Weekly Update: Streaming Edition

I stopped using streaming services for a few months as I was studying for a certification exam, but as I now have more time in the evenings I’ve been back to watching stuff on my iPad. Here are a few things that I’ve watched over the last month or so.

“Shrinking” (Apple TV) – I bought a new iPad in December and so I got three free months of Apple TV. After I finished watching the fifth season of “Slow Horses” (excellent as usual), I watched the three seasons of “Shrinking”. It’s a wonderful show that manages to be both upbeat and constantly make you cry. The actors, the writing, the concept are all fantastic, and Harrison Ford (like Gary Oldman in “Slow Horses”) steal every scene he’s in. You tend to generally dislike the characters when they first appear on screen, and they gradually earn your respect and compassion, which is refreshing. My last experience with therapy was not good, and all three of the therapists in this show are deeply flawed, if very well meaning. It speaks to the quality of the writing and the acting that despite this I would be happy to have either one of them as my therapist.
“Murderbot” (Apple TV) – I love Matha Wells’s Murderbot Diaries series of books that this is based on, so I was apprehensive about this series. After watching the first season I can say that it’s a good series, although it isn’t as good as “All Systems Red”, the novella that it is based on. The novella was adapted for the format, and while the result works and it’s a good sci-fi series, the TV murderbot lacks the humour and heart of the book one. I recommend watching it, and I recommend even more reading the books.
“Lilo & Stitch” and “Lilo & Stitch Live Action” (Disney+) – I didn’t watch the original animated film when it came out and until now I haven’t taken the time to watch it. I wish that I had – it’s an unexpected gem, a lovely story about family, love, being unique and belonging. I generally don’t watch live action adaptations of Disney animated features, but this one was highly recommended and it is very good. The story was changed to update it and fit the format and to update it for the times, and the result is delightful. I highly recommend both.
“Elio” (Disney+) – this Pixar film isn’t one of their classics, but it’s still a cute sci-fi story, with charming humour, and whimsical world-building. It lacks the depth or punch of “Up”, “Inside Out”, “Wall-E” and other Pixar classics, but it’s still a fun way to pass an evening.
“Elemental” (Disney+) – this Pixar film is supposed to be a rom-com but ends up being a preachy and lackluster story about first and second generation immigrants. “Turning Red” dealt with the immigrant story much better than “Elemental” – it was funnier, more interesting, and more relatable. The world-building in “Elemental” is patchy as is the animation (it moves from weirdly hyper realistic backgrounds to almost 2D characters), and I didn’t feel that there was chemistry between the two main characters. The world has some charming moments, but doesn’t hold a candle to that of “Inside Out”, “Monsters Inc” or “Wall-E”, and the humour isn’t really there. It ends up being a mediocre movie, and there are too many good things to watch to justify spending any time with this film.
“Scrubs” (Disney+) – the team is back after years for a new season, and it’s an absolute delight. I like the new interns, and I love how they accounted for the growth and age of the original cast – and yet how at their core they remain the same. The series manages to deal with the many shortcomings of the American health system without becoming preachy, and it still keeps a balance between humour and heart.
“Star Trek: Starfleet Academy” (Paramount Plus) – before this series aired I thought that only Star Wars had “anti-diversity bro” reviewers, but boy was I wrong. The pilot is important story-wise but is far from perfect, but the rest of the series has the Star Trek heart and vibe that are missing from “Star Trek: Discovery” and “Star Trek: Picard”. The mean reviewers seem to forget that Star Trek was always both “woke” and campy, and this series is both (it features a pacifist gay Klingon, which apparently is a bridge too far for the dudes). While I don’t like Captain Ake (I find her mannerisms more annoying than charming) the rest of the cast is wonderful and the cadets grow and evolve significantly throughout the series. This series features the best Klingon episode to date, as well as lovely homage to my favourite Star Trek series, “Deep Space Nine”. I recommend this series, despite the pilot and Captain Ake and her weird mannerisms, as it has a lot of heart, a lot of humour and a lot of good stories and good characters.

