Uni Jetstream Edge Review

I’m not a fan of ballpoint pens. Their refills tend to streak and glob, the ink they use isn’t ass dark or vibrant as their gel ink and rollerball counterparts, and something about them (probably the lightness and inconsistency of the refill) makes me grip them with “the grip of death,” which inevitably brings on hand cramps and pain. They are, however, useful at times, so I am constantly on the lookout for new and better ballpoint pens and ballpoint refills.

Enter the Uni Jetstream Edge, a ballpoint pen with a strikingly modern design and the world’s first 0.28mm ballpoint refill (there’s also a 0.38mm refill option but I won’t review it here).

Uni Jetstream Edge white and red body with 0.28 mm refill on a Moleskine Denim.

I love the design of this pen. The body is plastic, but the grip area is metal and relatively wide, which makes for a very well balanced pen. The bent wire shape of the clip adds to its modern and clean aesthetic, and I like that chose to make it red and not black or silver in the white edition of this pen. The clip looks like it would be a fun and springy fidget tool, but it’s quite inflexible and immobile. That’s great if you plan on using it to clip it to a shirt pocket, but the unusual clip shape means that clipping it to paper will likely crumple and even tear the paper. I don’t normally clip my pens to things, so that’s not going to be an issue for me, but YMMV.

The clip, and the subtle Uni Jetstream branding.

The Jetstream Edge grip section is metal and round, unlike the plastic, faceted pen body. There are grooves carved into it that make it comfortable to hold, and the refill sits very snugly in the pen sleeve. This is a pen that’s not going to rattle while you write.

Jetstream Edge grip and business end.

The 0.28 mm Jetstream ballpoint refill has been designed so that the tip won’t suffer the usual “bent out of shape the moment you breath too hard on it” fate of the Pilot Hi-Tec-C refills. Its sturdy but still keeps a tapered, fine tip, which means that you can use it with rulers and templates if you so desire.

Jetstream Edge on the left, Hi-Tec-C on the right. Note the difference in the tip and nose cone design between the two, and that the Edge grip is wider.

The refill the Jetstream Edge uses is the SXR 203-28 for the 0.28 mm or the SXR 203-38 for the 0.38mm tips size, although it appears that can also accept the Uni SXR-80 line of refills used for Uni-ball’s multi-pens. If so, that could open a wider range of refill colours and tip sizes.
The original, SXR 203, refill is very slim, which would have been problematic if it was a gel ink refill (you’d have written it dry in a day), but shouldn’t be a problem with a ballpoint refill. That being said, I doubt that this refill will last as long as a standard Parker one, not to mention the Caran d’Ache Goliath.

The Jetstream Edge dismantled with the refill on the side.

While Uni-ball brags that the Edge uses the first 0.28mm ballpoint refill in the world, there are other brands that use ultra fine ballpoint refills not far from it in size. My Midori (now Traveler’s Company) Brass Ballpoint pen has a refill that is around that size, so I thought I’d compare the two.

Jetstream Edge on the top left, the Traveler’s Company Brass Ballpoint is on the bottom right.

Here are the pen tips side by side. The barrels, grips and cones are very different but the refill tups are very much alike.

Jetstream Edge on the top, the Traveler’s Company Brass Ballpoint is on the bottom.

Below you’ll find a writing sample of the Jetstream Edge, and one of the Midori/Traveler’s Company Brass Ballpoint for comparison. Perhaps unsurprisingly, being a Jetstream refill, the Edge’s refill is better than the Midori’s even though it is slightly thinner. It lays down a more consistent and slightly darker line (although nowhere near as dark as a gel ink pen’s line).

I wrote seven full A5 pages with the Jetstream Edge, to see how consistent the line is over time, and to see if it would cause hand cramps after prolonged use. While I was writing I made a concentrated effort to keep a light grip on the pen. The barrel design helped with this, and the pen’s light weight and front heavy balance made it nice to hold and write with. But the Jetstream Edge is a pen with a sweet spot, not unlike certain fountain pens. Angle it too much and the refill starts to skip, so you need to write with the pen as vertically as possible. That slightly awkward writing angle may have been the cause of my hand cramps, but whatever the cause may be, this is not a pen that will work for long writing sessions for me.

