If you use two different plans you are setting yourself up to fail because you’re creating two points in the day where you have to switch plans. While the morning switch may be relatively easy, by the time you’re off work you don’t feel like opening a different notebook or calendar and seeing what it is exactly that you’re supposed to be doing right now. I kept my home plan on a Rhodia dot pad and my work plan on a Moleskine squared notebook, and it just didn’t work for me. I had to carry two different plans with me, I had to reference and cross reference them, it was a mess. Now I have one plan per day, on a Rhodia dot pad.

The second mistake is one that I’m still working on correcting, which is what do I do when things don’t go as planned. What I should be doing is taking 5 minutes and replanning the rest of my day basically from that point onwards. What I currently do and doesn’t work well is either try to get back to the plan the moment I can (at which point things start to fall apart pretty quickly), or try to make only minor adjustments to the plan. The reality is that if there’s a significant break in my plan (i.e. something that takes more than 30 minutes to deal with), then I need to take a few minutes to stop and completely reassess my day. No, I will not be able to fit everything I planned into it now. Yes, my energy reserves are most likely more depleted at this point than I originally planned. Rather than trying to stick to the plan and crashing and burning, I need to be kinder to myself and look at what’s left of my day with fresh eyes. “That production outage took a lot from me, so let’s switch things up so I have a lighter workload until I’ve had a chance to recover, maybe even schedule a significant break here. Then rebuild my evening so I also have a bit more recovery time then – add a meditation session, or more reading time, etc.”. This is something I’m currently working on doing consistently.

The First Successes

While I’ve been time blocking only for a short time, I have already seen the value of this system. I’m getting much more done, and I am able to dedicate long stretches of time focused on meaningful work. I batch emails to the beginning and end of the day, and slack messages only to the times between large blocks of deep focus. I haven’t had an episode of mindless YouTube watching in the evenings since I’ve started. I’m reading more, journaling more, meditating more, spending more meaningful time with friends and family. I’m also being much more realistic about my goals. Once you start putting things in the context of the hours you have in the day, it becomes easier to assess how much you can get done in a given day.

It’s not just a result of the time blocking itself, of course. It’s also the way I’ve structured my year, a commitment to deep focus and digital minimalism which mean no social media, no mindless media consumption, more reading and more deliberate practice of the things that matter to me. I’m also far from reaching a point where the way in which I time block my day is stable, well-defined routine. Things are still shifting around as I’m recording in my journal what worked and what didn’t work. While I’m not looking for perfection, I do want to reach a point where I have a system that works for me (and not I for it), and that helps me better shape my days.

I’ll be writing more about time blocking in the future, whether my experiments with it succeed or fail. If you’re giving it a try or use time block planning regularly I’d love to hear your thoughts on it in the comments.

Planning in 2024: The 12 Week Year

It’s 2024 and this time I’m doing neither yearly goals nor themes. I find themes to be too vague to be useful: they don’t provide enough structure or motivation for my needs. My old yearly goals worked perfectly before I got cancer, but now I can’t commit to a full year of goals (my brain just won’t let me). So I’m trying something new this time: the twelve week year. The idea is to treat each quarter as a new year, with all that entails.

I mapped out the first 13 weeks (from the 31st of December to the 30th of March) in my Leuchtturm1917 Bullet Journal, each week on two pages. On the left are the days of the week and on the right is my set of tasks for the week. The list of tasks is divided into two columns, and each column is divided into categories. The left column is for categories and tasks that vary widely from week to week: blogging, general tasks, various courses and challenges I’m taking. The right column is for my permanent categories that happen every week in the quarter: health, reading, connections, meditation and journaling.

The health category tracks fitness and health related tasks (on a given week it will have checkboxes for running, swimming and gym sessions for example, as well as reminders to go to the dentist or get my blood pressure checked). The reading category is for where I want to be with my reading in a given week (halfway through book x, 30 pages into book y). Connections is something I added after reading Cal Newport’s Digital Minimalism and it’s been well worth doing: I call or meet up with 2-4 friends every week. Messaging doesn’t count, only phone calls, zoom calls, or physical meetups. If there’s one habit I’d recommend picking up in 2024 it’s this one. Meditate and Journal are just tracking locations for my meditation and journaling sessions.

I then set out goals in various categories for the entire “12 week year”, as if it was a full year. Each of these will be evaluated at the end of the 13 weeks, and a complete new set of goals will be set for next quarter. The goals are all SMART goals: specific, measurable, achievable, relevant and time bound. Unlike themes there’s a possibility of not achieving all my goals, but that’s also something worth learning and carrying on to the next “year”.

