London Haul: Carrying Cases and Standard Pens

I’m working on my backlog of posts after about a month of hiatus (work and health related) so here’s a look into more of my haul from my latest London trip.

Muji happened to have a sale on its standard pen sets, so I bought a pouch of these 0.38 gel pens (I think that Zebra makes their refills but I’m not sure) to have around. There are 10 pens in the set, and my plan is to bring them into the office to have them around as occasional highlighters, pens to doodle with or pens to loan with no expectations of seeing them again.

The red Olfa Touch Knife was an impulse buy and is the thing I use most from this bunch. I used it while gift wrapping books, I used it to open packages, and I’m using it now to open Lego bags for my current build (the large Disney Castle). This is a nifty and handy little tool and I’ll probably buy another one at some point as a backup.
The bronze paper clip is just a nicer version of the clip that I use to keep my pocket Stillman and Birn Alphas shut, as they don’t come with any kind of elastic closure.

The gold bics are from Present and Correct and they made me laugh. I plan on giving one away to a designed friend, in the hopes that it will make her laugh too. I used to use them so much when I was a teenager (before gel ink pens became widely available) and I hated them so much that having a gold one is just beyond perfect.

The black and yellow pen is the Bauhaus edition of the Leuchtturm1917 Drehgriffel Nr. 1 ballpoint. It’s a twist mechanism aluminium and brass hexagonal ballpoint pen that comes with a blue refill. I reviewed the gel ink version (identical apart from the refill) here. I purchased this pen in London Graphic Centre near Seven Dials/Covent Garden, and it was completely an impulse buy. Should you buy one yourself? If you’re in need of a pocketable ballpoint that doesn’t use a click mechanism, then maybe. Ergonomically it’s not the best for long writing sessions, and the twist mechanism doesn’t make it great for quick deployment, so there are better options in the market. The design is very fetching, and if you like it you might be willing to overlook the pen’s shortcomings. The Bauhaus edition was created as a companion to Leuchtturm’s Bauhaus notebooks.

I bought the Drehgriffel ballpoint to accompany the Drehgriffel mechanical pencil that I bought at the same time. The pencil is fire engine red and grey with silver trim, and the pen is black and yellow with brass trim, and the pencil is slightly heavier than the pen, though they’re both the same size.

I also got two carrying cases, one a blue Cordura pen case from Midori. The case is called the two way pouch, and it appears very well made.

The pouch is divided into two identical compartments (hence the name) each with a small divider/pocket inside. It also has a prominent and robustly built handle. I am considering using this pen case for my Caran d’Ache neocolors, but we’ll see.

The second case is a heavily discounted net pouch from Muji. This is going into my travel backpack as a way to keep easily lost bits and bobs together and easily found.

The net is just on one side of the case, which is perfect, as it allows you to see what’s inside the pouch and also have this little bag have some sort of body and structure to it due to the solid side.

The solid side of the Muji case next to the Drehgriffel pencil and pen.

I also bought a solid plastic box for the my neocolors at Muji, but I decided not to use if for them in the end. It was too small for them and they rattled around in it and made a racket every time I walked, and I didn’t like that.

All in all this was probably my most “impulse buy” bit of the trip, and I’m OK with that. Compared to previous years I’ve really toned down my “must try all the pens in the world to find just the perfect one!” tendencies. If you’re reading this I assume that you can relate.
Now to just use it all…

Quick Update and Currently Inked

I returned on Saturday afternoon from a 17(!) day trip to London, York and Paris, and I’m still in the process of adjusting back to my routine. It was a perfect trip and a perfect break from the hard reality that I normally live in, and so it’s been tough getting back. I missed my cats, and I missed my running routine, but I didn’t miss the slew of doctor appointments and medical related bureaucracy surrounding my cancer and my mom’s cancer, and I didn’t miss the political situation here at all.

So I’m trying to find comfort in journalling, in talking to friends, in enjoying the things that I got from abroad (of course I bought pens, paper, pencils, ink, cool vintage stationery, art supplies, etc). And I’m returning to blogging regularly. I have quite a few reviews in the works, and one more post in the “Ghosts of Planner’s Past” series, plus as I’m getting back to my reading routine more books will be featured here.