So, do I recommend the Uni Jetstream Edge? If you’re a ballpoint fan and an ultra micro tip fan, then yes. Otherwise, there are cheaper and better ballpoint pens out there, even within the excellent Uni-ball Jetstream line.
Will I be using the Jetstream Edge? Yes, although not for long writing sessions. I love the line it lays down, and I like the aesthetic of this pen. Then again, I’m a fan of the Pilot Hi-Tec-C

PenBBS 535 Pen of the Year of the Ox Review

Happy fountain pen day everyone! I hope you get the chance to enjoy your pens today. I thought I’d celebrate with a review of one of the more interesting fountain pens that I have: the PenBBS 535 Pen of the Year of the Ox.

I like pens with interesting filling mechanisms, and I’ve purchased pens from PenBBS before and really enjoyed them so I decided to give this unusual (and inexpensive) pen a try. What’s unusual about it? Well it’s a long pen with an uncommon silhouette, a filling mechanism that doubles as an ink stop, and it has a gem as a roll-stop.

Let’s start with the pen body. It’s long. A Lamy Safari/AL-Star is 13 cm long uncapped. The PenBBS Year of the Ox is 15 cm long uncapped, and about 16 cm long when you unscrew the blind cap to allow for ink to flow (more on that later). That means that it holds a massive amount of ink (make sure you love the ink that you plan to use in this pen), all of which you can see since the main body part is transparent. The cap, blind cap and grip are black with rose gold detailing which is very attractive, and the cap and nib have special Year of the Ox inscriptions (2021 is the year of the ox in the traditional Chinese calendar). I have no idea why this wavy, long silhouette was chosen for the pen, but it reminds me of a bamboo stalk, particularly when capped, and I quite like it.

There is an engraving of an ox head on the rose-gold coloured steel nib, and the pen cap has a rose-gold coloured medallion on it with an engraving of an ox in the middle and “PenBBS 2021 Year of the Ox” engraved around it.

The grip section is surprisingly comfortable to use, as at first glance I was worried that perhaps it would be too narrow for comfort. There’s a slight step at the end where the threads go, and you can see from the picture below that there are very few threads for the cap. This is the weakest part of this pen’s design. While it makes gripping the pen very comfortable (no threads in the way), it makes capping the pen a hassle at times. It’s easy to miss the threads and have the pen not be properly capped. The cap itself is unlined and very short, particularly when compared to the long pen body. It is designed this way so you can post it on the back using the threads and the bottom of the piston.

You can see the threads on the piston below. Apart from checking that the cap can be posted in this way, I chose not to post this pen. It’s not that the posting affects its balance, as the cap is light and doesn’t weight down the back of the pen, but that the threads are so short and shallow that it’s not worth the hassle to use them to post the cap. Plus, I don’t post my pens’ caps anyway.

You also can see the filling mechanism in the previous photo. This is a little complicated to understand and hard to explain, but there’s a good video here showing how it works. You basically twist the piston nob to engage the piston mechanism and fill the pen with ink, and then twist it in another direction to disengage the piston and just allow the plunger rod to move.This allows you to return the piston to place, and is also the mechanism you’ll use to unscrew the piston blind cap and allow ink to enter the transparent chamber at the top of the pen and into the nib. I know this explanation is confusing – please check out the video to see the mechanism in work. It’s pretty easy to get it going once you’ve seen someone demonstrate it to you.

Is this the most convenient filling mechanism? No, not by a long shot. But it fills the pen entirely in one shot (something you can’t get with most converters), and allows the pen to have a really large ink capacity. This and the very decent nib turn this pen from a novelty item into an actual workhorse. This is a pen that is a joy to use, and you can use it for pages and pages of writing.

