After a long, unplanned hiatus, I’m running my free-form illustrated adventure, Vengeful Fortress. See previous instalments here: part 1, part 2, part 3, part 4, part 5. Drawn on a Stillman and Birn Epsilon sketchbook (review in part 1), with Schminke watercolours, various fountain pen inks (see if you can guess which ones), and from this instalment, with Deleter Neopiko-Line-3 fineliners.
What would you have done?
A while ago a local art supply shop started stocking a wider variety of Stillman and Birn sketchbooks. I currently use the Stillman and Birn pocket Alpha as my daily sketchbook, but I decided to give the pocket Epsilon a try. The Epsilon features smooth, white 150 gsm pages which should work for pen, ink, dry media and light washes.
This sketchbook is in landscape format, which is what I normally prefer. I was planning to use it once I’ve finished with my current Alpha, but weeks stretched to months and meanwhile this sketchbook has been languishing away, unused.
So when I saw Liz Steel going on a virtual sketch tour in Italy, I was inspired to grab this notebook and fill it with a sketch tour of my own. I initially planned to sketch out my cancelled London trip, and I may yet do that, but something inspired me to take this idea to a completely new direction.
I’m going to sketch out a freeform fantasy roleplaying adventure for my regular D&D group, and use that as a way to test out this sketchbook, and to make good use of my fountain pens.
So without further ado: Vengeful Forest, a fantasy freeform adventure.
The watercolours are Schminke and I used a Windsor and Newton Series 7 number 2 brush and a Rosemary and Co 772 brush
I’ll continue posting as the adventure progresses, but so far this has been a lot of fun, and the players seem to be enjoying it too. The Stillman and Birn Epsilon has been an absolute champ: it takes light washes beautifully, with very little buckling, allowing me to use both sides of each page. It also works well with fountain pens, especially fine nibbed ones, which are commonly used for sketching. The white paper makes everything pop, and even though 150 gsm isn’t much when it comes to watercolour, it did allow for some layering and reworking without turning into a messy paper pulp. This is a sketchbook that I’m definitely going to purchase again.
A sketch on location of my polling station in Tel Aviv (don’t be creepy) on election day.
While I was sketching an elderly volunteer came for a chinwag in the shade, and then stayed and chatted for a good long while. I guess he was lonely. And later two girls came around selling cookies and lemonade for charity, so I bought a cookie and talked to them while they watched me draw and tried to sell their wares.
Schminke watercolours, Staedtler pigment liners, Stillman & Birn pocket Alpha.
A quick sketch of a building in the Jaffa flea market area.
Went to the Tel Aviv Pride Parade 2019 with the wonderful Tel Aviv Urban Sketchers group. Met a lot of lovely, joyful people in the crowd, and managed to draw two watercolour sketches before the heat and crowds got to me.
People were so kind with their remarks and the vibe and music was just awesome. Tel Aviv Pride is just one more reason to love my city.
Beautiful, happy people:
Happy Pride day!
Schmincke watercolours with no pencil sketch.
I decided to work on a monochrome Neil Gaiman watercolour portrait, and I remembered to take progress photos for a change.
The initial sketch was done with a Faber Castell 9000 2H on Bockingford 300gsm watercolour paper.
Then I did some light initial shading (I use Schmincke watercolours):
This is with most of the work done:
Final pass, differentiating more between light and dark: