Field NotesHeavy Duty started out as a limited edition product and I believe is now part of their lineup (these posts are quick and dirty ones, so google things if you’re interested. The point of this exercise is to write these without pausing to search for things). I didn’t use them at all at first, but lately they have become my scratchpad of choice. I have a pair currently in use, and I throw whatever I need to remember into them, plus little things that I need to work out, notes that I take during phone calls, etc. Things then get processed from there, or just torn off and chucked away. Aaron Draplin would approve.
These take pretty much any kind of pen that you can throw at them and are decent enough even with fountain pens.
Pro tip: feel free to ignore the ruling and use them landscape style. This goes for any portrait oriented writing pad.
I am a big fan of Field Notes, so when I saw that they came out with a sketchbook in collaboration with musician Maggie Rogers, I had to give it spin. The Maggie Rogers Field Notes are in the “Dime Novel” size, and are bound with and contain Strathmore paper. That is a promising start: an uncommon sketchbook size, with artist quality paper inside.
The Maggie x Field Notes edition comes with two sketchbooks in each pack, one with a red tinted spine and one with a blue tinted spine. On the cover of each is a Joshua Meier photo that was featured on Maggie Rogers’s first two albums: Blood Ballet is on the red tinted one on the left, and The Echo is on the blue tinted one on the right.
Beyond the normal “Pertinent Coordinates” design on the front cover, there is a vellum fly-sheet in each sketchbook featuring Maggie Rogers’s original hand-written lyrics. It’s a nice touch that really adds to this edition’s design.
I also like the decision to print these on vellum and not on Strathmore paper that is in the rest of the sketchbook. It gives the words an airy feeling that doesn’t weigh too heavily on the user. You don’t feel the need to compete with them, so to speak.
The inside of the back cover features Field Notes’ usual spiel and some information about Maggie Rogers and this collaboration. As usual, it also lists all of the technical details of this sketchbook, which I love. It would have been nice to get the Strathmore paper weight in a more standard gsm notation.
The red, Blood Ballet edition of the notebook is the same as the blue one, just with a red brown tint to it.
So, to business. How does the Maggie Rogers Field Notes perform as a sketchbook? For that I tested it with some Uni Pin fineliners and brush pen, a Fixpencil with 2B lead, and finally with light watercolour use. Unsurprisingly, considering the paper inside is light weighted Strathmore, it’s a good sketchbook to have in your bag or coat pocket. It’s versatile and not too precious to make you feel bad about “ruining” pages.
The first sketch that I made was done with a grey Uni-Pin 0.5 fineliner. The paper isn’t entirely smooth, but I no problem using the fineliner on it. The ink doesn’t spread or feather, but it does show through and even bleed through to the other side. I won’t be using both sides of the paper here.
You can see the show through and even a spot or two of bleed through here. I really don’t recommend drawing on both sides of the page here.
The next drawing was done with a Uni Pin brush pen. The paper isn’t glass smooth, and that actually makes it more fun to draw on. There was no spread and less bleed-through than with the fineliner somehow. I still wouldn’t use the other side of the page, because it will show through.
The paper shines with pencil, and I had a lot of fun sketching this palm using a Fixpencil with a 2B lead. If pencil is your medium of choice, you are going to love this little sketchbook.
As for watercolour, you can use the Maggie Rogers Field Notes sketchbook for light washes in a pinch, but it’s clearly not made for this. Washes come out patchy and grainy, and while the paper holds and doesn’t buckle too much if you are vey careful and only use a small amount of water on it, I really wouldn’t use it for watercolour.
The reverse side of the paper shows just how much it buckled under the strain of even a small amount of water (pun intended).
I think that the Maggie Rogers Field Notes is a nice sketchbook to try out quick ideas and vignettes in. It’s a nice sketchbook that’s not too nice, the vellum fly-sheet actually reduces the pressure of the first blank page, and so long as you don’t insist on using watercolour with it, it’s versatile and will do as your main pocket sketchbook in a pinch. Its main weaknesses (the thinness of its paper and the binding that doesn’t allow the pages to open flat so you can’t use a whole spread) actually work together to make this a sketchbook that encourages you to burn through it. It’s not precious. It’s not too nice. It’s a workman-like sketchbook, which works perfectly with the Field Notes brand.
