I decided not to take part in Inktober this year. Instead I’ll be drawing at least one page a day in my Stillman and Birn Pocket Alphas. You can see days 1-5 here, days 6-10 here and days 11-15 here.
I drew the first four of these days as scheduled and then the last drawing took much more time than I planned, so I decided to invest a little more time in it. While I was working on that I had an opportunity to submit a short story to a collection that doesn’t usually accept submissions. The deadline was tight, but I decided to go for it, which meant putting this challenge on hold. As I’m refocusing my energy on my writing I’m going to stretch this challenge to December (more on that in a later post). So far it has worked to get me more comfortable with working directly with ink and with a pared down palette and brush selection, so I’m happy with that.
All these were drawn on a Stillman and Birn Pocket Alpha with a 0.3 Staedtler fineliner and Schminke Horadam watercolours.
We haven’t had an Urban Sketchers sketchwalk in Tel Aviv since June due to Covid-19. We met today and drew, socially distanced and with masks, for three hours in Dubnov garden, which is not far from Rabin Square and is just behind the Tel Aviv Museum of Art.
The first drawing, focusing on the strange rock sunken sculpture in the middle of the garden, was drawn on a Stillman and Birn Pocket Alpha, with a TWSBI ECO 1.1 stub filled with Rohrer and Klingner Emma SketchINK and Schminke watercolours.
The second drawing is a panorama of the architecture near the park, and it was drawn on a Moleskine Large Watercolour notebook, with the same materials and the drawing above.
My drawing challenge has allowed me to streamline my process and bring in much fewer art supplies to the sketchwalk without feeling that I’m missing out. It was also the first time I brought my Walkit sketchbag to a sketchcrawl and it worked very well. I’ll write a review of it later on, once I’ve finalized the kit I put in it.
I decided not to take part in Inktober this year. Instead I’ll be drawing at least one page a day in my Stillman and Birn Pocket Alphas. You can see days 1-5 here, days 6-10 here.
It was Yom Kippur when I drew these, and a very strange Yom Kippur it was. The country was under lockdown, and so some of the prayers were set outside, including this one in Kikar Atarim:
The streets were more deserted than usual during Yom Kippur. There are no cars around, and everything is closed, but the pandemic added another eerie aspect to it all:
I woke up early in the morning to draw Kikar Dizengoff utterly deserted. The Agam fountain in its centre is still colourless, but I actually think that it works. I love how the multicoloured chairs around the fountain just grab your eye:
I was searching for some flowers to draw, when this came up: a Dior dress from the exhibition we saw over a year ago. I’m not very happy with the wild highlight and shadowing choices that I made, and you can see that the Alpha paper doesn’t allow for multiple washes, but you learn from your mistakes more than from your successes:
I went for a stroll looking for things to draw and found this abandoned couch lorded over by a local cat. I had to juggle all of my art supplies on my hands, so that was a challenge, but I like how the cat and couch came out. I may later on touch up the bush on the left, but as Stillman and Birn Alpha paper doesn’t take too well to reworking, I may just leave it as it is:
I decided not to take part in Inktober this year. Instead I’ll be drawing at least one page a day in my Stillman and Birn Pocket Alphas. You can see days 1-5 here.
I had some failures and some successes with my drawings this week. I did a very quick and not very accurate drawing of my gong fu table, and with that finished my first Stillman and Birn Pocket Alpha.
I’ll probably write a post about the Pocket Alpha, maybe later this week. In any case, the sketch above didn’t come out great and I considered not even investing in painting it, but then I figured out that while I learned from my mistakes in sketching the gaiwan proportions (I’m not using a pencil under drawing because I’m trying to speed up my process), I wouldn’t get a chance to improve my watercolour skills if I didn’t watercolour it. So the result was an OK watercolour, and another proof that paint can cover a multitude of sketching sins.
The next sketch took my two days, mostly because I was busy. It’s a “flowers of the urban desert” spread, and I created the top left sketch on day 2 and the rest on day 3. I’m trying to get myself used to composing pages, and this one will probably get some text added to it later.
We’ve just entered our second lockdown, and I got nostalgic to the office and to our little escapes to our excellent local coffee shop. Found a photo of this latte from one of my final pre-Covid visits there and decided to draw it.
This drawing, of the excellent Paul’s Café in Jaffa, took me the longest to draw, and that’s after I edited out a ton of details. It was fun to do and reminded me of better times. I hope that they pull through and I’ll be able to go back there someday soon.
I decided not to take part in Inktober this year. Instead I’ll be drawing at least one page a day in my Stillman and Birn pocket Alphas. It happens that there are just a few pages left in my first pocket Alpha, the one I got gifted by Stillman and Birn as part of their sponsorship of Gabi Campanario’s Urban Sketches Porto 2018 symposium class. I use multiple sketchbooks at the same time, and finishing and starting a notebook is always the hardest part for me. So I decided to challenge myself to finish my old Stillman and Birn pocket Alpha and start on a new one, by challenging myself to draw at least a page a day for 30 days straight.
I will be batch uploading these 5 days at a time, so here’s what I drew on the 17th of September until today, the 21st of September:
It’s combat time in Vengeful Fortress the free-form illustrated adventure that I’m currently running. See previous instalments here: part 1, part 2, part 3, part 4, part 5, part 6. Drawn on a Stillman and Birn Epsilon sketchbook (review in part 1), with Schminke watercolours, various fountain pen inks (Sailor Sky High, Diamine Earl Grey, Diamine Christine, Diamine Robert), and Deleter Neopiko-Line-3 fineliners.
After a long, unplanned hiatus, I’m running my free-form illustrated adventure, Vengeful Fortress. See previous instalments here: part 1, part 2, part 3, part 4, part 5. Drawn on a Stillman and Birn Epsilon sketchbook (review in part 1), with Schminke watercolours, various fountain pen inks (see if you can guess which ones), and from this instalment, with Deleter Neopiko-Line-3 fineliners.