So for instance under my health category for the next “year” is to get back to a 5k running base and an 8k long run (I’ve had a break in running for a few weeks due to illness and travel). If at the end of March I’m only at a 7k long run that’s not the end of the world, it just means that I need to take that into account when planning my next 12 weeks.

I then break down the goals into tasks that go into the weekly page. Each week I look at my goals, calculate where I am and where I want to be by the end of the week and fill out the weekly planning page accordingly. I use the calendar side of the page to block out time sensitive things or things that provide useful context (days of the week where I work from home and those where I work from the office, rainy days, holidays, etc).

To be clear: I don’t block the tasks for all the “year” in advance, but rather on a week by week basis. Only the goals for the entire 12 week period are planned in advance. The goals themselves are realistic, and many of them are broken into “base goals” and “stretch goals” much like in Kickstarter. At the last week of the quarter I set aside time to review and “shutdown” the quarter and plan and set up the new one coming up. If I end up not liking the weekly page setup, if there’s a goal that just didn’t work for me, if there’s something new in my life I can easily take it into account without feeling like I’ve “wasted” precious planning time or I’m bailing out on my plans.

So, if you’re unsure on how to plan your year, I suggest just planning the next 12 or 13 weeks. It may just work for you.

Weekly Update: Reading and Pen Inking

Long time no update, so I decided that it’s about time to write one up.

Reading

I’ve been in a terrible reading rut, and I blame the book that I’m currently reading: “The Books of Jacob” by Olga Tokarczuk, a 912 (!) page historical epic about Jacob Frank and his followers. I’m halfway through, and I’ve decided to put it aside for now and train my brain to enjoy reading again with some lighter and more fun material.

The book itself is masterfully written and researched, with the narrative made out of a carefully pieced together mosaic of characters, voices and narrative styles. I just cannot handle the subject matter right now. As my rights are being taken away by religious, power hungry fanatics, I don’t want to spend my free time reading about religious, power hungry fanatics. It has reached a point where I balk at the idea of reading again, and that’s just not healthy. I hate giving up on books like that, especially good books, but if I want to actually read again and not just beat myself up for not reading, I’m going to have to start reading something else.

Health

I went through a CPET (Cardiopulmonary Exercise Testing) last week and it was pretty intense. My lungs aren’t working well in high intensity since my chemo, and so a lung specialist sent me to get this test, to see whether my heart or my lungs are the issue.

It started with a spirometry test (which is a simple test done to check your lung capacity and performance), and then went on to the CPET itself. I was hooked up to an EKG and pre-test measurements were taken. Then I was fitted with a special mask and filter that recorded my air intake and CO2 levels. Finally I was put on a special stationary bike, attached to a blood pressure monitor and a blood oxygen level monitor, and told to pedal without stopping until I felt chest pain or was about to faint, or until I was told to stop. As the technician calmly told me, they have a lot of people fainting during this test, which is why they do it on a bike and not a treadmill. I said it was intense, right?

Anyway, I pedalled for my life, with the bike’s resistance being constantly raised, and me gradually getting out of breath. The point was to see why, so I didn’t stop until the technician stopped me, at which point a little over 10 minutes of constant intense exercise had gone by and I was drenched in sweat and panting. H

ere’s hoping that I get some useful insights from the results. In the meanwhile I’m still running 5 times a week, just not as fast as I would like.

Pens and Ink

I wrote most of my pens dry and filled in a new batch, this time consisting of mostly vintage pens. There are also two expensive pens in this rotation, a few old ink favourites and some completely new to me inks, and a weird selection of colours.