For now I’ve filled up four new fountain pens (none of which I’ve bought on this latest trip). The ASC Triangolo is a pen that I don’t remember buying at all, which is extremely unusual, and likely means that I bought it at Mora Stylos in 2022, on my first trip after finishing Chemo. Chemo brain is a real thing and I have chunks of that time (during treatment and a few months after it) that are completely missing in a very scary sort of way. The pen itself is an Omas 360 look alike, made with gorgeous arco verde material and has a “magic flex” nib. It’s the largest and one of the heaviest pens that I own, and the nib has issues (both problems starting and issues where it puts down too much ink). I filled it with Faber Castell Deep Sea Green, which from my experience is a drier ink, but that didn’t seem to affect it much. I doubt that I’d get much help from the Pen Family (their QC and service isn’t known to be the best though I will give them a try), so it’s a matter of seeing if I can fix it myself, and seeing what I can do to get it tuned locally, considering that the main guy working on pens here has recently retired. The ASC Triangolo is the big green striped triangular pen right beneath the writing.

The Sailor Pro Gear Slim Manyo Cherry Blossom is a pen that I bought on a whim in Choosing Keeping in London last year. I haven’t inked it since I bought it, but now I did, using the bottle of Sailor Manyo Sakura ink that came with it. This pen, unlike the Triangolo, perfectly fits my tiny hands (it’s the pink pen with the blue finials).

The two Lamy AL Stars (one on each side of the page) are a recent purchase from Pen Chalet. I wanted to try out a Lamy B nib, and I really liked the AL Star Petrol 2023 special edition, and the Tourmaline (2020?) one. They’re filled with Sailor Ink Studio inks that I purchased in Choosing Keeping during my last trip there.

The Leonardo Momento Zero Blue Hawaii and the FC Sparkling Rock travelled with me to London and back. They were a joy to use, and I’m glad that I took them along as they caused no issues – no leaks, etc – and were fun to use when I journaled during my trip.

Here’s a bit of a closer look at the writing sample. The Triangolo’s is unfortunately a mess. The Ink Studio 340 and 224 are my favourite inks of the bunch, though the Ama Iro and 743 are also great. The Sailor Manyo Sakura is too light of my tastes, especially in such a fine nib (the Sailor MF is like a Lamy EF).

Break out a nice pen or pencil to use. It’s the little things that can help make your day.

Retro 51 Winnie-the-Pooh Set Review

There’s a renewed interest in Winnie-the-Pooh lately, as it has come into the public domain (the copyright has expired). Retro 51 issued a pen and pencil set recently, which reminded me that I haven’t reviewed this Winnie-the-Pooh Retro 51 collection set, which came out last summer.The set included a box that looked like the original hardcover book, with three Retro 51 tornado rollerball pens and one mechanical pencil inside.

I’m usually not someone who cares very much for packaging, but in this case the cardboard box was too nice to toss out. It’s not just the outer cover that is thoughtfully designed, but there’s the famous map of 100 acre wood inside, and it is a delightful touch. Inside the box you get the three pens, the pencil, pencil leads and a tube of pencil erasers. Everything is held snugly inside, and the box has magnetic closure.

The pens and pencil feature E.H. Shepard’s charming original illustrations, as well as various sections of the book. The blue pen features the scene where Pooh tries to fool a nest of bees into believing that he’s a cloud (from the chapter “Winnie-the-Pooh and Some Bees”). The purple pen features the first appearance of Eyeore in the book, and is a mashup of two Eyeore chapters (from “Eyeore Loses a Tail and Pooh Finds One” and “Eyeore has a Birthday”). The yellow pen features the final chapter in the book, a delightful conversation between Pooh and Piglet (from “Christopher Robin Gives Pooh a Party and We Say Goodbye”) and the green pencil features an excerpt from the scene where Winnie-the-Pooh gets a pencil case with pencils in them that say B for Bear, BB for Brave Bear and HB for Helping Bear. This is of course a clever reference to HB, B and 2B pencil grades, and Retro 51 decided to not only use this excerpt very appropriately on a pencil, but also…

To put B, HB, and BB on the pens’ finials. That’s the kind of thoughtful design touch that I appreciate. The pens have stonewashed pewter accents on their hardware, and the pastel bodies are lacquered, like most Retro 51 pens. The set was limited to 926 sets worldwide (the original book was published in 1926, which is the reason for this peculiar number), and as it was very popular, I doubt that you’ll manage to get your hands on one unless they pop up on the secondary market.

So why review a pen set that’s out of stock? Because less than a year later Retro 51 issued a Winnie-the-Pooh pen and pencil set that are equally charming, but lower priced (as it’s just one pen and one pencil). The stationery scene is full of limited edition pens, pencils and notebooks and it’s very easy to get carried away on the FOMO train. This is a gentle reminder that after every limited edition pen or ink, there’s another one not very different from it, if you chanced to miss out. Don’t pay crazy prices on the secondary market or beat yourself up for missing out on something without taking a pause and remembering that there are very few stationery items that are ever truly limited and irreplaceable.

Oh, and how are the actual pens and pencil? The same as all the non-limited Retro 51 pens and pencils: I dislike the Schmidt refill they use for the pens and almost always replace it with something else, and the pencil is ok – it features a 1.15mm lead that most people will find way too wide, and it’s hard to find replacement leads for it.

Currently Inked: Things Are Getting Out of Hand

I just finished logging my currently inked pens on the wonderful fountain pen companion and I was a bit shocked to discover that I have 30 fountain pens inked up (each one with a different ink). This is of course the result of the Inkvent madness and my insistence on actually filling pens with the samples in the calendar instead of just using a dip pen.

I’ve written Solar Storm (day 4) dry and I’ve dumped Spruce (day 3) because of the smell, but I’ve kept Pick Me Up (day 15) despite the smell, because of the rich chocolate shade that it has. Since creating this list I’ve also written Jingle Berry (day 8) dry and Spiced Apple (day 5) is about to join it. I’m likely going to be forced to dump and clean out some of these pens, but my goal is to try and write and sketch as many of them as possible dry.

Parker Vacumatic Shadow Wave and How I Look at Vintage Pens

Our local fountain pen brick and mortar shop is closing down at the end of the month, and it’s a crying shame. There’s been a steady stream of collectors visiting the store to say goodbye and stock up on supplies, and on Thursday I joined them. I bought a few bottles of ink, a few fridge magnets with reproductions of old fountain pen adverts (most of them for Parker, of course), and there was a single tray of vintage pens.

“None of them work, I’m afraid,” the proprietor’s daughter said.

But I saw a Parker Vacumatic Shadow Wave among the lot, and I have a very hard time leaving Parker Vacumatics and 51s behind. I picked it up and took a quick glance. It was clearly a user grade pen, but I didn’t care – it was a speedline Vacumatic, which meant that it was fairly easy to fix. I asked her if they could perhaps be mistaken, and was there a chance that the pen worked. She brought out a cup of water and tried it out. It didn’t seem to hold any water, and she showed it to her dad, the proprietor and a well known pen repairman. “Oh, I can fix it, no problem. It just needs a filler swap”.

So today, in the midst of a rainstorm, I went to pick it up after its repair. It’s still a user grade pen, because it’s full of little nicks and scratches, and it has a well worn name engraved into it. But that’s part of what I love about vintage pens, and it’s something that I just can’t get with modern ones. I got a gold nibbed pen with a unique filling system and lovely material (that allows you to see the ink levels through it), in a classic design, for less than $130. And I got a bit of history, as this little workhorse has been around since the first quarter of 1938, and it’s still doing its job. Finally, there’s the mystery of it: puzzling out the model and the date code, maybe trying to find out about its previous owner (in this case, a Mary Thompson. It’s part of why I have no problem with engraved vintage pens), imagining what it’s been through over the decades. This pen is almost 85 years old. It’s a Junior Debutante, so it isn’t surprising that it belonged to a lady. It was likely a gift, and one wonders for what occasion and who the gift giver was. It was at the cusp of a world war that would change a lot of things for women. Was Mary Thompson starting out at her first job? Had she graduated from college? Did the pen pass to her children? How did end up in a pen shop in Tel Aviv 85 years later?

