Shana Tova!
Happy new year, full of peace and blessings to us all.

A blog about writing, sketching, running and other things
Happy new year, full of peace and blessings to us all.

I’m travelling to Paris and London and I’m trying to both sketch much more and journal more consistently. The first leg of the trip is a four day stint in Paris and I just completed it.
Here are the sketches that I made:

I was tired and this came out wonky but I don’t mind as it captures the moment well and I had less than 10 minutes to get it done.

Sketch of the wonderful lunch at my favourite cafe:

I bought a Hahnemuhle A5 watercolour sketchbook and a new set of Uni Pin fineliners. This sketch of Place de la Sorbonne was done in situ with a brush pen but I ran out of time so I took reference photos and added the watercolour later.


I went to The Coffee, one of my favourite local cafes. I sketched the shop and the barista:

And had enough time to add watercolour. I was hesitant to show it to the barista once I was done but in the end I mustered the courage and did and she liked it.

Had about 10 minutes to sketch in the St Sulpice square which was enough to get some quick line work done and take some reference photos for later.

Finished it later:

Yesterday I went to the Notre Dame, my favourite, and managed to get a line sketch in my Hahnemuhle A5 watercolour sketchbook but then the heat and crowds were too much for me so I completed the sketch in my hotel room later that evening.


I tried sketching the interior of Patisserie Viennoise, my favourite cafe, this morning but didn’t find an inspiring angle so I just created a brief vignette in my Hahnemuhle:

Later I went to the Luxembourg gardens and sketched the Medici’s fountain. It was closed off to visitors for some sort of maintenance so I sketched it from a distance.

The complete sketch:

Bought an A5 Moleskine sketchbook on sale and made this sketch on the bumpy train ride from Paris to London:

So far I have managed to sketch and journal daily. London’s schedule is more hectic so we’ll see how things go there.
A rare sketch of the shy store manager at my favourite deli/cafe. The place was busy so she chipped in with barista duties.

Here it is with watercolour:

I filled the last page of my Stillman and Birn pocket beta today, a bit less than a year after starting it.

After a hot and humid run this morning I went to my favourite cafe and sketched Orit, my favourite barista. The line drawing was done with a Staedtler 0.8 pigment liner pen.

Then came the watercolours- Schmincke Horadam in a tiny art toolkit palette.

And here it is with Orit in the background.

It’s been a while since my last update, and though I drafted a post in my blogging notebook over a month ago, I didn’t get to posting it here.
I got a new job! The process was much quicker than I expected both because of my excellent friends and colleagues network and because I aggressively pursued new employment opportunities. I was getting three interviews a day plus sending several applications a day despite being sick and having another “delightful” rocket round from Iran to deal with. In the end it took me two and a half weeks to find a new (and better) place, and I learned a lot from the process.

I had a little time off before I started my new job (I started two weeks ago) and I spent most of it on catching up with friends, getting on top of doctor’s appointments, decluttering and honing my technical skills. I didn’t get half of what I planned on doing done, but that’s the nature of the beast. I am very glad that I prioritised meeting friends because it was so energising and fun and fulfilling to be able to do that. It made me realise yet again just how important real life meetings with friends are.
I finished the NYT Summer Reading Challenge on the 6th of August, well before the deadline. I enjoyed the challenge and I’m glad that I participated as it got me reading books that have long been languishing on my reading list. I decided that I will review each of the ten books that I read, so expect those reviews up shortly.
I saw the new Spiderman movie (Spiderman: Brand New Day) and it’s very good. It reminded me of The Thunderbolts, which I loved. It was well written and performed, and Florence Pugh and Jon Berenthal steal every scene they’re in they are so magnetic.

I’m almost done with my Stillman and Birn pocket beta sketchbook and I might post a flip-through here. I normally take ages to finish a sketchbook because I have so many sketchbooks running in parallel, but this one took about a year, which is super fast for me. Most of it is full of cafe sketches, because I’ve put a focus on sketching people on the move. I do plan on getting back to more landscape and other sketches in my next sketchbook.
I’m still struggling with my journaling, and I also have a large pile of notebooks that I was planning to review but I’m not so sure how to go about that. Standard reviews take a lot of time and I’m not sure that they’re that enjoyable or interesting to read. I don’t want to spew a fact sheet of information on paper weight and binding types as you can find more accurate information on the manufacturer’s website these days. Even Moleksine, who had been elusive about their paper weights in the past, now publish all the relevant details on their website. I think it would be more interesting to read about why I selected a notebook, who I think would enjoy it, and who I think should steer clear of it. What do you think?
I wasn’t feeling well earlier this week, so I decided to sketch close to home and to simplify my setup. I was feeling the “Toulouse Blues” (where you’re part of the urban sketchers community but miss out on the urban sketchers symposium in Toulouse), so I wanted to sketch to cheer myself up.

