Tips for the Urban Sketchers Symposium in Toulouse

The Urban Sketchers Symposium in Toulouse is starting next week, and this year I won’t be participating. For the lucky few that are going to be there, whether as official symposium participants or as “free range” sketchers I thought I’d write down some insights and tips that I gathered from last year’s symposium in Poznan.

In no particular order, here they are:

Talk to people – even if you’re shy or an introvert, the symposium is THE place to connect with people not only because everyone will be nice and kind and many are also introverts, but also because you have a guaranteed shared interest: urban sketching. If you’re unsure how to approach people, just ask them about their favorite sketching setup or tool and see what happens.
Wear your badge everywhere, even at breakfast at the hotel, even if it’s “just” an urban sketcher ID tag. This lets other sketchers know who you are, and opens up opportunities to connect and share with other sketchers. Invite them to join your table at the busy hotel buffet, or ask them where they had lunch or where they’re going to sketch next.
Swap and share art supplies. People rush from place to place, and people forget or misplace art supplies all the time. It’s worth packing some extras and sharing them around – pencils, pens, a tube of paint, etc. You could save someone’s workshop experience with this simple gesture, and it costs you next to nothing. And swapping art supplies, even for a brief sketch is a great cost-effective way to try before you buy. I packed a whole pencil case full of a range of pencils for a workshop and then forgot it on the desk in my hotel room. Thankfully the wonderful instructor and workshop participants had enough to share to help me out and allow me to fully participate in the workshop.
Don’t be afraid to ask for help – whether it be directions to the starting point of the sketchwalk, help with understanding something you didn’t get in a workshop or demo, or assistance with your gear, people are ready to help if you just ask them.

Quick sketch made from goody bag supplies just outside the art market

Go early to collect your badge and goody bag and take time to appreciate them. The symposium crew put in a LOT of effort to create amazing goody bags with the sponsors. Collect the bags early and help the symposium and sponsor out by posting about them on social media (Instagram in particular, using the correct tags), and by using them and enjoying them. In Poznan most of the attendees sat in a room adjacent to the one where we collected the bags, did a throw down post and then a sketch with lovely supplies that we got. There was a wonderful view of a historic building next door and it was really fun to create this shared sketching moment. Also remember to share and swap with other sketchers and the volunteers.

Follow the official symposium instagram and use the official tags. The Instagram will have giveaways and useful information (some of the giveaways are also open to non-symposium participants), and the tags help spread the word around and bring positive attention to the city and the sponsors. It was amazing to see as the symposium advanced how much attention Poznan got due to hundreds of talented sketchers bringing it to life.
Embrace the locals. They will notice you because you’ll be noticeable – large groups of sketchers call attention to themselves. Remember to represent the urban sketchers community, be kind and welcoming, and answer any questions they have. From my Poznan experience the locals will embrace you in return – with kind words, tips, stories and sometimes a free drink or a bite to eat (but don’t do it for the freebies!). Children in particular are attracted to sketchers, and we oftentimes shared bits of sketching paper and art supplies and invited them to join in.
Respect the instructors and lecturers. It’s tough to stand in front of a crowd and talk about your art. Don’t mess with your phone during lectures, listen to the instructors, be kind and respectful, and be open to learning. This is a given, but it’s worth stating anyway just in case because it’s that important.
Be nice and kind to the volunteers and talk to them. Many of them are sketchers, many of them are just locals who answered ads and are curious about sketching and the symposium. Share your work and be kind to them – it’s a tough job performed by a dedicated and small group. People gave them stickers, sketches, art supplies, and just chatted with them. A great volunteer can really improve a workshop, and it’s worth acknowledging their work.
Be nice and kind to restaurant and cafe waiters, baristas and owners. Urban sketchers love to camp in these locations to sketch, but be aware of your surroundings. Don’t hog tables during rush hour, be sure to order food and drink (don’t share one dish for four people, even if you’re broke. It’s not fair for the waiter or for the restaurant), tip well, and clean up after yourself. Tag places if you sketch them to raise awareness to the meal you enjoyed there, and remember that you represent urban sketchers everywhere.
Come with art supplies to donate. There will be an opportunity to do so throughout the symposium. We all have too much or supplies that we no longer use, so donate them (if they’re in good condition) to the local charity the symposium is sponsoring. The front desk volunteers usually start the collection on the first full day of the symposium.
Go to the art market. Make sure to visit all the stalls – many if not all of them are sponsors, and there will be local suppliers that are worth checking out. Try new things, talk to the vendors (they’re usually very knowledgeable), and be prepared for the rush of the first day crowds. Many stalls will also have giveaways and contests set up, so be sure and ask about them.