Yes, there’s a risk when buying vintage pens. There is also always a story, and a chance of a greatly rewarding experience, not to mention the possibility of getting a pen with a nib that writes like this (it’s a fine italic nib with nice amount of spring to it):

Inktober Day 1 and Kyo No Oto Sakuranezumi Ink Review

It’s Inktober again, and after a few days of hemming and hawing I decided to join it this year. Once again I’m not following the very Halloween themed prompts, but instead just sketching with fountain pens (for the most part) and ink. I’m sketching directly on paper (no pencil underdrawing), and I’m using an A4 Midori Cotton notebook for these sketches.

Yarkon Park, view of Reading power station.

This is a 10 minute sketch, done with a Karas Kustoms Vertex Velys Ignem fountain pen with a fine nib, filled with Kyo No Oto Sakuranezumi ink.

This is my first Karas Kustoms fountain pen, and I really enjoy using it (I’ll be posting a full review once I’ve had more time with it). I used the nib on both sides (flipping it over for extra fine dots and lines), and it is smooth and well performing.

For some reason I got the ink brand name mixed up in my head and I’ve been calling it kyo no iro. Embarrassing. In any case, I bought this ink on an ink shopping spree in Choosing Keeping in London during my latest trip there. It’s a dusky purple/mauve colour that reminded me of Diamine Harmony (and costs significantly more).

Sakuranezumi is a purple with yellowish undertones that is darker than Diamine Harmony or Diamine Seize the Night, and shades significantly less than the other two. In a fine pen it is dark enough to be acceptable in office use, and I enjoy its dusky mystique.
If you do wet the ink, the yellow undertones really become prominent, so take that into account if you plan to use it for ink washes, etc.

If you are looking for a mauve ink and you want something subdued and dark, Sakuranezumi would work for you. I personally find Diamine’s offerings to be more interesting, plus they are easier to obtain and significantly cheaper. Harmony shades more, and if you are looking for yellow undertones, then Seize the Night has the sheen for you.

BigIDesign Pens Overview

BigIDesign is one of my favourite machined pen manufacturers, and I have practically every machined pen they make (apart from the PHX, which I don’t like visually). I’ve backed many of their kickstarters, including their newest one which ends in a few days, and I know that they deliver on what they promise, on time. That’s no mean feat, and it’s that consistency, not just the quality and design of their pens, that keep me coming back to them.

I have a lot of BigIDesign’s pens, and there are a few more on the way.

While I reviewed many of their pens in the past, I thought that I’d do a quick overview post, for those just getting into machined pens or into BigIDesign’s pens and wondering where to start.

Almost the entire standard pen lineup. I don’t own the PHX, and the Ti Mini pen is in one of my travel backpacks and I don’t remember which one.

BigIDesign create machined metal pens, and the first thing to know is that they have two sites. If you’re based in the USA go here, and if you’re from anywhere else in the world go here. They are one of a very few companies that offer free international shipping on their pens, and that’s no small thing. Their service in general is top notch, and the pens come in functional, well thought out packaging that is gift appropriate without being incongruously fancy. These pens are workhorses, not status markers.

BigIDesign pens all accept more than one kind of refill, and most of them accept a very long list of refills. When in doubt, consult the pen’s product page for a link to a spreadsheet with the full refill compatibility list.

The pens are made of stainless steel, titanium alloy, brass, copper or zirconium. Certain special edition pens (like the orange one/orange highlighted one) are Cerakote finished. These are handsome pens, but if you’re looking for durability, these aren’t for you. The finish chips off and mars when bashed around. The bolt pens come with optional damascus clips and bolts.

The titanium pens come in three finishes, which you can all see in the photo above: machined raw, stonewashed, and midnight black. Of the three finishes, the stonewashed weathers the best, and machined raw shows scratches the most. I happen to like that look on my Ti Arto, but of the three finishes, stonewashed is my favourite (also in terms of grip and feel), which is why I have the most of it.

