Carmel Market at Lockdown

Carmel Market, Tel Aviv, during the third lockdown.

This is the first time that I’ve used my new watercolour palette and I’m still figuring stuff out. I’m also using an 8’’x10’’ Stillman and Birn Alpha which is a large format that I’m still getting used to and isn’t the best for smooth washes. I’m embracing the patchiness here and letting the paint do its thing. More importantly, despite temptation I’m not making any adjustments to the new palette now, as I need more time with it.

Also, the Sailor Fude 55 degrees fountain pen is magic. I used one here with Noodler’s Lexington Grey.

Decrepit Old Buildings Can Be Beautiful

A drawing of a decrepit, old building in central Tel Aviv. Painted only using the new Schmincke super-granulating watercolours (Galaxy, Glacier, Deep Sea, Forest and Tundra). The only exception is the yellow, which doesn’t exist in this range.

My review of these colours will probably be up this weekend.

City in Grey

A5 Stillman and Birn sketchbook spread with two watercolour drawings, one on the lower left side and one on the upper right side (with ink), and two text blocks, one in Hebrew on the lower right side and one in English on the upper left side. The palette is grey and muted.

In early January we had a bout of very foggy days and I took photos of various city scenes in the lockdown and the fog thinking that I’d later draw them. I thought that drawing fog in watercolour would be pretty straightforward, because what is easier than just drawing wet on wet and letting the watercolour do its thing? But after looking more closely at the photos I realized that fog isn’t just grey sky melting into the landscape, it’s also a muting of colours, a flattening of the landscape, the lack of shadow. In the end I drew two small landscapes, one urban and one of the park, and although they were challenging I enjoyed drawing them enough to want to have the same experience with the text. The grey writing in Hebrew in the bottom right corner is a line out of a well known rock song that embodies a lot of the spirit of Tel Aviv. It was written using Diamine Silver Fox on a semi-wet background, to facilitate ink spread.

These drawing also showcase a shift I have made in my palette and my mixing over the past few weeks. Once things settle down I’ll probably post about my new palette.

Dizengoff in Lockdown

I’ve had a rough two weeks, with my mom going through surgery to remove tumours during a Covid lockdown and other stuff crumbling at the same time. Starting to get back to my my routine again, which means posting here, working on a review and working on another short story.

This page shows a deserted Dizengoff street, which I haven’t seen since the first lockdown, last spring.

Hoping for better days ahead.

Morning Run And Grey Heron

Map of my run, ramen bowl, woman in boat rowing over the Yarkon river while a grey heron is in the reeds, and closeup on a grey heron.

I don’t often get to see grey herons during my runs, so I decided to make a hero of this sketchbook page. Drew a map for the first time in my sketchbook and it was hard and took longer than I expected.Drawing the ramen bowl was also challenging, but I really like the results. I like this spread even though at the beginning I thought that I’d have to trash it, because some terrible masking tape that I used tore into the right page quite badly. Glad that I stuck with it.

This page was created as part of Liz Steel‘s Sketchbook Design course and explores using maps in your sketchbook.

Urban Sketchers Tel Aviv: Dubnov Garden

We haven’t had an Urban Sketchers sketchwalk in Tel Aviv since June due to Covid-19. We met today and drew, socially distanced and with masks, for three hours in Dubnov garden, which is not far from Rabin Square and is just behind the Tel Aviv Museum of Art.

The first drawing, focusing on the strange rock sunken sculpture in the middle of the garden, was drawn on a Stillman and Birn Pocket Alpha, with a TWSBI ECO 1.1 stub filled with Rohrer and Klingner Emma SketchINK and Schminke watercolours.

The second drawing is a panorama of the architecture near the park, and it was drawn on a Moleskine Large Watercolour notebook, with the same materials and the drawing above.

My drawing challenge has allowed me to streamline my process and bring in much fewer art supplies to the sketchwalk without feeling that I’m missing out. It was also the first time I brought my Walkit sketchbag to a sketchcrawl and it worked very well. I’ll write a review of it later on, once I’ve finalized the kit I put in it.

Organising My Thoughts

Organising my thoughts and processes during these trying and turbulent times. Here are some calming photos to pass the time while I’m processing.

Morning Run in the Park

I haven’t run in the park for a while, at first because I wanted to distance myself from other runners, later on because it wasn’t allowed, and recently because I wanted to distance myself from other people. But I’ve gained some confidence that things with the Coronavirus have chilled sufficiently for me to indulge in a quick morning run in the least popular place in the park.

How I missed this.

I saw a pair of graceful prinias, some of my favourite birds. They’re shy and skittish but you can catch a glimpse of them here:

My favourite moment was catching sight of a flock of sleeping Egyptian geese and their two faithful watch-geese:

It was fun to see some of my old haunts, even if they have changed slightly:

Mask and winky face are a recent addition to this logo.