London Haul: Pencils

While I was in London I went to Present and Correct and purchased mostly woodcase pencils (and some paraphernalia). Here’s a breakdown of what I got there and why:

Blackwing Eras – I also purchased the previous Eras pencils from Present and Correct. These are very expensive (and overpriced) but after hemming and hawing I decided to splurge. These have the extra firm Blackwing core, which I enjoy writing and sketching with, with a little bit of zing with the nostalgic arrow punch design. I have a project in mind for them, and will feature them in a separate post them.
Eberhard Faber pencils. These are vintage, and I’ll post a review of them separately, but they are gorgeous and I love vintage pencils, so these were the first thing that I got once I saw them.
Musgrave Tennessee Red – I have several boxes of these, and yet I got another one. These pencils are gorgeous, and they’re great for both writing and sketching. Some people find their corners too sharp and prefer the rounds, but I’ve yet to obtain the round Tennessee Reds, so I can’t compare between them. I wrote a review of them here.
Mitsu-Bishi 9850 and 9852 – Japanese pencils. The 9850 is for “office use” and the 9852 is a “master writing” pencil. I have only one or two 9850s and I wanted a pack because they are excellent pencils. I haven’t tried the 9852s I think, and anything with that wild green and pink package with “master writing” on it is a must.
Loose USSR vintage pencils and graphite stick – I got these as a gift for my purchase at Present and Correct, together with the…
Faber Castell Goliath – a wide barrelled vintage, USA bonded pencil that was meant for school children just learning to write.

Woodcased pencil haul (and one graphite stick – the one to the immediate left of the Goliath)

I also got a set of salmon coloured Japanese pencil sharpeners there – I have another two sets that I bought there and enjoyed – one that I’ve gifted and one that I regularly use. There are surprisingly few pencil sharpeners of this kind that are actually good, and these are very convenient for my sketching kits as they are small and light.

I also got two mechanical pencils, one from London Graphic Centre in Covent Garden, and one from Gibert Joseph in Paris:

Sharpener set and two mechanical pencils

The top pencil is the Leuchtturm1917 Drehgriffel Nr. 2 mechanical pencil (purchased at London Graphic Centre). I will be writing a review of it once I get to use it a bit more, but for now I’ll just say that it’s an attractive desk object.

The bottom pencil is the rotring 600 in camouflage green. It’s the rotring 600 – one of the best drafting pencils out there – and the colour is a dark racing green that makes it look black upon casual glance. I bought this pen at Gibert Joseph in Paris and was about to go for the red rotring 600 when I realized that what I had thought was a standard black rotring 600 was indeed the green one. The colour is difficult to reproduce, but I find it fetching and intriguing, so I’m glad that I went for it instead of its red or blue counterparts.

Overall I’m happy with my purchases, and can’t wait to start using them.

Retro 51 Winnie-the-Pooh Set Review

There’s a renewed interest in Winnie-the-Pooh lately, as it has come into the public domain (the copyright has expired). Retro 51 issued a pen and pencil set recently, which reminded me that I haven’t reviewed this Winnie-the-Pooh Retro 51 collection set, which came out last summer.The set included a box that looked like the original hardcover book, with three Retro 51 tornado rollerball pens and one mechanical pencil inside.

I’m usually not someone who cares very much for packaging, but in this case the cardboard box was too nice to toss out. It’s not just the outer cover that is thoughtfully designed, but there’s the famous map of 100 acre wood inside, and it is a delightful touch. Inside the box you get the three pens, the pencil, pencil leads and a tube of pencil erasers. Everything is held snugly inside, and the box has magnetic closure.

The pens and pencil feature E.H. Shepard’s charming original illustrations, as well as various sections of the book. The blue pen features the scene where Pooh tries to fool a nest of bees into believing that he’s a cloud (from the chapter “Winnie-the-Pooh and Some Bees”). The purple pen features the first appearance of Eyeore in the book, and is a mashup of two Eyeore chapters (from “Eyeore Loses a Tail and Pooh Finds One” and “Eyeore has a Birthday”). The yellow pen features the final chapter in the book, a delightful conversation between Pooh and Piglet (from “Christopher Robin Gives Pooh a Party and We Say Goodbye”) and the green pencil features an excerpt from the scene where Winnie-the-Pooh gets a pencil case with pencils in them that say B for Bear, BB for Brave Bear and HB for Helping Bear. This is of course a clever reference to HB, B and 2B pencil grades, and Retro 51 decided to not only use this excerpt very appropriately on a pencil, but also…

To put B, HB, and BB on the pens’ finials. That’s the kind of thoughtful design touch that I appreciate. The pens have stonewashed pewter accents on their hardware, and the pastel bodies are lacquered, like most Retro 51 pens. The set was limited to 926 sets worldwide (the original book was published in 1926, which is the reason for this peculiar number), and as it was very popular, I doubt that you’ll manage to get your hands on one unless they pop up on the secondary market.

