Karas Kustoms Battleworn Ink 2.0 Rollerball

I am a big fan of Karas Kustoms machined pens, and up until recently I owned all of their lineup except for the Ink rollerball. So when Karas offered a grab bag of matching battleworn Ink 2.0 rollerballs I decided to roll the dice and purchased two of them. There’s always a risk when buying grab bag pens, but I had some tremendous luck and got two pens that are not only in some of my favourite colours, but also in colours that I don’t yet own. I was also fortunate enough to get one pen with a tumbled aluminum grip and one with a regular one, which means that I had a chance to experience both of my preferred grip styles in these pens.

Beautifully designed machined pens.

First thing’s first: the anodization on these pens is spectacular. The colours are really vibrant, and the Battleworn finish does not take away from that. They pop out in any pen lineup, rivalled only by my Spoke pen in terms of brightness:

From left to right: Karas EDK, original Render K, Battleworn Render K, Retrakt V2 , Ink 2.0, Retro51 Dino Fossil, Spoke Pen Orange Crush, Ink 2.0, Caran d’Ache 849

As you can see from the lineup photo above, the Ink 2.0 is a big, chunky pen. It’s larger than any other pen that Karas offers, and while it’s about the same length as the Spoke Pen, it’s much wider. Even so, this is not an overly heavy pen, and the added girth does make for a pleasant writing experience. This is a workhorse pen, built to last, and build to accompany long writing sessions.

The Ink 2.0 uncapped.

There’s quite a distance between the tip of the pen and the threads, and so there’s little chance of them getting in the way of your grip. Despite that, Karas has taken the precaution of ensuring that the threads aren’t overly sharp. Do take into account though that despite the 2.0 name, this is the older version of the Karas Ink rollerball, and so it has the old version of the threads and the cap. The threads on the new Ink V2 (I know, the naming could have been better, but at least it’s consistent across their lineup) are shorter, and have a flat area before them. This serves to even further place your fingers away from the threads, and is required for their Sta-Fast cap system. This system adds an o-ring to the cap, and prevents the pen from unthreading itself. My Ink 2.0s don’t have this system, and so they unthread themselves rather too easily, although nowhere nearly as bad as the original Render K. Again, this is a problem that you won’t encounter if you’re purchasing a new Ink V2 from Karas site right now, and they do a good job of clearly pointing the differences out.

You can see the differences in the tumbled grip and the regular aluminum grip.

The grip on the Ink rollerball is really where the pen’s design shines. It has such a unique profile, with the flare right before the tip cone. It makes for a very comfortable grip section, with added “grippiness” provided by the tumbled finish, should you choose to get it. The grip also comes in black anodized, brass and copper.

Unusual but beautiful design.

A closeup on the old threads shows the difference in the levels of Battleworn finish between these pens. The cyan pen was clearly less tumbled than the magenta one, so I am considering switching the grips between the two, to complete the extra Battleworn look.

The new Ink V2 threads don’t look like this.

Here you can see even better the different levels of Battleworn finish between these pens:

My pens arrived with a Pilot G2 large 0.5mm gel ink refill, and so far I haven’t replaced it. It’s very easy to unscrew the section and replace the refill with anything else that you like, and Karas does a fairly good job on their site, listing popular refills that fit their pens.

I think that the Karas Ink is one of their most beautiful and well designed pens, and there’s a good chance that I’ll buy the Ink V2 once I see a colour and finish combo that catches my eye. Everything from the robust clip design, the placement of the visible screws on the cap, to the length and girth of this pen and especially the grip design is well thought out. It’s clearly a step up from the (excellent) Render K, and if you’re looking for an impressive yet practical machined pen, the Karas Ink V2 is probably the pen for you.

Karas Kustoms Battleworn Ink 2.0 Rollerball

Spoke Roady Gecko Pen Review

The Spoke Design Roady Gecko pen about a week ago, and I’ve been using it constantly since then. The Roady is an EDC pocket pen made of machined aluminum that is built around the Uni-ball Jetstream SXR-600 refill. Unlike its predecessor, the excellent Signo DX compatible Spoke Pen, the Roady is capable of accepting a wide variety of Parker style refills, including the Fisher Space Pen refill, much beloved in EDC circles.

