Month: September 2021

Moleskine Winter 2021 Catalog: A Tale of Discontinued Notebooks

A few days ago I found Moleskine’s Winter 2021 Catalog, and was dismayed to discover that many of my favourite notebooks are discontinued (“while supplies last”). So this is going to be mostly a “stock up on these if you like them” review of the catalog, not so much a “look at these cool new things from Moleskine,” mainly because most of the cool new things were published earlier in the year.

So here are the main discontinued notebooks, in order of their (dis)appearance in the catalog:

  • The Classic Reporter notebook, already available only in Pocket is now going to be available only in the Ruled option, both in hard cover and soft cover options. The Squared ruling is long gone and now the Plain option is disappearing from most dealers. This is your last chance to get it if you use it. As I used to use a Plain Pocket Reporter as a PigPog PDA and every few years I return to it, I’ve stocked up on a few for future use. I really wish that they wouldn’t have discontinued these, as they were some of my favourite notebooks from their lineup.
  • Dotted and Squared rulings are being discontinued in the Scarlet Red and Sapphire Blue Pocket and X-Large notebooks in both hard cover and soft cover. For some reason they’ll still be available in Myrtle Green in these sizes. Earth Brown and Reef Blue look like they are also being gradually phased out, likely to make room for next year’s spring colours. If you like these colours, especially in Plain ruling and in Pocket or X-Large sizes, now is the time to get them. I’ll wager that these colours are going to be completely phased out by the Spring 2022 catalog.
  • Moleskine Two-Go notebooks, which were my favourite new addition to their lineup are being completely phased out by the look of things. I’ve stocked up on as many as I can justify, as I use them as my reading journals. The size, the paper and the blank/lined ruling were perfect for this use, and I am going to sorely miss them. Moleskine seem to be replacing them with the Classic Notebooks Double Layout (more on that below), but the paper is 70gsm and not the 100gsm of the Two-Go notebooks.
  • Most of the Moleskine Blend notebook collection is being gutted, which is also a sore loss. Nobody makes fabric covers as well as Moleskine does (sorry Baron Fig), and some of my favourites were in this collection. The Denim collection, especially those with the writing on the covers (Hand Wash, This is Yours, etc) were fabulous, and in general this collection was well designed and executed. Only the new black and white checked and patterned 2021 notebooks that are new to the catalog remain. I guess that at leas we have hope that not all the Blend line is being discontinued.
  • Cahier notebooks are also seeing less options in the Squared and Dotted rulings. I have no idea why they seem to be less popular than other ruling options. Tender Yellow seems to be making its way out of the lineup, so if that’s a colour that you like you probably need to stock up.
  • Pearl Grey is being discontinued from the Pro Notebook lineup, and if you like the XXL notebooks not in Black now is the time to stock up on the Forest Green.
  • The Address Book is no longer going to be offered in X-Large. I can understand why – my guess is that the Pocket and the Large ones sell much better.
  • The Sketchbook in A3 is going to be offered only in Black from now on. Scarlet Red and Sapphire Blue are being discontinued in that size.
  • The Sketch Album in XXL is being discontinued.
  • As usual, I’m not going to delve into the wild and woolly world of Moleskine Smart and Moleskine accessories. It’s just too much, even for me.

Here are the new additions to the lineup, in order of their appearance in the catalog:

  • Moleskine Studio notebooks, which feature both 100gsm paper and an interesting design concept are my favourite new additions to the lineup. I already purchased one, which for some reason arrived sans box and and artwork, but oh well.
  • Classic Notebook Double Layout seem to there to in part replace the Two-Go, although they are offered in 70gsm paper and with regular and not fabric lined covers. Time will tell how popular they will be.
  • Moleskine Blend gets two additions to the lineup (everything else is being discontinued). They are both black and white patterns, which is classic but also a little boring. I wish they’d kept more innovation going in this part of their lineup.
  • Planners – everything is new here so I won’t go over them. There’s probably a planner option for everyone in this lineup, if planners are your thing.
  • Limited Editions – everything here is marked new, but apart from the Sakura everything has appeared in a previous catalog (if memory serves). The Sakura is gorgeous as usual, the rest of the lineup (Le Petit Prince and Hello Kitty in particular) are going to be very popular (the Pinnochio ones being the exception).
  • Logbooks are getting two new colour options – Coral Pink and Lavender Violet. You’ll often find them sold as “Bullet Journals” and the new colours appear to be flying off the shelves.
  • Moleskine National Geographic Taveller’s Notebook isn’t marked as new but I don’t recall seeing it before. It’s intriguing enough for me to purchase one, even though I wish they would have put thicker paper and less pages in this notebook. Hopefully I’ll be able to get back to travelling after my treatment and put this notebook into good use.