If you are looking for deals, go the art market during the final hours it is open. Although you will find many things out of stock, most vendors will have deals on the last hour or two of the market, to avoid having to ship back supplies.
Talk to the locals, whether they are sketchers, volunteers or instructors. Ask them for good, cheap restaurants for lunch, cafes worth visiting, shops and market stalls of note, cool places to sketch in, and where they get their art supplies. Their local knowledge is priceless.
Sketch a postcard. Even if you don’t work in postcard size, or you don’t love the paper, or you feel self-conscious about your work, sketch a postcard and participate in the postcard exhibition. It’s fun to see your work out there, and most participants get prizes, plus you can always donate the postcard for the silent auction and help raise some money for the organization.
Go to the daily morning briefing. Even if you’re tired, even if you don’t feel like it. It’s short, it starts on time, and it has a lot of important information that you just won’t get anywhere else. Also there are giveaways, but I won’t ruin the surprise…
Go to the demos, lectures, drink and draws – the morning lectures were great, and worth listening to and learning from. The demos were a fantastic way to get to experience the techniques of sketchers that you couldn’t get a workshop with, and the drink and draws are just a nice way to connect with people and share your sketching love. I will confess that I was so tired at the end of each day that I missed out on the drink and draws and I regret it.
Be ready to be tired, and try to pace yourself. It’s a lot of fun but very draining to run around town and sketch all day. If you take a lot of workshops or go to all the sketchwalks you will have very little down time between events. Be sure to hydrate, rest, and know your limits. Take into account that you’ll be lugging a lot of weight around (art supplies, a stool, water), and that adds to the fatigue. Check your schedule and if you have only an hour or so between workshops, find someplace close and convenient to grab a bite to eat. Save the fancy restaurant for the evening.
Share knowledge among the group – found a great place to sketch in? A wonderful restaurant or patisserie? A clean toilet or a decent supermarket? Share that information with other sketchers.
Follow people on Instagram. Even if you normally avoid social media, this is how you can stay connected with other sketchers after the symposium, and be inspired by other artists.
Never, ever, ever critique someone’s work. Ever.
We share, we don’t compare. This is a Liz Steel mantra and something you should carry with you during the symposium. Be inspired, not intimidated, by other sketchers’ work.
Follow along with the demos – if you’re going to a demo, it’s OK to watch and listen but it’s equally valid to sit down and sketch while the demo is going on, trying to follow along as you work. There is value in both these approaches – don’t be afraid to start out by observing and then dig in with a sketch of your own.
Try new things, and don’t worry about the results. This is a tough one, but an important one – the point of the workshops and demos isn’t for you to come out with masterpieces, but for you to try out new things. When you do that, you may not like the results, or it may take a few tries. That’s OK. The best workshop I had in Poznan was also “traumatic” in this way – I made several sketches and they were all terrible. Only on the last sketch did things click, and I got one of the best sketches I have ever made – and one that took third place in the postcard exhibition.

My postcard on display (it’s the one in the middle)

Draw your food. It’s an urban sketchers tradition and a great way to remember a restaurant or cafe.

Take reference photos – you may not be able to finish a sketch, but if you have reference photos you can return to it later on and complete it.
If you can, give away sketches. People who were kind to you love receiving sketches as a gift, and you should see them light up when you give them that quick napkin sketch, or a page from your sketchbook. Also consider donating artwork to the silent auction if you can – it helps Urban Sketchers raise money for the great work they do.
Tell the instructors how great they are. They really are amazing, and they’re artists so they all have imposter syndrome and they love to hear good feedback about their demo, workshop or compliments about their sketches. They are all volunteers and they put in a LOT of work and research into their sessions so be generous with your praise.
Tell the organizers how great they are. They’re also volunteers and they work like crazy before, after and during the symposium. Let them know that you see them and appreciate them.
Be very, very kind to the symposium correspondents – they put in a crazy amount of work and effort into bringing the symposium to life for those of us who can’t be there. That means that while you were at that one workshop they zigzagged across the city and went to three, making sure to sketch and take photos in each. And while you were sleeping they were staying up late editing photos and posting to social media. They do a mammoth amount of work every single day, so take the time to be extra nice and helpful to them.
Be kind. People can get tired, hot, blustered, overwhelmed. Give them the benefit of the doubt and be kind. Look out for each other and help each other through the whirlwind of this symposium.
Take time after the symposium to decompress and process what you’ve learned. Go over your notes and sketches, look back and what you’ve learned, try out the new techniques and supplies that you’ve gathered, and go out there and sketch!

Have fun, remember to hydrate and use sunscreen, and bring Toulouse to life with sketches!

Jaffa Sketchwalk and Tips for Beginner Urban Sketchers

On Friday we went to an Urban Sketchers outing in Jaffa. It was celebrating local designers, and there were street performances as well as open studios and an arts and crafts market. The weather was hot and sunny, and the place was pretty packed with people and full of interesting old buildings. The main trouble I had was focusing on what to draw, as there were so many subjects.

I took a new sketchbook, a Pith Oroblanco in A4 size, and an A5 portrait Etchr Labs 100% cotton watercolour sketchbook. I don’t normally work in such a large format, but I decided to challenge myself to use the Oroblanco as much as possible. The 170gsm paper is identical to the one in the smaller Pith Kabosu, and so is great for mixed media and light washes. The Etchr Labs sketchbook is the best watercolour sketchbook that I’ve ever used – the paper works wonderfully with washes, and is very forgiving for mistakes and reworking.

I started out 30 minutes before the official start time, and sketched a local building. I liked the combination of the beautiful old stone building together with the graffiti and the semi wild trees and shrubs. Inspired by Liz Steel’s Patreon sketching community (I just joined it) and December’s theme of “Red” I selected to sketch this building with Diamine Inkvent 2025 Day 3’s Carousel – a red ink – and to highlight the rust colour in the shutters and door. I had enough time to finish the line sketch before going to say hello to Marina, our local chapter head and the organizer of this sketchwalk (a wonderful person and artist). I took reference photos just in case, and then returned and quickly finished the sketch:

To avoid having to lay down a large wash I used Caran d’Ache Neocolor II to lay in most of the base colour – except for the roof bit (where you can see why laying down a large wash on this paper was problematic).