I don’t usually go for flashy pens, but something about the design of the Roady and the colour options offered made me grab the Gecko. This charmingly named colourway has a lime green cap, an orange barrel and finial, and rainbow coloured grip and clip. The result is even better in person than it is in photos – a pen that makes you smile and is bound to draw attention to itself.

Capped the Spoke Roady is tiny, and ought to fit comfortably in your pockets, if you have some.

There are a few other colourways with similar rainbow patterns on their grip and clip. The result is gorgeous, and I’m glad that Spoke Design haven’t offered these only as limited edition pens, or charged an additional markup for them. That is commendable and impressive, particularly in today’s machined pen market.

Rainbow clip.

Trying to write with the Spoke Roady unposted is asking for trouble, as it’s verging on golf pencil short in its body length. This is a pen clearly designed with posting in mind.

Too short for comfort unposted.

When posted the Spoke Roady becomes a viable EDC pen, although it’s still on the short side. This means that it’s great for short notes on the go, which is what it’s intended for, and not the best for long note taking sessions. The Roady posts using magnets, making a satisfying click when posted. It’s not as great a fidget toy as the Spoke Pen is, not that this should ever dissuade you from purchasing it.

Capped and ready for work.

For some reason the refill came shipped in a separate sleeve and not inside the pen. This is a peculiar choice since the refill came in a Uni-ball refill bag, but with the spring and o-ring already installed, and for some reason a bit of tubing meant to be used as a spacer of some kind? It’s not really clear. Also, while you get a cool sticker and generally nice packaging with the Roady, you don’t get an explanation of any kind with the pen. That’s a shame because it assumes that everyone will know how to handle the refill when it comes to changing the pen’s refill. It feels like a missed opportunity for Spoke.

The refill, Jetstream SXR-600

Here’s the Spoke Roady next to the Spoke Pen. If you can only afford one pen and you’re out and about a lot and like wild colours, then I’d recommend getting the Roady. Otherwise, get the Spoke pen, especially if you like writing in fine lines. Both are good pens, just each one is suited for a different use case.

Roady on the left, Spoke Pen on the right.

Writing sample on Rhodia paper. The Jetstream SXR-600 in 0.7 is an excellent refill choice in the Parker refill category, and the Parker style refill itself is a great choice for an EDC type of pen.

The Roady is a great little pen to have handy, and it’s reasonably priced for a machined pen. I won’t be surprised if I end up buying one or even two more.

Spoke Roady Gecko Pen Review

Stabilo Boss Pastel Highlighters and Notes on Highlighting

There’s something about multi-coloured sets of stationery items that I just find irresistible to the point where I bought an entire set of Stabilo Boss Pastel highlighters even though I hardly ever use highlighters.

These were on sale. It hardly justifies me buying them.

I think highlighters are one of the quintessential back to school items, as you’re likely to use them most when you’re revising or reading and taking notes for a class. I used to use highlighters extensively, in the “bad old days” when Stabilo Boss were the only decent highlighters around. They are now bested in every possible way but price (and even that depends where) by their Japanese counterparts, with their sophisticated windows, double-sided tips, brush tips and weird double line producing tips. Even when it comes to colour choice the old Stabilo Boss gets left behind.

The strange mottling you see is because these lay down so much terrible ink.

The Stabilo Boss highlighters are likely what you’ll find in the office (when you actually go there, Covid permitted). If you can get your office to purchase the pastel version of these I highly recommend it as they are less searing on the eyes than their standard fluorescent brethren. Otherwise these have a chunky pen body that’s pretty comfortable to hold, especially if you’re a kid, and truly terrible ink. It’s much too wet, and tends to bleed through practically every kind of paper that you’ll find in a normal office setting, and most of the high quality stuff too. My main use for them has been as colouring markers to give to the kids my colleagues sometimes bring to work. I draw colouring pages with a sign pen, and if the parents didn’t bring coloured pencils or markers with them, the Stabilo Boss markers do in a pinch.