Scene From A Local Walk

I’m playing with green watercolour mixtures and drawing better foliage, so I took the opportunity to make this quick line sketch during one of my walks. I worked on the watercolours later, and I’m pretty happy with the results.

Resilience: A Health Update

While I was taking a walk a few days ago I saw this tree branch grow out of a tiny crack in a solid stone wall and I was impressed enough by its tenacity and resilience to draw it. By chance this drawing is on the opposite page of the one I made for my last health update, which seems appropriate.

I underwent a PET CT on the 9th of September, and thankfully the results were good. The treatment is working, kicking my cancer’s ass and not just making me feel bad. I went through another round of Chemo on the 12th, my fifth round so far, and the side effects are stronger and taking longer to fade away between sessions. This is to be expected, as the Chemo’s effects are cumulative, but I’ve decided to be like that tree: resilient. I’m making minor adjustments to get me through the post-Chemo days, working out ways to help me ride out the pain and unpleasantness of the worst of the side effects. It’s hard to pick up a pen or brush in the first days after treatment, and I sometimes lose fine motor control. So I’m using larger and lighter pens, and I take photos of things that I want to draw instead of working on location. At home I can take my time while sketching, take breaks, experiment with looser drawing. The drawing above isn’t large or complicated, but it took me two days to complete (one for line work and one for the watercolour).

Resilience. One treatment at a time.

Yom Kippur 2021

I had a strange Yom Kippur this year, as is to be expected. I decided to commemorate it in my sketchbook, this time using Faber Castel Albrecht Durer watercolour pencils in addition to my usual Schmincke and Daniel Smith watercolour mixture.

Drawn on a Stillman and Birn Alpha. Ink is Iroshizuku Ina Ho (lines), Robert Oster Fire and Ice (heading and text) and Sailor 123 (2021).

Esterbrook Estie Sea Glass Review

I am a huge fan of the original, vintage Esterbrook fountain pens. They are beautiful, versatile workhorses that are easyto find and affordable, provided you’re not after the rarer colours/models/nibs. If only they didn’t have lever fillers, one of my least favourite filling systems, they would have been my go to vintage pens.

I don’t buy vintage brand reboot pens. In my early days of fountain pen use there was a lot of hype about the reboot of Conklin. Conklin fountain pens had an interesting filling mechanism that I wanted to check out, but they were all too expensive for me at the time. Then came the brand reboot in the mid 2000’s which made the pens more affordable and more widely available. So I bought a Conklin Mark Twain in 2009, and it was terrible. It looked and felt like a $10 pen, it skipped and hard started all the time, and it fell to pieces after the first use. I still keep it as a reminder to be circumspect with my purchases in the future. The experience made me leery of vintage brand reboots, and so when Esterbrook was rebooted I stayed clear of their pens. They didn’t look like Esties, they looked like generic fountain pens, so I decided that this too must be a QC nightmare money grab that would ruin the Esterbrook name.

I was wrong.

My photos do not do this pen justice. The Esterbrook Estie Sea Glass. It’s gorgeous, trust me.

After a mountain of good new Esterbrook reviews came in, and after I reconciled myself to the idea that the new Esterbrooks did not look like the old Esterbrooks I decided to give the Esterbrook Estie a try, and picked up a Sea Glass with a journalling nib. I normally don’t buy pens with gold hardware, but this was what was available at the time, and so a gold hardware Esterbrook Estie Sea Glass it is.

First of all, the pen is gorgeous. It has the classic cigar/torpedo shape that many fountain pens share, but the material of the Sea Glass pen sets it apart. It’s partly translucent, partly chatoyant, and vibrant without being Benu loud.

You can see some of the effects in the pen body here, but my photos don’t do it justice.

What took me by surprise is the capping mechanism. It reminded me of a child safe pill bottle, where you also have to push down as you twist to get the bottle to open. The mechanism does work well to make sure that the Estie doesn’t dry up or accidentally uncap itself, but it also means that it takes longer and a bit more effort to uncap the pen. If you write in short bursts this mechanism is going to be an annoyance.

You can see the capping mechanism threads. Esterbrook gets bonus points for making them attractive.

The “cushion cap” mechanism is well made and is attractive and unobtrusive when writing, so I don’t think it detracts from the pen. It’s just something to be aware of, since it is so unusual. It reminds me a bit of the Visconti Homo Sapiens caps.

The cushion cap inside.