The Henry Simpole Jasmin Pen is one of the most expensive fountain pens I own, and one that doesn’t leave the house because I can never ever replace it. It’s a Conway Stewart button filler with a bouncy 18K gold nib, with silver overlay created by Henry for it. The late Henry’s birthday was on the 4th of July, and so to commemorate him and his work I inked this pen up. I chose the Kyo-iro ink because it’s an interesting dusky purple that I haven’t had enough time with. Like the Jasmine Pen (bought in Portobello Road market), I bought the ink in London (at Choosing Keeping).
The Lamy AL Star isn’t interesting, but the ink in it is new to me. The Graf von Faber-Castell Yozakura is a pale and shading pink that I normally would never have purchased, because it’s so light it’s almost unreadable. It was deeply discounted during the closeout of a local pen shop, and I came in late and had very little to buy to show my support. I probably should have inked a much wider nibbed pen with this, but I have a big bottle of it, so there’s always another time.
In the Mahjon Q1’s case the pen and nib are interesting, the nib is not. This is one of two pens (the other being the Sailor Fude in the end) which I inked solely for sketching purposes. It’s a weirdly shaped pocket eyedropper fountain pen that I bought with a fude (bent) nib. I’ll probably review it at some time in the future.
The Montblanc Victor Hugo was a pen that I bought at the end of last year, during my last visit to Mora Stylos. This was an impulse buy, something that would never have happened if not for the display that Montblanc used to sell this pen. I love the Notre Dame de Paris, I’ve visited her and sketched her many times, and my heart broke when she burnt down. She’s a survivor, and seeing this pen displayed in a diorama of the Notre Dame in all her white glory, I just had to buy it. The ink was a gift that Mr. Mora gave me with the pen.
Parker 51 pens. The cocoa and the teal were all purchases made in the local flea market, and the cocoa is part of a set (with a pencil) and the earliest of the bunch (from 1948, a first generation Aerometric). The teal was in pretty bad shape, and took me a while to flush out. The demonstrator Parker 51 is from Mora Stylos, has a gorgeous stub italic nib, and is likely one of the Argentinian, aftermarket demonstrators. The Parker 51 is my favourite pen, and I have a hard time not buying all of them.
The Pelikan M205 Petrol was a Black Friday purchase, and I haven’t inked it until now. The nib is great, the pen is great, and Iroshizuku Ama-Iro turquoise ink is quickly becoming one of my favourites. Such an optimistic, summery colour.
The Platinums include two Preppy’s that I’m trying out, after being disappointed with their durability in the past. The Plaisir is the pen that’s been inked the longest of the bunch.
The Sailor fude is filled with a new ink to me, the Graf von Faber-Castell Carbon Black. The ink was purchased in the same closeout sale as the pink Yozakura, and I’m planning on testing it out as a non-waterproof sketching ink.
I wrote the Conklin Lever filler on top dry just as I was planning this post, so it’s here for reference only. I purchased it at Mora Stylos, it’s from 1919 and it’s in user grade condition (cap discolouration, significant brassing, the imprint isn’t in perfect condition). The lever filling mechanism is infuriating to use, both for filling and for cleaning the pen, but there nib is magnificent. It’s a true flex nib, going from medium to triple broad with no effort or railroading, and it’s a joy to use. The fact that I enjoyed it so much, coupled with its tiny ink capacity, meant that it took me about a week to write it dry. I used Waterman Serenity Blue in it, and that ink once again proved its worth in troublesome vintage pens. It’s a great shade of blue that is very pen safe and super easy to clean out of pens (think the opposite to Bay State Blue). A must have for anyone dabbling in vintage pens IMHO.

The pens, from left to right, matching the order of the writing samples with an added guest on top

Other Stuff

I’m working on an adventure for a 30+ tabletop roleplaying convention at the end of the month. I may publish something here about how I write adventures for conventions.

In the meanwhile my D&D 5E game, set in a university like setting and a university town next to it, is progressing nicely. It’s the most complex campaign that I have ever written, but it’s wonderful to see the players rush around in this world, having the time of their lives exploring, interacting and trying to break stuff. D&D is a pure joy and a wonderful escape from the pretty dark reality we live in these days.

Speaking of both dark reality and things that cheer me up:

It’s week 27 of the pro-democracy protests, and we’re still showing up in numbers (that are growing again). It’s great seeing whole families show up, including the dogs, to say no to stripping the judicial branch of its oversight powers.
I’ve been sketching people’s dogs, and it’s a pure delight to try and capture their personality with each sketch. Plus, it’s making people happy, which is a good thing.
I’ve managed to help a few people get back to running, and that’s always a joy. Go get some exercise. Do something you enjoy, and even 10 minutes is enough. As Dr. Jen Gutner says, exercise is like finding money in the street: if you find $10 lying around, you’re not going to leave them there because they aren’t $100. Invest a little in yourself, because you’re worth taking 10 minutes a day for.

Packaging into Bookmarks: A Quick Repurposing Project

I love Present and Correct’s packaging and I didn’t want to throw it away, so I repurposed it as bookmarks using some washi tape and scissors.

This was originally glued to a paper bag.