Even on relatively thick Baron Fig Confidant paper these manage to bleed and show through.

As for actual highlighting, these do a terrible job. They smudge anything but ballpoint, they bleed through like terrible, and the colours are decent but not very exciting. Note that these pick up ink and retain it pretty well, which gives the classic “dirty highlighter” effect, especially on the lighter coloured ones.

Highlighter testing on Rhodia paper, which you’ll probably not have access to at work.

So if you’re looking for a highlighter, look elsewhere, there are much better choices on the market. I’m not going to even deign to test Stabilo’s claim that these still work after being left uncapped for 4 hours. It’s more important that the actual highlighter is good and useful than that it wins in a highlighter survival contest that has little to do with their standard everyday use.

Now to the notes on highlighting: on the second semester of my first year as an undergraduate I had a professor who actually took the time to teach us how to take notes and revise. He had an acerbic sense of humour and a great dislike of highlighters. “If you want to highlight something, only use a pencil, or at the most a pen, to underline it. Never use highlighters, because then when you read back your eyes will only see the highlighters, and if you’ve misunderstood something, or appropriated too much importance to a sentence or passage you have little chance to ever correct it. Underlining with something that doesn’t immediately jump out to you lets you see things in context, and reevaluate them if necessary”.

I tried his advice out and I found out that it worked well for me, and so I’ve been underlining and not highlighting ever since.

Stabilo Boss Pastel Highlighters and Notes on Highlighting

Muji Wooden Mechanical Pencils and Pen

I was organizing some things around the house when I found a brown paper bag with the Muji logo on it, and in it was some washi tape and three wooden writing instruments: two mechanical pencils and a pen. There appears to be an advantage to being a forgetful unpacker, as I get to enjoy a little trip to a London based Muji store while I’m stuck at home in quarantine times.

Here are the three writing companions:

Muji Wooden Mechanical Pencil, Muji Mini Wooden Mechanical Pencil and Muji Wooden Ballpoint Pen

I was drawn to them because they were wood encased, and they had that very sleek, minimalist Muji design. They weren’t expensive, so even though I’m generally not a ballpoint fan and the mini mechanical pencil looked more like a novelty piece than an actual writing implement, I bought all three.

And promptly forgot about them.

Muji Wooden Mini Mechanical Pencil

Well now I’m giving them a spin, and I can’t help but be intrigued the most by the least practical of the bunch: the wooden mini mechanical pencil. It’s a 0.5 point pencil, which is pretty bog standard for mechanical pencils, but here’s where the standard ends and you venture into the wild world of Muji industrial design. The pencil is very, very, very, very thin and also very, very light. It makes all other pencils, mechanical or not, look like veritable giants around it. It is 0.6 cm wide, which is tiny, and it feels like a delicate little twig that will snap at any minute, making it quite the adventure to write with. You get a little thrill when you pick it up and scribble with it: will it break? will it survive to write another day?

Your own mini “Survivor” in pencil form.

The design of the cap and clip area are both peculiar and handsome. There’s a combination of matt and shiny aluminum parts that make a striking statement, especially on an otherwise minimalistic pencil body. There’s no branding anywhere, and no indication of the lead size that this pencil takes (though that isn’t hard to guess). If the metal bands serve a practical purpose I can’t think what it is. They seem a bit blingy at first for such an understated pencil, but I think that they do add to the design.

The pencil tip is very short and stubby, which adds to the kawaii of the pencil and yet keeps the tip visible. Which would be important if you could actually do any kind of writing or drawing with this pencil, but it’s just too thin to be used for anything but a sentence or two once in a while when you have no other choice. It’s like trying to write with a pen refill without the pen body: not something you would ever do unless it was an emergency and it was the only option you had.

All in all this pencil feels like a designer or a maker got a challenge to “make the smallest usable mechanical pencil possible, something nice that we can use in a Filofax ad”.

The Pentel Graphgear 1000 in comparison to the Muji Mini Wooden Mechaical Pencil.

