There’s a renewed interest in Winnie-the-Pooh lately, as it has come into the public domain (the copyright has expired). Retro 51 issued a pen and pencil set recently, which reminded me that I haven’t reviewed this Winnie-the-Pooh Retro 51 collection set, which came out last summer.The set included a box that looked like the original hardcover book, with three Retro 51 tornado rollerball pens and one mechanical pencil inside.
I’m usually not someone who cares very much for packaging, but in this case the cardboard box was too nice to toss out. It’s not just the outer cover that is thoughtfully designed, but there’s the famous map of 100 acre wood inside, and it is a delightful touch. Inside the box you get the three pens, the pencil, pencil leads and a tube of pencil erasers. Everything is held snugly inside, and the box has magnetic closure.
The pens and pencil feature E.H. Shepard’s charming original illustrations, as well as various sections of the book. The blue pen features the scene where Pooh tries to fool a nest of bees into believing that he’s a cloud (from the chapter “Winnie-the-Pooh and Some Bees”). The purple pen features the first appearance of Eyeore in the book, and is a mashup of two Eyeore chapters (from “Eyeore Loses a Tail and Pooh Finds One” and “Eyeore has a Birthday”). The yellow pen features the final chapter in the book, a delightful conversation between Pooh and Piglet (from “Christopher Robin Gives Pooh a Party and We Say Goodbye”) and the green pencil features an excerpt from the scene where Winnie-the-Pooh gets a pencil case with pencils in them that say B for Bear, BB for Brave Bear and HB for Helping Bear. This is of course a clever reference to HB, B and 2B pencil grades, and Retro 51 decided to not only use this excerpt very appropriately on a pencil, but also…
To put B, HB, and BB on the pens’ finials. That’s the kind of thoughtful design touch that I appreciate. The pens have stonewashed pewter accents on their hardware, and the pastel bodies are lacquered, like most Retro 51 pens. The set was limited to 926 sets worldwide (the original book was published in 1926, which is the reason for this peculiar number), and as it was very popular, I doubt that you’ll manage to get your hands on one unless they pop up on the secondary market.
So why review a pen set that’s out of stock? Because less than a year later Retro 51 issued a Winnie-the-Pooh pen and pencil set that are equally charming, but lower priced (as it’s just one pen and one pencil). The stationery scene is full of limited edition pens, pencils and notebooks and it’s very easy to get carried away on the FOMO train. This is a gentle reminder that after every limited edition pen or ink, there’s another one not very different from it, if you chanced to miss out. Don’t pay crazy prices on the secondary market or beat yourself up for missing out on something without taking a pause and remembering that there are very few stationery items that are ever truly limited and irreplaceable.
Oh, and how are the actual pens and pencil? The same as all the non-limited Retro 51 pens and pencils: I dislike the Schmidt refill they use for the pens and almost always replace it with something else, and the pencil is ok – it features a 1.15mm lead that most people will find way too wide, and it’s hard to find replacement leads for it.
BigIDesign is one of my favourite machined pen manufacturers, and I have practically every machined pen they make (apart from the PHX, which I don’t like visually). I’ve backed many of their kickstarters, including their newest one which ends in a few days, and I know that they deliver on what they promise, on time. That’s no mean feat, and it’s that consistency, not just the quality and design of their pens, that keep me coming back to them.
While I reviewed many of their pens in the past, I thought that I’d do a quick overview post, for those just getting into machined pens or into BigIDesign’s pens and wondering where to start.
BigIDesign create machined metal pens, and the first thing to know is that they have two sites. If you’re based in the USA go here, and if you’re from anywhere else in the world go here. They are one of a very few companies that offer free international shipping on their pens, and that’s no small thing. Their service in general is top notch, and the pens come in functional, well thought out packaging that is gift appropriate without being incongruously fancy. These pens are workhorses, not status markers.
BigIDesign pens all accept more than one kind of refill, and most of them accept a very long list of refills. When in doubt, consult the pen’s product page for a link to a spreadsheet with the full refill compatibility list.
The pens are made of stainless steel, titanium alloy, brass, copper or zirconium. Certain special edition pens (like the orange one/orange highlighted one) are Cerakote finished. These are handsome pens, but if you’re looking for durability, these aren’t for you. The finish chips off and mars when bashed around. The bolt pens come with optional damascus clips and bolts.
