My Pen Chalet exclusive Typewriter Retro 51s arrived this week, and the mint one is a perfect match to my Hermes Baby (and Hermes 2000) typewriter keys. I’m happy that I splurged on this pen and the copper Typewriter edition. They are both utterly unnecessary pens that make me smile without breaking the bank. I have 11 typewriters, but these are the first typewriter themed Retro51s that I’ve bought. I only slightly regret not getting the red one as well.
It was a virtual convention kind of fortnight, and in both cases the pandemic afforded me the opportunity to go to a convention that I normally wouldn’t have been able to attend. The fun and pretty well run one was the Disney Pin Trading 20th anniversary event. I’m not a huge Disney pin trader by far – I have pins from my Disney races and a few others that caught my eye, because I’m so aware of how easily I got fall down that rabbit hole. But I was curious enough about the behind the scenes of pin creation and well aware that is probably going to be my only chance to attend such an event that I enrolled. It was interesting and fun, and a generally well thought out event that didn’t feel like a “we’re doing the same thing only on zoom” kind of thing. I wish that I could say the same about Kubecon, the second convention that I attended. It’s a poster child of how not to run a virtual convention. Still I managed to learn quite a lot from the hours that I squeezed in, and I plan on catching up on more video sessions next week.
This weekend was stormy, so no long run today. I had about a month of perfect running weather so far, and it looks like I may yet make my 2020 running distance stretch goal of 700km run total this year.
In a fit of anger and frustration I created an “obituary” page for 2020 in my journal, but one that listed the bad moments of the year. It ended up taking four pages, but I managed to find something positive about most of the moments and events of the year, so it cheered me up.
TV (or streaming to be exact) has been one of the high points of the past few weeks. I don’t watch much of it, but “Ted Lasso”, and the new seasons of “The Mandalorian” and “Star Trek Discovery” have been great to watch. Also I’ve been playing “Pandemic Legacy Season Zero” and so far it’s excellent and distinctly different from its predecessors.
I decided to upload the pages from my journal entry today, as a sample and perhaps an inspiration for anyone wondering what to journal about. There’s nothing big or grand here, no deep felt angst, just small observations about my day that will bring it back to life later on. I made an effort to make my handwriting neater than it usually is, and I cut out a page of what happened later in the afternoon as it involved a family member suffering an injury and getting hospitalized, and I want to protect their privacy. Otherwise it’s a fairly standard entry. What’s missing is a title (added after the entry is completed and in this case not something I want to share) that summarizes the day. Oftentimes I glue things in instead of drawing something, and sometimes I just write in a rush and the page is just dense, messy handwriting.
I use a Moleskine Large hardcover, in some limited edition or another (in this case Pokemon Charmander), and a gel pen of some kind or another. Today it was the Karas Kustoms Ink v2 rollerball with Uniball UMR-85, my favourite refill. I don’t mind the show through, it helps me get through the fear of the blank page, and there’s no other notebook that has the Moleskine cover and internal design, so after years of futilely trying to replace it with something else, I just shut out the voices of the detractors and allowed myself to enjoy what I love and what works for me. Please do the same.
I finished my Moleskine Sakura journal and started a Moleskine Pokemon Charizard journal a few days ago. It’s always fun to finish a journal, to have a beautiful physical object to hold in your hands, one that is heavy with words and memories.
I started the Sakura journal when we were already quarantined, and the world and my life were getting really strange and pretty stressful. I managed to journal every day until the end of June, which is when I broke my streak and my journaling habit started unravelling.
I usually finish a journal every 3 months or so. This one lasted for double that, because I barely journaled in July and August, and I didn’t journal at all in September. Every day I wanted to sit down and write, but I couldn’t face the added stress of the backlog that I felt the constant urge to make up for.
I stopped writing because of some serious family health issues, and I was so stressed out and tired during it all that I couldn’t pick up a pen at the end of the day and relive everything again. I knew that getting things out on paper would help, but I was overwhelmed.
In October I decided to give myself a break. Forget about the backlog. Leave those months empty, and move on. I went back to journalling, writing twice a day, every day for the past two weeks (once at the tail end of my morning routine, and once before I go to sleep). I also don’t care if I filled two pages (as was my usual standard), a page and a half, or half a page. I write about the little things in my life, and really try to keep it positive, to make journalling a joy again, a point of escape, and not another “let’s enumerate the ways in which the world is terrible these days” exercise. I have enough of that on social media. So far it’s working and I’m having fun. Will it last? I hope so. If not, I’ll take a break and get back to it later. The point is that I’m no longer willing to let journalling become a stressor in my life. It’s either something I enjoy, or something that I don’t do.