Now we’re back to normal pencil size world, and it’s time to take a look at the Muji Wooden Mechanical Pencil. It’s also a 0.5 pencil, and it has a very Muji/IKEA sort of look to it. It would definitely feel at home in an IKEA ad for a desk.

The wooden barrel is the highlight of this pencil, and since there aren’t many wooden mechanical pencils around and this was an inexpensive purchase I would recommend splurging for one if you have room on your desk.

I say “on your desk” because while the wooden pencil body is good looking and feels great in the hand, it is uncoated. This means that it will pick up dirt and dings from being carried around in a case, a bag or a pocket. Even on your desk it’s likely to become sullied with use, although I have had luck with using erasers to clean soiled wooden pencil bodies before.

Muji wooden mechanical pencil alongside a Uni-ball M9-552 drafting pencil.

The pencil is slightly shorter than a standard mechanical pencil, and it’s a very light pencil, but it’s absolutely usable, unlike its mini counterpart.

The Muji Wooden Ballpoint Pen is probably the one that I’ll use the most of all the bunch. It’s a 0.5mm needlepoint ballpoint that writes with a really fine, clean line. The refill, like the pen, is completely unbranded, but I’m pretty sure that it’s made by a large manufacturer like Uni-ball or Pentel. The only ballpoint pen that I have that writes remotely like this is the Traveler’s Company ballpoint, and this pen is more comfortable to hold and use.

The design aesthetic is the same as the mechanical pencil, very Muji/IKEA modern and minimalist. Like the mechanical pencil the wooden body makes for a lightweight pen that feels lovely to hold but is liable to easily get dinged and dirty.

The pen is on the thinner and shorter side when compared to other pens, so it isn’t the greatest for longer writing sessions. It is still a great pen for the price, as it’s solidly built with a good click mechanism and no wiggle in the tip or rattling while you write. Of the three I’d recommend this the most, as a general pen to keep in handy for those times that call for a ballpoint.

I’m drawing a lot of maps and schematics lately for a D&D game that I’m running so I’m using a slew of mechanical pencils for the occasion. Here’s the normal sized Muji wooden mechanical pencil at work on a Baron Fig Confidant:

Muji Wooden Mechanical Pencils and Pen

Caran D’Ache 849 Brut Rosé (Rose Gold)

I’ve been on a Caran d’Ache 849 swing ever since I discovered that they can accept Ohto Flash Dry and Parker gel ink refills, and though I usually shy away from “blingy” pens, I was drawn to the 849 Brut Rosé (rose gold) . It is one of the few 849 pens that have a “rough”/ grippy texture.

The box.

The Brut Rosé Caran d’Ache 849 is part of “Celebratory” series that includes Sparkle Gold and Black Code pens. They all come in metal presentation boxes with fabric lining, magnetic closure, and what appears to be the tagline of this edition: “We write the 849 Legend, with added sparkle”.

The box is clearly meant to evoke a jewelry box, and it does so well. The pen itself has the added weight that the Caran d’Ache Nespresso 849 editions have (and the same texture) but is still not a heavy pen. The clip and nock appear in pictures to be gold and not rose gold, but that is only because this is an incredibly difficult pen to photograph. In reality the pen is entirely a warm rose gold.

The clip and nock are a slightly more coppery rose gold than the body, but they are still clearly rose gold.

In terms of branding, this pen didn’t receive any special treatment (unlike the Nespresso pens). There’s no indication that this is a “special edition”: it has the same Caran d’Ache etching on the cap, a white “Swiss Made” screen print above the clip, and “849 Caran d’Ache” screen printed in white under the clip.

Swiss Made.

You can just about see the print under the clip here:

Thus the only indication that this is a more expensive “special edition” is the box.

The Caran d’Ache 849 Brut Rosé comes with the Caran d’Ache Goliath blue ballpoint refill. It is an excellent ballpoint refill, but as I’m not a fan of ballpoints, I’ll be switching it out for either the Parker gel 0.7 refill or the Ohto Flash Dry 0.5 refill.

The pen looks plain gold here, but that’s just the fault of the lighting.

