Catching up on some more sketchbook pages from my Sketchbook Design course as I’m working on giving my palette the largest overhaul it’s had since I started painting with watercolours. This page was inspired by the final box I got from the Tel Aviv muncipality’s “The Box” project, created to support local businesses during the lockdown.
As I’ve recently overhauled my sketching tools and have grown to like my new setup, I’ve decided to document my current sketching kit, as a reference to myself and others.
First up are my pen and pencil cases, the Nock Co Sinclair and Tallulah. I used to use the Sinclair as my main sketching case because:
It can hold much, much more than three pens. Much more. Mine had four Staedtler Fineliners, two or three Japanese brush pens, a white gel ink pen, five Faber Castell Pitt brush pens, a mechanical pencil, an eraser, a woodcase pencil, a sharpener, a waterbrush, and a folded paper towel square.
It has two zippers, which means that you can sneak in extra large pens, like the Sailor Fude ones, or full length pencils, and still zip the case around them.
The Sinclair is no longer my main case and I now use it to store a more extensive selection of sketching tools (mostly Faber Castell Pitt brush pens). The reason is that it can hold so many pens that I was tempted to fill it to the brim and bring all those pens with me. As I decided that to gain speed I needed to pair down my sketching tools and expand my watercolour palette, I replaced the Sinclair with the much slimmer Tallulah.
The Tallulah is marketed as a two pen case. Oh, Brad. I have four Staedtler Fineliners, a Uni-ball Signo Broad white gel ink pen, a woodcased pencil, three (!) Sailor Fude fountain pens and a waterbrush. If the Tallulah had two zippers instead of one I could have closed the case. As it is, I keep it open and propped up in my sketching bag, as sort of a pen organizer. If I need the Tallulah to close, I can pare down my pens to one or two Sailor Fude pens, lose the waterbrush (if I keep two Sailor Fude’s in my kit), and replace the woodcased pencil with a mechanical one, or lose the pencil entirely as I generally work directly in pen and watercolour these days.
The Tallulah is so slim and light that it really works with my low profile sketch kit. It’s actually the anchor around which I built my new kit, with the other two being the Stillman and Birn Alpha sketchbook that I’m using, and my Schmincke watercolour tin.
If you are an artist looking for a storage solution for your pens and pencils, I highly recommend giving the Nock Co Sinclair and Tallulah a try. They are handsome workhorses that can take a beating (especially the zippers) and can hold many more pens than you would normally imagine.
My first Urban Sketchers Sketchcrawl of the year (there was one earlier, in March, but my mom was hospitalized, so I couldn’t make it) to the brand new Park HaMesila in the beautiful Neve Zedek neighbourhood. A dump and parking lot have been transformed into a park that will lead all the way to the Tachana complex once it’s complete. At the moment it offers a very little shade and not much greenery, but you can see the potential, and you can definitely see how much people are loving it.
The park follows the old Turkish railroad (which went from Jaffa to Jerusalem and was notoriously slow), and though I didn’t draw them because things were starting to get too busy in my sketch, the path has old rail lines embedded into it, which is a lovely touch.
I then drew part of Suzanne Dellal’s Center of Dance (it’s the Batsheva’s Dance Company’s home, and in Hebew is generally pronounced Suzanne Dallal).
A spread summarizing my day and a bit more of the neighbourhood, created at home (unlike the first two) from pictures. I traced the map from a navigation map that I got from a local navigation race that happened to take place in the area, and had fun with some design elements that I learned in the Sketchbook Design course that I took.
I used my new palette and a brand new Stillman and Birn Alpha and I quite like the freedom that its lightweight paper encourages.
This is the first time that I’ve used my new watercolour palette and I’m still figuring stuff out. I’m also using an 8’’x10’’ Stillman and Birn Alpha which is a large format that I’m still getting used to and isn’t the best for smooth washes. I’m embracing the patchiness here and letting the paint do its thing. More importantly, despite temptation I’m not making any adjustments to the new palette now, as I need more time with it.
Also, the Sailor Fude 55 degrees fountain pen is magic. I used one here with Noodler’s Lexington Grey.
A drawing of a decrepit, old building in central Tel Aviv. Painted only using the new Schmincke super-granulating watercolours (Galaxy, Glacier, Deep Sea, Forest and Tundra). The only exception is the yellow, which doesn’t exist in this range.
My review of these colours will probably be up this weekend.
I met with friends for a meal for the first time in a little over a year and it was glorious. We were all vaccinated, and so we could sit down and talk over food and drinks in Tel Aviv that was starting to get back to normal. There are still plenty of signs that Covid is still with us: we were masked at first as was the staff, the first place we chose to go to had closed down and due to the new occupancy rules it was difficult to find a place that could seat us. None of that mattered as we sat down and talked and laughed for hours. I hadn’t realized how much I missed meeting people face to face until I finally had a chance to do so. As I was waiting for everyone to arrive I sat on a bench and drew the first thing that I saw in the dusky evening. In the end I ran out of time and light, but I decided to leave the drawing as is and not fix it at home. A true Urban Sketch that will forever capture the moment for me.