Apart from that I managed to get four short runs in this week (my runs are now laps around the bomb shelter) and I went to my favourite cafe and sketched my favourite barista at work:

Watercolours and fineliner on Pith sketchbook

Here’s the sketch before I added watercolours:

Faber Castell 0.3 fineliner on Pith sketchbook

And I’m back to building Lego, as it really helps reduce stress (at least for me). My brother bought me this set for my birthday last year and I haven’t had the chance to build it yet. It took me about two hours:

There’s a nice hidden Star Wars scene at the top of the “T”. Can you guess what it is?

Hoping that the downed airman is safely recovered and this war ends.

Schmincke Random Grey 2026 Watercolour

Once a year Schmincke, the German art supply company (makers of the best watercolours in the world) produce a limited edition colour out of the leftover pigments they have. The pigments come from their pastel production- which uses almost 100% pigment.

In 2024 the made an acrylic Random Grey. In 2023 the Random Grey was a pastel.

This year’s Random Grey is a watercolour. It’s a warm grey, granulating, and semi opaque. While I normally prefer cool or neutral grey’s, this colour looked interesting enough for me to give it a try.

The paint comes in a 15ml tube and though it’s a series 1 pigment it cost double the price of Schmincke’s usual series 1 watercolours (note: professional watercolours are usually priced differently by the kind of pigment they use. Blues tend to be more expensive than earth tones, for example. Schmincke’s series 1 are the cheapest and series 4 the most expensive). I’m not surprised as it’s a limited edition, but if you’re just looking for a warm grey Random Grey isn’t the most cost effective option.

I filled three half pans with Random Grey (one for me and two to gift) and there was plenty more to go around, so if you’re interested in this watercolour but are price conscious you can try finding other artists in your area that would be willing to split the tube. Schmincke’s watercolours are superb and it’s very easy to fill a pan or half pan with paint, let it set for a day or two and then use it.

The shade really surprised me. Yes, it’s a warm grey, but it’s not too far away from a neutral grey to become unusable for all but certain lighting conditions. It does not have that yellowish brown tinge that makes warm grey’s so… atmospheric. I enjoyed using this pigment, its granulation and layering possibilities enough to add it (at least temporarily) to my watercolour palette.

Is this a bit of a gimmick? Yes. Is it also a fun and interesting grey to have around? Also yes. I look forward to mixing and combining it with some pinks and reds and seeing what comes out.

Note: I sketched this on Pith paper, which is not watercolour paper. On watercolour paper Random Grey’s granulating properties will be even more pronounced.

Happy New Year! 2026 Edition

Have a happy new year! Here’s hoping that 2026 will be much better than 2025 was.

Here are a few recent sketches (mostly) from my Stillman and Birn pocket beta notebook.

Tiny landscape (not from my sketchbook- drawn on a card as a gift)

Sketch in a doctor’s waiting office (not on Stillman and Birn)

Have a creative new year!

Diamine Inkvent 2025 Day 3

Day 3’s ink is Diamine Carousel. It’s a red pigment ink – which should mean that it’s waterproof, something that I will test later on.

Carousel is an orangey/coral red ink that flowed well in my Lamy Safari medium nib. There’s a bit of shading with this ink, which surprised me. I wasn’t expecting any shading because it’s a pigmented ink, and from my experience they tend to be “flatter”. In any case Carousel is a bright and cheerful colour, perfect for the season.

I had to check if Diamine Carousel is waterproof, so I sketched one of the beaches near my apartment. I then waited for the ink to completely dry, and painted over it with watercolours. It worked perfectly, as you can see, and I actually like the effect of sketching with such a peculiar colour of ink.

Today’s bear is Lialu, and he’s a Dean’s bear, and another one of the few blue bears that I own. Look what a serious little fellow he is:

Today’s bear – very dignified and distinguished

Diamine Carousel is a fun ink that’s completely waterproof when dry, and a joy to sketch with. I will certainly enjoy sketching with it, and time will tell if I’ll be adding it to my waterproof ink collection later next year. For scenes with lots of greens I think it would work particularly well, as it makes greens pop.