The Caran d’Ache 849 Brut Rosé will make for a fantastic gift pen, whether for yourself or for someone you like. It’s on the more expensive side of 849 special editions, but I think that it makes a more subtle and sophisticated impression than the similarly priced “Claim Your Style” 849s.

Caran D’Ache 849 Brut Rosé (Rose Gold)

A Friendly Suggestion for Beginner Vintage Fountain Pen Users

I’ve been catching up on the Pen Addict members-only “Friend of the Show” podcast (highly recommended), and person after person said that they prefer modern pens, and they have a vintage pen, an Esterbrook, which they don’t really use. That people’s first vintage pen is an Esterbrook didn’t surprise me, as it’s a great little pen at a very compelling price, and it can be easily modified to suit your writing style by swapping out the nib. What did surprise me a little is that people aren’t really using the Esterbrooks that they have.

Then again, I own five Esterbrook pens:

Yet I haven’t used them in years. They all have nibs that I carefully selected to fit my writing style perfectly, and still I haven’t used any of them since 2016 or so. And the reason I don’t use them is the reason why I’m going to suggest to people starting out with vintage pens to maybe not pick the Esterbrook as their first vintage pen, ubiquitous and cheap and beautiful as they may be.

They’re lever fillers, every last one of them.

The dreaded lever.

Lever filler mechanisms are very common in vintage pens, because they are so cheap and easy to produce. They’re also fairly easy to mend, and so you’ll find them everywhere on a vintage dealer’s table or on a vintage pen site. They are my second least favourite filling mechanism (hello button fillers, you get first place) because they are not great to use when you’re filling a pen, and they are really not great to use when you’re cleaning it.

The Esterbrook does allow you to bypass the annoying cleaning part in that you can unscrew the nib and clean the pen like that, but you still have to use the lever when you fill the pen, and you still have no earthly idea how much ink is in your pen while you’re writing with it.

So my friendly suggestion would be to delay your first purchase of a vintage fountain pen and buy something a little more expensive (in the $100-$150 range) that is easier to fill and clean. If it turns out that you like vintage fountain pens, then you can start getting used to lever fillers and their quirks.

Parker 51, Parker Vacumatic and Pelikan 140

Here are my top three suggestions, in order of most beginner friendly to least beginner friendly (but still friendlier than a lever filler): the Pelikan 140 (a piston filler), the Parker 51 aerometric (an aerometric filler that works like a squeeze converter), and the Parker Vaumatic (a vacumatic filler).

Aerometric, Vacumatic and Piston filing mechanisms.

The Pelikan 140 is a piston filler with a gold nib, and a semi transparent body which allows you to see if you filled the pen properly and how much ink is left. It was made for over a decade and has a wide variety of nibs, so you can quite easily find it, and look for the perfect nib for you, just like with the Esterbrook. It is a more expensive pen, but you can still get a phenomenally good pen (ebonite feed, gold nib which can sometimes have flex, and a large ink capacity) for significantly less than what the same features would cost on a modern pen. The downside is the aesthetics, which can be a little spartan (Pelikan 140s are mostly black with green stripes), and the trim’s tendency for brassing. But brassing adds character, as once a very good vintage pen blog said. These pens are also likely to be more easily obtained in Europe than in the US or Asia.

Pelikan 140

The Parker 51 is still my absolute favourite vintage pen, but that’s not why it’s here. It’s here because the aerometrics (which are also cheaper) sport a filling mechanism that works very much like a modern squeeze converter, albeit permanently attached to the pen, and the filling instructions are etched into the pen, which is very helpful of Parker.

Parker 51

Theoretically you can gauge if there’s ink in the pen using the transparent sack but in most cases the sack will no longer be transparent, and even if it was, its position doesn’t really tell you a lot about the state of the ink in the pen. So it’s relatively easy to fill and clean the pen, but you’re not going to have any indication as to how much ink is in it at any given time.

Filling instructions on the pen body.

