Grosvenor Square Sketch
Quick sketch of the renewed Grosvenor Square garden in London.

Sketched on a Hahnemuhle A5 watercolour sketchbook.

The line sketch was done with a brush pen.

A blog about writing, sketching, running and other things
Quick sketch of the renewed Grosvenor Square garden in London.

Sketched on a Hahnemuhle A5 watercolour sketchbook.

The line sketch was done with a brush pen.

Happy new year, full of peace and blessings to us all.

I’m travelling to Paris and London and I’m trying to both sketch much more and journal more consistently. The first leg of the trip is a four day stint in Paris and I just completed it.
Here are the sketches that I made:

I was tired and this came out wonky but I don’t mind as it captures the moment well and I had less than 10 minutes to get it done.

Sketch of the wonderful lunch at my favourite cafe:

I bought a Hahnemuhle A5 watercolour sketchbook and a new set of Uni Pin fineliners. This sketch of Place de la Sorbonne was done in situ with a brush pen but I ran out of time so I took reference photos and added the watercolour later.


I went to The Coffee, one of my favourite local cafes. I sketched the shop and the barista:

And had enough time to add watercolour. I was hesitant to show it to the barista once I was done but in the end I mustered the courage and did and she liked it.

Had about 10 minutes to sketch in the St Sulpice square which was enough to get some quick line work done and take some reference photos for later.

Finished it later:

Yesterday I went to the Notre Dame, my favourite, and managed to get a line sketch in my Hahnemuhle A5 watercolour sketchbook but then the heat and crowds were too much for me so I completed the sketch in my hotel room later that evening.


I tried sketching the interior of Patisserie Viennoise, my favourite cafe, this morning but didn’t find an inspiring angle so I just created a brief vignette in my Hahnemuhle:

Later I went to the Luxembourg gardens and sketched the Medici’s fountain. It was closed off to visitors for some sort of maintenance so I sketched it from a distance.

The complete sketch:

Bought an A5 Moleskine sketchbook on sale and made this sketch on the bumpy train ride from Paris to London:

So far I have managed to sketch and journal daily. London’s schedule is more hectic so we’ll see how things go there.
It’s been a while since my last update, and though I drafted a post in my blogging notebook over a month ago, I didn’t get to posting it here.
I got a new job! The process was much quicker than I expected both because of my excellent friends and colleagues network and because I aggressively pursued new employment opportunities. I was getting three interviews a day plus sending several applications a day despite being sick and having another “delightful” rocket round from Iran to deal with. In the end it took me two and a half weeks to find a new (and better) place, and I learned a lot from the process.

I had a little time off before I started my new job (I started two weeks ago) and I spent most of it on catching up with friends, getting on top of doctor’s appointments, decluttering and honing my technical skills. I didn’t get half of what I planned on doing done, but that’s the nature of the beast. I am very glad that I prioritised meeting friends because it was so energising and fun and fulfilling to be able to do that. It made me realise yet again just how important real life meetings with friends are.
I finished the NYT Summer Reading Challenge on the 6th of August, well before the deadline. I enjoyed the challenge and I’m glad that I participated as it got me reading books that have long been languishing on my reading list. I decided that I will review each of the ten books that I read, so expect those reviews up shortly.
I saw the new Spiderman movie (Spiderman: Brand New Day) and it’s very good. It reminded me of The Thunderbolts, which I loved. It was well written and performed, and Florence Pugh and Jon Berenthal steal every scene they’re in they are so magnetic.

I’m almost done with my Stillman and Birn pocket beta sketchbook and I might post a flip-through here. I normally take ages to finish a sketchbook because I have so many sketchbooks running in parallel, but this one took about a year, which is super fast for me. Most of it is full of cafe sketches, because I’ve put a focus on sketching people on the move. I do plan on getting back to more landscape and other sketches in my next sketchbook.
I’m still struggling with my journaling, and I also have a large pile of notebooks that I was planning to review but I’m not so sure how to go about that. Standard reviews take a lot of time and I’m not sure that they’re that enjoyable or interesting to read. I don’t want to spew a fact sheet of information on paper weight and binding types as you can find more accurate information on the manufacturer’s website these days. Even Moleksine, who had been elusive about their paper weights in the past, now publish all the relevant details on their website. I think it would be more interesting to read about why I selected a notebook, who I think would enjoy it, and who I think should steer clear of it. What do you think?
I really like today’s cafe sketch, so I decided to post it.

Here’s the line work before I added watercolour:

Cafe sketches are a great way to get used to sketching people in real life. If you want to get started, take a sketchbook and a pen to a cafe near you, and just spend 10-15 minutes drawing as many people as you can.
I stopped using streaming services for a few months as I was studying for a certification exam, but as I now have more time in the evenings I’ve been back to watching stuff on my iPad. Here are a few things that I’ve watched over the last month or so.
Apart from that I managed to get four short runs in this week (my runs are now laps around the bomb shelter) and I went to my favourite cafe and sketched my favourite barista at work:

Here’s the sketch before I added watercolours:

And I’m back to building Lego, as it really helps reduce stress (at least for me). My brother bought me this set for my birthday last year and I haven’t had the chance to build it yet. It took me about two hours:

There’s a nice hidden Star Wars scene at the top of the “T”. Can you guess what it is?