I then went in search for the music performance that was supposed to take place in an adjacent street. I managed to sketch the drummer as he was doing a sound check, but then he left and two girls in peculiar 4 armed cheerleader outfits came out and did a sort of otherworldly dance-march. They kept moving but I did manage to capture them. I used Diamine Carousel in a Lamy Safari medium nib for the drummer, and Posca markers for the cheerleader. The tiny cheerleader thumbnail was sketched with a TWSBI Eco 1.1 fountain pen and De Atramentis Document Ink Green Grey.

I then settled in to prepare to sketch the musicians when they returned. There was a Flamenco dancer in a nearby stage, but the place was too crowded for me to get a good viewing angle of her dancing so I spent the time creating a detailed fountain pen and watercolour sketch of the location where the musicians were supposed to play in. I was hoping to add them in once they started, but their show was delayed and i had to get back to the throwdown. I did get a sketch of their instruments and some local viewers, but I rushed in the end and didn’t get a chance to get proper shadows in. Oh well.

The line work was done with a Platinum Preppy 0.3 filled with De Atramentis Document Ink Black on an Etchr sketchbook:

There was a lady there that was clearly on her first every Sketchwalk, and my heart went to her. Seeing her struggle made me realize that there are so many things that are obvious to me as a seasoned “sketchwalker” that aren’t obvious to people going out with an Urban Sketchers chapter for the first time. Here are a few useful tips:

Say hello. Sketchwalks start at a meeting point and usually end in the same one. Come a few minutes early and talk to people – they’re usually nice and friendly and share many of your interests. Say hello and introduce yourself to the organizers, and thank them for organizing the walk – it’s a lot of work! If there’s a local special event that’s taking place during the walk, be sure to get the details of the time and place and be there. Even if you don’t end up sketching the event, there is bound to be something else interesting going on, and you’ll help represent the chapter. If you come in late and miss the initial gathering, find a sketcher in the area and politely ask when and where the end meeting is. It’s usually posted in advance, but it is worth double checking.
There’s a throwdown in the end of sketchwalk, and group photo. Even if you don’t like your picture taken, bring your sketches to the throwdown. It’s a great way to see great sketches in a large range of styles, and get inspiration from wonderful artists. Do not compare your work to others. Be generous and specific with complements (“The way you caught the energy between the dancers is amazing!”, “The colour choices are phenomenal – that building really comes to life!” is better than “that’s so pretty!” Although, of course saying a sketch is beautiful is also nice). Take photos not just of your work, but of other’s work that inspires you, especially of those that do work in a style that’s far from your own. Learning and experimentation is part of the Urban Sketchers experience.
Thank the organizers. I know I said that before, it’s worth repeating.
Never ever critique another artist’s work. It’s not that kind of an artistic gathering.
Bring less. We all fail at this (I did too, of course), but the less stuff you bring the more fun you’ll have. Choose one or two sketchbooks, at least one in a size and format you are comfortable with. Bring only the supplies you know you’ll use, not those that you might need. It’s OK to bring something new with you, but if you do I suggest that you force yourself to actually use it, and start the first sketch with it.
Do not bring an easel, particularly not to your first sketchwalk. You want to be mobile and flexible. The best way to get the most out of a sketchwalk is to change locations at least 2-3 times. The idea is to work quickly and loosely and to capture a location from several angles and with different focuses (that’s why it’s called a sketch walk). There will be those that choose to stick to one location, but having an easel tends to force you into a single location, as does having too much gear.
Bring a stool. It doesn’t have to be the most comfortable one in the world, but it does have to be portable. That will allow you to sketch wherever you like, and not just where there’s a free bench or table.
Take reference photos, in case you don’t get to finish a sketch or the lighting changes, or a white van decides to park in front of the building that you were just sketching.
Talk to people. Share art supplies. Ask questions about their process – unless you see that are too absorbed in their work to answer. But people usually are kind and enjoy sharing information and tools with other sketchers. That being said, bring all the gear that you’ll actually need.
If you’re just starting out sketchwalking, use smaller formats (no larger than A5), sketchbooks and not loose paper, and supplies that are portable and well known to you. That will allow you to work faster, and it will give you a chance to get more comfortable with working on location.
Sketchwalks usually last 3 hours. That’s both a lot of time and not enough time. Keep an eye on the clock, take into account that it takes time to warm up, and be kind to yourself, especially during the first 30 minutes. I usually take the first hour to work very quickly and loosely, and leave the last hour, hour and a half to work on a more detailed, well composed piece. Take breaks – sketchwalks are in urban environments so there’s usually a place to grab a coffee and snack (which you can and should sketch – it’s an Urban Sketcher’s tradition!). It’s not a race – the point is to enjoy yourself. I usually take a few minutes to stroll around, getting a feel for the location and the options before I settle in and get to work.
Bring water and weather appropriate gear. Be a responsible adult and check the weather before you go. Bring a hat and sunscreen, coat, umbrella, etc depending on the weather.
Post to social media, and tag your local chapter. There’s usually a Facebook group, and an Instagram account for the USK chapter. If the sketchwalk involved a local business, museum or organization, be sure to tag them too. You are an ambassador to the community now. Represent this wonderful organization with pride.

If you go on Urban Sketcher Sketchwalks and have tips for newcomers, I would love it if you could reply with them.