The Year of the Ox pen comes with a labradorite roll-stop, which is very cool looking and ensures that each and every pen is unique. I have no idea why labradorite was chosen, but I like its colour and I think that it works well with the rose-gold on the pen. It’s also what inspired me to fill this pen with Pilot Iroshizuku Ina-Ho.

To start writing with the Year of the Ox pen you need to unscrew the piston until ink can enter the small chamber near the pen grip. You can see the mechanism at work here:

The RF (round fine, or just simply fine) nib is smooth but not glass smooth, and if you plan on sketching with this pen, flipping the nib gives you a very good extra fine line. The nib and the ink capacity really make this pen something you can probably use throughout NaNoWriMo without having to stop for refills.

I wasn’t expecting much from the PenBBS 535 Pen of the Year of the Ox, because it really does look like a novelty pen. But somehow, the pen’s design, it’s weight, it’s large ink capacity and its good nib make for the ideal workhorse pen. This is a pen that’s fun use and fun to have lying around on your desk. Just be sure to fill it with an ink you really love, because you’re going to be using it for a while…

Karas Kustoms Steampunk Bolt V2 Quick Review

I wasn’t planning on reviewing the Karas Kustoms Steampunk Bolt V2 pen because I was sure that it would be sold out by the time I got to it. Somehow, however, there appear to be a few still on sale on the Karas Kustoms site.

Dinges and Cerakote finish work together to create a really unique pen.

The Steampunk Bolt v2 has the same aluminium body and shape as the anodised Bolt V2, but it’s gotten a distressed bronze treatment in Cerakote. The basic Bolt pen has been dinged before the Cerakote finish has been applied, and the result is fantastic. The pen really earns the “Steampunk” title.

Big dent in the end of the pen, smoothed over and covered with bronze coloured Cerakote.

The Cerakote finish is smooth but not slippery, and really fantastic to hold. It’s also nothing like any other Cerakote finished pen that I’ve seen so far: it really gives the pen a bronze look without the bronze weight or smell. The pen is light (for a machined pen – don’t compare it to plastic), and well balanced. The black anodised bolt mechanism is as smooth to engage as ever, and works well with this finish.

Every ding adds to this pen’s looks. It’s just going to look better with time, I think.

There are two caveats to take into account with this pen (and other Karas Kustoms Bolt V2 pens):

  1. The pen comes with a Pilot G2 LG (as in large) 0.5 refill. I haven’t been able to customise it to work with my beloved Uni-Ball UMR-85 refills (the bolt won’t engage). It’s a decent enough refill, but I wish that it had been built around the standard G2, and so had more customisation options.
  2. There is a slight amount of play in the tip which makes it faintly click at times when you write.

All in all this is a very good machined bolt action pen, with a fantastic and very unique finish.

Esterbrook Estie Sea Glass Review

I am a huge fan of the original, vintage Esterbrook fountain pens. They are beautiful, versatile workhorses that are easyto find and affordable, provided you’re not after the rarer colours/models/nibs. If only they didn’t have lever fillers, one of my least favourite filling systems, they would have been my go to vintage pens.

I don’t buy vintage brand reboot pens. In my early days of fountain pen use there was a lot of hype about the reboot of Conklin. Conklin fountain pens had an interesting filling mechanism that I wanted to check out, but they were all too expensive for me at the time. Then came the brand reboot in the mid 2000’s which made the pens more affordable and more widely available. So I bought a Conklin Mark Twain in 2009, and it was terrible. It looked and felt like a $10 pen, it skipped and hard started all the time, and it fell to pieces after the first use. I still keep it as a reminder to be circumspect with my purchases in the future. The experience made me leery of vintage brand reboots, and so when Esterbrook was rebooted I stayed clear of their pens. They didn’t look like Esties, they looked like generic fountain pens, so I decided that this too must be a QC nightmare money grab that would ruin the Esterbrook name.

I was wrong.

My photos do not do this pen justice. The Esterbrook Estie Sea Glass. It’s gorgeous, trust me.

