On the day before our last of our latest trip to London we went to see the Royal Style in the Making exhibition at Kensington Palace, colloquially known as the “Diana Wedding Dress Exhibition”. The tickets included a visit to Victoria’s childhood rooms in the palace, and the exhibition had other dresses on display, but you knew immediately what it was about once you entered the exhibition pavilion.

The dress was prominently displayed, most of the visitors (not many, due to Covid restrictions) were congregated around it, and it was HUGE. The thing was large, and puffy like an overdecorated wedding cake, and had a train that was just bananas. I can’t imagine what it was like being cramped with so many meters of lacy, embroidered fabric in the back of a car on her way to St. Paul’s Cathedral. Looking at that dress I thought to myself that it ended up being more symbolic of Diana’s life than designers Elizabeth and David Emanuel had envisioned. She was stuffed into an overly symbolic, stifling, uncomfortable life that made it difficult for her to show her best qualities: her warmth, her ease with human connection, her genuine care for people, and the simple way she just lit every room she entered.

There were two other dress designs in the exhibition that caught my eye. The first was a salmon coloured dress that David Sassoon created for Princess Diana as her wedding day dress and she ended up wearing as a “working” dress. It’s much more sensible, colourful, chic and warm and it although it still has terrible 80’s style stamped over it, you can see how it would have worked well on her at the time.

The second dress is prototype of the Queen Mother’s Coronation dress, and it is sleek, chic, and yet also intricate and sophisticated. Of all the dresses in the exhibition, this dress best stood the test of time, and I could see it be worn by an A-level star at the Met Gala.

If you are in London and you can get tickets to this exhibition, I do recommend going, both to see Victoria’s childhood rooms, and to see the dresses on display (although fair warning, there aren’t many of them). Princess Diana had a good eye for fashion and how it would allow her to connect with people (she didn’t wear hats because you can’t cuddle a child with a hat, and she liked costume jewellery because it gave the children she picked up something to play with), and to send subtle and not so subtle messages about what was going on in her life (search for the black sheep sweater or the fabulous “revenge dress” to see what I mean).