The Parker Vacumatics are gorgeous pens with great nibs, and the striped Vacumatics let you know what the ink level is unless they are stained beyond belief, in which case I’d wait a bit for a pen in better condition. The Parker Vacumatics I’m recommending are those with a lock down mechanism. Of the three pens they are the most fiddly, and that’s why they’re in third place, but they allow for a relatively large ink capacity, and the option to see the ink levels at all times, so they go on the list. To fill the pen you unscrew the blind cap, give the metal nob on the top a slight turn and push (a bit like opening a child proof pill bottle) and then the metal plunger springs out. You push the plunger a few times to fill the pen, and then you push down the plunger and twist it once it’s down so that it locks back into place. If you’ve ever used a child-proof pill bottle then you’ll be familiar with the push and twist mechanism, and if not have it demonstrated when you buy the pen or find a youtube video that shows you how to do it. It’s not difficult.

This is a more expensive, double jewelled model, but the filling mechanism is generally the same on cheaper vacumatics.

The Parker Vacumatics are not as intuitive to use as a lever filler, but they allow for an ink window which means that you can see if you have ink left or if you’ve filled or cleaned the pen properly pretty easily:

You can see the ink levels through the orange transparent bits between the stripes.

These pens are never going to compete with the Esterbrook pens on price because they have gold nibs and more sophisticated filling mechanisms. They do quite easily compete with modern pens in terms of bang for your buck when it comes to getting things like a piston filler with a flexy double broad gold nib. If you’re buying a vintage fountain pen that you want to have a relatively easy time filling, using and cleaning, and that will give you a unique and oftentimes exceptional writing experience, any one of these three pens ought to do.

And just to set the record straight: I love Esterbrook pens, and there was a time when I used them constantly, and I still heartily recommend them as they are little workhorses of delight. It just occurred to me that perhaps that little lever combined with the opaque body may be off-putting to new users, and so I’m suggesting a few (much more expensive, sometimes harder to obtain) alternatives. With vintage fountain pens purchase patience is required and not FOMO, so it’s worth waiting for a great $100 pen that you’ll use more than buying a $50 one that you won’t.

A Friendly Suggestion for Beginner Vintage Fountain Pen Users

A Pen Hack, a Field Notes and the Hi-Tech C

I had an issue with my Ti2 Techliner where my favourite gel ink refill (the Uni-ball UMR-85) and basically all gel ink refills dried out and stopped writing a few words after I uncapped the pen. While ballpoint refills like the Jetstream faired better, they also would “fade out” after a few lines, and then, after some coaxing, return to normal. It couldn’t be that the refill was drying out, as after capping the pen, it wrote well enough again for a few words. It was a refill problem, as the same refill wrote perfectly fine in a different pen.

I tried searching for answers and asked around in the Pen Addict slack but got no answers. It was frustrating, since I liked the pen, but couldn’t use it because it wouldn’t work with my preferred refills. I had a feeling that the magnet at the tip of the pen was what was causing the ink flow issue, but it only yesterday did I figure out how to bypass the very thing that was holding the pen together.

What I did was change the order of the parts in the front section of the pen. The original order was refill, plastic spacer, red o-ring, magnet and then the section screwed over that. What I did was reverse the o-ring and the magnet so now it’s: refill, plastic spacer, magnet, red o-ring, and then the section. The result is kind of pleasing to the eye, and more importantly it fixed the flow problem completely, and now I can actually use this fetching pen.

You can see the red o-ring around the tip of the pen.

I tend not to review Field Notes because they arrive so late to me (due to postal issues, not Field Notes issues) that it seems irrelevant to review last quarter’s edition when everyone already has the new one at hand. Covid-19 has made the postal problems even worse, and so only now, and after contacting the wonderful Field Notes people and getting a reshipment, have my Vignette notebooks arrived.

What also arrived were my Field Notes Rooster 2020 notebooks, which are part of Field Notes’ yearly sponsorship of the Morning News and the Tournament of Books. I read all of the books in the Tournament of Books shortlist this year, for the second year in a row. I didn’t post reviews of them all in this site as I didn’t enjoy the last 3-4 books, and I didn’t feel like posting negative review after negative review.

I did, however, love this year’s Field Notes Rooster special edition notebook, and it is by far my favourite Rooster special edition notebook that Field Notes ever issued. It is a squared notebook, and not lined, for the first time ever, and the bold red and black print on the cover is much more striking than their usual craft or cream choices for this series.

Bold, bright colours on the cover.

The fact that these notebooks (sold as singles, with the proceeds going to literacy related charities) arrived so late means that I have a had a few months to think about the Tournament of Books 2020 reading list.

Squared notebook.

I enjoyed the 2019 reading list more, but the 2020 list was overall a good, interesting list of contemporary writing that I for the most part would not have read otherwise. There were a few mediocre books on it, and a few that I really disliked, but as a whole it wasn’t a bad list. I may try reading next year’s list too.

The list. There are 18 books on the list, 4 books that I though weren’t worth reading, of them two were a silly, bloated waste of time and two were infuriatingly bad. There were 7 books that I thought were real gems.

I wrote a few weeks back that I was struggling with my notebook setup, and things have changed since then. I’ve settled on using a blank large Moleskine hardcover in Reef Blue and a Pilot Hi-Tech C 0.4 for a running list of work projects and related notes.

I’ve customized the cover with a Star Wars decal to make it pop and let me easily identify it.

I use the right hand side for a running tasks per project (I still manage major project points in the Things app), and the left hand side for related points, reminders and ideas. Each project has at least one spread, and I drop in pages with ideas and things to remember in between the project pages.

The Pilot Hi-Tec-C (also known as the G-Tec-C4) is not a pen that I would recommend because it’s so very delicate and unreliable, but I used to be a fan years ago, and in a burst of nostalgia (and against my better judgement) I’ve gone back to using these pens. There’s something about the barrel design of this pen, combined with it’s needle tip that makes me enjoy writing with it. Again, I wouldn’t recommend it, as you’ll rarely see a refill through (the tip will bend, or it will become to scratchy to use, or it will dry out and become unusable) and in general the Uni-ball Signo DX are much better 0.4 tipped gel ink pens. But the heart wants what the heart wants, and this is what I prefer for daily work use right now.

A Pen Hack, a Field Notes and the Hi-Tech C

Caran D’Ache 849 Nespresso Arpeggio Limited Edition

Hey, look what just arrived in the mail:

Such great packaging.

It’s the new Caran d’Ache 849 Nespresso limited edition and this time it’s Arpeggio that was chosen. Arpeggio is not only one of Nespresso’s more popular capsules, it’s also a gorgeous purple, which is a huge plus in my book, and big difference from their previous edition, the India.

But first, some photos of the phenomenal packaging of this pen:

Side view, where you can also see that it’s the 3rd of the series.

The 849 Arpeggio is made out of recycled Nespresso capsules just like its predecessors:

The back of the pen box.

The cardboard cutout the pen comes in still on point: a simple and fitting material designed to perfection to best showcase the pen and its materials.

Look at that colour!

This came out darker than I would have preferred, but you can just about see the Caran d’Ache brand under the clip, and the “Swiss made” on top.

Swiss made.

The 849 Arpeggio is a lovely deep purple, and has a great texture to it. The non-smooth surface makes it much easier to grip than many of the other 849 pens. You can see the difference in texture here between the Arpeggio and one of the 849 Tropics pens:

Textured Arpeggio finish vs the glass smooth finish on the Tropics 849

And here’s the by now familiar “made with recycled Nespresso capsules” tagline on the side:

I changed the refill, and since somebody asked, I thought I’d focus on that for a bit. To change the refill you unscrew the clicker on top, and that might take a bit of fiddling, since it’s pretty securely screwed in. It doesn’t take force, just a bit of patience. Then take out the refill and swap it out with the new refill, and don’t forget to put the front spring on, preserving the right direction it was placed in when it came off.

Body, cap and original refill with the spring.