After a mountain of good new Esterbrook reviews came in, and after I reconciled myself to the idea that the new Esterbrooks did not look like the old Esterbrooks I decided to give the Esterbrook Estie a try, and picked up a Sea Glass with a journalling nib. I normally don’t buy pens with gold hardware, but this was what was available at the time, and so a gold hardware Esterbrook Estie Sea Glass it is.

First of all, the pen is gorgeous. It has the classic cigar/torpedo shape that many fountain pens share, but the material of the Sea Glass pen sets it apart. It’s partly translucent, partly chatoyant, and vibrant without being Benu loud.

You can see some of the effects in the pen body here, but my photos don’t do it justice.

What took me by surprise is the capping mechanism. It reminded me of a child safe pill bottle, where you also have to push down as you twist to get the bottle to open. The mechanism does work well to make sure that the Estie doesn’t dry up or accidentally uncap itself, but it also means that it takes longer and a bit more effort to uncap the pen. If you write in short bursts this mechanism is going to be an annoyance.

You can see the capping mechanism threads. Esterbrook gets bonus points for making them attractive.

The “cushion cap” mechanism is well made and is attractive and unobtrusive when writing, so I don’t think it detracts from the pen. It’s just something to be aware of, since it is so unusual. It reminds me a bit of the Visconti Homo Sapiens caps.

The cushion cap inside.

The nib has scrolls and the Esterbrook branding on it, as well as a four digit number, like the old Esterbrook nibs. You can unscrew the nib and replace it with a vintage Estie nib, though I’ve been enjoying my Gina Salorino medium stub journalling nib enough to not want to change it. The fact that Kenro industries, the makers of the new Esterbrook, have teamed up with nibmeisters to offer custom nib grinds is amazing. Apart from the journalling nib they also offer an architect grind.

The nib.

The pen is branded on the cap lip below the clip with an “Esterbrook” imprint in gold script. I really don’t like the branding, as I feel like it cheapens the pen. If it were just an imprint then I think it would have been classier.

When the branding calls too much attention to itself…

The Esterbrook Estie is a cartridge-converter pen, and it comes with an excellent converter. The fact that this isn’t a lever filler like vintage Esties is great, as it’s much easier to fill, clean and check how much ink you have left in a converter, plus sometimes cartridges are convenient.

Cartridge converter at work.

The Esterbrook Estie is on the larger side but not heavy, with its weight distributed closer to the nib. It makes for a very comfortable writing experience, especially for me now. The cap posts, but I wouldn’t post it because it makes the pen overly long and unwieldy.

Here’s a writing sample with the journalling nib. It’s a lot of fun to use, and very forgiving to whatever writing angle you use it with:

Writing sample.

The Esterbrook Estie is more than a reboot to an old beloved brand. It’s a fantastic pen to select as your first “more than $100” fountain pen. It’s very well made, comfortable to use, has a classic fountain pen look, and an interesting selection of nibs that you can get directly from the manufacturer. It’s also very forgiving: easy to clean due to the combined cartridge-converter system and nib unscrewing, not likely to dry up or leak due to the cushion cap, and comes with easy and cheap ways to customise the nib post-purchase if you find that your tastes have changed. There are a lot of vintage Estie nib units out there.

The pen that I was leery of buying turned out to be one of the best fountain pens I have.

Tactile Turn Nautilus Quick Review

This is a super quick review because the Tactile Turn Nautilus is available only until the 8th of September, and I can’t write a more detailed review in my current circumstances (more on that in a later update).

This is the Tactile Turn Nautilus (the standard version), a limited edition Tactile Turn side click pen. Photographs do not do this pen justice. It’s stunning in person:

The Tactile Turn Nautilus

It’s a titanium bodied pen with a metallic, colour shifting Cerakote finish, and it’s that finish that transforms this pen from a good machined pen into a triumph of craftsmanship and design.

It’s impossible to photograph the colour shifting of the finish.

There are gold undertones to the finish that, coupled with the grooves on the pen body, the glittering gold clip and the Cerakote finish texture on everything, make this pen mesmerising.

The clip.