The setup was unusual for me on all counts:
I kind of like the result, and I’ll try to create more experiments like it in the future.
The Urban Sketchers Symposium in Toulouse is starting next week, and this year I won’t be participating. For the lucky few that are going to be there, whether as official symposium participants or as “free range” sketchers I thought I’d write down some insights and tips that I gathered from last year’s symposium in Poznan.
In no particular order, here they are:





Have fun, remember to hydrate and use sunscreen, and bring Toulouse to life with sketches!
I went to Ramat Hanadiv garden today, and created a quick watercolour sketch on location. There were a lot of details in the scene, and I wanted to capture a relatively wide angle, so I had to do a little planning ahead. I normally don’t take photos or videos when I sketch (only once I’m done), but this time I made some unusual choices for me, so I decided to document them as I went along.
This is part of the scene that I was sketching:

I was using a cold pressed Etchr watercolour sketch book. It’s wonderful for watercolours, but pen and ink struggle on this paper. I usually start the sketch with pen and ink (a fineliner or a fountain pen) and then move to watercolours, but since there was so much detail here and I didn’t want to get carried away by it, I started with a Caran d’Ache Neocolor II crayon:

Then I blocked in the greens of the roses, the trees, and a bit of the ground. I’m using the lightest green hues as this point – I’ll add darker greens later to add volume and depth. In watercolour you work light to dark. I also went over the Neocolour II with some water.

At this point I took out the fineliner and sketched out the palm tree and started sketching in the tree trunks. I also added colour to the palm tree trunk. The palm isn’t supposed to be the focal point of this sketch, the roses are, but it’s there to give things perspective (and it literally was standing nearby – I just pulled it into the frame because I thought the sketch needed it).

At this point I finished the line work, and then moved to adding depth to the greens. I deliberately left the path largely flat because I wanted the roses to be the focus, not the cobble stones. There’s only so much detail our eye can take, so you need to be mindful of that when sketching. This is something I’ve been struggling with for years – what to leave in and what to edit out.

This is the finished sketch. There are roses added in, some shadows under the plants, tree trunks, the palm fronds. I was tempted to add the sky after I was done, which is why I knew I shouldn’t add the sky. Never add anything after the bulk of the sketch is done just because you had the idea as an afterthought. It’s the best way to “ruin” a painting.

This took me about 40 minutes, much of the time spent waiting for the paint to dry or mixing greens.
What do you think? Would you try and sketch something like this – by blocking it in paint first before moving to pen and ink?
I stopped using streaming services for a few months as I was studying for a certification exam, but as I now have more time in the evenings I’ve been back to watching stuff on my iPad. Here are a few things that I’ve watched over the last month or so.
Apart from that I managed to get four short runs in this week (my runs are now laps around the bomb shelter) and I went to my favourite cafe and sketched my favourite barista at work:

Here’s the sketch before I added watercolours:

And I’m back to building Lego, as it really helps reduce stress (at least for me). My brother bought me this set for my birthday last year and I haven’t had the chance to build it yet. It took me about two hours:

There’s a nice hidden Star Wars scene at the top of the “T”. Can you guess what it is?

Hoping that the downed airman is safely recovered and this war ends.
Once a year Schmincke, the German art supply company (makers of the best watercolours in the world) produce a limited edition colour out of the leftover pigments they have. The pigments come from their pastel production- which uses almost 100% pigment.
In 2024 the made an acrylic Random Grey. In 2023 the Random Grey was a pastel.
This year’s Random Grey is a watercolour. It’s a warm grey, granulating, and semi opaque. While I normally prefer cool or neutral grey’s, this colour looked interesting enough for me to give it a try.
The paint comes in a 15ml tube and though it’s a series 1 pigment it cost double the price of Schmincke’s usual series 1 watercolours (note: professional watercolours are usually priced differently by the kind of pigment they use. Blues tend to be more expensive than earth tones, for example. Schmincke’s series 1 are the cheapest and series 4 the most expensive). I’m not surprised as it’s a limited edition, but if you’re just looking for a warm grey Random Grey isn’t the most cost effective option.

I filled three half pans with Random Grey (one for me and two to gift) and there was plenty more to go around, so if you’re interested in this watercolour but are price conscious you can try finding other artists in your area that would be willing to split the tube. Schmincke’s watercolours are superb and it’s very easy to fill a pan or half pan with paint, let it set for a day or two and then use it.
The shade really surprised me. Yes, it’s a warm grey, but it’s not too far away from a neutral grey to become unusable for all but certain lighting conditions. It does not have that yellowish brown tinge that makes warm grey’s so… atmospheric. I enjoyed using this pigment, its granulation and layering possibilities enough to add it (at least temporarily) to my watercolour palette.
Is this a bit of a gimmick? Yes. Is it also a fun and interesting grey to have around? Also yes. I look forward to mixing and combining it with some pinks and reds and seeing what comes out.
Note: I sketched this on Pith paper, which is not watercolour paper. On watercolour paper Random Grey’s granulating properties will be even more pronounced.