In early 2019 I found out that Moleskine had come out with a Sakura Limited Edition that they were selling originally only in Japan. This is not the dark pink/light pink limited edition Sakura that is available as part of their 2020 spring catalog, but a smaller run of notebooks that came out before that. The edition garnered enough interest that it started appearing outside of Japan in Moleskine stores near the end of 2019. After searching for this notebook online with no success, I was surprised to find it in a Moleskine store on Oxford street, London. I try not to buy notebooks abroad, because they can very quickly weigh down your luggage, but I couldn’t pass these by. There were two versions of Limited Edition Sakura in large format, and two pocket ones. I showed some restraint and “only” bought the large ones.
I just finished one journalling notebook and I was casting for the next one to use, when I decided to go for this Sakura one. It was difficult to acquire and expensive, so there was a risk that it would stay in its wrapper forever, but I decided that if anything would cheer me up as I journal through these difficult times it’s this notebook.
The Moleskine Sakura is a cloth covered notebook, with an utterly unique design. There’s an imprint of cherry blossoms over the slightly shimmering pink fabric, and the imprint looks like it’s floating over the fabric cover. The result is a stunning and tactile notebook that looks extremely luxurious. It’s almost too pretty to use.
The fabric is clearly synthetic, and it has some shimmer to it because of that. The imprint on top has part of the fabric’s texture, and I’d venture to say that it was screen printed, but I’m not a screen printing expert so I could very well be wrong. It’s hard to capture how the covers look in person, but it’s as if there’s an invisible layer between the floral print and the fabric cover. The flowers appear to be floating in the air.
Inside the covers the endpapers feature the same print but in monochrome pink and white.
Here are the back endpapers, and Moleskine again gets full points for prints matching perfectly on the back pocket and the back cover.
The back pocket edges are in purple fabric, much like the elastic closure and the bookmark.
The bookmark features a slightly lighter purple than the elastic closure and back pocket.
Like most limited edition Moleskines the Sakura comes with a sticker sheet. This one is of cherry blossoms in white and various shades of pink. It’s a beautiful sheet of stickers, and the washi-like design of the bottom half of the sheet is a very nice touch.
Like all the Moleskines in recent years the paper wrapper features a “side-B” that you can reuse. This one is meant to be a bookmark, and design on it was so fetching, I actually cut it out and faced it with card-stock to make a bookmark that I’m now using.
My completed bookmark:
The Moleskine Sakura is one of the most stunning designs Moleskine has produced in recent years. I’m glad that they’re making a version of this design more widely available, and I really hope to see them utilizing this printing technique for other designs in the future.
A handwritten journal is an artifact in a way that an app can never be. It’s tactile, endlessly flexible, there to be used and customized in every way possible. Tear out pages, glue stuff in, doodle, scribble, sketch and write whatever you wish however you wish. There’s no autocorrect, nothing editing or censuring your words. Analogue journalling is about freedom, flow and pure creativity.
This is my last day journaling in this journal, and tomorrow I’ll write up the last page and start a new one for the thoughts of that day.
Every time I finish a journal, I use the last two pages to summarize what that journal contains and means to me. Analogue journals are fantastic, but they do make searching for old entries a bit of a chore. Luckily I don’t find myself looking for an old entry that often, and if I do the last two pages help me narrow it down to the specific journal, and the dates and titles to the specific entry.
I also like taking the last few pages as a chance to reflect on the time the journal covers and how things have changed (and I have changed) as the time has gone by. There’s usually about three months in each journal, sometimes more, so that’s a good chuck of time to look back on: short enough to make it simple to summarize and contextualize, and yet long enough to have some impact and meaning. This journal contains two trips abroad, my decision to move into a new career path, and a pandemic that wrecked havoc on everyone I know (including me, of course). That’s quite a lot, even for a journal that covers a relatively long span of time (almost 6 months).