The titanium pens come in three finishes, which you can all see in the photo above: machined raw, stonewashed, and midnight black. Of the three finishes, the stonewashed weathers the best, and machined raw shows scratches the most. I happen to like that look on my Ti Arto, but of the three finishes, stonewashed is my favourite (also in terms of grip and feel), which is why I have the most of it.
I don’t like listicles, so I’m not going to rank these pens. I will just note what they’re best at, and who I think should get them:
Ti Arto – accepts the most refills by far. If you like experimenting with refills, and enjoy using capped pens, this is the pen for you. It was my first BigIDesign pen, and remains my favourite because of its versatility and the fact that while it’s built like a tank, it doesn’t look like one. This isn’t a pen for people who like fidgeting with their pen, or just want to jot down a quick word or two, because it is capped.
Ti Arto EDC – the same as the Ti Arto but smaller, and accepts less refills, this is a great option for a pocket or purse pen. The cap means that even misbehaved refills won’t leak onto your belongings or clothes. It is large enough to be used unposted, unless you have really large hands.
Ti Pocket Pro – the number one choice for those looking for a pocketable, EDC, workhorse pen. Uses a twist mechanism, built like a tank, and with very good support for a variety of refills, this is the pen that I take on trips and to the hospital with me. The Pocket Pro and the Ti Artos are very easy to clean/disinfect.
Ti Click EDC- if you want a click pen, go for the side click. This pen looks good, but has a mushy click mechanism that will probably only appeal to those who like quiet click pens. The Ti Dual Side Click is better than this pen in every way.
Dual Side Click – the latest arrival to the BigIDesign family (minus the slim bolt, that isn’t shipping yet), this is one of the best pens that BigIDesign offers. The click mechanism is satisfying and fun to fidget with, the design is sleek and functional, and it supports a wide variety of refills.
Bolt Action – good looking, with a very solid bolt mechanism that’s also a fun fidget toy. If you like bolt action pens, this is a good one to have, and it supports a good amount of refills, but take into account that the Ti Dual Side Click and most of the rest of BigIDesign’s pens support more.
Ti Mini/Mini Bolt Action/Mini Click – skip these unless you really, really want a tiny, compact pen. The issue is less with the pens, and more with the refill options at these sizes.
Big I Design is one of those pen manufacturing companies that use Kickstarter as a sort of pre-order system. I’ve backed several of their kickstarters and they always deliver on time, exactly what they promised to deliver. Their campaigns are for products that they already designed and know exactly how to manufacture, and I know that backing their work is a low risk endeavour. They know how to make pens, they know how to make pens that I enjoy using, their pens are solid and super versatile workhorses, and there aren’t too many options to get sidetracked by. It’s usually one new pen body in three different finishes, with maybe an add-on option or two.
So when they came out with a new pen on Kickstarter, the Dual Side Click, of course I backed it.
Like all of Big I Design’s pens, the Dual Side Click is designed to accept a large variety of refills – ballpoint, gel ink and rollerball. If there’s a particular pen refill that you like or you’d like to try, it’s likely one that is compatible with the Dual Side Click. Here’s the full list of refills for your delectation. I will note that likely because of the click mechanism, the Dual Side Click (and the EDCClick) don’t support as many refills as their Ti Arto and Ti Arto EDC counterparts (which support every refill on the market, I think, including the Uni-ball Signo DX UMR-1 refills). They do, however, support more refills than the Ti Pocket Pro, and an impressive amount of refills.
I got the stonewashed titanium Dual Side Click, which is by far my favourite Big I Design pen finish. I like the new packaging that they use, as its functional, well made and impressive enough to work as gift packaging, while not being so fancy that you’ll feel bad tossing it into the recycling.
The box comes with a tool that will allow you to remove or adjust the clip (which is the little ridged rod and the ring you see below), and spare parts – o-rings and springs. That’s a wonderful touch, as is the magnetic closure on the ring and spare parts compartment.
You also get a Big I Design sticker, some info cards and of course, the pen. The stonewashed titanium finish is silky to the touch, and gives the pen an understated look. The grip section is wide, with a few engraved rings to added grip. It’s the same grip section as on the Ti Click pen, and is great for longer writing sections. The Ti logo is, as usual, elegant and understated. It’s not a “I’m an expensive pen!” kind of design, nor is is a “I’m a tactical pen!” kind of design. It’s a functional, pragmatic, solid, and enjoyable to use kind of design.