So why review a pen set that’s out of stock? Because less than a year later Retro 51 issued a Winnie-the-Pooh pen and pencil set that are equally charming, but lower priced (as it’s just one pen and one pencil). The stationery scene is full of limited edition pens, pencils and notebooks and it’s very easy to get carried away on the FOMO train. This is a gentle reminder that after every limited edition pen or ink, there’s another one not very different from it, if you chanced to miss out. Don’t pay crazy prices on the secondary market or beat yourself up for missing out on something without taking a pause and remembering that there are very few stationery items that are ever truly limited and irreplaceable.

Oh, and how are the actual pens and pencil? The same as all the non-limited Retro 51 pens and pencils: I dislike the Schmidt refill they use for the pens and almost always replace it with something else, and the pencil is ok – it features a 1.15mm lead that most people will find way too wide, and it’s hard to find replacement leads for it.

Musgrave Tennessee Red Pencil Review

This is the Musgrave Tennessee Red pencil presentation box:

Gorgeous, isn’t it? Just look at that reddish and golden timber. It glows:

The pencils inside are equally beautiful. They’re made of Eastern Red Cedar, in the USA, and this is the 24 pencil presentation box. I have two of these, as well as a paper box that has 12 pencils. I’ve had them for a few months, but I haven’t had the nerve to sharpen them until earlier this week. They were just too good looking to sharpen.

24 Tennessee Red pencils in a cedar presentation box.

Now this isn’t to say that these pencils are perfect. Musgrave points out on their site that these pencils can have modest visible wear due to the soft nature of the wood, and the core may be slightly off centre. A rummage through the pencils that I have proves that these warnings are justified. But it still is a gorgeous pencil:

The pencil is lacquered which does protect the wood somewhat, and a lot of thought and care went into designing the imprint on the barrel (text, colour, font, symbols) – and a lot of restraint too. The imprint, ferrule, and eraser don’t call attention to themselves. This is a pencil that’s all about its beautiful, sweet smelling wood.

See how the imprint and everything else fade out of sight? An beautiful and understated pencil.

The Tennessee Red is a joy to sharpen. The cedar smell is intoxicating, and if the pencil wasn’t such a good one I may have just sharpened it all away. But it comes with a smooth, dark lead that feels and behaves like a B grade despite being a #2 (or HB) pencil. It’ll be a delight to sketch with this beauty. You can see it in action below, on a Baron Fig Confidant.

These aren’t cheap or widely available, and if you are outside the US they are even less cheap and more hard to come by. They are, however, worth the price and worth making an effort to find, and not because they are the best pencils in the world, but because it is clear that someone made an effort to make a modern American pencil that doesn’t shame its Eagle and Eberhard Faber vintage counterparts. It’s a beautiful, sweet smelling, wonderful woodcased pencil that is a joy to use and would make any stationery lover smile.
And who can’t use a reason to smile these days?

Gan Broshim

Quick sketch with watercolour pencils and watercolours.

Vintage Pencils on National Pencil Day

Happy national pencil day! I recently bought this delightful bouquet of vintage pencils at a local stationery store. They include vintage Jerusalem Pencils (and slightly less vintage PanArt pencils, made in the same factory, post forced name change due to bankruptcy), Eberhard Faber Mongols, and A.W. Faber Castell 9000 pencils (pre-Faber Castell). I paid more than what the seller wanted, so he threw in three sharpeners.

I adore the typography on vintage pencils.

I have the pencils a spin, to celebrate the day. My favourites are the Jerusalem Pencils Shalom 777 F pencil (which is a seconds pencil, and that’s why it probably survived for so many decades intact) and the Eberhard Faber Mongol 482 #2 pencil.

Take some time to explore local stationery stores and flea markets for NOS and vintage pencils. They all tend to work exactly as they did when they were first issued (the erasers won’t work and the wood may be a bit brittle so be gentle with your sharpening), and they are usually beautifully designed.