Do you see yourself sketching with this ink?

Weekly Update – Sketches, Film Photography and a 10K Race

A hectic week but an interesting one.

I went to see a local production of Singer, a play by Peter Flannery. It was phenomenal but it kept me up at night, which meant that the following morning I headed straight to my local cafe. I sketched the barista but something didn’t work in terms of getting her face right – she turned out sadder than she is. Sketching tired is rough.

Here’s the rather messy pencil and pen sketch. I can tell just by the line quality that I was very, very tired.

A day later I went to sketch at the nearby park and you can see the difference in the line quality in this sketch:

Initial sketch:

Later that week the film photographs that I’d had developed were returned to me. Here are a few of my favourites:

The local community cat that I feed twice a day coming to say hi

I love the atmosphere that the film gives this simple photo:

All of these photos are unedited. I’ll likely clean them up later on.

Bridge over water at a nature reserve near Haifa

There was a fire on the roof of a nearby hotel. I took this photo a day after the fire, and you can see the damage:

Cat failing to hunt a crow:

A stall at the local farmer’s market:

A stall at the local farmer’s market. You can see the see in the background.

I was supposed to run at a 10k night race on Wednesday, but I wasn’t feeling too good and I was apprehensive about dealing with the crowds so I ran the distance by myself a few hours before the official race start. It was a good decision as I was really struggling during the first 3k – but I did manage to finish, and finish strong.

I finished reading “Helmet for My Pillow” by Robert Leckie (a powerful narrative, but not as punchy as “With the Old Breed”), read “Death of a Nurse” by M.C. Beaton as a palate cleanser, and I’ve now started “The Shattering Peace”, John Scalzi’s long awaited sequel to his Old Man’s War series.

I’ve been overwhelmed with the responses to my Pelikan Hubs post. Thank you all for your kindness and for the thought and effort you put into your comments. I read them all, I just wasn’t able to respond to all of them this week.

Speaking of the Hubs, all of my pre-hubs inked pens have been written dry, which means that I currently have a 100% Pelikan rotation, plus some Platinum Preppy’s that I use for sketching.

Have a great week!

Weekly Update: Mars Yard 3.0

My Tom Sachs Nikecraft Mars Yard 3.0 sneakers arrived! I worked so hard to earn these and they were so expensive that for a moment I wondered if I’d ever wear them. But then I saw the bottom of the box:

The box is so well designed:

There are even hidden ten bullets:

There are two sets of sockliners that come with these shoes, one made of cork and one made of mesh:

And here are the shoes themselves:

Yes, I am wearing them, and yes, they are very comfortable. They aren’t in any way loud or attention grabbing, but that’s part of why I like them so much.

I’m nearing the end of reading “Helmet for My Pillow” by Robert Leckie. It’s a powerful narrative, but I think that “With the Old Breed” packed more punch. I also went to the Pelikan Hubs 2025 and you can read all about that here. I’ve now only got Pelikans inked up (and one Platinum Preppy), which is an interesting experience.

I sketched a new barista at my favourite cafe. The customers kept cutting off the view so I gave up on sketching the rest of the counter at some point. I was using my arttoolkit palette, which is ultra portable and contains a different set of paints than what I’m used to using. The notebook is a Stillman and Birn pocket Beta:

I went to develop film last week, and also went to an artist’s open house and splurged on a new painting. Have good art on your walls. It makes a difference.

Have a great week!

Paris London 2025 Part 4

In September I traveled to Paris and London. See part 1 of my travelogue here, part 2 here and part 3 here.

Another visit to the Phoenix garden resulted in this sketch in my Etchr lab sketchbook. I love the paper so much – even a super quick sketch pops on it.

I had a coffee at the Monmouth Coffee Company. I love their coffee, but the place was both packed and super hot and stuffy so I made this quick sketch in my Pith Kabosu sketchbook and didn’t bother to add watercolour to it. It’s the first time I tried a POV sketch, and you can see the weird way I oftentimes hold my pen. I got to talk to a super nice young South Korean woman, as I shared the table with her and a young Japanese father and his 4 year old son.

POV sketch of the Monmouth Coffee Company table

Lunch was at Wagamama again. I tried their pho for first time (it’s new on the menu) and really liked it.

In the evening we went to see My Neighbour Totoro. It’s a lovely play, very well considered and beautifully acted and puppeteered.

On Sunday my family went to Greenwich and I went to the Saucony Run Shoreditch 10k race. It was bright and cold, perfect running weather, and the route was pretty flat – but chock full of speed bumps, which really hampered the race flow and caused a few nasty spills.

Here’s the route:

And the starting line:

And some of the entertainment on the way:

We ran a lot of loops, mostly through pretty dull residential streets. Only in the final kilometre or so did we get to see a bit of Shoreditch high street etc.

Overall the race was fairly well organized, and not overly crowded (about 6,000 runners), but I didn’t enjoy the route mostly due to the speed bumps. They seem to have taken the worst out of the local runners, as people pushed, jostled and shoved to avoid running over them (I just started running over them from around the 3rd kilometre or so).

Here’s the medal:

After the race I went for a celebratory meal at Wagamama. I hadn’t had breakfast and I was parched so I had a ton to drink and tried one of their new curries. Jesna, my server, was really curious about the sketches and we got to talk a bit.

On Monday my dad and I went to Tate Modern to see a Picasso and the Theatre exhibition. We arrived early so we sat at Paul’s and sketched.

I also sketched the statue and part of the modern building across the street.

The “Theatre Picasso” exhibition was hands down one of the biggest disappointments of the trip. Never have I felt my intelligence or interest in art more insulted than in this exhibition, and I left after about 20 minutes.

Here’s a Picasso dove to relax for a bit:

I was in a bad mood when I left and I didn’t know what to do with myself so I made my way to Green Park and sat and sketched there for a while:

The final sketch:

Thankfully the best exhibition was still ahead of me – Marie Antoinette Style at Victoria and Alberts. The thought, curation, staging, flow, items – everything about this exhibition was perfection. You saw Marie Antoinette as a style icon, as a woman trapped in a role, as a doomed queen, as a harried and slandered victim, and as a larger than life figure. Her foibles, her eye for fashion, her courage, her very flawed life and her terrible death made her immortal in a way she likely could never have imagined.

We don’t have robins here, so it was nice to get to see a few of them at Hyde park during my morning runs and at the Phoenix garden.

There were surprisingly few Halloween decorations out but the Christmas shops were on full blast in all the big stores. Of course I had to buy this red fountain pen ornament from Liberty:

Pencils, pink pearl erasers, fountain pens and palette ornaments at Liberty London.

We then got to see Penn and Teller’s 50th anniversary show (and first West End tour). They were funny, surprising, and wonderful, and it was an overall delightful and very memorable evening. I even got a signed poster of their show!

On one of the last days of the trip I went to see the new Victoria and Albert East Storehouse museum. It’s a unique experience, and it’s worth the visit – but I recommend planning to go there well ahead of time and ordering items to interact with. It’s not a standard museum by any stretch of the imagination – it’s more of a museum about museums and how they handle their collections.

While I found many of the explanations to be overly politicized, it nevertheless is a place that I’d return to – provided I manage to book a “meeting” with an item (Order and Object at the study centre). It’s also interesting to see what other people ordered and how they interact with their chosen objects.

I had lunch at the nearby Wagamama for the last time, and sketched my lunch for the last time:

And then went for my last coffee at Monmouth Coffee Company:

In the evening we went to see “The Importance of Being Earnest”. Stephen Fry was excellent as Lady Bracknell, but I didn’t like the director’s interpretation of the play (Algernon is gay, Jack is gay, Cecily is gay, Gwendolen is gay), and the two main actors weren’t very good. For the life of me I don’t understand the director’s need to try and outsmart Oscar Wilde. Wilde’s work is polished to a mirror finish – there really is no need to be clever with it. It packs enough punch as it is.

