Vintage Beauty: Corgie 907 and National Pencil Day

It’s National Pencil Day and I decided to celebrate. Last year I picked up some vintage pencils in a stall in Spitalfields market in London, and they’ve been languishing unloved in their box ever since. The truth is I felt that they were too pretty to sharpen and use, which is both understandable (I mean look at them!) and silly. Pencils are meant to be sharpened, period.

So I broke out the “Corgie” (à Paris) 907 pencils, which are natural pencils coated with a thick layer of lacquer that makes them both shiny and satisfying to hold. The French appear to be more restrained in their choice of imprint fonts, but they go all wild when it comes to the wrappers around the pencils. Behold, creativity let loose:

Stunning, right?

Here’s the imprint (it’s hard to photograph, as the lacquer gets in the way. There are basically two fonts in use, and a very charming bugle logo. The Corgié à Paris factory was active from 1923 to around 1986 (thanks Brand Name Pencils) and if I’d have to venture a guess I think that these are from the ’60s, but it’s really hard to tell.

The grain on these pencils is fantastic. Just look at that:

Unlike some vintage pencils whose wood has dried out and become brittle with time, the Corgie 907s sharpen like a charm. They’re not very nice smelling (they just smell old), but there’s nothing to complain too much about.

These are No. 0 pencils, which makes them about 2B-4B, depending on the manufacturer. They’re soft and dark, and a joy to draw with, although they don’t hold a tip for very long. The graphite does smudge, but it doesn’t crumble, and there’s a good amount of feedback while using them. Here they are with some Faber-Castell Albrecht Dürer watercolour pencils in use:

I had to sharpen the pencil three times to get through this A5 page. Not great for writing, great for expressive drawing. 

Go sharpen a pencil, and have some fun drawing or writing a little something for yourself.

Happy National Pencil Day!

Vintage Beauty: Corgie 907 and National Pencil Day

#inktober Day 6: vintage drawing pins tin

I like old tins, and this one is one of my favourites, because of the sheer amount of fonts packed into such a tiny box.

Drawn with a Pilot dual tipped brush pen on a blank Moleskine Star Wars notebook and coloured with Caran d’Ache Pablo pencils.

#inktober Day 6: vintage drawing pins tin

Field Notes Signature Plain Paper Sketch Book review

I just received a pack of the Field Notes Signature blank page edition and noticed that on the front of the band it said,”Sketch Book” right below the “Plain Paper”. I opened it up and saw that unlike my beloved Dime Novel edition, these notebooks had no page numbers (a plus for me) and their pages were white and not cream coloured. That made me decide to break them out for a very quick sketching opportunity, to see how well they faired.

The notebook doesn’t open flat, and it tends to want to close on itself, so I used a clip to keep it open when I was sketching. Ideally you’ll need two clips and maybe a backboard of some kind to use it comfortably. The paper, as is normal with sketching paper, doesn’t take washes too well. It’s relatively thin and it buckles pretty easily, so only the lightest of washes should be attempted with it.

The drum set above was sketched with a Sanford No-Blot Pencil. You can see the paper buckling even though very little water was applied with a water brush.

The paper fared better with fine brush pens:

A tiny bit of spread when you lay down the ink too thickly:

Zero complaints when it comes to pencil sketches:

As is to be expected with this kind of paper, it works well with pencils and coloured pencils, having just enough tooth to make it work well with them, but not so great with fine and extra fine fountain pens and thin technical pens.

As you can see above, the Extra Fine Waterman Phileas (with Colorverse Selectron pigment ink) stuttered on the page.

The Signature also suffers from being an awkward size for a sketchbook: too large to be truly pocketable, too small to allow for anything more than tiny, quick sketches.

As a sketchbook, I’d not recommend it. There are better options in the market, ones that open flat, in better sizes, with hardcovers (a plus when sketching on the go), that take washes a bit better than the Signature does.

That being said, it’s a fountain pen friendly Field Notes, and so long as you’re not set on using nibs that in the extra fine realm or using this notebook as your main sketchbook, it’s a nice little thing to carry around and play with. There’s nothing wrong with a notebook that can take a little doodle next to your todo list…

 

Field Notes Signature Plain Paper Sketch Book review