#OneWeek100People: Day 6

As I expected I didn’t reach 100 people sketches in 5 days, but I still intend to get to 100 sketches, so I’m plowing on. My hands are still wrecked with neuropathy so today’s sketches are all pencil sketches, all of them using various Blackwings. Hopefully tomorrow I’ll be able to get back to ink and watercolour, but if not I’ll break out my vintage pencils and give them a spin.

The pencils and eraser used for these sketches.

#OneWeek100People: Day 5

My hands still really hurt, but I don’t want to give up the challenge, so I pushing on with pencil sketches. I’ve pulled out my Blackwings and am giving them a spin.

#OneWeek100People: Day 4

My hands have been absolutely dreadful today, and it’s been a real pain to draw. I used a Sanford No-Blot pencil to get at least a few sketches done, and hopefully tomorrow I’ll be able to get a few more done.

Playing around with the Sanford No-Blot pencil.

Caran d’Ache x Nespresso Swiss Wood Pencils Set Review

The Caran d’Ache Swiss Wood is one of my favourite pencils. There are those who hate its burnt caramel smell and have nicknamed it “the stink wood,” but I am not one of them. I love how the Swiss Wood smells like, how it looks like, and especially how it writes like. The pencil is a joy to hold, the tip lasts forever, and it puts down a dark and smooth line that is great for writing and sketching. Its only real downside for me is its price — the Swiss Wood is expensive, and only getting more expensive with time.

So when I saw that Caran d’Ache was creating a Swiss Wood in collaboration with Nespresso, I added it to my Cult Pens basket together with the Nespresso Fixpencil. What can be more cool that the Swiss Wood with a Nespresso theme and some added recycling thrown in? This three pack of pencils was very expensive, but I decided to treat myself.

Boy do I wish I hadn’t.

As with the rest of the Caran d’Ache x Nespresso collaboration, the pencils come in a 100% recycled box. The box is cleverly designed with coffee bean shaped cutouts that show glimpses of the pencils inside, and debossing that shows off the pencils’s shape and coffee beans to highlight what the recycling story in this collaboration is about.
The rest of the “recycling story” is in the pencils’ lead, which is made of 25% coffee grounds. The pencils are made of FSC certified beech wood, which is the same as the normal Swiss Wood. You can find all this information on the back of the box:

Inside the box are three very expensive pencils. They look (and smell) just like the Swiss Wood except for the imprint on the pencil body, and the dipped end-caps.

The end-caps are metallic, and come in golden yellow, light green, and a bronzish red. They aren’t metal end-caps, but simply end-caps dipped in paint, just like the red Swiss Wood end-cap, only in different colours.

The imprint on the pencil is very similar to the original Swiss Wood, with the addition of the Nespresso logo, and the sentence: “A Recycling Story is in Your Hands”. The imprint is very crisp, and I like the font they chose for it.

Here is where things started to go downhill. The clever and beautifully designed box that holds the pencils chipped into one of them, taking out a chunk. Not great for such an expensive set.

The end-cap is only dipped in paint. For this collaboration, especially considering the price, I expected the end-caps to be made of aluminium from recycled Nespresso pods. As it is, painted end-caps are a disappointment. Here are a bunch of modern and vintage pencils that cost much less and have better end-caps than the Nespresso Swiss Wood:

Here’s a close up of the end-caps. From top to bottom they are: Nespresso Swiss Wood, Tombow Mono 100, Eberhard Faber Colorbrite (vitage), Mitsubishi Hi Uni, General’s Kimberly, Eberhard Faber No Blot (vintage). If they could do it why couldn’t Caran d’Ache?

Caran d’Ache Swiss Wood painted end-cap vs cheaper, more premium end-caps…

Here’s the Caran d’Ache Swiss Wood next to the original Swiss Wood. They look very much alike, apart from the imprint and the colour of the end cap. However, it’s not what’s outside that makes or breaks the pencil (pun intended) — it’s the core.

Caran d’Ache Nespresso Swiss Wood (top) vs the original Swiss Wood (bottom).

The core of the Nespresso Swiss Wood is made of 25% recycled coffee grounds from Nespresso capsules. The Nespresso Fixpencil had a similar recycled coffee ground core and was terrible. Is the core in these pencils as bad?

Writing sample of the Nespresso Swiss Wood vs the original Swiss Wood. Written on a Baron Fig Confidant.