Stephen Fry and the cast of The Importance of Being Earnest

On the last day of the trip I went to the Phoenix garden for a last sketch:

I got to talk to a lady that works in the garden, and it was nice showing her all of my various sketches of the place.

And we went to The Parlour at Fortnum and Mason for celebratory Sundaes before the flight.

Tres Leches sundae – Coffee, Bickfield Milk and Fior de Leche & Chocolate
Biscuit Ice Cream and Pumpkin Seed Praline

Overall it was a great trip even though I was sick during its first leg. I’ve never sketched so much during a trip before, largely thanks to some recently acquired sketchbooks and watercolour palettes, and some skills I learned during USK Poznan. I got a ton of watercolours, pens, pencils, inks and art supplies that I can’t wait to try out, and I got a nice stack of books to peruse over the coming months. Hopefully this was fun to read, and perhaps you got some inspiration for your next trip to Paris or London.

Paris London 2025 Part 3

In September I traveled to Paris and London. See part 1 of my travelogue here and part 2 here.

I met up with a dear friend for a pre-theatre tasting meal at Chotto-Matte, a trendy restaurant that combines Mexican and Japanese cuisines. I am not a foodie, and I will now confess that this was the first time that I’ve had sushi (I hate the smell and taste of fish and seaweed and everything that comes from the sea and so I’ve avoided it), and I really enjoyed it. It was the best meal that I had in London, and the company, the weird design and the very attentive service added to it.

I had the vegetarian pre-theatre menu, which meant that mine had no fish, seafood, meat or chicken in it. It was phenomenal.

On the right is the Edamame, which we shared and was good, and in the centre is Truffled Avocado Roll – Cucumber, sesame seeds, yuzu truffle soy. It was light and refreshing.

Lychee Ceviche – Leche de tigre, chive oil, sweet potato, Peruvian corn, coriander. One of the biggest surprises of the meal. Delicious, zingy and the textures were phenomenal.

Yasai Miso Crispy Sushi – Picante miso vegetables, takuan, shiso cress. Sticky but very good.

Nasu Miso – Aubergine miso, apricot, puffed soba, sesame seeds. Aubergine like I’ve never tasted it before. Again, a lot of great textures here and a ton of deep flavours.

King Oyster Mushroom Tostada – Pulled mushroom, smoked aji panca chilli, guacamole, lime, coriander. I’m not normally a mushroom fan, but this was smoky, “meaty” and satisfying.

Truffled Mushroom Rice – Sweet corn & queso fresco dip, jalapeño, coriander, corn tostadas. This was a rice heavy meal, and at this point I could eat no longer. I had about three spoonfuls and no more. It was a good dish, but it lacked the depth of flavour and the uniqueness of the rest of the dishes.

Milk Soft Serve Ice Cream with toasted almonds, chocolate sauce. It’s ice cream, it was good, but we had to rush to the theatre so we didn’t get to finish it. It wasn’t a particularly interesting desert though.

This is definitely a place that I’d return to for a special occasion.

We then went to see the classic musical, “The Producers”, and it was excellent. The cast was brilliant, and it’s a very good musical with some great (if disturbing) songs. Mel Brooks is a comedy genius, and this musical still packs a punch.

We also went to Spitalfields market, which meant that I could sketch this guy:

Sketch of a statue of a goat in Spitalfields market.

This was my very first sketch in the new Pith Kabosu sketchbook that I purchased at Cass Art. I debated whether to buy this sketchbook or not, as it had smooth, 200gsm paper and it opened flat, but I wasn’t sure it would work with watercolours. The great sellers at Cass Art told me it would, as they use it themselves, and they were right. It’s now my “daily driver” having replaced the Stillman and Birn pocket beta. The beta has thicker and more textured paper but the Pith Kabosu is slightly larger, has a more durable cover, and opens flat much better than the Stillman and Birn does. I later returned and purchased two more of these sketchbooks, they were so good.

I later sketched this seller in his stall, after purchasing an old set of folding rulers from his stall. I decided to paint him and the flag but left the rest of the stall as line drawings.