It’s also full of bits and pieces that I stuck in, to make the page come to life. So here’s part of the Diamine Inkvent packaging that I glued in after I opened the last window and before I tossed out the box:
Cool clothing tags also sometimes make it in, especially if it’s from a piece of clothing that I really like:
I got a lot of Star Wars themedvinyl stickers as a gift near the end of last year and a lot of them ended in my journal:
Even the silliest of things can be used to brighten up a page:
There are little drawings and illustrations everywhere:
And bits and pieces of washi tape that were leftover from other projects:
The point is, tomorrow I finish another journal, a small analogue memory artifact that is entirely mine. I created it for me and me only, and it was worth every minute I put into it.
If there’s one habit that you can pick up during your time at home these days, pick journaling. You’ll end up getting quite a treasure in the end, and I’d be truly surprised if you won’t enjoy the process.
This week I celebrated two years of daily journaling. While I’ve been keeping journals for years, until the last two years I’ve only done so sporadically. Journaling was something that I did only when things got really rough, to keep myself going, or when I was travelling, to preserve the memories of my trip. I used pocket notebooks for my sporadic journals, as it was more important for me to capture things than to reflect on them. It was a utilitarian process, not an enjoyable one. I knew that once I decided to really start a journaling habit, that would have to change.
So the first thing I did was pick a notebook that I knew I’d want to use, and use daily. The only rules were that it had to make me happy, and that it had to be large enough for me to be able to actually write in it, not just jot things down. I wasn’t looking for the best notebook with the best paper in the best format (I don’t think that exists, actually, but for us stationery geeks the search is always on), just a good enough notebook for me.
I also decided very early on that I couldn’t use a fountain pen for this, because I wanted a pen that I could write with even not under the most ideal circumstances. I was also planning for both the notebook and the pen to bash around freely in my bag. These were going to be used and look used.
I chose Moleskine large ruled hardcover notebooks as my notebook of choice, and the uni-ball Signo RT 0.5 gel ink pen as my pen/refill (UMR-85N) of choice. I wanted a sturdy lined notebook that I’d enjoy using and looking at once it was done, and after years of neglecting the Moleskine for other notebooks I came back to it because of some of their limited edition designs. I knew that I was going to use the uni-ball Signo RT 0.5 as my pen or refill of choice (inside a BigiDesign Ti Arto or Ti Arto EDC), so I didn’t need fountain pen friendly paper. I had decided to pick up the steady journaling habit by starting with a travel journal, which I already had some experience with, and then carrying on from there. On the first evening of a trip to London I happened to walk by the Moleskine store in Covent Garden, and I decided to go in and check out what they had. There was a beautifully designed Batman limited edition notebook in exactly the kind of format I was looking for, and it was only available for sale at the Moleskine stores. I bought it, unwrapped and stamped it with the Moleskine Covent Garden stamps, and I haven’t looked back.
That pen and notebook combo has hardly changed over the years. What has changed is the format I use to journal, and the amount of daily journaling I do. When I started out I was used to only jotting a few lines down here and there when I journaled, so I knew I couldn’t expect to write 4-5 pages per day right from day one. Starting with just a paragraph to half a page a day, I pretty quickly moved to one page per day of just writing.
Then I saw a Neistat Brothers video on Youtube and realized that I could use my journal as a visual capturing device as well, and anything could go in it, so long as it made me remember a moment or a place.
That’s when the notebooks really started to get bloated. From clothing labels to business cards and ticket stubs, if I can put glue on it and it’s visually appealing or evocative, it goes in. I almost always also write a little note for future me, to remind myself what I’m looking at and why it’s there. That change really made these notebooks a kind of personal artifact for me, and I can’t say how precious they’ve all become.
At a certain point I started getting ambitious, moving from writing one page a day to two pages, then four pages, then six. That’s when I had to take a step back and make sure that I wasn’t burning out on journaling for all the wrong reasons. I enjoy writing and I enjoy journaling, but I’m also trying to write fiction, and my journal can’t become something that consumes that, an excuse for not writing. It’s also easy to get carried away and want to finish the notebook as fast as possible just so you can open a fresh one, or brag (even if it’s only to yourself) that you’ve finished a notebook. Nowadays I write one or two pages a day for most days, moving up to more pages only if I really have something special to write about.
Life also happens, and oftentimes it’s scary and ugly, a black hole that threatens to consume all that is good in your life, including journaling. My mom got unexpectedly and very seriously ill last year, and we’ve been struggling with her disease ever since. When she was in hospital I couldn’t bring myself to journal. I backlogged those (thankfully few) dark days, and I realized that I would have to accept that as much as journaling is important to me, family comes first, so backlogging is going to have to become acceptable. I try to backlog as little as possible, but some days just demand that.