It’s not that bad, but it isn’t great. The original Swiss Wood has a dark and smooth core that holds a point for a long time. The Nespresso Swiss Wood has a fragile core that is scratchy and lighter than its counterpart. It isn’t unpleasant to use to the point of being unusable, but it feels cheap, it looks cheap, it’s everything but a premium pencil in a world full of excellent premium pencils that cost less. There are actual white streaks in the writing it produces. If I want white streaks in my writing I can pick up a cheap ballpoint. For the price of these pencils I expect a better writing experience than the Swiss Wood, not a worse one.

Close up the writing, where you can see the white streaks.

The Caran d’Ache x Nespresso 849 collaboration produced some stunning pen designs. So far the pencil part of the collaboration hasn’t gone so well. I’d buy the Nespresso Fixpencil and toss out the lead, but I’d utterly avoid the Nespresso Swiss Wood. You get a worse pencil for a higher price, and the veneer of being good for the planet. Reduce, reuse, recycle are said in that order for a reason. In this case reduce, as I wish I had.

Caran d’Ache Fixpencil 22 Nespresso Ochre

Caran d’Ache’s Fixpencil is their legendary clutch pencil offering. While the classic Fixpencil has a plastic body, the Fixpencil 22 is made of aluminum, giving it both an added weight and a more luxurious finish. The Nespresso Fixpencil 22 is also made of aluminum, hence the 22 in the name, but it’s aluminum body is partially made from a recycled Nespresso capsule, and it comes with a lead that’s partially produced from recycled coffee grounds. Just like the previous Caran d’Ache x Nespresso 849 pens, this brand collaboration is all about recycling with class.

The front of the Caran d’Ache Nespresso Fixpencil box. A recycled cardboard box, in light brown, set on a green background. There’s a cutout in the box that shows the orange coloured Fixpencil. — The front of the Caran d’Ache Nespresso Fixpencil box.

The box that the Nespresso Fixpencil arrives in is similar to its 849 counterparts: it’s made of 100% recycled cardboard and there’s a Nespresso capsule shaped cutout in the box that shows off the colour and texture of the Fixpencil. Clever embossing and tasteful design and branding make this a superb gift to give to someone who enjoys using pencils (with a caveat that I’ll get to later). The box is the most recycled thing about the product (being 100% recycled), but at least Caran d’Ache is honest and transparent about the quantity of recycled materials inside the fixpencil and lead: 25% of each, respectively. So there is a fair bit of “greenwashing” going on here.

Back of the Caran d’Ache Nespresso Fixpencil box.

The clever design of the box continues once you open it. It really shows off the beauty of the Fixpencil design and just how vibrant and warm the orange “ochre” colour is. It glows. You can also see the subtle texture the Fixpencil has.

Gorgeous orange Fixpencil nestled in a cardboard box.

Here is my first, albeit minor, quibble with this product: it’s not ochre. It’s reddish orange. It’s mandarin. It’s anything but the yellowish brown that ochre brings to mind. I have no idea why it was so poorly named.

Fixpencil ochre? More red than yellow by far to be called that.

Caran d’Ache 849s and Fixpencils normally have very little branding on them. The Caran d’Ache brand is tucked discreetly under the clip and generally all that you see is the “Swiss made” with a white border around it just above the clip. The Nespresso collaborations are different in that Caran d’Ache adds an additional imprint to the pen/pencil: “A Recycling Story is in Your Hands”.

A recycling story (of sorts) is in your hand.

Of course the normal logos are where they usually are, with the addition of the Nespresso logo to the Caran d’Ache logo under the clip.

The Fixpencil is a joy to use because of its form factor, which is just like the 849, and the wonderful finish on the pencil body, which adds subtle texture that makes the Fixpencil fun and easy to hold.

And now we come to the worst part of this collaboration: the pencil lead. The Nespresso Fixpencil doesn’t come with the normal fabulous Caran d’Ache pencil leads. Instead it comes with a pencil lead that has 25% coffee grounds in it and is supposedly a B grade lead. It’s terrible. The lead is scratchy, so light that it writes like an F or even an H grade lead, and hard to erase. After testing in on my standard pencil testing Baron Fig notebook, I threw it out and replaced it with a standard 2B lead from my regular stash. Not recycled, but actually usable.

Here’s a close up where you can see in the word “scratchy” where the lead actually dug into the paper.

Closeup on the scratchy writing and some lead comparisons.

The Caran d’Ache Nespresso Fixpencil is a joy to use and will make for a fabulous gift once you pair it with a box of good quality B or 2B pencil leads. It’s a beautiful take on an already great product that I just wish also included the normal Caran d’Ache lead lineup.

Writing at Large

Primary Menu

Tag: Pencils