The nib has scrolls and the Esterbrook branding on it, as well as a four digit number, like the old Esterbrook nibs. You can unscrew the nib and replace it with a vintage Estie nib, though I’ve been enjoying my Gina Salorino medium stub journalling nib enough to not want to change it. The fact that Kenro industries, the makers of the new Esterbrook, have teamed up with nibmeisters to offer custom nib grinds is amazing. Apart from the journalling nib they also offer an architect grind.

The nib.

The pen is branded on the cap lip below the clip with an “Esterbrook” imprint in gold script. I really don’t like the branding, as I feel like it cheapens the pen. If it were just an imprint then I think it would have been classier.

When the branding calls too much attention to itself…

The Esterbrook Estie is a cartridge-converter pen, and it comes with an excellent converter. The fact that this isn’t a lever filler like vintage Esties is great, as it’s much easier to fill, clean and check how much ink you have left in a converter, plus sometimes cartridges are convenient.

Cartridge converter at work.

The Esterbrook Estie is on the larger side but not heavy, with its weight distributed closer to the nib. It makes for a very comfortable writing experience, especially for me now. The cap posts, but I wouldn’t post it because it makes the pen overly long and unwieldy.

Here’s a writing sample with the journalling nib. It’s a lot of fun to use, and very forgiving to whatever writing angle you use it with:

Writing sample.

The Esterbrook Estie is more than a reboot to an old beloved brand. It’s a fantastic pen to select as your first “more than $100” fountain pen. It’s very well made, comfortable to use, has a classic fountain pen look, and an interesting selection of nibs that you can get directly from the manufacturer. It’s also very forgiving: easy to clean due to the combined cartridge-converter system and nib unscrewing, not likely to dry up or leak due to the cushion cap, and comes with easy and cheap ways to customise the nib post-purchase if you find that your tastes have changed. There are a lot of vintage Estie nib units out there.

The pen that I was leery of buying turned out to be one of the best fountain pens I have.

Health Update for the New Year

It’s been a while since my last update, so I thought that I’d write a new one. On August 24th I had my fourth chemo treatment, and it went rougher than the ones before it in terms of side effects. The worst of the bunch has been my neuropathy, which until now has been not so bad. This time however, both my hands were numb and tingly, and the tips of my fingers actually hurt. It’s been hard typing, holding a pen, drawing. It’s not that I’ve stopped doing these things, it’s just that it’s been a challenge to overcome the pain, to focus more to get my hands moving the way that I want them to. But I haven’t given up, and I’ve managed to type, write with my pens, and even create this drawing:

Not bad for someone with semi functioning fingers, right?

My hands have gotten better with time, but they are getting better slowly, and they still haven’t returned to normal. I’ve discovered that lighter fountain pens with bigger barrels are the best in terms of being easy on my hands, and although my handwriting has suffered a bit due to the pain, it is still recognizably my handwriting.

What’s next? On Thursday I have a PET CT which will determine what the rest of my chemo treatment will be, and on Sunday I’ll have the fifth chemo treatment. I’m not looking forward to either of these things, and as the PET CT is approaching my anxiety levels are rising (I really need good results on it). Meanwhile I’m trying to distract myself with work, books and season 2 of “Ted Lasso”. Here’s hoping for good results, and less pain for the Jewish New Year.

Tactile Turn Nautilus Quick Review

This is a super quick review because the Tactile Turn Nautilus is available only until the 8th of September, and I can’t write a more detailed review in my current circumstances (more on that in a later update).

This is the Tactile Turn Nautilus (the standard version), a limited edition Tactile Turn side click pen. Photographs do not do this pen justice. It’s stunning in person:

The Tactile Turn Nautilus

It’s a titanium bodied pen with a metallic, colour shifting Cerakote finish, and it’s that finish that transforms this pen from a good machined pen into a triumph of craftsmanship and design.

It’s impossible to photograph the colour shifting of the finish.

There are gold undertones to the finish that, coupled with the grooves on the pen body, the glittering gold clip and the Cerakote finish texture on everything, make this pen mesmerising.

The clip.

The clip has a gold Cerakote finish that evokes the golden undertones of the blue metallic Cerakote finish on the pen body. The gold is muted, and helps make the pen classy not flashy 🙂

The finish adds texture to an already textured pen (due to the Tactile Turn rings that are engraved on all the body). This makes the pen easy to grip, as it has an almost sandy feel to it.

The Tactile Turn Nautilus isn’t a light pen and is top heavy, but it’s still a pen that’s a joy to write with. If you’re considering a Tactile Turn pen, or any machined pen for that matter, I recommend giving the Nautilus a try.

In lieu of a longer review, if you have any questions, please post them in the comments and I’ll be glad to answer.