I don’t like listicles, so I’m not going to rank these pens. I will just note what they’re best at, and who I think should get them:

Ti Arto – accepts the most refills by far. If you like experimenting with refills, and enjoy using capped pens, this is the pen for you. It was my first BigIDesign pen, and remains my favourite because of its versatility and the fact that while it’s built like a tank, it doesn’t look like one. This isn’t a pen for people who like fidgeting with their pen, or just want to jot down a quick word or two, because it is capped.

Ti Arto EDC – the same as the Ti Arto but smaller, and accepts less refills, this is a great option for a pocket or purse pen. The cap means that even misbehaved refills won’t leak onto your belongings or clothes. It is large enough to be used unposted, unless you have really large hands.

Ti Pocket Pro – the number one choice for those looking for a pocketable, EDC, workhorse pen. Uses a twist mechanism, built like a tank, and with very good support for a variety of refills, this is the pen that I take on trips and to the hospital with me. The Pocket Pro and the Ti Artos are very easy to clean/disinfect.

Ti Click EDC- if you want a click pen, go for the side click. This pen looks good, but has a mushy click mechanism that will probably only appeal to those who like quiet click pens. The Ti Dual Side Click is better than this pen in every way.

Dual Side Click – the latest arrival to the BigIDesign family (minus the slim bolt, that isn’t shipping yet), this is one of the best pens that BigIDesign offers. The click mechanism is satisfying and fun to fidget with, the design is sleek and functional, and it supports a wide variety of refills.

Bolt Action – good looking, with a very solid bolt mechanism that’s also a fun fidget toy. If you like bolt action pens, this is a good one to have, and it supports a good amount of refills, but take into account that the Ti Dual Side Click and most of the rest of BigIDesign’s pens support more.

Ti Mini/Mini Bolt Action/Mini Click – skip these unless you really, really want a tiny, compact pen. The issue is less with the pens, and more with the refill options at these sizes.

Which BigIDesign pen is your favourite?

Weekly Update: Pre-Dawn Running, Ducks, Books and Fountain Pens

It’s been a busy time, what with my new job taking a lot of time and effort, my running and training taking up a good bit more, and the rest of my spare time going mostly to reading lately, I found myself creating less. That’s not great. My journalling has suffered, my drawing has suffered, my blogging has suffered. The truth is that creating is like running: I feel good during my runs and great after them, but it doesn’t make lacing up and getting out the door any less of a struggle some days. It takes more effort to sketch and blog (I’ve been utterly unable to write since my cancer diagnosis, so at the moment writing is off the table), than to curl up with a book, so I’ve been consuming more content than I’ve been creating.

That’s something that I hope will change over the next few days and weeks. I have a lot of catching up and different kinds of posts that I’ll publish here (pen reviews, sketch posts, art supply reviews, planners and Moleskines, etc). And as September is lymphoma awareness month, and childhood cancer awareness month, expect some posts related to that in the near future.

Despite the heat and humidity my running has stayed on track. This morning I woke up at 4:30 to get my long run in before the heat made things too unbearable. The weather is starting to get a bit better now, and I managed to run a little over 9 kilometres. That’s the longest run I managed to finish since my breathing issues started, and it’s a big milestone. I have a 10k race in two months and when I enrolled I wasn’t sure that I’ll be able to complete it. Today was a good indicator that I have a just may be able to do it despite having a busted lung.

Running in the dark and boats at sunrise.

I finished reading Dr Jen Gunter’s “The Vagina Bible,” which I recommend that anyone with a vagina read (it’s very informative and empowering), and Andrew Cartmel’s latest Vinyl Detective novel, “Attack and Decay”. It was a fun and fast read, and Cartmel knows how to write compelling plots and off beat characters, but his insistence on using purple language and calling attention to his protagonist’s hetro maleness is annoying at times. We get it, he’s a dude and he finds women attractive.
Next up on the reading list is likely “The Sentence” which is a Tournament of Books book (and I decided not to continue with the tournament reading list this year), but as I’ve already bought it and it seems interesting, I’ve decided to give it a go.