Yesterday I finished my fifth reading journal, and so I thought that it would be a good opportunity to write a post about how I set up my reading journal.
I use my reading journal to keep track of what I read and to encourage me to read more. This is the journal that I’ve just finished, a Moleskine Two-Go:
I used to use a Field Notes Arts and Sciences notebook for my reading journal, but once I got back to reading more it made sense to move to a larger journal. For the past three years I’ve used the Moleskine Two-Go, and I fill one book journal a year (70 books are logged in each notebook).
This is the setup in my old reading journal. Three pages of index:
The Moleskine Two-Go comes with pages that are blank on one side and lined on another, which is perfect for my use case, except for the second index page, which I need to rule myself:
I missed a line on the second index page, so the index numbering came out a little wonky. It’s only for me, so I don’t mind.
Here’s a sample of a complete page. I talked more about my thoughts behind the design in a previous post, but you can get the gist by looking at this sample. I like drawing something that captures the book for me on the opposite page, which is why I love the Moleskine Two-Go format.
At the very last page of the journal I keep a log of how many books I read that month. It’s ten books so far for December, but the month isn’t done yet so that line isn’t filled.
Here is my new reading journal, a Moleskine Two-Go, this time in green (my previous ones were in light grey, dark grey and navy):
I love the texture of the fabric colours on this, and the shade of green is interesting. The two contrasting bookmarks and the endpapers are grey.
The first page, marking when I started the notebook and which journal number it is. This notebook doesn’t leave my desk yet I still write my name and email in case I misplace it somehow.
Next comes the index page. Since this is my third Two-Go reading journal I already know to number the pages until 139 (I number odd pages only, since my reviews are on odd pages), which comes out to 70 books.
I rule the second page, because I tried just winging it on the first year and it didn’t come out great.
On the last page I create my books per month tracker:
I number all the pages of the index, but only the first 25 pages of the actual book journal. I will continue numbering pages in batches as I add books to the journal. The great advantage of using a completely unstructured book here is that I can do whatever I want with it, including starting the numbering after the index pages and not on the first notebook page.
These are the pen and pencils that I’ll be using in this journal. The Rotring 600 is a ballpoint, and the only ballpoint that I regularly use. The Caran d’Ache Bicolor has been my companion in these notebooks for several years. I use it to highlight things, and sometimes in my book scene sketches. I used the Blackwing 611 in my previous reading journal, and this time I’ll be using the Blackwing 4.
The first non fiction book in this journal:
The first fiction book in this journal:
That’s my new reading journal all set up and ready to go. I hope that this inspires you to keep a reading journal of your own, one that will encourage you to read more and help evoke the memories of reading a specific book.
My little cat (I have two, a little black and white cat, and big black cat) managed to drop a desktop table sharpener on my banker’s lamp and it cracked the glass lampshade clear in half. So I had an interesting but unexpected project today: I bought a replacement lamp shade and took the lamp apart to get rid of the broken glass pieces. A youtube video and a Philips screwdriver took care of the taking apart bit; let’s just hope that I can put it back together again.
I got my Battleworn INK 2.0 Karas Kustoms grab bag rollerballs today. This was my first Karas Kustoms grab bag and my first ink rollerball and I’m very pleased with both the colours that I got and the way the INK 2.0s look and feel. These are chunky but relatively light pens, and I look forward to using them and maybe reviewing them in the future.
The INK 2.0 uses the Pilot G2 LG2RF refills, which are larger than the usual G2 refills, and built a little different. I haven’t yet tried to swap them out for a different refill, but I suspect that they won’t accept my beloved Uni-ball UMR-85, which is something I was aware of ahead of time.
These are the pens and some of the notebooks that I’ve been using today (I’m not getting much fountain pen use lately): my beloved Orange Crush Spoke pen, and the new purple Karas Kustoms Battleworn INK 2.0 rollerball.
Field notes came out with a new addition to their National Parks series, which I’ll probably pick up on my next purchase there. They’ve got an offer for a free decal for purchases made by the 30th of August if that speaks to you.