Weekly Update – Sketches, Film Photography and a 10K Race

A hectic week but an interesting one.

I went to see a local production of Singer, a play by Peter Flannery. It was phenomenal but it kept me up at night, which meant that the following morning I headed straight to my local cafe. I sketched the barista but something didn’t work in terms of getting her face right – she turned out sadder than she is. Sketching tired is rough.

Here’s the rather messy pencil and pen sketch. I can tell just by the line quality that I was very, very tired.

A day later I went to sketch at the nearby park and you can see the difference in the line quality in this sketch:

Initial sketch:

Later that week the film photographs that I’d had developed were returned to me. Here are a few of my favourites:

The local community cat that I feed twice a day coming to say hi

I love the atmosphere that the film gives this simple photo:

All of these photos are unedited. I’ll likely clean them up later on.

Bridge over water at a nature reserve near Haifa

There was a fire on the roof of a nearby hotel. I took this photo a day after the fire, and you can see the damage:

Cat failing to hunt a crow:

A stall at the local farmer’s market:

A stall at the local farmer’s market. You can see the see in the background.

I was supposed to run at a 10k night race on Wednesday, but I wasn’t feeling too good and I was apprehensive about dealing with the crowds so I ran the distance by myself a few hours before the official race start. It was a good decision as I was really struggling during the first 3k – but I did manage to finish, and finish strong.

I finished reading “Helmet for My Pillow” by Robert Leckie (a powerful narrative, but not as punchy as “With the Old Breed”), read “Death of a Nurse” by M.C. Beaton as a palate cleanser, and I’ve now started “The Shattering Peace”, John Scalzi’s long awaited sequel to his Old Man’s War series.

I’ve been overwhelmed with the responses to my Pelikan Hubs post. Thank you all for your kindness and for the thought and effort you put into your comments. I read them all, I just wasn’t able to respond to all of them this week.

Speaking of the Hubs, all of my pre-hubs inked pens have been written dry, which means that I currently have a 100% Pelikan rotation, plus some Platinum Preppy’s that I use for sketching.

Have a great week!

Pelikan Hubs 2025 and On Being A Female Pen Collector

Yesterday was the 2025 Pelikan Hubs event. Pelikan is so wonderful to organize these events, so generous and thoughtful with their gifts, and I love the company and their pens so much that I’m really heartbroken that this isn’t just a glowingly happy post.

This isn’t Pelikan’s fault. Their organization was as usual, impeccable. Their gift was tremendous – a beautiful box, with the Edelstein’s ink of the year Apricot Achat, a postcard and a notepad. Everything was so well designed it was breathtaking to open the box and see it all laid out perfectly.

Here’s the open box and the postcard:

Here’s the notepad. You can see the design on the cover better in the next photo, but the paper is smooth, thick and perfectly fountain pen friendly.

I love the design of the cover of the box, the postcard and the cover of the notepad. It’s playful but elegant, and it works well together and ties in well with the typography and the design of the Edelstein box. That’s a 10/10 for design and quality.

Everything that was in the box: postcard, Edelstein Apricot Achat ink, and notepad

The that we received is the Edelstein Apricot Achat, which is the ink of the year 2025. The bottle is gorgeous, and the ink is non-shimmer this year, so it should be easy to clean out of pens.

The ink itself is indeed an apricot ink, with a hint of shading. It’s bright but light – a tad too light for me if I’m honest. I think that this exact ink just slightly more saturated would have been the perfect orange for people who like their orange right in the middle of the orange spectrum – not too yellow or too red.

I filled a Pelikan M215 Rechteck (rectangle) with this ink, but I chose poorly, forgetting that it has an EF nib. Pelikan EF are on the wide side, but this ink would fare better in a medium or even a broad nib. I will still enjoy it as it works well with the other inks I currently have in rotation, but if you are looking to use this ink I’d suggest wide and generous nibs for it.

I tried it on the Postcard. The paper isn’t coated but is still rather sleek:

The postcard with an ink swab and writing sample

So thank you very much Pelikan for organizing this worldwide event and for your wonderful gift! I am actually considering buying the matching M200 because I like the look of the ink.

Now for the sad and ugly part:

Pen collection has a misogyny problem. I have experienced it during the previous Pelikan Hubs, I have experienced it when I tried to buy pens in brick and mortar shops, in flea markets, from pen makers. I experienced it during this year’s Pelikan Hubs and I’m tired of it, and kind of tired of all the talk about how wonderful and welcoming the pen community is. It’s wonderful and welcoming if you’re a guy, and time and again I have seen it close ranks and snarl if you’re a gal.

Just during yesterday’s event, where I stayed on for less than an hour (and even that was just to be at the edge of the group photo), I was told several times that:

Women don’t collect pens.
Only men collect pens.
I am not a real pen collector.
I can’t possibly be a pen collector.
I can’t possibly have enrolled to the Pelikan hub.
I am there as someone’s plus one.
Women don’t understand pen collecting.
I am a rare bird, the exception to the rule.

They had facts to back it up, they said. Their closed pen collectors group only had three women in it. That proved the point. I eye-rolled so hard. I had met and talked to one of the other female collectors at last year’s event and I fully understand why she didn’t brave this treatment to collect her gift this year. It’s because nobody wants to go out of their way to spend their precious free time with a bunch of *holes.

There are women collectors, they have every right to enjoy this hobby, and if you’re a guy and you don’t see women in your group, it’s not because they don’t collect pens. It’s because you’ve created a group that women don’t want to join.