I’m using four fountain pens at the moment, and none of them are for sketching (although I write my sketch journal’s out with my Platinum 3776 UEF). All of these are new pens, inked for the first time. The Diplomat Aero is an excellent pen at a great price point with a very unique and elegant streamlined design. The Colorverse Golden Record, on the other hand, is a disappointing ink. This is the second time that I’m using it, and it darkens considerably when left in the pen, becoming more brownish than golden orange.
The Platinum Plaisir 03 is a pretty decent pen for anyone first venturing into fountain pens. It’s a cartridge pen, and I’m not a fan of the Platinum blue it came with, but I’m not going to invest in trying to find other ink options for it.
The TWSBI ECO is an excellent pen, particularly for the price point, and J. Herbin Emerald de Chivor is a really fun, utterly impractical ink. This ECO is the jade one, and it doesn’t glow in the dark, despite its looks.
The Platinum 3776 UEF is one of the best pens that I’ve bought in a long time, because of the nib. Yes, it’s scratchy, no I don’t mind. It doesn’t feel different than my beloved, finicky Pilot Hi-Tech-C and I get more personality from its fine lines than I get with something like a fineliner. Sailor Epinard (this is from a bottle of the discontinued ink, which is now no longer discontinued), is a good, dark and muted green that has a good amount of personality.

Have a great week, and take care of yourselves in these hectic times.

BigIDesign Dual Side Click Pen Review

Big I Design is one of those pen manufacturing companies that use Kickstarter as a sort of pre-order system. I’ve backed several of their kickstarters and they always deliver on time, exactly what they promised to deliver. Their campaigns are for products that they already designed and know exactly how to manufacture, and I know that backing their work is a low risk endeavour. They know how to make pens, they know how to make pens that I enjoy using, their pens are solid and super versatile workhorses, and there aren’t too many options to get sidetracked by. It’s usually one new pen body in three different finishes, with maybe an add-on option or two.

So when they came out with a new pen on Kickstarter, the Dual Side Click, of course I backed it.

Like all of Big I Design’s pens, the Dual Side Click is designed to accept a large variety of refills – ballpoint, gel ink and rollerball. If there’s a particular pen refill that you like or you’d like to try, it’s likely one that is compatible with the Dual Side Click. Here’s the full list of refills for your delectation.
I will note that likely because of the click mechanism, the Dual Side Click (and the EDC Click) don’t support as many refills as their Ti Arto and Ti Arto EDC counterparts (which support every refill on the market, I think, including the Uni-ball Signo DX UMR-1 refills). They do, however, support more refills than the Ti Pocket Pro, and an impressive amount of refills.

The back of the Dual Side Click box. Says what it does on the tin.

I got the stonewashed titanium Dual Side Click, which is by far my favourite Big I Design pen finish. I like the new packaging that they use, as its functional, well made and impressive enough to work as gift packaging, while not being so fancy that you’ll feel bad tossing it into the recycling.

Functional, well designed box. The little compartment on the right holds spare parts and the ring used with the clip tool, and it magnetically closes.

The box comes with a tool that will allow you to remove or adjust the clip (which is the little ridged rod and the ring you see below), and spare parts – o-rings and springs. That’s a wonderful touch, as is the magnetic closure on the ring and spare parts compartment.

You also get a Big I Design sticker, some info cards and of course, the pen. The stonewashed titanium finish is silky to the touch, and gives the pen an understated look. The grip section is wide, with a few engraved rings to added grip. It’s the same grip section as on the Ti Click pen, and is great for longer writing sections. The Ti logo is, as usual, elegant and understated. It’s not a “I’m an expensive pen!” kind of design, nor is is a “I’m a tactical pen!” kind of design. It’s a functional, pragmatic, solid, and enjoyable to use kind of design.

The stonewashed finish will age well with time and use – like an old pair of jeans. You can see the new Dual Side Click next to the Ti Pocket Pro, which I have used since late 2017. The original finish on both pens was the same, but the various nicks and scratches on the Pocket Pro have added to its looks, and it has a little more lustre now.