The stonewashed finish will age well with time and use – like an old pair of jeans. You can see the new Dual Side Click next to the Ti Pocket Pro, which I have used since late 2017. The original finish on both pens was the same, but the various nicks and scratches on the Pocket Pro have added to its looks, and it has a little more lustre now.
The star of the Dual Side Click is, of course, the dual side click mechanism. The pen is engaged by clicking on the click mechanism on top, just like any other click pen, and then the refill is retracted by clicking on one of the side clicks. The side clicks look like flat lozenges that protrude a bit on each side.
When the click mechanism is engaged the side click buttons protrude a bit more, but they’re still unobtrusive and aren’t likely to snag on anything.
You can press on either the left or the right side mechanism to retract the pen refill, and both the click mechanism and the side mechanism engage and disengage with satisfying clicks. Unlike the Ti Click pen, this Dual Side Click’s mechanisms aren’t mushy.
The Dual Side Click ships with a Schmidt P 900 medium refill, which is one of my least favourite pen refills. That doesn’t matter much as I immediately swapped it for my favourite refill, the Uni-ball Signo UMR-85N.
As the whole point of the Dual Side Click is the pen body and not the refill (which most users will swap out), I created a video of the click mechanism in action:
This is a very satisfying pen to use. And fidget with during dull meetings.
If your favourite refill is among those that is supported by the Dual Side Click, then I highly recommend it. It’s one of the best pens that Big I Design have ever created, and that’s saying something. The titanium body is solid, weighty without being overly heavy, and comfortable to hold and use. The click mechanism is excellent, and it’s fairly priced, especially when you factor in the refill choice flexibility and the free worldwide shipping (and the lifetime warranty, which I’ve never had to use for any Big I Design pen).
It’s been a while since I posted an update, and there’s been fewer posts than usual during the last two months. This is mostly because I started a new job in June, and it’s been longer hours and more work than I anticipated at first. I am enjoying myself, but the change means I have less free time, and that I need to prioritise things differently to better fit the things that I care about into my life. Was moving from a cushy and undemanding job to an interesting and fun but much more demanding one a mistake? Time will tell, but so far I’m not regretting the switch.
As I’m starting to find my footing, I’ve been able to find more time for my hobbies. During the early days of my new job the only thing I did was work, exercise, sleep and eat. Then reading came back into my life, and journalling and sketching followed. Meanwhile the Sketching Now Watercolour course is over and I only had time for the first week, but thankfully the materials are all available online so I’ll be able to complete it all eventually.
What’s left my life almost entirely so far is watching TV, and I doubt that it will regularly return. In terms of media consumption, I read and listen to podcasts and that’s about it. I will watch specific things on Disney Plus or watch Adam Savage make things on YouTube, but even that isn’t something that I do often these days. It’s not a value judgement on TV – it’s just that I have less time now, and of the things I could easily get rid of, this was one of them.
Another thing that went out the window is social media. I’ve stopped checking Twitter and Facebook regularly. The only thing left is Instagram, which I still spend too much time on for my liking, and as Facebook starts messing with it I may likely leave as well.
I had a bit of a health scare in late June. It was 6 months after my last chemo treatment, and I had some blood work done for a check up with my hemato-oncologist. One of the results was extremely low, and it was for a test that people rarely get and I certainly have never gotten before, so I had no baseline to compare it to. What little information I found online indicated that I either was going through kidney failure/had a kidney tumor or had a rare form of blood cancer (beyond the blood cancer that I already had). Two sleepless nights later my hemato-oncologist (bless her), told me that everything was OK. The rest of my blood work was good, and this test was meaningless for people in my condition. She never asked for it, and I don’t know what possessed my GP to ask for it. In any case, I am now officially well enough to go on the regular post treatment checkup schedule, which means once every three months. Yay!!!
I’m running five times a week now, four 5ks a week and I’ve now started to work in a long run in the hopes to get back to running 10k. It’s tough running in this heat and humidity, especially with my lungs not being 100%, but I’m pushing through and enjoying myself. Running is my meditation, and has remained that way even though I now also meditate as part of ACT.
