When I visited London in June Greenwich ended up being one of the biggest disappointments of the trip. The place was hard hit by the pandemic, and everything that made it so special to me seemed to have been wiped out because of it. There was no vintage and antique market next to the movie theatre. There were no grandmas selling baked goods for charity in the movie theatre foyer. Nauticalia, the maritime themed shop on zero longitude, had shut down. A good third of the stores around the Greenwich Market were permanently closed, and there was a general dismal aura around the place. The Maritime Museum required pre-booking an entrance, and so not many people visited it. Greenwich is a place that needs tourists to thrive, and with a pandemic and pandemic restrictions it felt deflated, a shadow of its former, sparkling self.
What still is vibrant and lovely is the place itself, and to remind myself of its potential and of my potential to visit it again someday in better times I created a quick sketch of the road leading to the Cutty Sark.
Schminke and Daniel Smith watercolours, Noodler’s Lexington Grey ink, Stillman and Birn Pocket Alpha.
I was in London for the past two weeks, and it was a strange and unique experience. Until Covid-19 I used to visit London once a year, every year. Once the travel restrictions changed so that I didn’t have to quarantine on the way there or on the way back, I decided to book a trip. It ended up being a good but somewhat bittersweet trip, with a lot of interesting new caveats and restrictions that I had to take into account.
I was travelling to London from a Green List country. That meant taking a Covid test 72 hours before the flight, filling a Locator Form, and taking a Covid test within 2 days of arrival. On the way back I had to take a Covid test 72 hours before my flight back, as well as another test upon arrival. These were all PCR tests in my case, which were uncomfortable to take (first time I took a Covid test) but not painful. They were expensive, and dealing with them did add an added layer of hassle to the trip. In London I bought a test package from Randox, using the British Airways code to bring the price down (it was still much, much more expensive than local tests here – 60 GBP per test after a 50% discount), and dropped the test at a clinic near the British Museum. I would have said that the experience was smooth, except one of the kits that I ordered had a test tube that wasn’t sealed properly, which meant that all the preserving liquid inside leaked. I got a replacement from Randox, but it was a hassle to get them on the phone and get my test kit replaced.
London is not for the spontaneous at the moment. You have to book every museum visit in advance. There are fewer musical and theatre tickets on sale as social distancing requirements are still in effect, and there are less show on, which means you need to book well in advance and there is no lining up for day-of tickets. Exhibitions are also at limited capacity, which means that for the popular ones at the V&A, for instance, you will have to book more than a month in advance. Concerts are the same deal, and many churches no longer offer concerts due to social distancing requirements. If you want to see or hear anything, you’re going to have to plan it out to the minute well before your trip.
Places are closed or have closed down. I expected that to some extent, as this was case here as well, but I was taken by surprise by the amount of closures, considering just how much support (relatively) the UK government provided to citizens during the lockdowns. Antique markets seem to have taken most of the brunt, with Portobello being a gutted (many arcades are half or three quarters shuttered), Spitalfields reverted mostly to crafts and food, and Greenwich losing one of its markets. A lot of stores in the most expensive and touristy parts of town (Covent Garden, Oxford/Regent Street) are closed and papered over with posters etc so you won’t notice as much. Some have moved to places with lower rents, most have shut down.
There are upsides to visiting London now: there are much fewer tourists, which means much fewer lines to things, accommodation prices are lower, and as long as you book a ticket in advance, museums and attractions are emptier. There’s no shortage of cabs after a show, and you usual can find a place to sit in any restaurant you want to.
A lot of places have moved to contactless payment only (i.e. no cash), and restaurants are among the most aggressive of the bunch in terms of movement to no cash payment. In many places you will order your meal via an app or a website, and in almost everywhere you’ll be required to scan in via the NHS covid tracker app, or provide your personal details for tracking purposes. If that’s something you feel uncomfortable with, I understand, but do know that you are in one of the most surveilled cities in the world when you’re in London, so maybe it’s not the city for you.
Masks and disinfectants everywhere. Not much else to say about that.
Museums and larger stores have designated entrances and exits now, which means that you can’t go in through any door that you want.
London is still London though: there are a lot of interesting things to see and do, especially if you plan ahead. We saw the refurbished wings of the National Gallery (they take you through one of three set tours across the gallery, or you can do more than one tour. It’s not a guided tour – just a path that they want patrons to follow). It’s well worth the visit. We saw the Alice exhibition in V&A and it was wonderful, and the Fantastic Beasts exhibition the Natural History Museum, and it was nice, especially for children (very interactive).
We also heard a jazz concert in St Martin in the Fields, heard Handel’s Messiah at the Royal Albert Hall, and even managed to see Princess Diana’s dress at Kensington Palace. All in all it was a good, if peculiar trip.
I created this page as part of Liz Steel‘s excellent Sketchbook Design course. I remember drawing it while listening to a live Q&A with the Mischief Theatre improvisors on Instagram. I got back to building Legos after more than 20 years because I saw how much joy Adam Savage took in building Legos and I decided that I wanted some of that childhood joy back too.
I discovered that legos have become much more sophisticated these days, especially the Ideas and Architecture sets, and that building Legos puts me into a zen like mood that beats anything I’ve been able to achieve with meditation so far. My mind becomes calm and focused on the step that I’m on and I can utterly forget about my problems for a few hours. If I didn’t have budget and space limitations I would be knee-deep in the giant Millennium Falcon set as we speak.
Today I discovered that a local Lego guru is collecting money to buy sets for kids that are going to spend Passover in the Oncology departments of various local children’s hospitals. For years he’s been purchasing sets for kids, teenagers and young adults that are hospitalized for long periods of time, at first entirely from his own pocket, and now with the help of donations as well.
If you can, treat yourself and someone you care for to something like a Lego set, or a nice pen, or a cool notebook or just a half hour of listening to them talk about whatever they want to. I think we could all use a little kindness pick me up right now.
I was short on time today, so of course I chose a nice and simple topic…
In Kensington Gardens and Hyde Park in London traditional methods of grass cutting are in use to keep the soil healthy and protect the local wildlife. That means that if you’re lucky, you might see these handsome fellows at work while you’re there.