The Pith Kabosu is also cheaper than the Stillman and Birn and as it has smoother paper, works better for ink sketches and dry medium (pencils of various kinds, for example). It means that I’m more inclined to bring it out and make quick sketches in it, even if I don’t get to adding watercolour to them.

We then went to the second play at The Globe – Shakespeare’s Twelfth Night. We arrived early so I sat in the Starbucks across the entrance and sketched the place:

I originally didn’t have time to add colour to this. I just bashed out this 5 minute sketch and then added watercolour later, from reference photos.

I later added colour to the sketch. In hindsight I would have gone for a looser sketch, but I was still unsure what this paper could and couldn’t do. The answer is – practically everything. Only very heavy washes make the page buckle.

This was a regular Shakespeare play, and so there was some set design. this is the stage:

And in the yard where the groundlings are you can see another bit of the stage that isn’t normally there, but was used to represent the beach and other locales in the play.

I enjoyed the play a lot, and would recommend seeing plays at the Globe if you can tolerate the extremely uncomfortable seats (yes, even with the cushions).

We went to the Cartier exhibition at the Victoria and Albert museum. The exhibition is sold out, and it’s well considered, but we found it a bit dull compared to the Marie Antoinette exhibition at the same museum.

This is the Patiala necklace that was part of the exhibition. It was made by Jacques Cartier for the Maharaja of Nawanagar in 1928. He also made the Maharaja of Nawanagar’s necklace, later named the Jeanne Toussaint in the “Ocean’s 8” movie (it was a recreation made by Cartier for the movie).

My favourite parts were the film where they showed how a Cartier leopard is made, and the famous mystery clocks. There was a whole room dedicated to them, and it was fabulous.

Next post will be the last in the series. You can read it here.

Paris London 2025 Part 2

In September I traveled to Paris and London. See part 1 of my travelogue here.

I went to see two plays in The Globe theatre in London. The first was a one night only performance of Midsummer Night’s Dream that was a reenactment of how the actors in Shakespeare’s time would have performed a play. The actors didn’t rehearse the play beforehand, and they didn’t have the full text of the play to work with, just their lines and their cues and staging directions. They practiced the dances alone, and they had no idea what their fellow actors would do during the performance. Now this is Midsummer Night’s Dream so all the actors and everyone in the audience knew exactly how the story unfolds, but the lack of rehearsals made this a very live performance.

The play was sold out in minutes and I’m glad that I managed to get tickets at all. It was an amazing experience. As this was a one night performance the stage was the bare Globe stage – nowhere to hide as the audience surrounds the actors practically from all sides. There was a lady on stage in period costume, sitting with the full text and helping actors in the very few times that they fumbled. The energy was beyond description. It was the most electric staging of Shakespeare that I have ever seen. Everybody was “on” all the time because they weren’t entirely sure what would come next.

It was a raw performance – I later saw another, standard Shakespeare play there and it was much more polished because it was clearly rehearsed and performed several times before we saw it. Yet that was what made this performance so special – the actors’ reaction to their fellow actors was genuine and unvarnished. They were having fun, improvising, owning the text in a way they normally never do. The highlight was the play within the play at the end – seeing the actors laugh to the point where they had trouble saying their lines because Bottom was so very, very hilariously over the top was amazing.

One of my favourite places in London is the Phoenix community garden. I spent a lot of time there, and sketched it several times. This was my first and longest sketch of the garden, done on the wonderful Etchr Lab cold pressed watercolour sketchbook:

Fineliner sketch – no pencil underdrawing.

We went to see Disney’s Hercules – a new musical in West End. I wasn’t expecting much as I’m not a fan of the movie, but the musical was one of the best that we saw in the London. The production is stunning, the music is great, the actors were talented – particularly Megara – and the only minus is that Hades was a bit over the top even by the movie standards. They would do better to cut down on the amount of his jokes because they lose their impact otherwise. The Disney merch machine was out in full force that night, and I was one of only a handful that didn’t leave with something from their store.