Dual Click on the left, Pocket Pro on the right.

The star of the Dual Side Click is, of course, the dual side click mechanism. The pen is engaged by clicking on the click mechanism on top, just like any other click pen, and then the refill is retracted by clicking on one of the side clicks. The side clicks look like flat lozenges that protrude a bit on each side.

When the click mechanism is engaged the side click buttons protrude a bit more, but they’re still unobtrusive and aren’t likely to snag on anything.

You can press on either the left or the right side mechanism to retract the pen refill, and both the click mechanism and the side mechanism engage and disengage with satisfying clicks. Unlike the Ti Click pen, this Dual Side Click’s mechanisms aren’t mushy.

The Dual Side Click ships with a Schmidt P 900 medium refill, which is one of my least favourite pen refills. That doesn’t matter much as I immediately swapped it for my favourite refill, the Uni-ball Signo UMR-85N.

As the whole point of the Dual Side Click is the pen body and not the refill (which most users will swap out), I created a video of the click mechanism in action:

This is a very satisfying pen to use. And fidget with during dull meetings.

If your favourite refill is among those that is supported by the Dual Side Click, then I highly recommend it. It’s one of the best pens that Big I Design have ever created, and that’s saying something. The titanium body is solid, weighty without being overly heavy, and comfortable to hold and use. The click mechanism is excellent, and it’s fairly priced, especially when you factor in the refill choice flexibility and the free worldwide shipping (and the lifetime warranty, which I’ve never had to use for any Big I Design pen).

Weekly Update: Ink Washes, Health Scare and Finding My Stride

It’s been a while since I posted an update, and there’s been fewer posts than usual during the last two months. This is mostly because I started a new job in June, and it’s been longer hours and more work than I anticipated at first. I am enjoying myself, but the change means I have less free time, and that I need to prioritise things differently to better fit the things that I care about into my life. Was moving from a cushy and undemanding job to an interesting and fun but much more demanding one a mistake? Time will tell, but so far I’m not regretting the switch.

As I’m starting to find my footing, I’ve been able to find more time for my hobbies. During the early days of my new job the only thing I did was work, exercise, sleep and eat. Then reading came back into my life, and journalling and sketching followed. Meanwhile the Sketching Now Watercolour course is over and I only had time for the first week, but thankfully the materials are all available online so I’ll be able to complete it all eventually.

What’s left my life almost entirely so far is watching TV, and I doubt that it will regularly return. In terms of media consumption, I read and listen to podcasts and that’s about it. I will watch specific things on Disney Plus or watch Adam Savage make things on YouTube, but even that isn’t something that I do often these days. It’s not a value judgement on TV – it’s just that I have less time now, and of the things I could easily get rid of, this was one of them.

Lego Orchid set (it’s gorgeous). I find building these sets very relaxing, and as you can see in the background, I have quite a few more to build…

Another thing that went out the window is social media. I’ve stopped checking Twitter and Facebook regularly. The only thing left is Instagram, which I still spend too much time on for my liking, and as Facebook starts messing with it I may likely leave as well.

Health

I had a bit of a health scare in late June. It was 6 months after my last chemo treatment, and I had some blood work done for a check up with my hemato-oncologist. One of the results was extremely low, and it was for a test that people rarely get and I certainly have never gotten before, so I had no baseline to compare it to. What little information I found online indicated that I either was going through kidney failure/had a kidney tumor or had a rare form of blood cancer (beyond the blood cancer that I already had). Two sleepless nights later my hemato-oncologist (bless her), told me that everything was OK. The rest of my blood work was good, and this test was meaningless for people in my condition. She never asked for it, and I don’t know what possessed my GP to ask for it. In any case, I am now officially well enough to go on the regular post treatment checkup schedule, which means once every three months. Yay!!!

I’m running five times a week now, four 5ks a week and I’ve now started to work in a long run in the hopes to get back to running 10k. It’s tough running in this heat and humidity, especially with my lungs not being 100%, but I’m pushing through and enjoying myself. Running is my meditation, and has remained that way even though I now also meditate as part of ACT.