I’m also going twice a week to lift weights in the gym, nowadays with a mask on to avoid COVID. I’ve been vaccinated four times, but am now working from home again and staying masked as I can’t afford to get sick with the state of my lungs. Practically nobody is wearing masks anymore, and almost everyone around me is sick, so it’s been frustrating to try and stay healthy under these conditions. I’m hoping that the Omicron variant vaccine will be available here in a month or so, and I’m keeping an eye on the numbers to know when I can go back to the office and see people face to face again.
I’ve finished Hillary Mantel’s “The Mirror and the Light”, the third and final book in her trilogy about Thomas Cromwell. I’ll write a more lengthy review of it on Goodreads, but I will say that I got tired of the book at around the 60% mark (it’s about 900 pages long), and it didn’t really recover from that point on. I can see why Mantel struggled with this one, and I don’t regret reading it, but it’s not as good as the previous two books, and it could have done with some robust (and perhaps ruthless) editing.
I’ve also finished Ali Smith’s “Companion Piece”, which is a companion piece to her seasonal quartet of novels (Autumn, Winter, Spring, Summer) and is excellent. You don’t need to read the quartet to enjoy this book, and “Companion Piece” would also be a good introduction to Smith’s writing. It’s written in stream of consciousness style, although it’s fairly easy to understand (nothing as complex as Joyce), and there’s a joy in her writing, compassion, insight and humour that make reading her always an enjoyable and worthy pastime.
As these were a bit challenging to read, I had an Agatha Christie “palate cleanser” in the shape of two novels: “The Man in the Brown Suit” and “Crooked House”. “The Man in the Brown Suit” is a detective/adventure story that was originally light hearted, but today just doesn’t work. There’s too much racism and sexism to bear, especially if you know anything at all about the history of South Africa, diamond mines, and labour relations in Africa. “Crooked House” was one of Christie’s favourite novels, and it’s a fun and interesting book with many original characters (and yes, also spots of racism).
Pens, Pencils and Notebooks
I’ve been playing around a lot with ink washes lately, as I’ve written here. They’re a fun and quick way to add colour to a sketch, and having a limited palette makes me appreciate colour values more.
I’ve written almost all of my fountain pens dry, with the exception of a Franklin Christoph 45L Sage with a S.I.G fine nib (filled with Bungobox June Bride Something Blue ink) and a Platinum Plaisir filled with the blue cartridge it came with. The other fountain pens I have inked (two Lamy’s and two Sailor Fude pens) are used for sketching and not writing. I’ll likely fill up a few pens next week.
The BigIDesign Dual Side Click pen arrived from the kickstarted that I backed, and it’s fantastic. I hope to have a review up next week, but so far I’ve really enjoyed using it, and I think that it’s their best pen yet (which is saying something).
I’ve decided to start switching around the pencils that I use, instead of writing one down to a nub. I’ve been using a vintage Eberhard Faber Mongol pencil this week, and a Musgrave Tennessee Red one. They’re both #2 or HB pencils, but the Tennessee Red one is much softer and darker.
I’ve changed the way I use my notebooks, streamlining certain things, consolidating notebooks on the one hand, and starting a new notebook (MD A5 blank paper notebook) for insights and ideas that I would have previously explored on social media and now prefer to explore in private, on paper. I’m no longer chasing likes for these things, as I’m more interested in giving the thoughts in my head time and space to grow and change, and Twitter and Facebook are the last places to allow for that.
All the Rest
I’m back to decluttering my house, a project that I had started working on before I got sick and until now didn’t have energy to get back to. Yesterday I found a stash of half used notebooks that I forgot that I ever had, and it was bizarre to go over them and read what my pre-Covid, pre-cancer self thought about life in 2014-2015.
London Graphic Centre is one of my favourite stores in London. It’s tucked away in the corner of a street off of Neal street in Covent Garden, and it’s a real haven for artists, designers, architects and anyone who loves stationery and art supplies. I visit it several times whenever I’m in London, and I never fail to find something new and interesting there to try out. This time was no different, and one of the first things that caught my eye while I was there was this:
It was just above the Leuchtturm1917 notebook display, and there were just three or four colours available, but it was obvious that this pen was designed to match the colours on offer in the Leuchtturm notebook lineup. I assumed at first that it was a ballpoint, in which case I wasn’t really interested in it, until I saw that it was prominently labeled as a gel ink pen. Now that was intriguing.
