I decided not to take part in Inktober this year. Instead I’ll be drawing at least one page a day in my Stillman and Birn pocket Alphas. It happens that there are just a few pages left in my first pocket Alpha, the one I got gifted by Stillman and Birn as part of their sponsorship of Gabi Campanario’s Urban Sketches Porto 2018 symposium class. I use multiple sketchbooks at the same time, and finishing and starting a notebook is always the hardest part for me. So I decided to challenge myself to finish my old Stillman and Birn pocket Alpha and start on a new one, by challenging myself to draw at least a page a day for 30 days straight.
I will be batch uploading these 5 days at a time, so here’s what I drew on the 17th of September until today, the 21st of September:
ReaperCon started yesterday and for the first time ever I’m actually able to participate. Yesterday I just listened to the classes, but today I jumped back in to painting minis.
This is the Reaper Bones Townsfolk Rioting Villager. After I took these photosI went back and softened the shading on his face a bit. I gave him a dirty, rusty pitchfork, and I tried not to take too much time on him (it still took longer than I would have liked). I also had a bad time with cutting off the mold lines, so I gave up after a few tries. In any case he’s not a display piece, but meant to be used in a game (when I can return to in person games).
I made a wet palette out of an old takeout box, some paper towels and a bit of parchment paper. I’ll later improve on it, but for now it gets the job done. I’m also experimenting with a new of taking painting notes in a notebook, but l’ll see if it works before I write about it.
I’ve been playing around with Nespresso capsules, and after cleaning one out and hammering it flat I made a little prototype of Nespresso backed embroidery piece that I was thinking of creating. The first prototype came out better than I expected, and I got some valuable ideas on how to improve the design – mostly it was pure fun.
I took an old t-shirt and cut it out for scraps, using it as the fabric for my prototype. It’s much too lightweight, but I got a sense of how I should work and what to avoid. I also got a chance to work with a dark fabric background for the first time.
I was surprised to discover that I could use darker threads than I anticipated to be able to use on such a dark background. I thought that the green would be swallowed by the black, but it still pops.
I originally thought of gluing the fabric directly on the capsule, but even if the fabric wasn’t so lightweight that wouldn’t have worked, and the fabric was very lightweight. I decided to cut out a thin cardboard backing and lace the piece to the backing.
Here it is post lacing and before gluing on:
The finished prototype, the back side:
And the front side:
This was a quick and dirty prototype. I now know how to better place and create the work, and which materials I need to get my hands on. And I had a lot of fun along the way.
I was searching for a craft knife when I stumbled upon this cool pencil just lying around, being beautiful but of no use to anybody:
I’m pretty sure that I bought it somewhere in London, perhaps in the London Graphic Centre or in stationery section of Foyles, but in any case it isn’t new.
It’s an unlacquered woodcase pencil with a chequered print, a B grade core and it appears to be a Tombow Ki-Monogatari, part of their eco pencil range.
It has a silky smooth finish, and it’s one of the most attractive woodcase pencils I own. The wood is not cedar, but by the way it sharpens and feels it’s high quality stuff.
You can see the grain of the wood very nicely here:
And also come through the chequered pattern:
It sharpens like a dream, with a perfectly centred core and no splinters or chunks falling out. High quality wood, high quality design, so what about the core?
This is a Tombow pencil and one of the things that Tombow do exceedingly well is make woodcase pencils. Drawing with this pencil is a dream – it glides on the page, there’s no “grit” to the core, it offers a good range of shading for a B grade, it doesn’t smudge and it keeps a point really, really well. This is a grade A drawing pencil.
I found this pencil by accident, totally forgetting that I ever bought it. I have cool stuff, so why don’t I use it?
I have no idea what the actual model of the pencil is, I’m just guessing that it’s a Ki-Monogatari, which means that this isn’t a “you should buy it” review. It’s a “go open you stationery drawer(s) and see what cool stuff you find there” post. Treat yourself to the stuff you already own.
A handwritten journal is an artifact in a way that an app can never be. It’s tactile, endlessly flexible, there to be used and customized in every way possible. Tear out pages, glue stuff in, doodle, scribble, sketch and write whatever you wish however you wish. There’s no autocorrect, nothing editing or censuring your words. Analogue journalling is about freedom, flow and pure creativity.
This is my last day journaling in this journal, and tomorrow I’ll write up the last page and start a new one for the thoughts of that day.
