On Reading Difficult Books

Is there a book that you want to read but scares you? It’s too long, or too technically demanding, or its subject matter is challenging — is there such a book on your virtual or physical bookshelf?

I have several such books waiting to be read. I also make a point to read several such books each year. They’re nearly always worth the effort.

Goodreads and its annual reading challenge make readers favour short, quick reads, skim reading and light reading. This is not by chance, but this isn’t a post about the failures of Goodreads as a platform. This is a post about reading difficult books, and the point is that if you want to challenge yourself you’re going to have to make a concerted effort on your own.

You will have to motivate yourself because reading platforms and book clubs skew towards books that can be read quickly and relatively easily, and we’re being trained daily to shorten our attention span and ruin our capacity to concentrate and think by platforms like TikTok, Instagram and YouTube. To read difficult books is to go against the grain, to retrain your mind to deep, meaningful thought, to long stretches of concentration, to a higher level of empathy. It’s the difference between a fast food burger and an evening with a 3 star Michelin chef showing off his best work. It’s worth it, but it costs more.

If you chose to go on that challenging but worthwhile journey, here are some tips to help you along the way:

  • Build up to it – don’t start with the toughest, longest, scariest book on your list and try to white knuckle your way through. Build up to it by stretching and building up your reading and concentration “muscles” first. If you’re building up to length, for example, fantasy and space opera sci-fi novels are a great way to get there, as they’re usually well paced, relatively easy reads. Historical fiction and family sagas can train you to follow multiple timelines and characters, and short stories utilizing modernist and post-modernist techniques can offer an easier way to encounter them for the first time.
  • Have a light read going simultaneously – this is particularly effective if the book you’re tackling has a difficult subject matter. Have a light, fun read going on at the same time and switch between the two, allowing yourself a break from the difficult topic and time to process it every once in a while.
  • Find a partner for the journey – find a friend, online or in real life, who’s interested in reading the same book as you are, and help each other through it.
  • Find a community – it’s difficult to find a friend interested and able to dedicate time to take the reading journey with you, but it may be possible to find a community of readers going through the book at the same time as you are. It can be through a local bookclub, a virtual bookclub, a reddit community, a Goodreads group, a discord channel – whatever group you can find and suits you. Just make sure you’re comfortable with the group rules in terms of code of conduct and spoilers, and feel free to leave if you encounter toxic behaviour.
  • Create a framework to help you through – ideas for this can include various trackers, reminders, applications like Forest or other Pomodoro like counters that help you focus, little treats or incentives after reaching certain milestones. If I’m reading a particularly long book, I set up a dedicated tracker and a page count I want to hit every day, to make sure that I don’t feel overwhelmed and can visually see my progress. It somehow helps me deal with the goblin in my mind that is screaming that this book is too much for me and I don’t have time for it. Field notes are great for this, especially the squared and reticle grid ones.
  • Start by reading a good chunk – on your first read at least the first chapter or several chapters, so that you get into the flow and tone of the book as soon as possible. I tend to aim for 30-50 pages on the first sitting.
  • Get a physical copy of the book, not a digital one. Paper books are easier and more enjoyable to read than digital ones, as our mind finds them easier to process because of the way we read (oftentimes returning a page or two back to check on something, or flipping to a previous chapter to remind ourselves who that character is or what happened last time). Whenever I’ve tried to read a difficult book on my Kindle, I’ve regretted it (The Alexandria Quartet is the latest example).
  • Feel free to give up, tomorrow – if the book is too much for you, it’s OK to decide that you’re not going to finish it, or you’re going to get back to it at a later date. But before you do that, take one more day to make an effort and read another chunk anyway. Why? Because you may have just reached a particular tough spot, and in a few pages things clear up, or become easier to digest. Also, you may just be having a bad day, or you’re particularly distracted or tired and so the writing becomes more opaque or more of a slog. Give it another day and if it doesn’t improve, move on.
Tracker for Paul Auster’s 4321 on a Field Notes Snowy Evening with a Spoke Design pen.

I’m currently reading Paul Auster’s 4321, which is a challenging read due to its length and its structure. Later on this year I plan to reread James Joyce’s Ulysses (I read it twice cover to cover already, and studied it while taking my degree). I’m considering tracking my rereading here, in case someone wants to follow along. Let me know in the comments if that’s something that may interest you.

One Week 100 People 2024 Day 8 (Final Day)

So I was sick, which made sketching impossible for a few days. I’m still sick but I’m slightly better, so I sat down and powered through the rest of the missing sketches.