The box was a bit confusingly marked as both “Gel” and “Gel ballpoint”. Checking out the Leuchtturm site clarified that this pen (we’ll get to the name in a minute) is indeed a gel ink pen, with a Japanese refill and a “Ceramic Ball” tip. The refill itself looks very much like the Monteverde Capless Ceramic Gel ink refill. My guess would be that this is the same refill, but more on that later.
Somebody really took the time to design this box, but really didn’t consider how illegible the pen’s name is:
The pen is called Drehgriffel Nr. 1, a bit of a mouthful. Apparently Drehgriffel means “rotary stylus”, which probably refers to the pen’s twist mechanism.
The pen has an aluminum body, a white twist nob at the end and brass pen tip. It’s well balanced, heavier than a plastic pen but lighter than a Retro 51 or a machined pen. It’s slightly heavier than a metal bodied Caran d’Ache 849, but if they were put in a boxing ring they’d both be in the same weight category.
The Drehgriffel has a very 60’s look, which I happen to like, but other people may find to be dated. Also, the Nr. 1 is a weird designation when you don’t have any other pen on offer. Will there be a Nr. 2? A Nr. 3?
Here’s the pen’s refill and parts. It’s weighted slightly towards the tip because the tip is brass (and, of course, the pen tip will tarnish with time).
Here’s the Drehgriffel refill side by side with a Monteverde Capless Ceramic Gel refill, and they are exactly the same. Good to know if you’re looking to replace refills, although I suspect that it will take a while to write this pen dry.
The Drehgriffel is similar in size and weight (and price) to the Caran d’Ache 849 metal barrelled pens. It’s a smidge wider and heavier than the 849, but they are very much in the same ballpark. Here they are side by side:
Here’s a writing sample of the Drehgriffel against a few other gel refills. It’s noticeably wider than Japanese 0.5 gel in pens, and is closer to 0.7 gel ink refills. I tested it on a Moleskine squared notebook (and further down you can see it on a Leuchtturm1917 notebook).
Here’s the reverse side of the Moleskine page. The Drehgriffel bled a bit more than its counterparts:
Here’s a writing test on a Leuchtturm1917 80gsm blank notebook:
Here too there was visible show through an some bleed through, although there was less bleed through than the Moleskine.
The Drehgriffel writes smoothly, but there’s nothing in the pen’s smoothness that justifies the advertising. It’s a nice pen, that comes in a variety of colours and that has an interesting design and good refill. In my opinion it would have been more popular if it came with a click mechanism and was a little cheaper, but I still appreciate the fact that Leuchtturm chose to come out with a gel ink pen first and not the more obvious choice of a ballpoint. I like the look and feel of my Drehgriffel, although I would have liked it better if it would have been a little bit wider. As it is if I use it for more than a page or so without pause it causes my hand to ache and cramp up.
Now I’m wondering if there’s going to be a Drehgriffel Nr.2 with a click mechanism perhaps?
Karas Kustoms makes some of my favourite machined pens, and even with all the great new machined pens in the market I still think that a Kara’s Kustoms Retrakt, Render K or Bolt are the best first machined pens to buy. They are well made, well designed, tough, and well priced. In the past year or so they’ve added a lot of new grip options to the lineup, so I thought that I’d go through the various options and review them, to help those wondering which grip option to try.
Not all of the grip options nor all of the finishes are offered in all of Karas Kustoms’ pens, however, if there is a particular combination you are looking for and it isn’t currently available there’s a good chance that it will show up in a limited edition at some point. Kara’s is always experimenting with their pens, so even though you may not be able to purchase any of the specific pens shown here, you’ll likely be able to find something else just as good.
The newest of Kara’s grip options are the speed grooves, the MK II and the Dragonskin. Of the three, Karas seem to be issuing more MK II and Dragonskin lately, and these two grip options are the “grippiest” of them all. If you find machined pens problematic to grip because they tend to be slippery, the Dragonskin or the MK II grip options are made for you.
Of the older grip options, the rings seems to be offered only on the EDK, while the fluted options are available on the Bolt and the Retrakt. The fluted options provide decent enough grip, but depending on how tightly how grip the pen you may find them uncomfortable for long writing sessions. They don’t dig into your fingers, they just feel a little “off” if you use the grip of death. The rings on the EDK provide little additional grip beyond what you get from the plain anodized options. I see the rings as more of an aesthetic statement here than something that provides more traction.