Every time I finish a journal, I use the last two pages to summarize what that journal contains and means to me. Analogue journals are fantastic, but they do make searching for old entries a bit of a chore. Luckily I don’t find myself looking for an old entry that often, and if I do the last two pages help me narrow it down to the specific journal, and the dates and titles to the specific entry.
I also like taking the last few pages as a chance to reflect on the time the journal covers and how things have changed (and I have changed) as the time has gone by. There’s usually about three months in each journal, sometimes more, so that’s a good chuck of time to look back on: short enough to make it simple to summarize and contextualize, and yet long enough to have some impact and meaning. This journal contains two trips abroad, my decision to move into a new career path, and a pandemic that wrecked havoc on everyone I know (including me, of course). That’s quite a lot, even for a journal that covers a relatively long span of time (almost 6 months).
It’s also full of bits and pieces that I stuck in, to make the page come to life. So here’s part of the Diamine Inkvent packaging that I glued in after I opened the last window and before I tossed out the box:
Cool clothing tags also sometimes make it in, especially if it’s from a piece of clothing that I really like:
I got a lot of Star Wars themedvinyl stickers as a gift near the end of last year and a lot of them ended in my journal:
Even the silliest of things can be used to brighten up a page:
There are little drawings and illustrations everywhere:
And bits and pieces of washi tape that were leftover from other projects:
The point is, tomorrow I finish another journal, a small analogue memory artifact that is entirely mine. I created it for me and me only, and it was worth every minute I put into it.
If there’s one habit that you can pick up during your time at home these days, pick journaling. You’ll end up getting quite a treasure in the end, and I’d be truly surprised if you won’t enjoy the process.
Near the end of one year and the beginning of another various articles and podcasts about New Year resolutions start popping up. They either give tips on how to make resolutions, debunk resolutions in favour of something else, and almost all of them try to sell you something.
This post is about how I create yearly goals (i.e. resolutions), using things that I already have, in a way that has worked for me since 2015.
I wrote about the way I do “New Years Resolutions” in the past. I call them that because I like the non-business ring of “resolution” over the “business-jargon” sounding goal. My “resolutions” are, however, S.M.A.R.T. goals: specific, measurable, attainable, relevant and time-bound. I manage them using the least used notebook that I had lying around (a Baron Fig Confidant), and whichever pen I have at hand. They aren’t made for instagram, rather I use my plain ugly handwriting, and what marking are on the page are there because they’re useful. Over the past five years I’ve attained about 90% of what I set out to achieve, with even an annus horribilis like 2018 not putting me too much off track. My goals are tiered, much like Kickstarter stretch goals, with most goals having a fairly easily attainable first tier, just in case life decides to kick me in a tender place.
I’m going to go over this year’s goals, and last year’s goals (apart from a few that I’ve censored for privacy’s sake). I know that February is usually the month when people give up on their resolutions. I hope that this post will help and inspire people to give yearly goals or resolutions a chance.
Above you can see my 2020 resolutions. A lot of them are things that appear in almost every year. The professional goals are all new (I didn’t manage my professional goals with my personal goals until this year, and even now only a small part of my professional goals are here).
Every goal at this point only has the basic, first tier goals set beside it. The first three goals for example, all reading related, will eventually have stretch goals. They’re interesting to note here because back in 2016 I only had one reading goal: read 24 books. Once I got back into the habit of reading, I started to challenge myself with longer and more challenging books. These are all my base reading goals. I usually stretch them to around 50 books a year.
Why don’t I start with 50 books then? Because the point of these goals is to build myself up for success. The basic goals are the “even if I have a horrible year I should be able to reach these” goals. They are there to remind me that there’s a tomorrow, and something I can and should do about that tomorrow, even if a family member is hospitalized (or worse). The stretch goals are then built in small increments, reaching to my my final goal for the year.
Why don’t I write my stretch goals down from the start? Because the point is to keep myself focused on the next small step. That’s why things are broken down to the smallest increment that makes sense: one book, 10k, one month.
There’s a reason for each goal on this spread. I won’t go into each one specifically, but they all fall into the following general categories:
Write more (my writing goals are censored, because if I publish them, I won’t do them. I know myself well enough by now).
Use the stuff I own.
Challenge myself to get out of my comfort zone.
Social goals (partly censored).
Health goals (running, cross-training, bloodwork, dentist visits).
Professional goals (partial list).