As I mentioned last time 61-68 were draw from life, the rest from earthsworld. This site is so much better for reference photos than the flickr gallery I used in previous years that it affected both my speed and my sketching quality. Also, I had a lot more fun sketching these portraits this year. The Leonardo Momento Zero Bohemian Twilight fine nibbed fountain pen was the perfect sketching companion, and Diamine fireside snug performed well on the Stillman and Birn Alpha paper. The larger landscape format also helped make these a joy.
Here are the previous days’ sketches: day 1, day 2, day 3, day 4, day 5, day 6, day 7.

This sketching challenge is always great to do, as it really pushes me outside my comfort zone. If you haven’t yet, I highly recommend giving it a try.

And as usual, which one is your favourite?

One Week 100 People 2024 Day 7

Had a packed day today so only a few minutes to sketch, but all of today’s sketches were done from live subjects.

I apologise for the potato quality photo

One Week 100 People 2024 Day 6

A long tiring day with two vet visits meant that I had precious little time to sketch. Got up to 60, and sort of them came out surprisingly well.

As expected, with my injury and the way this week is shaping up I likely will finish my sketches only on Tuesday or Wednesday, but I like the results so I’m not in a rush.

Which one is your favourite in this batch?

One Week 100 People 2024 Day 5

I really didn’t feel like sketching today, as I discovered that my cat has a large lump on his hind leg so I need to take him to the vet tomorrow. I’m worried about him and so considered skipping today entirely, but ended up sketching some people to distract myself. Same setup as yesterday – Leonardo Momento Zero fountain pen, Diamine Fireside Snug ink, Stillman and Birn Alpha.

41-42 added here

One Week 100 People Day 4

Three things happened today:

  1. My shoulder is feeling better.
  2. I have more time.
  3. I found the wonderful Earthworld thanks to Tina from Fuelled by Clouds and Coffee and started using it for reference photos.

The result is sketches 12 to 40 (yes, I got that many done in a single sitting). The fact that I have much better reference photos made such a huge difference, as I didn’t have to waste time digging through urban landscape photos in search for half decent portraits. Also, the Earthworld photographs feature People with a capital P – frumpy, old, ugly, real and incredibly beautiful to sketch. The great Leonardo Momento Zero Bohemia Twilight fountain pen with its fine nib and Diamine Fireside Snug also added to the fun – I love this pen and ink combo so much I’m likely going to use it for the rest of the 60 sketches.

Number 12 was added to this page
I love 14, 17, 18, 20 and 21
I picked up speed with these as I warmed up
Number 36 and 37 really came out well, I think

So, now which one is your favourite? I have too many to choose from.

One Week 100 People Day 3

I had a busy day yesterday, so I only got three sketches in and didn’t have time to post them. Numbers 9-11 were what I added, with number 9 being sketched with a vintage Parker Vacumatic filled with Diamine Ash and numbers 10 and 11 being sketched with a Franklin Christoph 45L and Diamine Eau de Nil. I loved the lines that the Parker Vacumatic produced, but it’s an extra fine nibbed fountain pen and it really struggled on the tooth of the Stillman and Birn Alpha. These were the last batch sketched from the Street Photography group on Flickr. I found a better source for photos thanks to a great tip from Tina from the wonderful Fuelled by Clouds and Coffee blog.

One week 100 people day 2

I almost didn’t post today as I wasn’t up to sketching and I got only three sketches in, none of them great. But I like it when creators show their failures so I’m doing it myself today: my lack of shoulder mobility coupled with a lack of sleep and the difficulty of the subject made for a bad sketching day.

Parker 51 with Montblanc The Beatles Psychedelic Purple on a Stillman and Birn Alpha. Sketched 6-8 were done today. As usual the goal for me is to get to 100 even if it takes more than a week.

Celebrate your failures.

One Week 100 People 2024: Day 1

An inauspicious start for this year’s one week 100 people drawing challenge: I hurt my shoulder yesterday and now it’s extremely painful to draw with it. So today’s sketch batch is just five sketches, done with a vintage Radius Comet fountain pen and Diamine Anaranth ink on a hardcover landscape Stillman and Birn Alpha.

These were all sketched from Creative Commons Flickr photos, working for no more than 1-2 minutes per sketch, directly with pen and ink. The expressiveness of this nib has been a lot of fun. Number 5 is my favourite so far, which one is yours?

As I noted earlier, I’ve decided to only post these on my blog this year and not on social media.