Hoping that the downed airman is safely recovered and this war ends.
Once a year Schmincke, the German art supply company (makers of the best watercolours in the world) produce a limited edition colour out of the leftover pigments they have. The pigments come from their pastel production- which uses almost 100% pigment.
In 2024 the made an acrylic Random Grey. In 2023 the Random Grey was a pastel.
This year’s Random Grey is a watercolour. It’s a warm grey, granulating, and semi opaque. While I normally prefer cool or neutral grey’s, this colour looked interesting enough for me to give it a try.
The paint comes in a 15ml tube and though it’s a series 1 pigment it cost double the price of Schmincke’s usual series 1 watercolours (note: professional watercolours are usually priced differently by the kind of pigment they use. Blues tend to be more expensive than earth tones, for example. Schmincke’s series 1 are the cheapest and series 4 the most expensive). I’m not surprised as it’s a limited edition, but if you’re just looking for a warm grey Random Grey isn’t the most cost effective option.

I filled three half pans with Random Grey (one for me and two to gift) and there was plenty more to go around, so if you’re interested in this watercolour but are price conscious you can try finding other artists in your area that would be willing to split the tube. Schmincke’s watercolours are superb and it’s very easy to fill a pan or half pan with paint, let it set for a day or two and then use it.
The shade really surprised me. Yes, it’s a warm grey, but it’s not too far away from a neutral grey to become unusable for all but certain lighting conditions. It does not have that yellowish brown tinge that makes warm grey’s so… atmospheric. I enjoyed using this pigment, its granulation and layering possibilities enough to add it (at least temporarily) to my watercolour palette.
Is this a bit of a gimmick? Yes. Is it also a fun and interesting grey to have around? Also yes. I look forward to mixing and combining it with some pinks and reds and seeing what comes out.
Note: I sketched this on Pith paper, which is not watercolour paper. On watercolour paper Random Grey’s granulating properties will be even more pronounced.
Have a happy new year! Here’s hoping that 2026 will be much better than 2025 was.
Here are a few recent sketches (mostly) from my Stillman and Birn pocket beta notebook.










Have a creative new year!
Day 3’s ink is Diamine Carousel. It’s a red pigment ink – which should mean that it’s waterproof, something that I will test later on.

Carousel is an orangey/coral red ink that flowed well in my Lamy Safari medium nib. There’s a bit of shading with this ink, which surprised me. I wasn’t expecting any shading because it’s a pigmented ink, and from my experience they tend to be “flatter”. In any case Carousel is a bright and cheerful colour, perfect for the season.

I had to check if Diamine Carousel is waterproof, so I sketched one of the beaches near my apartment. I then waited for the ink to completely dry, and painted over it with watercolours. It worked perfectly, as you can see, and I actually like the effect of sketching with such a peculiar colour of ink.

Today’s bear is Lialu, and he’s a Dean’s bear, and another one of the few blue bears that I own. Look what a serious little fellow he is:

Diamine Carousel is a fun ink that’s completely waterproof when dry, and a joy to sketch with. I will certainly enjoy sketching with it, and time will tell if I’ll be adding it to my waterproof ink collection later next year. For scenes with lots of greens I think it would work particularly well, as it makes greens pop.
Do you see yourself sketching with this ink?
A hectic week but an interesting one.
I went to see a local production of Singer, a play by Peter Flannery. It was phenomenal but it kept me up at night, which meant that the following morning I headed straight to my local cafe. I sketched the barista but something didn’t work in terms of getting her face right – she turned out sadder than she is. Sketching tired is rough.

Here’s the rather messy pencil and pen sketch. I can tell just by the line quality that I was very, very tired.

A day later I went to sketch at the nearby park and you can see the difference in the line quality in this sketch:

Initial sketch:

Later that week the film photographs that I’d had developed were returned to me. Here are a few of my favourites:

I love the atmosphere that the film gives this simple photo:

All of these photos are unedited. I’ll likely clean them up later on.

There was a fire on the roof of a nearby hotel. I took this photo a day after the fire, and you can see the damage:

Cat failing to hunt a crow:

A stall at the local farmer’s market:

A stall at the local farmer’s market. You can see the see in the background.

I was supposed to run at a 10k night race on Wednesday, but I wasn’t feeling too good and I was apprehensive about dealing with the crowds so I ran the distance by myself a few hours before the official race start. It was a good decision as I was really struggling during the first 3k – but I did manage to finish, and finish strong.
I finished reading “Helmet for My Pillow” by Robert Leckie (a powerful narrative, but not as punchy as “With the Old Breed”), read “Death of a Nurse” by M.C. Beaton as a palate cleanser, and I’ve now started “The Shattering Peace”, John Scalzi’s long awaited sequel to his Old Man’s War series.
I’ve been overwhelmed with the responses to my Pelikan Hubs post. Thank you all for your kindness and for the thought and effort you put into your comments. I read them all, I just wasn’t able to respond to all of them this week.
Speaking of the Hubs, all of my pre-hubs inked pens have been written dry, which means that I currently have a 100% Pelikan rotation, plus some Platinum Preppy’s that I use for sketching.
Have a great week!