Happy New Year!
Happy New Year! May 2022 be better than 2021 in every possible way.
A blog about writing, sketching, running and other things
Happy New Year! May 2022 be better than 2021 in every possible way.
A handwritten journal is an artifact in a way that an app can never be. It’s tactile, endlessly flexible, there to be used and customized in every way possible. Tear out pages, glue stuff in, doodle, scribble, sketch and write whatever you wish however you wish. There’s no autocorrect, nothing editing or censuring your words. Analogue journalling is about freedom, flow and pure creativity.
This is my last day journaling in this journal, and tomorrow I’ll write up the last page and start a new one for the thoughts of that day.
Every time I finish a journal, I use the last two pages to summarize what that journal contains and means to me. Analogue journals are fantastic, but they do make searching for old entries a bit of a chore. Luckily I don’t find myself looking for an old entry that often, and if I do the last two pages help me narrow it down to the specific journal, and the dates and titles to the specific entry.
I also like taking the last few pages as a chance to reflect on the time the journal covers and how things have changed (and I have changed) as the time has gone by. There’s usually about three months in each journal, sometimes more, so that’s a good chuck of time to look back on: short enough to make it simple to summarize and contextualize, and yet long enough to have some impact and meaning. This journal contains two trips abroad, my decision to move into a new career path, and a pandemic that wrecked havoc on everyone I know (including me, of course). That’s quite a lot, even for a journal that covers a relatively long span of time (almost 6 months).
It’s also full of bits and pieces that I stuck in, to make the page come to life. So here’s part of the Diamine Inkvent packaging that I glued in after I opened the last window and before I tossed out the box:
Cool clothing tags also sometimes make it in, especially if it’s from a piece of clothing that I really like:
I got a lot of Star Wars themedvinyl stickers as a gift near the end of last year and a lot of them ended in my journal:
Even the silliest of things can be used to brighten up a page:
There are little drawings and illustrations everywhere:
And bits and pieces of washi tape that were leftover from other projects:
The point is, tomorrow I finish another journal, a small analogue memory artifact that is entirely mine. I created it for me and me only, and it was worth every minute I put into it.
If there’s one habit that you can pick up during your time at home these days, pick journaling. You’ll end up getting quite a treasure in the end, and I’d be truly surprised if you won’t enjoy the process.
It is rare that I start using a notebook the moment I unwrap it, but the Basquiat Moleskine limited edition had that effect on me even though I originally didn’t plan to buy it.
The colour of the cover is what drew me to this notebook. It’s a purplish blue that contrasts beautifully with the orange elastic closure. I didn’t even pause to take a picture of notebook when it was still wrapped. That periwinkle cover makes Basquiat’s handwriting and art just pop. You can see the character in each line and it really does inspire you to grab a pen and write and draw and doodle.
The back cover (a little smudged from my enthusiastic use, but nothing that a wet-wipe can’t remove) is understated, with just the Basquiat signature. I think that I’d prefer the Moleskine logo to just be debossed in, like they did in several other recent editions, but it’s not a dealbreaker for me that it’s boldly there.
The front endpage echoes the front cover, with the addition of a pretty fitting Basquiat quote. I had already filled in the “In case of loss” details, so I hid them.
Look at that back endpaper. Is it not well designed? I like that they let the piece “breath”.
Unlike most Moleskine limited editions that come in lined paper, this notebook comes with blank pages. I like the choice, as it frees you to do whatever you want with the notebook: drawings and words will feel equally welcome here. Also, there’s an orange ribbon bookmark. What’s not to love about that?
The stickers are a bit of a disappointment in my opinion in terms of colour choice. I would have liked it better if they kept to the orange and periwinkle colour theme. As it is, they clash a bit with the rest of the notebook.
The B-Side of the paper band gives a little background on Basquiat, who he was and how he worked. It’s a nice little add on.
There are times when a notebook just makes you want to start using it, start writing and scribbling in it, start creating. The Basquiat Moleskine did that for me, and it is a fantastic addition to the Moleskine limited edition lineup for the year, and definitely a notebook that I recommend that you try.
A quick 10 minute #UrbanSketch on a Moleskine Pocket Sketchbook, with a Kuretake Disposable Brush Pen (Fine), and Faber Castell PITT artist brush pen in Light Indigo 220.
2017 was the year I ran a race in my underwear.
I also read 42 books, almost twice as many as I originally planned on reading.
I finally finished the first draft of my novel and started working on the second draft.
I went on the Big Thunder Mountain Ride in Disneyland Paris, despite being afraid of heights, and I ran a 5k and a 10k mere hours apart in the Disneyland Paris Half Marathon Weekend.
I translated and heavily adapted a Parsley game for a friend’s wedding, arranged a Tabletop Day gathering, played and I started playing Pandemic Legacy 2. So far Matt Leacock is killing it with the story on this one.
I saw and enjoyed Wonder Woman, and I saw and loved Star Wars: The Last Jedi. I planned on going to more movies (I can’t believe I missed Coco, but travel plans will do that to you), but I’ll make up for it in 2018 I’m pretty sure.
I ran three 10K races, two 5K races (and 3 virtual 5Ks), more kilometres than I have ever run in a year (over 700), and I broke my 10K PR. I ran like through downtown Washington to the Mall and Lincoln Memorial, and through Greenwich Park all the way up to the Greenwich Observatory. I learned to appreciate yoga.
I joined Tel Aviv’s Urban Sketchers and went to sketchcrawls in Jaffa, Neve Zedek, the Carmel Market, Rothschild, and Florentine. I drew 100 people in a week as part of Liz Steel‘s challenge, and I sketched more frequently than I ever have. Learning to let myself experiment with my drawings, let my lines be looser and fortunate mistakes to happen has been a revelation that I plan on exploring more in 2018.
I journaled each day for most of the year, and finally started filling all those notebooks I bought. 2017 was also the year I fell in love again with Moleskines, but more on that perhaps later.
I challenged myself to take a photo a day, and succeeded, and I plan on continuing with that challenge in 2018. It makes me stop, look around, think about composition, lighting, atmosphere — all things that are valuable to me both as an artist and a writer.
2017 wasn’t without it’s challenges, fears, troubles — but it was also full of triumph and hope, good things that I plan on carrying on with me to 2018 and beyond.
Happy new year!
Found art with a dead leaf and brush pen.