Do better.

End of rant – and to end on a more positive note, I did manage to do a few 2-3 minute sketches while I was waiting for the group photo:

Sketched with Pelikan M805 Ocean Swirl F nib and Montblanc Maya Blue on a Pith Kabosu Sketchbook

Sketched with Pelikan M605 Stresemann M nib and Sailor Ink Studio 123 on a Pith Kabosu Sketchbook

Thank you again Pelikan for the wonderful event. I intend to return next year even if the menfolk find my presence abhorrent. There were a few nice fellows that were willing to talk to me, and I will not let the trolls dissuade me from participating in a hobby that I have been enjoying for close to 20 years.

Paris London 2025 Part 4

In September I traveled to Paris and London. See part 1 of my travelogue here, part 2 here and part 3 here.

Another visit to the Phoenix garden resulted in this sketch in my Etchr lab sketchbook. I love the paper so much – even a super quick sketch pops on it.

I had a coffee at the Monmouth Coffee Company. I love their coffee, but the place was both packed and super hot and stuffy so I made this quick sketch in my Pith Kabosu sketchbook and didn’t bother to add watercolour to it. It’s the first time I tried a POV sketch, and you can see the weird way I oftentimes hold my pen. I got to talk to a super nice young South Korean woman, as I shared the table with her and a young Japanese father and his 4 year old son.

POV sketch of the Monmouth Coffee Company table

Lunch was at Wagamama again. I tried their pho for first time (it’s new on the menu) and really liked it.

In the evening we went to see My Neighbour Totoro. It’s a lovely play, very well considered and beautifully acted and puppeteered.

On Sunday my family went to Greenwich and I went to the Saucony Run Shoreditch 10k race. It was bright and cold, perfect running weather, and the route was pretty flat – but chock full of speed bumps, which really hampered the race flow and caused a few nasty spills.

Here’s the route:

And the starting line:

And some of the entertainment on the way:

We ran a lot of loops, mostly through pretty dull residential streets. Only in the final kilometre or so did we get to see a bit of Shoreditch high street etc.

Overall the race was fairly well organized, and not overly crowded (about 6,000 runners), but I didn’t enjoy the route mostly due to the speed bumps. They seem to have taken the worst out of the local runners, as people pushed, jostled and shoved to avoid running over them (I just started running over them from around the 3rd kilometre or so).

Here’s the medal:

After the race I went for a celebratory meal at Wagamama. I hadn’t had breakfast and I was parched so I had a ton to drink and tried one of their new curries. Jesna, my server, was really curious about the sketches and we got to talk a bit.

On Monday my dad and I went to Tate Modern to see a Picasso and the Theatre exhibition. We arrived early so we sat at Paul’s and sketched.

I also sketched the statue and part of the modern building across the street.

The “Theatre Picasso” exhibition was hands down one of the biggest disappointments of the trip. Never have I felt my intelligence or interest in art more insulted than in this exhibition, and I left after about 20 minutes.

Here’s a Picasso dove to relax for a bit:

I was in a bad mood when I left and I didn’t know what to do with myself so I made my way to Green Park and sat and sketched there for a while:

The final sketch:

Thankfully the best exhibition was still ahead of me – Marie Antoinette Style at Victoria and Alberts. The thought, curation, staging, flow, items – everything about this exhibition was perfection. You saw Marie Antoinette as a style icon, as a woman trapped in a role, as a doomed queen, as a harried and slandered victim, and as a larger than life figure. Her foibles, her eye for fashion, her courage, her very flawed life and her terrible death made her immortal in a way she likely could never have imagined.

We don’t have robins here, so it was nice to get to see a few of them at Hyde park during my morning runs and at the Phoenix garden.

There were surprisingly few Halloween decorations out but the Christmas shops were on full blast in all the big stores. Of course I had to buy this red fountain pen ornament from Liberty:

Pencils, pink pearl erasers, fountain pens and palette ornaments at Liberty London.

We then got to see Penn and Teller’s 50th anniversary show (and first West End tour). They were funny, surprising, and wonderful, and it was an overall delightful and very memorable evening. I even got a signed poster of their show!

On one of the last days of the trip I went to see the new Victoria and Albert East Storehouse museum. It’s a unique experience, and it’s worth the visit – but I recommend planning to go there well ahead of time and ordering items to interact with. It’s not a standard museum by any stretch of the imagination – it’s more of a museum about museums and how they handle their collections.

While I found many of the explanations to be overly politicized, it nevertheless is a place that I’d return to – provided I manage to book a “meeting” with an item (Order and Object at the study centre). It’s also interesting to see what other people ordered and how they interact with their chosen objects.

I had lunch at the nearby Wagamama for the last time, and sketched my lunch for the last time:

And then went for my last coffee at Monmouth Coffee Company:

In the evening we went to see “The Importance of Being Earnest”. Stephen Fry was excellent as Lady Bracknell, but I didn’t like the director’s interpretation of the play (Algernon is gay, Jack is gay, Cecily is gay, Gwendolen is gay), and the two main actors weren’t very good. For the life of me I don’t understand the director’s need to try and outsmart Oscar Wilde. Wilde’s work is polished to a mirror finish – there really is no need to be clever with it. It packs enough punch as it is.

Stephen Fry and the cast of The Importance of Being Earnest

On the last day of the trip I went to the Phoenix garden for a last sketch:

I got to talk to a lady that works in the garden, and it was nice showing her all of my various sketches of the place.