I had an issue with my Ti2 Techliner where my favourite gel ink refill (the Uni-ball UMR-85) and basically all gel ink refills dried out and stopped writing a few words after I uncapped the pen. While ballpoint refills like the Jetstream faired better, they also would “fade out” after a few lines, and then, after some coaxing, return to normal. It couldn’t be that the refill was drying out, as after capping the pen, it wrote well enough again for a few words. It was a refill problem, as the same refill wrote perfectly fine in a different pen.
I tried searching for answers and asked around in the Pen Addict slack but got no answers. It was frustrating, since I liked the pen, but couldn’t use it because it wouldn’t work with my preferred refills. I had a feeling that the magnet at the tip of the pen was what was causing the ink flow issue, but it only yesterday did I figure out how to bypass the very thing that was holding the pen together.
What I did was change the order of the parts in the front section of the pen. The original order was refill, plastic spacer, red o-ring, magnet and then the section screwed over that. What I did was reverse the o-ring and the magnet so now it’s: refill, plastic spacer, magnet, red o-ring, and then the section. The result is kind of pleasing to the eye, and more importantly it fixed the flow problem completely, and now I can actually use this fetching pen.
I tend not to review Field Notes because they arrive so late to me (due to postal issues, not Field Notes issues) that it seems irrelevant to review last quarter’s edition when everyone already has the new one at hand. Covid-19 has made the postal problems even worse, and so only now, and after contacting the wonderful Field Notes people and getting a reshipment, have my Vignette notebooks arrived.
What also arrived were my Field Notes Rooster 2020 notebooks, which are part of Field Notes’ yearly sponsorship of the Morning News and the Tournament of Books. I read all of the books in the Tournament of Books shortlist this year, for the second year in a row. I didn’t post reviews of them all in this site as I didn’t enjoy the last 3-4 books, and I didn’t feel like posting negative review after negative review.
I did, however, love this year’s Field Notes Rooster special edition notebook, and it is by far my favourite Rooster special edition notebook that Field Notes ever issued. It is a squared notebook, and not lined, for the first time ever, and the bold red and black print on the cover is much more striking than their usual craft or cream choices for this series.
The fact that these notebooks (sold as singles, with the proceeds going to literacy related charities) arrived so late means that I have a had a few months to think about the Tournament of Books 2020 reading list.
I enjoyed the 2019 reading list more, but the 2020 list was overall a good, interesting list of contemporary writing that I for the most part would not have read otherwise. There were a few mediocre books on it, and a few that I really disliked, but as a whole it wasn’t a bad list. I may try reading next year’s list too.
I wrote a few weeks back that I was struggling with my notebook setup, and things have changed since then. I’ve settled on using a blank large Moleskine hardcover in Reef Blue and a Pilot Hi-Tech C 0.4 for a running list of work projects and related notes.
I use the right hand side for a running tasks per project (I still manage major project points in the Things app), and the left hand side for related points, reminders and ideas. Each project has at least one spread, and I drop in pages with ideas and things to remember in between the project pages.
The Pilot Hi-Tec-C (also known as the G-Tec-C4) is not a pen that I would recommend because it’s so very delicate and unreliable, but I used to be a fan years ago, and in a burst of nostalgia (and against my better judgement) I’ve gone back to using these pens. There’s something about the barrel design of this pen, combined with it’s needle tip that makes me enjoy writing with it. Again, I wouldn’t recommend it, as you’ll rarely see a refill through (the tip will bend, or it will become to scratchy to use, or it will dry out and become unusable) and in general the Uni-ball Signo DX are much better 0.4 tipped gel ink pens. But the heart wants what the heart wants, and this is what I prefer for daily work use right now.
Out: Field Notes National Parks Mount Rainier (the last of series B that I’ve been using).
In: Field Notes National Parks Grand Teton (the first of series D to be put to use).
National Parks is my favourite Field Notes edition since Two Rivers. I’ve bought additional packs of series B and series C, beyond what I received with my subscription. I highly recommend splurging on a pack or two of these pocket notebooks.
I just finished my first Field Notes of the year. In: Mr. Rainier National Park (Field Notes National Parks), Out: Field Notes Joshua Tree National Park (Field Notes National Parks).