I also draw a little in my notebook, tiny thumbnails of things that I want to remember later, or that I just feel like drawing. These are usually food doodles, as I don’t really like to photograph my food.
If you’re looking for some journaling tips, I wrote two posts on that subject here and here. If there’s one thing I can leave you with it’s that if you want to journal, you need to figure out a way to it make it work for you, and be ready to adapt as your life changes over time. There is no perfect journaling system, or perfect journaling notebook, there’s only what works for you.
A box of these beauties was languishing together with other art supplies in a stall in London’s Spitalfields market. I saw the box, saw their name, “The ‘Golden Master’ Pencil” and I couldn’t resist.
Just look at this design:
Who doesn’t want “Silken Graphite”? Or “A High Grade Pencil in Hexagon Cedar”? I’ve rarely seen a company take such pride in a pencil, outside of the Japanese market.
British made, from an era where Britain made things — and in London, too!
The pencils aren’t really Golden Master HB, but 2B (a bonus from my point of view). They’re labeled as such on the pencil, and strangely enough as two Bs on the box. I’ve never seen 2B pencils labeled that way. I wonder if they printed six Bs for their 6B pencils. I doubt they’d have room on the box.
In any case, the pencils slide out of the box in a sort of cardboard tray that is pretty robust. It works just like an old Eagle Pencil box, and I wish that more modern pencil makers would use this design.
The pencil itself has a good coating of yellow lacquer that has withstood the test of time, and has “Made in England”, “Golden Master”, “Silken Graphite”, “Pencils LTD.” and the grade stamped on it in gold foil.
The hexagonal shape is sharper, has sharper edges, than more modern pencils do. It doesn’t cut into your hand, but you feel it, and I have a feeling that without the lacquer this pencil wouldn’t be as nice to use.
The pencils come unsharpened in the box, and they’re a standard pencil size. As you can see there’s no eraser and no ferrule, but I don’t mind that. I rarely use pencil erasers, but rather keep a block eraser on my desk, or scribble things out if I’m writing.
I drew a journal comic with this pencil. It’s very smooth and holds a point forever, but it’s not a 2B pencil in terms of darkness. It’s closer to a standard B, but there’s a chance that time has done wonky things to make the graphite lighter. It erases well, and every core in the box that I have is perfectly centred. If you can get your hands on these, I recommend giving them a try. They’re great pencils, and I wish that they were still in production today.
Notebooks are meant to be used, and I use many of mine for journaling. Here are a few journaling tips that I’ve found useful over the years:
Don’t constrain yourself to pre-dated or restrictive formats, just pick a not too fancy lined or blank notebook (or dot grid or squared). The notebook just needs to be nice enough and special enough for you to want to crack it open and write in it, but not too nice to be intimidating.
Start with a title and a date. The title is a neat way to get yourself writing, and to help you search through previous entries later on.
Even lined notebooks can be doodled in.
Stick bits and pieces of things into your notebook to make it come to life. Business cards are great for this (restaurants usually make their cards extra interesting and colourful), as are ticket stubs, clothing tags, labels, etc. Write a little something about what you put in, or just let the graphics speak for themselves.
If you just feel like writing a line or a paragraph, then do it and don’t beat yourself up about it.
If you’re having an extra busy day that you want to remember but don’t have time to fully log, bullet points are your friend. You can always go back and flesh them out later if you feel like it.
Write 2-3 things as topics for each day to avoid describing your breakfast and what you did at work. Just document a few things that made the day memorable, special, interesting, fun, unique, or even just a thing or two that are on your mind right now and you want to hash out.
Did you see a TV show or movie you liked? Read a good book or went to a good restaurant? Write about it as a way to relive and capture your good experience.
Be kind to yourself and others. Put cringeworthy things elsewhere, or you won’t want to open that notebook again. I work through pain and loss in my journaling sometimes, but never anger. Obviously your milage may vary on this one, just be careful not to make yourself be afraid to open a pandora box that you created with your own writing.
Here’s a break down of what’s new and changed this season, as well as my take on some of their decisions. Some of these notebooks are already available, others will become available over the next few months. Pour yourself a cup of coffee, open the catalog, and dive in:
Of the seasonal colours, I’m pretty sure Reef Blue and Daisy Pink will do well. It’s nice to see Scarlet Red, Sapphire Blue and Myrtle Green join their regular lineups. In the past black was pretty much their only offering, with an occasional red thrown in, but it looks like regular colour options are here to stay.