And we went to The Parlour at Fortnum and Mason for celebratory Sundaes before the flight.

Tres Leches sundae – Coffee, Bickfield Milk and Fior de Leche & Chocolate
Biscuit Ice Cream and Pumpkin Seed Praline

Overall it was a great trip even though I was sick during its first leg. I’ve never sketched so much during a trip before, largely thanks to some recently acquired sketchbooks and watercolour palettes, and some skills I learned during USK Poznan. I got a ton of watercolours, pens, pencils, inks and art supplies that I can’t wait to try out, and I got a nice stack of books to peruse over the coming months. Hopefully this was fun to read, and perhaps you got some inspiration for your next trip to Paris or London.

Weekly Update – Baristas and Cats and Plays, Oh My

Long time no update so this one contains multitudes.

I have started taking a small sketching kit with me on my long runs. I take my Pith Kabosu, Aquarius Urban Sketchers watercolour palette, a fineliner of some sort, a waterbrush and a Pentel P209 mechanical pencil. I finish my runs at my local cafe and sketch there over a sandwich and coffee.

Here’s the preliminary sketch, done in pencil and a 0.5 fineliner:

I am really enjoying my Pith sketchbook, and I’ve been taking it with me almost every day and sketching a lot more. My brother’s cat:

Another sketch at the cafe, this time of a customer:

While I’ve been sketching a lot more since the Urban Sketcher’s Poznan symposium, my journaling has taken a big hit. This oftentimes happens to me after traveling, as I rarely have time for regular journaling during a trip, and I often replace writing with sketching when traveling. The issue is that this time I’ve been struggling to return to the habit, mostly because I’ve picked up a few bad habits during the last two months of travel and chaos.

As many in the Urban Sketchers community use Instagram I started using the app before the symposium (I didn’t have it installed on my phone beforehand), and I got into the unfortunate habit of using it. Earlier this week I deleted it and logged out of YouTube on my phone, as I’ve been wasting time on there too. It’s been a relief – I’m not posting my sketches there, but I realized that I don’t really have an audience there – I’m just unpaid labour for billionaires. It’s bad enough that AI bots are scraping my site for content, but I don’t see a reason why I should allow my brain to be addicted to the slot machine tactics of an ecosystem that relies on me spending as much time as possible there to make its money.

My planning also took a hit due to travel, but I’ve gradually gotten things on track. My Q4 planning was about two weeks late, but as these were holiday weeks it wasn’t a big deal. I’ve also scaled down my plans to better accommodate holidays and travel.

Lest you think that I only go to plays when I’m abroad, I did catch two plays during the past two weeks. One was a wonderful community theatre staging of “Twisted”, performed during the local “comicon” – a sci-fi, fantasy and roleplaying game convention that happens once a year.

Twisted is a StarKid musical that is a funny, profanity full take of Aladdin from Jafar’s point of view. One of the striking things about it is that it highlights the actual problem points with the original plot.

Speaking of that convention, I also got to give a lecture, run a tabletop RPG (a Dungeon World adventure that I wrote and ran), help master a LARP and meet a lot of cool friends. Oh, and sell a good amount of books that I no longer needed. Yay to more room on my overcrowded shelves!

This week I got to see a play at the local theatre, “The Beauty Queen of Jerusalem”. The play is based on a bestseller by the same name, and there has already been a TV series on the saga of the Ermoza family. While the actors were good, I thought that the play lacked depth, likely because the story needed more time to unfold.

The cast of The Beauty Queen of Jerusalem

This morning I went on a walk before my usual swim. This sketch was made using a combination of Aquarius watercolours, Caran d’Ache neocolor II crayons, a Tombow brush pen and a 0.5 fineliner, all on a Pith Kabosu sketchbook.

We’ve been having some stunning sunsets lately. Have a great and peaceful week!

Paris London 2025 Part 3

In September I traveled to Paris and London. See part 1 of my travelogue here and part 2 here.

I met up with a dear friend for a pre-theatre tasting meal at Chotto-Matte, a trendy restaurant that combines Mexican and Japanese cuisines. I am not a foodie, and I will now confess that this was the first time that I’ve had sushi (I hate the smell and taste of fish and seaweed and everything that comes from the sea and so I’ve avoided it), and I really enjoyed it. It was the best meal that I had in London, and the company, the weird design and the very attentive service added to it.

I had the vegetarian pre-theatre menu, which meant that mine had no fish, seafood, meat or chicken in it. It was phenomenal.

On the right is the Edamame, which we shared and was good, and in the centre is Truffled Avocado Roll – Cucumber, sesame seeds, yuzu truffle soy. It was light and refreshing.

Lychee Ceviche – Leche de tigre, chive oil, sweet potato, Peruvian corn, coriander. One of the biggest surprises of the meal. Delicious, zingy and the textures were phenomenal.

Yasai Miso Crispy Sushi – Picante miso vegetables, takuan, shiso cress. Sticky but very good.

Nasu Miso – Aubergine miso, apricot, puffed soba, sesame seeds. Aubergine like I’ve never tasted it before. Again, a lot of great textures here and a ton of deep flavours.

King Oyster Mushroom Tostada – Pulled mushroom, smoked aji panca chilli, guacamole, lime, coriander. I’m not normally a mushroom fan, but this was smoky, “meaty” and satisfying.