I’m also going twice a week to lift weights in the gym, nowadays with a mask on to avoid COVID. I’ve been vaccinated four times, but am now working from home again and staying masked as I can’t afford to get sick with the state of my lungs. Practically nobody is wearing masks anymore, and almost everyone around me is sick, so it’s been frustrating to try and stay healthy under these conditions. I’m hoping that the Omicron variant vaccine will be available here in a month or so, and I’m keeping an eye on the numbers to know when I can go back to the office and see people face to face again.

Reading

I’ve finished Hillary Mantel’s “The Mirror and the Light”, the third and final book in her trilogy about Thomas Cromwell. I’ll write a more lengthy review of it on Goodreads, but I will say that I got tired of the book at around the 60% mark (it’s about 900 pages long), and it didn’t really recover from that point on. I can see why Mantel struggled with this one, and I don’t regret reading it, but it’s not as good as the previous two books, and it could have done with some robust (and perhaps ruthless) editing.

I’ve also finished Ali Smith’s “Companion Piece”, which is a companion piece to her seasonal quartet of novels (Autumn, Winter, Spring, Summer) and is excellent. You don’t need to read the quartet to enjoy this book, and “Companion Piece” would also be a good introduction to Smith’s writing. It’s written in stream of consciousness style, although it’s fairly easy to understand (nothing as complex as Joyce), and there’s a joy in her writing, compassion, insight and humour that make reading her always an enjoyable and worthy pastime.

As these were a bit challenging to read, I had an Agatha Christie “palate cleanser” in the shape of two novels: “The Man in the Brown Suit” and “Crooked House”. “The Man in the Brown Suit” is a detective/adventure story that was originally light hearted, but today just doesn’t work. There’s too much racism and sexism to bear, especially if you know anything at all about the history of South Africa, diamond mines, and labour relations in Africa. “Crooked House” was one of Christie’s favourite novels, and it’s a fun and interesting book with many original characters (and yes, also spots of racism).

Pens, Pencils and Notebooks

I’ve been playing around a lot with ink washes lately, as I’ve written here. They’re a fun and quick way to add colour to a sketch, and having a limited palette makes me appreciate colour values more.

Quick sketch of squash plants gone wild in a local garden.

I’ve written almost all of my fountain pens dry, with the exception of a Franklin Christoph 45L Sage with a S.I.G fine nib (filled with Bungobox June Bride Something Blue ink) and a Platinum Plaisir filled with the blue cartridge it came with. The other fountain pens I have inked (two Lamy’s and two Sailor Fude pens) are used for sketching and not writing. I’ll likely fill up a few pens next week.

From left to right: Platinum Plaisir, Franklin Christoph 45L Sage, Sailor Fude pen, Lamy Lx Rose Gold, Lamy Safari white and red, Sailor Fude pen.

The BigIDesign Dual Side Click pen arrived from the kickstarted that I backed, and it’s fantastic. I hope to have a review up next week, but so far I’ve really enjoyed using it, and I think that it’s their best pen yet (which is saying something).

I’ve decided to start switching around the pencils that I use, instead of writing one down to a nub. I’ve been using a vintage Eberhard Faber Mongol pencil this week, and a Musgrave Tennessee Red one. They’re both #2 or HB pencils, but the Tennessee Red one is much softer and darker.

I’ve changed the way I use my notebooks, streamlining certain things, consolidating notebooks on the one hand, and starting a new notebook (MD A5 blank paper notebook) for insights and ideas that I would have previously explored on social media and now prefer to explore in private, on paper. I’m no longer chasing likes for these things, as I’m more interested in giving the thoughts in my head time and space to grow and change, and Twitter and Facebook are the last places to allow for that.

All the Rest

I’m back to decluttering my house, a project that I had started working on before I got sick and until now didn’t have energy to get back to. Yesterday I found a stash of half used notebooks that I forgot that I ever had, and it was bizarre to go over them and read what my pre-Covid, pre-cancer self thought about life in 2014-2015.

Writing at Large

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