Karas has started creating more Cerakote (a kind of durable ceramic finish) pens lately, and in general they provide a little more grip than their anodized counterparts. In terms of finish, the shiny anodization and matte anodization are almost the same in terms of grippiness, and the Cerakote is slightly better than them, but not by much. If your hands tend to sweat a lot, these aren’t the best options for you.
The rings on the EDK’s grip are honestly more for aesthetics than for added grip. I like the look and it suits the EDK very much, but don’t expect it to add functionality to the pen.
The fluted grip works, although it works better on the matte finished pens than the super shiny ones. The pen won’t slip from your hand, but it may not be the most comfortable thing to write with over time (depending on your grip). It is one of the more attractive and classy grip options, particularly suited for the longer pens.
The Speed-Groove grip option looks very slick and is pretty slick. Buy it for the looks, not out of any expectation that it will add to the grippiness of the pen. It’s comfortable, and a bit better than the plain and ring options in term of the traction it offers, but if you have sweaty hands, this is not the grip for you.
The MK II will speak to those with a penchant for militaria (the grip design is based on the US MK II grenade) and to those looking for a robust grip option. It provides the most grip and has a traditional and understated profile. For a “wilder” option with the same amount of grip, see the Dragonskin below.
The newest grip option that Karas offer is the Dragonskin. It’s dramatic, it calls attention to itself, but it’s also comfortable to hold and provides plenty of added grip. I like the look and love using this grip, but if you want the same functionality with a more traditional look, the MK II will probably be the best option for you.
I’m a big fan of BigIDesigns pens. I’ve supported many of their kickstarters, I have all of their pens (except for the Ti Ultra), and I enjoy seeing their takes on EDC pens and tools. They have recently started issuing some of their pens with Cerakotecoating, so I thought that I’d do a quick review of the Ti Click EDC pen in orange Cerakote, which they made for the Fall (i.e. Halloween).
I’m not a packaging sort of person, but the new packaging the BigIDesign pens come in is clever enough to warrant a note.
The thick cardboard box comes with two compartments, the large one with a slip cover and the other one with a magnetic clasp mechanism.
The large compartment houses the pen and part of the clip removal tool, in foam inserts that protect them. The small compartment houses a bag with spare parts (a spring and two o-rings, a very thoughtful addition), and a key ring to be used with the clip removal tool, to add torque to it.
The pen comes in a golden orange Cerakote finish over a titanium body, with the clip and knock in stonewashed titanium. It arrived with a Schneider Gelion 0.7mm gel ink refill which I haven’t tried out. I swapped in my favourite refill instead – the Uni-ball UMR-85N gel ink refill.
The texture on the Cerakote refill is amazing. It’s matte and yet it sparkles, and its grippy without being abrasive. The result is an attractive pen that is comfortable to hold and use, because of the combination of a wide grip section, the textured coating and the grooves on the grip section.
The grip section is also where all the cleverness of this pen design resides: this is what allows you to customize the Ti Click EDC to accept practically every pen refill on the planet.
The clip and knock mechanism are in stonewashed titanium, which suits this finish very well, but not all the new Cerakote finished pens offered come with this finish – some come with raw titanium clips and knocks, so read the description on the pen’s page to make sure you know what you’re getting and that you’re happy with it.
I love the design on the end of this pen:
This is a beautiful pen that is no longer available, but I still recommend buying a BigIDesign pen in Cerakote (green or bronze are now on offer. Navy and orange were on offer in the past) because they are such good EDC pens and the Cerakote finish only adds to their appeal in terms of form and function.
Here’s a size comparison of the Ti Click EDC against a Caran d’Ache Fixpencil and a Sharpie. You can see just how wide the grip section is.
The “weak” spot on the Ti Click EDC is still the click mechanism. It engages successfully every time, but is quiet and gives very little feedback as it engages, making it feel “mushy”. This doesn’t affect its utility (it works every time, unlike in the earlier iterations of this pen), but it does make it an unsatisfying fidget tool. If that’s what you’re looking for in a pen, the Ti Bolt may be a better choice for you. Otherwise, the Cerakote finish just made a great machined pen even better.
We’re still not getting a real winter yet, but I did get some new Rumpl blankets in this week and that was enough to get my cats into full winter mode. Hopefully there will be some rain next week to justify their need for winter cuddles.