Truffled Mushroom Rice – Sweet corn & queso fresco dip, jalapeño, coriander, corn tostadas. This was a rice heavy meal, and at this point I could eat no longer. I had about three spoonfuls and no more. It was a good dish, but it lacked the depth of flavour and the uniqueness of the rest of the dishes.

Milk Soft Serve Ice Cream with toasted almonds, chocolate sauce. It’s ice cream, it was good, but we had to rush to the theatre so we didn’t get to finish it. It wasn’t a particularly interesting desert though.

This is definitely a place that I’d return to for a special occasion.

We then went to see the classic musical, “The Producers”, and it was excellent. The cast was brilliant, and it’s a very good musical with some great (if disturbing) songs. Mel Brooks is a comedy genius, and this musical still packs a punch.

We also went to Spitalfields market, which meant that I could sketch this guy:

Sketch of a statue of a goat in Spitalfields market.

This was my very first sketch in the new Pith Kabosu sketchbook that I purchased at Cass Art. I debated whether to buy this sketchbook or not, as it had smooth, 200gsm paper and it opened flat, but I wasn’t sure it would work with watercolours. The great sellers at Cass Art told me it would, as they use it themselves, and they were right. It’s now my “daily driver” having replaced the Stillman and Birn pocket beta. The beta has thicker and more textured paper but the Pith Kabosu is slightly larger, has a more durable cover, and opens flat much better than the Stillman and Birn does. I later returned and purchased two more of these sketchbooks, they were so good.

I later sketched this seller in his stall, after purchasing an old set of folding rulers from his stall. I decided to paint him and the flag but left the rest of the stall as line drawings.

The Pith Kabosu is also cheaper than the Stillman and Birn and as it has smoother paper, works better for ink sketches and dry medium (pencils of various kinds, for example). It means that I’m more inclined to bring it out and make quick sketches in it, even if I don’t get to adding watercolour to them.

We then went to the second play at The Globe – Shakespeare’s Twelfth Night. We arrived early so I sat in the Starbucks across the entrance and sketched the place:

I originally didn’t have time to add colour to this. I just bashed out this 5 minute sketch and then added watercolour later, from reference photos.

I later added colour to the sketch. In hindsight I would have gone for a looser sketch, but I was still unsure what this paper could and couldn’t do. The answer is – practically everything. Only very heavy washes make the page buckle.

This was a regular Shakespeare play, and so there was some set design. this is the stage:

And in the yard where the groundlings are you can see another bit of the stage that isn’t normally there, but was used to represent the beach and other locales in the play.

I enjoyed the play a lot, and would recommend seeing plays at the Globe if you can tolerate the extremely uncomfortable seats (yes, even with the cushions).

We went to the Cartier exhibition at the Victoria and Albert museum. The exhibition is sold out, and it’s well considered, but we found it a bit dull compared to the Marie Antoinette exhibition at the same museum.

This is the Patiala necklace that was part of the exhibition. It was made by Jacques Cartier for the Maharaja of Nawanagar in 1928. He also made the Maharaja of Nawanagar’s necklace, later named the Jeanne Toussaint in the “Ocean’s 8” movie (it was a recreation made by Cartier for the movie).

My favourite parts were the film where they showed how a Cartier leopard is made, and the famous mystery clocks. There was a whole room dedicated to them, and it was fabulous.

Next post will be the last in the series. You can read it here.

Paris London 2025 Trip Part 1

I recently returned from a pretty long trip to Paris and London with my family. I ended up sketching a lot more than I normally do during trips, largely thanks to things that I learned during the Urban Sketchers Symposium in Poznan (more on that in a later post). Here is part 1 of some highlights from my trip.

Quick sketch in a Stillman & Birn pocket beta while I was waiting for my flight

Centre Pompidou, my favourite museum in the world, was closing down until 2030 (!) so I went to pay it a last visit. Already parts of the colourful outside facade have been repainted white, and I’ve never seen the area around the museum so deserted.

The library was the only area still accessible, and it had been turned into a giant project playground for German photographer Wolfgang Tillmans to work with. It was something that only Pompidou could do, and it was breathtaking, thought provoking, fun, interesting, and unique. I wish I could have spent hours there, but at this point in my trip I became badly ill and for the entire Paris leg of the trip I was struggling.

I ended up largely not eating in Paris, but this was my first meal there – in the fantastic Patisserie Viennoise in the Latin Quarter.

Stillman and Birn pocket alpha watercolour sketch

We also went to a new museum, the Bourse de Commerce and I saw this great artwork on the way there:

The museum was in between putting up exhibitions, so while a large part of it was closed we managed to view some great and moving art pieces with relatively few crowds and at a discounted price. I did a VERY quick sketch while I was there:

This is the artwork that I was sketching.

And this little fellow is also part of the art exhibits there:

We then took the Eurostar to London. This is where I switched sketchbooks – this sketch of a boy and his father having lunch at a table across from me at Wagamama is the last sketch I created in my Stillman and Birn pocket beta. The beta has decent watercolour paper but it’s not half as good as the paper in my Etchr labs watercolour sketchbook, and the glued in pages make it a struggle to create full page spread sketches, as you can see here:

Last trip sketch in the Stillman and Birn pocket beta.