I replaced the original Caran d’Ache Goliath ballpoint refill with the Parker Quink medium gel refill (it’s 0.7 mm). Here it is in the packaging in case you’re looking for it. I bought a pack of these from the excellent, excellent CultPens (I’m not being paid to say this, I just really appreciate them and what they’re doing. If you’re a non-US pen addict in particular I recommend checking them out).

Here’s a writing sample with the Caran d’Ache Goliath ballpoint refill and the Parker Quink gel refill. If you’re a fan of ballpoints, the Goliath refill is excellent. I just happen to not like ballpoints, so I change them to gel refills whenever I can.

The Caran d’Ache 849 Arpeggio is a beautiful pen that would make for a great gift (if you can bear to part with it). I can’t recommend these series of pens enough, and I can’t wait to see what next year’s edition will be. Nespresso’s capsules come in a variety of pretty nifty colours, so I don’t think that Caran d’Ache can really miss with them.

Caran D’Ache 849 Nespresso Arpeggio Limited Edition

Ti Mini Review

Look what arrived in the mail today! It’s the Big Idea Design Ti Mini, fresh from their latest Kickstarter. I generally love all Big Idea Design pens (except the for the click, which I still enjoy, though it’s not my favourite), but I still hesitated before backing this one. The form factor is so “extreme” that I wasn’t sure that I’d like it or find use for it. A small pocket pen (i.e. a pen that’s small even for a pocket pen), the Ti Mini is a titanium machined pen that uses D1 refills and is basically built for the watch/change pocket of your jeans. It’s the emergency pen you pull out when you need to scribble something on a note, something that you can carry around without even remembering it’s there until you need it.

The post was enthusiastic so the package got a bit smashed in transit.

The packaging is standard Big Idea Design: utilitarian, full of useful information, well thought out and designed and with a bit of an Apple vibe to it.

Smashed package, but you get the gist
That is just a great tagline
Designed by Big Idea Design, Made in China. Remind you of something?

There’s a bit of marketing material when you open the box, but I’m just going to pause and say that I’ve paid a lot more for machined pens that weren’t half as well packed as this, and the reason that my pen survived the rough-handling that my package received is because someone took the time to consider good packaging. And I’m not even someone who usually appreciates packaging (unless it’s particularly good or downright insultingly bad).

Not a scratch on the pen even though the box was smashed in.
Nice logo sticker to go with the pen.

The Ti Mini comes with two spare o-rings and six D1 refills: three gel ink refills (one in the pen, two others in the refill bag), and three ballpoint refills. All refills are Big Idea Design branded, and all of them are medium refills. You have everything you’ll need to write with this pen for months if not for years, right out of the box.

The Ti Mini in DLC Black

The pen has the classic look of any Big Idea Design pen, with an addition of a titanium bead at the end of a lanyard, to make it easy to pull out of your jeans’ change pocket. It’s an extremely well designed pen, built perfectly for its purpose.

The Ti Mini isn’t built for long form writing, but for a few lines and a scribble when you’re on the go it’s perfect. The gel ink refills that came with my pen seem to be duds, which is a shame, and the only strike agains this pen purchase. It’s not too bad though, because if there’s a pen that calls for a ballpoint refill, it’s this one.

Changing refills is a breeze: unscrew the top, and then unscrew the refill, replacing it with another D1 refill by simply screwing the refill in and then screwing the top back on.

If you’re looking for an “emergency” EDC pen, something that’s always there and ready for when you really need it, the Ti Mini is perfect for the job. It also makes for a great gift pen, even though now is not the time when people travel around much (stay at home!). Just be careful not to forget about it and leave it in you jeans when you wash them. The pen will survive, I’m not so sure about the washing machine…

Ti Mini Review

Henry the Pen Man

Find out more about Henry here on his site, and here on the famous “Has anyone heard of Henry Simpole” threads (one and two) on the Fountain Pen Network. Henry’s moniker was Truffle Finder. People are writing kind words and their memories of time spent with Henry here.

This is my favourite Henry story, and if you’re remotely interested in Esterbrook you should give it a read.

Read here about the Jasmin pen. I’ve attached photos of mine below.

You can see both Henry’s beautiful work and his hallmark here.

Henry the Pen Man