The have these cool vintage lending slips glued to their paper bags so I cut it off the bag, and used washi tape on the back to tidy things up a bit. I’m currently using this in the book that I’m reading (Drive Your Plow Over the Bones of the Dead), and I love it.

The next bookmark is messy but I don’t care. I took a slightly crumpled brown envelope that contained pencils, cut out the interesting part and taped it shut with washi tape. I didn’t bother using a ruler so it’s a bit wonky but I don’t care. The result is still useful and I like its imperfections.

It took a few minutes to create these, and they make me smile. I enjoy giving new life to old packaging, and I hope this and my paper bag sketches inspire you to give it a try yourself.

Quick Update and Currently Inked

I returned on Saturday afternoon from a 17(!) day trip to London, York and Paris, and I’m still in the process of adjusting back to my routine. It was a perfect trip and a perfect break from the hard reality that I normally live in, and so it’s been tough getting back. I missed my cats, and I missed my running routine, but I didn’t miss the slew of doctor appointments and medical related bureaucracy surrounding my cancer and my mom’s cancer, and I didn’t miss the political situation here at all.

So I’m trying to find comfort in journalling, in talking to friends, in enjoying the things that I got from abroad (of course I bought pens, paper, pencils, ink, cool vintage stationery, art supplies, etc). And I’m returning to blogging regularly. I have quite a few reviews in the works, and one more post in the “Ghosts of Planner’s Past” series, plus as I’m getting back to my reading routine more books will be featured here.

For now I’ve filled up four new fountain pens (none of which I’ve bought on this latest trip). The ASC Triangolo is a pen that I don’t remember buying at all, which is extremely unusual, and likely means that I bought it at Mora Stylos in 2022, on my first trip after finishing Chemo. Chemo brain is a real thing and I have chunks of that time (during treatment and a few months after it) that are completely missing in a very scary sort of way. The pen itself is an Omas 360 look alike, made with gorgeous arco verde material and has a “magic flex” nib. It’s the largest and one of the heaviest pens that I own, and the nib has issues (both problems starting and issues where it puts down too much ink). I filled it with Faber Castell Deep Sea Green, which from my experience is a drier ink, but that didn’t seem to affect it much. I doubt that I’d get much help from the Pen Family (their QC and service isn’t known to be the best though I will give them a try), so it’s a matter of seeing if I can fix it myself, and seeing what I can do to get it tuned locally, considering that the main guy working on pens here has recently retired. The ASC Triangolo is the big green striped triangular pen right beneath the writing.

The Sailor Pro Gear Slim Manyo Cherry Blossom is a pen that I bought on a whim in Choosing Keeping in London last year. I haven’t inked it since I bought it, but now I did, using the bottle of Sailor Manyo Sakura ink that came with it. This pen, unlike the Triangolo, perfectly fits my tiny hands (it’s the pink pen with the blue finials).

The two Lamy AL Stars (one on each side of the page) are a recent purchase from Pen Chalet. I wanted to try out a Lamy B nib, and I really liked the AL Star Petrol 2023 special edition, and the Tourmaline (2020?) one. They’re filled with Sailor Ink Studio inks that I purchased in Choosing Keeping during my last trip there.

The Leonardo Momento Zero Blue Hawaii and the FC Sparkling Rock travelled with me to London and back. They were a joy to use, and I’m glad that I took them along as they caused no issues – no leaks, etc – and were fun to use when I journaled during my trip.

Here’s a bit of a closer look at the writing sample. The Triangolo’s is unfortunately a mess. The Ink Studio 340 and 224 are my favourite inks of the bunch, though the Ama Iro and 743 are also great. The Sailor Manyo Sakura is too light of my tastes, especially in such a fine nib (the Sailor MF is like a Lamy EF).

Break out a nice pen or pencil to use. It’s the little things that can help make your day.

What I’m Using: Field Notes Heavy Duty

Field Notes Heavy Duty started out as a limited edition product and I believe is now part of their lineup (these posts are quick and dirty ones, so google things if you’re interested. The point of this exercise is to write these without pausing to search for things). I didn’t use them at all at first, but lately they have become my scratchpad of choice. I have a pair currently in use, and I throw whatever I need to remember into them, plus little things that I need to work out, notes that I take during phone calls, etc. Things then get processed from there, or just torn off and chucked away. Aaron Draplin would approve.

These take pretty much any kind of pen that you can throw at them and are decent enough even with fountain pens.

Pro tip: feel free to ignore the ruling and use them landscape style. This goes for any portrait oriented writing pad.

Writing at Large

Primary Menu

Category: What I’m Using