I created my first sketch in an Etchr lab cold pressed watercolour notebook while in the Greenwich Park herb garden and the paper is astonishingly good. Here’s the ink sketch (my tree sketches have gotten so much better thanks to a workshop I took in Poznan):

And here is the watercolour:

The paper not only makes the colours pop, it actually allowed me ample time and space to work with the washes, adding layers of well blended colours that gave depth and life to the scene. Never have I ever seen the importance of good quality watercolour paper demonstrated so well. I have about half a dozen sketches of this garden throughout the years and this is by far the best one.

That’s it for part 1, I’ll try and upload part 2 later this week.

Edit: part 2 can be found here.

Nikecraft ISRU Summer Camp

Yesterday was the last day of Tom Sachs and Nikecraft’s I.S.R.U Summer Camp challenge. Since the 17th of August you could download the ISRU (In Situ Resource Utilization) app and participate in a series of “rituals” to earn points towards getting the chance to purchase Sachs’s coveted Mars Yard 3.0 Nike sneakers.

Tape waiting for the Out and Back ritual

So what’s the deal with the shoes? You can see a film about the Mars Yard shoes here, but for me personally they are just cool shoes with an interesting design story. I downloaded the app out of curiosity and even though I participated in all the “rituals” and am currently in the 95th percentile of people on the ISRU app’s leaderboard, I doubt that I will get the chance to purchase them.

I’m writing about this challenge and this app because after a month and a half of participation I think the rituals and habits that I garnered from the experience are worth sharing.

There are six daily rituals in the app, and they were revealed week-by-week. If you plan on participating, I’d suggest adding all the rituals gradually and in the same order that they were added in the app: you are building a set of disciplines after all.

The rituals are:

Ten Free Throws – shoot 10 free throws at something. I settled on a small box and a crumpled piece of paper as a ball, and I use an orange and a black sharpie to keep score on the box. This seems silly but it’s a lot of fun and a quick palette cleanser in the middle of the day.
Output Before Input – if there’s only one ritual/habit that you should take from this it’s this one. When you wake up, don’t reach for your phone. Create something instead. I started out this ritual by journaling, but now I’m sketching in the morning and it’s the best way to start the day.
Out and Back – another great habit – run for 20 minutes, and mark the halfway point. I run for more than 20 minutes usually, and there are rest days when I walk, but this has been a great reminder to get out there and move.
Wall Drawing – tire out your arms with push ups, and then draw a line on a “wall” (either a real one or a piece of paper). Stop when your line touches a previous line or when you lift your pencil up from the wall or when you reach the end. Mark your stopping point with a red X. This is a way to get push ups and some interesting artwork done.
Read Before Bed – read a physical book before bed instead of staring at a screen. Excellent ritual, and one that I really needed.
Medicine Ball – create your own medicine ball out of cans, bubble wrap and duck tape (I used the one in the gym), and perform 5 daily exercises with it.

Apart from these there was a one time “Choose Your Ritual” challenge where you had to create a 1 minute or less movie about your ritual and upload it to the app. This was a tough challenge, but it got me to learn iMovie and how to edit videos on my phone, so I really appreciate it.

Even though the challenge has ended I’ve decided to continue doing these daily rituals and updating the app. These are just good habits to have and the ISRU app is a pretty great habit tracker for these.

There are also some great films that were uploaded to the app as part of the challenge. My favourite is How to Learn How to Surf.

How about you? Did you participate in the challenge? Are you interested in any of these rituals?

Weekly Update: One Week 100 People, Newly Inked Pens and Preparing for a Doctor’s Visit

I finished the One Week 100 People challenge on day 4, but kept going for day 5 (which was yesterday) and added a few sketches on day 6 (even though the official challenge is 5 days long). It was the first time that I sketched only live subjects and not from photos, and it really pushed me to find ways to work fast.

Today I added a few final sketches to my Field Notes sketchbook, this time using Faber Castell Pitt brush pens for blocks of colour and a Pilot brush pen for the sketches themselves. I was trying to work mainly with silhouettes and capture people in movement. It took me longer than I thought to capture a mere 6 subjects, mostly because what people do when they walk around nowadays is stare at their phones.

As I wrote two fountain pens dry this week, I filled six new fountain pens, bringing my rotation up to nine pens. Next week I’ll write a post about the pens and inks that I chose, but I will say that there are some pretty rare ones in the rotation this time.

Next week is pretty stressful as I have some tests and a checkup coming up with my hemato-oncologist (that’s a cancer doctor that specializes in blood cancers, which is the kind of cancer that I’m in remission from). I will give out one important tip for anyone who is going to see a doctor for any reason:

Write down ahead of time whatever it is that is bothering you/you need help with, and make sure that it’s in order of importance. There’s a good chance that if you won’t do this you will forget things, or you’ll focus on the least important thing, or you’ll have trouble articulating the issue. A doctor’s office is a stressful location, so you want to take the time and prepare this list in advance when you are sitting calmly at home. Make sure that the first 2-3 items on that list are really the most important things that you want to focus on because there’s a good chance that you’ll only get to focus on these items (your time in there is going to be limited). Reference the list when in the doctor’s office (don’t be embarrassed, there’s nothing embarrassing about being prepared). Be clear and specific, and insist on getting all your questions answered when it comes to these things. Double check before you leave that all the medications you discussed and tests that the doctor ordered were properly documented. Doctors are people too and the electronic medical record systems they work with aren’t the best, so it’s worth checking that everything is in order before you leave (even if you do the check with the medical secretary, just so long as you’re still in the doctor’s office and any errors and omissions can be fixed).

Take care of yourself and have a great week!

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