Everything has to fit in on a two page spread, or I lose track of things. That’s why I spill over to other pages in the same notebook to track some of the details of my goals:
Here are my 2019 resolutions. A pink check mark means that the basic goal is finished. You can see the increments things grow by (my stretch goals):
You may have noticed that the “fill triggers” goal isn’t filled up at all. This is the “relevant” part of the S.M.A.R.T. goals. I used the trigger system from Marshal Goldsmith’s “Triggers” book for a few months in 2018, and I decided at the beginning of 2019 to not continue with it. It was a conscious decision, and so I just ignored that goal.
Here are my 2019 “spill” pages, just to get an idea of how the whole thing works together:
Here are pencils, fountain pens, notebooks and races tracking:
And my largest tracking list, books:
The Baron Fig Confidant that holds this list has a bright cover and sits right in front of me, on my desk, at all times. I set up my goals that at every day or two I crack the notebook open and update the lists. Once there, I scan everything and check if there’s something that I can do to get it done. The point is to have this list on the top of my mind as much as possible, or else I’ll just forget about it, or it becomes something that I avoid checking out.
This is a system that supports me every day, giving my goals and aspirations much needed structure. I hope that this will help you build a personal system of this kind for yourself.
This is just a quick reminder to myself mostly, with the hope that it may connect with others:
You are doing your best and your best sometimes isn’t perfect, but it’s still your best. That’s all you can ever do under any circumstances.
Your journals and planners and notebooks and sketchbooks are for you. They may not be Instagram pretty, but if they work for you, don’t change them one iota. Some people create BOJO pages for social media, others create messy, working pages for themselves in terrible handwriting. Don’t let the first make you feel inadequate about the second.
If you think that tool X, bag Y or pen Z will make you a better writer, artist or human, think again. If you think that they will help make creating more of a joy, then feel free to treat yourself to them. It’s hard enough to sit down and start working as it is, so if you’ve discovered something that will give you joy in the process, feel free to silence any criticism, internal or external, and move on.
I like my journals to be filled with little sketches and bits and pieces that I collect here and there (labels, business cards, etc). It brings the entries to life, especially when I read through them later on.
So for instance yesterday I created a 3 minute sketch of a group of ladies enjoying themselves at a local cafe:
And here’s today’s page, about to be filled with notes:
So if you go to lunch somewhere, remember to grab their business card so that you can stick it in your notebook later.
I love reading about how other people use their notebooks and pens/pencils, so I decided to take the time to list what I’m currently using and how:
Field Notes Front Page – used in landscape mode with a Blackwing 16.2 to take notes while I work through the third draft of my novel. Something about the format of this notebook appeals to me, especially in landscape mode. I ignore the lines completely (easy to do, since they’re so faint). Also works well while I’m typing, since it’s thin enough not to get in the way. I just put it below my keyboard, a pause to jot a quick note when I need to.
Field Notes Dime Novel – I use this as a catch-all and home to do list notebook, using whichever fountain pen I have inked at the moment.
Moleskine Star Wars Lightsaber Duel – used as my daily journal, coupled with a Ti Arto with a uni-ball Signo 0.5 gel refill (UMR-85) and a Scotch glue stick to paste bits and bobs in. I’ve been using this combo for about two years now (with different Moleskine lined notebooks), and I couldn’t be happier with it.
Moleskine Large Squared – used as my “bullet journal” at work. I’ve simplified the bullet journal system (removed the calendars entirely) and it’s now a daily checklist + work journal that serves to answer two questions: what am I going to do today, and what have I actually done. Keeps me sane and happy, especially when outages derail my day. I use a Zebra G-301 pen with this that I bought in Atlanta in 2012, and it is still going strong. I go through about a refill every two months, so this isn’t the most economical of systems…
Moleskine pocket square reporter – a new one for me. I’m using it to keep a running food journal, using a Retro 51 tornado slim graphite filled with a parker gel refill.
Paper for Fountain Pens notebook – together with sheafs of Tomoe River paper, this is what I use for my writing notes, quick drafts, and when I’m working through plot holes. I use whatever fountain pen I have going at the time, usually two pens with two different inks, Neil Gaiman style.
Moleskine two-go – I’m using this as my reading journal. I log all the books I read here. Previously I used two Field Notes Arts notebooks, but I ran out of them, so I moved to this. Using a Karas Kustoms grey RenderK in this, coupled with a Caran d’Ache Bicolor pencil to highlight things, and whatever other pencil I have laying around, for extra notes.
Baron Fig Three Legged Jester Confidant – using this to track my resolutions for several years now. Used to be my daily journal.
Moleskine softcover squared pocket reporter – using this to keep track of story ideas. I write in it with whatever is on hand.