The clip has a gold Cerakote finish that evokes the golden undertones of the blue metallic Cerakote finish on the pen body. The gold is muted, and helps make the pen classy not flashy 🙂

The finish adds texture to an already textured pen (due to the Tactile Turn rings that are engraved on all the body). This makes the pen easy to grip, as it has an almost sandy feel to it.

The Tactile Turn Nautilus isn’t a light pen and is top heavy, but it’s still a pen that’s a joy to write with. If you’re considering a Tactile Turn pen, or any machined pen for that matter, I recommend giving the Nautilus a try.

In lieu of a longer review, if you have any questions, please post them in the comments and I’ll be glad to answer.

Karas Kustoms Bolt V2

I am a huge fan of Karas Kustoms machined pens, and I have their Render K, Ink, EDK, and Retrakt but I only recently purchased a Bolt v2. Why? For one thing, I was waiting for an interesting colour combination to come along. For another, I have the Bolt v1 one and have found it practically unusable, so I was hesitant to give the v2 a try. But then Karas Kustoms created a bluish-grey and orange Bolt v2, and the colour combination made me decide to give the Bolt a second chance.

I’m glad that I did.

Bolt v1 on the left, Bolt v2 on the right.

The Bolt v2 that I bought has a bluish-grey and orange anodization and fluted grooves in the grip. My Bolt v1 is raw aluminium, has no grooves in the grip section, and as you can see, is very, very long. This is the main reason that I couldn’t use the Bolt v1, as I have small hands and the pen is about 15cm long, which makes it unwieldy. The Bolt v2 is about 2cm shorter, and so about standard size of a pen.

Bolt v1 on the left, Bolt v2 on the right, refills extended.

The v1 and v2 Bolt have a similar design, but the Bolt v1 is a much more impressive pen, even with no anodization. Every time I pulled it out, people asked what it was, and said that it looked like a surgical tool. The Bolt v2 is more practical, and while it’s an attractive pen, it (so far) hasn’t been one to draw too much attention to itself. That may be a good thing, because someone did make an attempt to steal my Bolt v1 when I brought it to the office, which is why I stopped bringing it with me.

Bolt v1 mechanism on the left, Bolt v2 on the right.

The bolt mechanism on the v1 and v2 are very similar, but the v2’s mechanism has been streamlined and rounded (see the bottom of the cutout) which means that it’s much easier to engage than the v1. It makes the v2 much nicer to use, and as an added bonus, it turns the pen into a great fidget tool.

Bolt v1 on the left, Bolt v2 on the right.

I know that the seam between the grip and the body of the Bolt v1 looks tighter and better fitting than the Bolt v2’s but those looks are misleading. Like the rest of Karas Kustoms v1 pens, the threads that connect the pen grip and pen body were the weakest point on the pen. The threads kept unscrewing themselves, at times while I was writing with the pen. It’s no wonder that they have been redesigned from scratch in the v2, as you can see below:

Bolt v2 parts.

The threads start in a shoulder, are much tighter, and there’s an added o-ring at the bottom. All these together prevent the pen from unscrewing itself unless you deliberately want to unscrew it.

Bolt v1 threads on the left, Bolt v2 on the right.

If you have an interest in machined pens, and specifically in bolt action machined pens, then a Karas Kustoms Bolt v2 should be high up on your list. It’s been my daily pen for a few weeks, and I don’t see it leaving my rotation any time soon. I would recommend checking out Karas’s special projects, since the colourways there are often more striking than in their regular line.

Finished a Pilot-Hi-Tech-C Refill

For the first time ever I managed to write a Pilot High-Tech-C (also known as G-Tech-C) refill dry. The tip didn’t bend to death because someone breathed on it wrong, the refill didn’t have strange bubbles that meant that it just decided not to write any more, and the ball in the tip didn’t break off (thus rendering the pen into a particularly terrible rapidograph). This feels like an achievement and I am going to celebrate — by picking up a brand new High-Tech-C of course.

Empty pen refill.
Just a single crack on the cap from a fall early on, that’s all the damage this pen took.
Empty refill. Didn’t believe that it could be done.