I’m curious about their new “medium” size, between the pocket and the large. There’s no sizing info in the catalog for this option and it appears to be available only in the hardcover notebooks. My guess is that it will be in the “Two-Go” size, which I think is a pretty useful size (11.5×18 cm or 4 1/2×7”).
Sad to see that they still haven’t brought back the reporter notebooks in squared paper, and how little love in general squared paper gets from Moleskine.
Great to see the new dotted (dot grid) options. These ought to be popular, and Moleskine didn’t dip their toe in with just pocket and large black hardcover notebooks, but is offering them in all their core colours and in what will likely be their best selling seasonal colour, Reef Blue. As is stands, dotted paper is getting more love than squared paper, which is not surprising. Squared paper is niche outside the stationery blogger/podcaster world.
“Classic notebooks expanded” is a new offering from Moleskine — a large hardcover or softcover notebook that has almost twice as many pages as a regular large Moleskine, with two ribbons instead of one. This may seem a bit unwieldy, but I use a large Moleskine daily planner as a meeting notebook and because of its size it’s still pretty convenient to use. If you plan on using your notebook a lot (as a daily journal for a year perhaps?) this may be a good option to check out.
Non-Standard Cover Material Notebooks
Leather notebooks – these aren’t available everywhere (Barnes and Noble have them), and I haven’t tried them, but they’re still on offering, with or without a box. I’d recommend that you spend your money elsewhere, unless you’re really looking for a corporate executive gift to put the company logo on.
Two-Go notebooks are still on offer, with four colour options (added last year) and in an excellent size, with thicker than usual paper and a surprisingly useful albeit non-standard blank-and-ruled format. If you haven’t given these a try I highly recommend them. They can handle fountain pens pretty well.
Blend notebooks, with their tactile, super fun and durable fabric covers now come in four new colours that promise to blend better in office settings than their current (and still produced) camouflage Blend offering. Black, Green, Blue and Beige are offered in a woven, slightly distressed look with contrasting elastic closure, as usual only in large size and with ruled pages. Definitely worth trying out if you haven’t had a chance to give their fabric covers a spin.
Denim notebooks, which first came out as a super popular and a very well designed limited edition offering, are now part of the regular lineup, sort of. The limited edition notebooks are still more attractive in my opinion, with their white contrasting branding label on the back and their white print on the front, but these notebooks, in Antwerp Blue and Prussian Blue (pocket and large, ruled only) are a great way to get some of that denim feel in your life without trying to get a hold of overpriced LE notebooks on the secondary market. Of the fabric covered notebooks that Moleskine (and Baron Fig) offer these feel the best, and I recommend these over the Blend notebooks for that reason.
I’m not a planner person, so I’m not going to go over Moleskine’s extensive planner collection.
Limited Edition Notebooks
This is where Moleskine excels beyond all current competition, and in my opinion they’re starting this year stronger than they finished last year.
Fall-Winter 2018 limited edition notebooks, Looney Tunes, Super Mario, 007, Astro Boy and Harry Potter are still available, though the very attractive Harry Potter notebooks (especially The Marauders’ Map edition) are starting to be harder to find.
Spring-Summer 2019 limited edition notebooks are Lord of the Rings, Basquiat, Wonder Woman, Bob Dylan and Gundam. Each is designed to appeal to a different demographic, and I think that they really nailed it this time.
This is not the first time that Moleskine is tackling the Lord of the Rings in a limited edition, but this edition is much, much more attractive and well designed than their previous rather lackluster attempt years ago. The covers, endpapers and special insert all seem spectacular, and this is one edition that I’ve already preordered and plan to review. The “geek” edition, this notebook is designed to appeal to the same people that bought the Harry Potter and Alice editions
Basquiat limited edition notebooks are for the hipstery crowd that liked the Kieth Haring limited editions, Dr Seuss editions and probably also enjoyed the Monopoly limited edition, but in an ironic way. These are extra expensive but they’ll probably be popular, considering Basquiat’s success on Uniqlo t-shirts. They’re offered in plain and ruled paper, though I wish Moleskine would have stepped up and offered a sketchbook Basquiat edition. In terms of the boxed set, this one comes with a pen (the regular editions come with stickers), so it’s probably a better deal than the slightly lackluster LotR boxed edition (comes with nothing, will sell like hotcakes, because LotR).