This has become one of my favourite Field Notes editions, right up there with Two Rivers and Balsam Fir. It also wears surprisingly well. This notebook has been bashing around in my bag for the past three months and you can barely tell:
The dent on the side is from where I clip it shut.
The Mt. Rainier is the last of the National Parks C pack (which also included the Grand Canyon) and the cover just brings a smile on my face. What a great edition.
Out: Campfire Dawn. This is one of the editions that I learned to love the more I used it: it just wears out so well.
In: Snowblind. Somewhat ironically this edition shows itself off best in the summer. It’s going to get dinged up and grimy, but that’s just what happens to used notebooks, especially ones with light coloured covers.
In the early 2000s the Tombow Object fountain pen was one of the recommended beginner fountain pens on the market. That was in the pre-Pilot Metropolitan and pre-TWSBI days, when the beginner fountain pen choices were pretty sparse. I have the Tombow Object fountain pen and I’ll review it at a later time, but a few years ago I saw its rollerball counterpart on clearance sale, and so I risked the purchase.
I’m not a rollerball person, since they tend to behave like the worst of fountain pens (ink spreading, feathering, bleeding through and leaking out of the pen) without the good parts (line variation and versatility in ink colour). But the Tombow Object rollerball intrigued me because it shares the same body as the Tombow Object fountain pen but is significantly cheaper, and so I was hoping that even if it turned out to be an annoying pen to use, I could just use it as a way to get some colour variety with my Object fountain pen.
And why would you want that, you ask? Well, just look at that anodization:
The Tombow Object is a metal bodied pen (brushed aluminum body and cap that gives it a great texture) with a plastic section and a steel clip. That gives it some heft, but still keeps it light enough to be comfortable to use both capped and uncapped. There’s a satisfying snap when you cap the pen, and it stays on very securely. The tip doesn’t rattle or wiggle around, and the clip does an admirable job of being a good pocket clip and preventing the pen from rolling about. The pen has a beautifully designed taper on both ends that gives it a bit of character, and an unobtrusive “Tombow” and “Japan” printed in white on the cap. Although this colour is called gold, it’s a coppery-gold, close to a champaign colour you can sometimes see on cars.
The appeal of the Tombow Object has always been the fantastic anodization colours that were offered, each one really vibrant (except for the silver, which was boring). As you can see from the photo above, like all aluminum pens, it can be dented and nicked. This is probably a pen that you want to keep on your desk and not bashing around in your bag or pocket.
Another reason to keep this pen on your desk is that it tends to leak. There’s a slip mechanism in the cap that both prevents the ink from drying out and from leaking beyond the tip of the pen, but as you can see in the photo below, you need to be careful when you start using the pen where you grip it, or just accept ink stains on your fingers (or keep a paper towel at hand).
The pen uses a proprietary Tombow Object refill, which is always a shame. I wish that I could just pop in any fountain pen ink cartridge in there instead.
The slip cap also allows you to easily post this pen, although I don’t recommend it. For one thing, it isn’t necessary as the pen is long enough as it is, and for another, because the pen leaks into the cap you’ll just spread ink on the pen body.
It’s ink test time! Here’s a sampling of how the Tombow Object rollerball behaves on different kinds of paper:
None of this is great, but to be frank, this is generally in keeping with rollerball behaviour, and one of the reasons that I really don’t like the Retro51 Schmidt rollerball refills. The Object behaved best on the Clairefontaine paper, and even displayed some fetching line variation. It’s still a “one side of the page only” type of pen though.
As for the cap-and-body switching hack, it only partially works. You can take the body of a Tombow Object rollerball and switch it with one from a Tombow Object fountain pen, but the plastic insert in the cap that prevents the ink from drying up or leaking is incompatible between models. The pen just won’t snap shut with the “wrong” type of cap. It does still allow for some crazy cap/body combos, but that a whole different ballgame.
So would I recommend this pen? It is beautifully designed, looks great, is comfortable to use and you can find it on the secondary market for the price of a Retro51 or slightly cheaper. The enormous downside to this pen is that it uses a proprietary refill (I have not yet tried to hack it to see if it can accept other refills). So if you like this pen I would recommend stocking up on those refills, because Tombow might not offer them for sale forever. The Tombow Object and the Tombow Egg which use them have both been discontinued for a few years now, which is a great pity.