Sketching Tools: Nock Co Sinclair and Tallulah

As I’ve recently overhauled my sketching tools and have grown to like my new setup, I’ve decided to document my current sketching kit, as a reference to myself and others.

Sinclair on top, Tallulah on the bottom.

First up are my pen and pencil cases, the Nock Co Sinclair and Tallulah. I used to use the Sinclair as my main sketching case because:

  1. It can hold much, much more than three pens. Much more. Mine had four Staedtler Fineliners, two or three Japanese brush pens, a white gel ink pen, five Faber Castell Pitt brush pens, a mechanical pencil, an eraser, a woodcase pencil, a sharpener, a waterbrush, and a folded paper towel square.
  2. It has two zippers, which means that you can sneak in extra large pens, like the Sailor Fude ones, or full length pencils, and still zip the case around them.
Partially full Sinclair.

The Sinclair is no longer my main case and I now use it to store a more extensive selection of sketching tools (mostly Faber Castell Pitt brush pens). The reason is that it can hold so many pens that I was tempted to fill it to the brim and bring all those pens with me. As I decided that to gain speed I needed to pair down my sketching tools and expand my watercolour palette, I replaced the Sinclair with the much slimmer Tallulah.

Tallulah ready to work, on top. Sinclair on the bottom.

The Tallulah is marketed as a two pen case. Oh, Brad. I have four Staedtler Fineliners, a Uni-ball Signo Broad white gel ink pen, a woodcased pencil, three (!) Sailor Fude fountain pens and a waterbrush. If the Tallulah had two zippers instead of one I could have closed the case. As it is, I keep it open and propped up in my sketching bag, as sort of a pen organizer. If I need the Tallulah to close, I can pare down my pens to one or two Sailor Fude pens, lose the waterbrush (if I keep two Sailor Fude’s in my kit), and replace the woodcased pencil with a mechanical one, or lose the pencil entirely as I generally work directly in pen and watercolour these days.

See, I can close it if I need to.

The Tallulah is so slim and light that it really works with my low profile sketch kit. It’s actually the anchor around which I built my new kit, with the other two being the Stillman and Birn Alpha sketchbook that I’m using, and my Schmincke watercolour tin.

If you are an artist looking for a storage solution for your pens and pencils, I highly recommend giving the Nock Co Sinclair and Tallulah a try. They are handsome workhorses that can take a beating (especially the zippers) and can hold many more pens than you would normally imagine.

Uni-ball Signo Needle 0.38 Review

I am a huge fan of the Uni-ball Signo line, and the Signo RT 0.5 is my favourite gel pen body and my favourite gel ink refill (UMR-85N). In second place is the Uni-ball Signo DX (UMR-1 refill) and its less common brother: the Uni-ball Signo Needle, which is basically a Signo DX with a needle tip instead of a cone tip.

I don’t have a white gel ink fine enough for the branding on the cap, so image that it’s there.

Like the Uni-ball Signo DX the Uni-ball Signo Needle isn’t as commonly found in the wild of stationery stores as the Pilot G2 or Pilot Hi-Tech-C. It does, however, come in a wide variety of colours, and unlike the Pilot G2 doesn’t blob and smear like crazy. It also has a needle tip that doesn’t wither the moment you look at it, unlike the Pilot Hi-Tech-C. It’s a workhorse needle tip gel pen with an excellent refill that doesn’t dry out even after spending years on your desk, and allows you to use it without worrying about babying its fragile needle tip.

Comfy, reliable workhorse needle point gel pens.

I love the Pilot Hi-Tec-C but I’m well aware that I have thrown more of them away than I have been able to use (the tip bends, the ink dries up and the pen no longer writes, there are “bubbles” in the refills of the even more delicate multi-pen variants of this pen). I’ve yet to have thrown a Uni-ball Signo pen away, needle point pens included. The magic happens in the tip design, which isn’t a two part deal like in the Hi-Tech-C but rather is a DX tip that has been shaped into a needle point, as if someone had taken it between two fingers and squeezed it to form a needle tip. The result is a tip that is stronger with no weak points that are prone to bending.