Wonder Woman is the comic book edition, and as usual it is the most colourful one, and where Molskine allowed themselves more creative freedom. Bold red and blue action packed covers that really celebrate the character in drawings and text, what more could you want? Ruled only, comes with stickers.
Bob Dylan limited edition notebooks are aimed at music lovers, as the Beatles, Rolling Stones and Blue Note editions were before them. These are really reminiscent of the Blue Note limited editions, and like other music themed limited editions, are pretty tame, design-wise. If you’re a Dylan lover, you’ll likely love this edition, and it will make for a great gift, especially around father’s day. Is it surprising then that these come out in April? Ruled only, comes with some pretty dull stickers. The numbered boxed edition is the best designed of the bunch in my opinion. These too are relatively expensive limited editions, though of course expect a difference between RRP and what you actually pay online and anywhere but the official Moleskine stores.
Gundam is the anime edition, and as usual is more subdued than the comic book edition, but still pretty colourful. Ruled only, comes with stickers.
I’ve no idea why Moleskine calls their Cahier and Volant offerings “journals” and not notebooks, but I guess you have to differentiate them somehow.
Cahiers, formerly available only in Kraft Brown and Black have been expanded to include Cranberry Red (a darker shade of red than the Scarlet Red, likely because of printing limitations) and Myrtle Green, but that’s not that new. What’s new is the three new seasonal colours, Brisk Blue (a darker shade of Reef Blue), Kinetic Pink, and Tender Yellow. I’d stay away from the yellow, as it will turn dirty and blah in about a day’s use, but the other colours are solid and fun. Kraft Brown is the most fun to decorate and make your own (with black in second place), but the other colours seem pretty vibrant for cardboard covers.
It is worth saying that of all of Moleskine’s offerings, the Cahiers got the most paper love in recent years, which is a very good thing as the old paper used in these notebooks was garbage. Not acid-free and super thin, it turned yellow and brittle with age very, very quickly. Now the Cahiers use the same paper as the regular notebooks, and they even got some dotted paper love.
Subject Cahiers, a new offering that is geared for academic note-taking (Cornell Notes anyone?), and is offered only in large and extra-large. If I was still working on my degree this would be something that I would probably look into using.
Volants have become more colourful as time has passed, with Moleskine moving them from a light and dark shade of the same colour to complimentary colours instead. They also got stickers to boost, but still only come in plain and ruled paper. They are the only notebook left that Moleskine offer in extra small, which is both not surprising and a bit of a shame.
There’s nothing new in the Pro Collection and I don’t use any of these business focused notebooks (I like to build my own meeting notes formats), and so I won’t go over these.
Moleskine’s art collection has gone through a significant overhaul in recent years, all for the better. The sketchbook paper is less pronouncedly ivory coloured, and the paper has less coating on it, which means that it can now take things like light washes, fountain pens, rollerballs, etc without them beading up on it.
The sketchbook also got some love in the form of new colours (Red and Sapphire Blue), which is always nice.
The recently added sketch album (which is a landscape formatted notebook with cahier covers) is now available in Kraft Brown, which is awesome, because they’re so fun to customize.
There’s also a sketch pad, which has less pages and I completely don’t understand. It appears to be a more expensive way to get a sketch album with less pages. Huh?
The ever popular (and justly so) Watercolour Album got recently expanded into a Watercolour Notebook (standard format, as opposed to the landscape album format). Now the Watercolour Notebook has been expanded to include the pocket, A4 and A3 size. This is a must buy for me, and will probably be pretty popular amongst urban sketchers.
The Music Notebook got a surprising new addition, a Music Cahier in extra large. Moleskine is one of the few stationery companies to offer this layout, and good for them for expanding it.
The Japanese Album and Storyboard notebooks are niche products and so unsurprisingly, got no love.
Not much is new in this area. There are no new Passion Journals, no new City Notebooks and not much new with the Voyageur.
What is new is a Travel Kit, that contains the Ocean Blue Voyageur, a pen and a luggage tag. The Voyageur appears to be more popular than the Travel Journal, so I wonder how long before the Travel Journal is phased out.
As for the rest (the non notebook stuff), here my interest wanes, and this post has been long enough as it is. The catalog is 151 pages long, and full of eye candy, so even if you aren’t a Moleskine fan, take a look.