The smarts are all in this pen’s tip design.

You can see the difference between the Signo Needle tip on the top, and Signo DX tip in my Spoke pen on the bottom. It’s basically the same tip just tapered more acutely.

Needle tip on the top, DX tip on the bottom.

In terms of refills, the Signo Needle uses a UMR-1ND refill, which is the same as the Signo DX’s UMR-1 refill just with a different tip attached. This means that there are very few machined pens on the market that will fit the UMR-1ND refill because of the way the front of the refill is designed. However…

UMR-1 refill on the top, UMR-1ND refill on the bottom.

The Signo Needle refill does fit the Spoke pen! This is a fun bonus of them having the same refill design as the DX (minus the tip). So now not only can you have a reliable needle point gel ink pen with a variety of refills, it will also fit one of the best machined pens on the market (at least in my opinion).

Spoke pen orange crush with the UMR-1ND refill.

I will point out that there is a tiny gap between the pen tip and the grip if you do use a UMR-1ND refill in the Spoke pen, however, the refill doesn’t wiggle in the pen and the gap doesn’t extend into the pen body – it’s just an aesthetic thing.

Tiny gap between the pen tip and the Spoke grip.

Here’s a writing sample with the Signo Needle 0.38. As you can see the lines are crisp and consistent even though I’ve had some of these pens lying around my desk for years. They are a tiny bit wider than the Hi-Tech-C 0.38 lines (just as the Signo DX 0.38 lines are wider than the Hi-Tech-C but thinner than the Pilot G2 0.38).

If you’re looking for a needle tip gel ink pen and are tired of throwing out broken Hi-Tech-Cs (or don’t like their somewhat spartan pen body), give the Signo Needle 0.38 a chance. It may be slightly more expensive than a Hi-Tech-C, but it will ultimately turn out to be cheaper because you’ll have a pen that you can actually use from start to finish.

Typewriters, pens, pins, and more.

My Pen Chalet exclusive Typewriter Retro 51s arrived this week, and the mint one is a perfect match to my Hermes Baby (and Hermes 2000) typewriter keys. I’m happy that I splurged on this pen and the copper Typewriter edition. They are both utterly unnecessary pens that make me smile without breaking the bank. I have 11 typewriters, but these are the first typewriter themed Retro51s that I’ve bought. I only slightly regret not getting the red one as well.

It was a virtual convention kind of fortnight, and in both cases the pandemic afforded me the opportunity to go to a convention that I normally wouldn’t have been able to attend. The fun and pretty well run one was the Disney Pin Trading 20th anniversary event. I’m not a huge Disney pin trader by far – I have pins from my Disney races and a few others that caught my eye, because I’m so aware of how easily I got fall down that rabbit hole. But I was curious enough about the behind the scenes of pin creation and well aware that is probably going to be my only chance to attend such an event that I enrolled. It was interesting and fun, and a generally well thought out event that didn’t feel like a “we’re doing the same thing only on zoom” kind of thing. I wish that I could say the same about Kubecon, the second convention that I attended. It’s a poster child of how not to run a virtual convention. Still I managed to learn quite a lot from the hours that I squeezed in, and I plan on catching up on more video sessions next week.

My first Disney Pin Trading Pins, from the DLP inaugural half-marathon weekend.

This weekend was stormy, so no long run today. I had about a month of perfect running weather so far, and it looks like I may yet make my 2020 running distance stretch goal of 700km run total this year.

In a fit of anger and frustration I created an “obituary” page for 2020 in my journal, but one that listed the bad moments of the year. It ended up taking four pages, but I managed to find something positive about most of the moments and events of the year, so it cheered me up.

TV (or streaming to be exact) has been one of the high points of the past few weeks. I don’t watch much of it, but “Ted Lasso”, and the new seasons of “The Mandalorian” and “Star Trek Discovery” have been great to watch. Also I’ve been playing “Pandemic Legacy Season Zero” and so far it’s excellent and distinctly different from its predecessors.