I dared to venture out on the day before my Chemo session, because I really wanted to see the Yayoi Kusama retrospective in the Tel Aviv Museum of Art. I arrived when the place was relatively empty, and wore a mask the entire time (as did almost all of the other visitors). The curation of the exhibit was phenomenal, and I enjoyed it very much. I loved seeing Kusama’s early sketches in her sketchbook, as well as her later sculptors and rooms. There was a new room, created specifically for this exhibit, the “Galaxy” room, which was my favourite:
Walking through the museum became a very colourful and oftentimes surreal experience. There’s nothing like being dwarfed by pink tentacles:
The penultimate room was phenomenal, with a steel ball exhibit on the floor that toyed with people’s need to view themselves (so many people lay down on the floor to take selfies), and two mosaics of Kusama’s paintings: one colourful and one in black and white, on opposite walls. It was very striking.
With my treatments getting progressively harder, flu season (yes, I’m vaccinated, but that doesn’t necessarily guarantee that I won’t get sick), and a new Covid variant on the rise I doubt that I’ll be going out much for the next few months. That just makes my visit to this colourful, interesting and joyful exhibition even more precious to me.
I had my 10th Chemo treatment (the second treatment of the fifth cycle) on Tuesday, and this time I asked to get less steroids. So instead of a really, really, really, really, really large amount of steroids, I was given a really, really large amount of steroids. It was a risk (the steroids serve as anti-emetics and general boosters to help me get through the treatment), but so far it has paid off. I could sleep better and longer after the treatment, which helped me feel a little better. The treatments are getting harder, and as I suspected I now no longer have a break in my neuropathy. As I’m typing this, I feel about four out of ten fingers. The secret to typing like this is to be like Wile E. Coyote and not look down or think about typing as I type 🙂
I got less reading done than I expected this week, and I’m only about a third of the way through James S.A. Corey’s “Cibola Burn” (the Expanse #4). I also need to dedicate some time to update my Goodreads reviews. I have a few notes on books that I’ve read that I’ve yet to publish there. Luckily my reading journal is still around to help me keep track of things.
I’m enjoying the way that the Expanse novels unfold, with 3-4 viewpoints in each one, and large systems of government, military and industry are made human without being overly simplified.
I journaled a lot this week, but other than that I didn’t get any writing done. My neuropathy meant that holding a pen has become virtually impossible since Thursday evening. I really miss holding and using my pens.
I’ve been focusing on my standard pens this week (while I could still hold them). The Retro 51 Typewriters have Monteverde gel ink refills installed, and I’m really enjoying them (I don’t like the standard Schmitt refill). The Karas Kustoms Periwinkle Bolt V2 has a dragonskin grip and a cerakote finish and is gorgeous. The other Bolt is the steampunk one, which I love and use regularly. The Tactile Turn Nautilus is the most unique and gorgeous of my standard pens, and the click mechanism is a lot of fun to fidget with. The Uni Jetstream Edge was a pen that I wasn’t expecting to enjoy very much, but I ended up writing the most journal pages with it this week. I can’t explain why I love writing with this pen so much, but I just do. The same can be said of the Pilot Hi-Tec-C next to it, which I’m about to run dry (a pen achievement, if ever there was one). The barrel is cracked, of course, but somehow the tip has remained intact and the gel ink refill hasn’t yet inexplicably stopped flowing.
I’m hoping that my neuropathy improves next week, so that I can get back to journalling. I’ve started working on some long term projects and with the encouragement of my therapist I may actually get back to planning more than two weeks ahead.
The seeds in my garden have started germinating, which is always a joy to see. Monday is going to be very dry and warm so I’ll have to keep a look out for their health and mine then.
As is usual for a Chemo week, a lot of my time was spent trying to fall asleep and failing, so productivity wise it’s not the best. Hopefully next week will be better.
This is a super quick review because the Tactile Turn Nautilus is available only until the 8th of September, and I can’t write a more detailed review in my current circumstances (more on that in a later update).
This is the Tactile Turn Nautilus (the standard version), a limited edition Tactile Turn side click pen. Photographs do not do this pen justice. It’s stunning in person:
It’s a titanium bodied pen with a metallic, colour shifting Cerakote finish, and it’s that finish that transforms this pen from a good machined pen into a triumph of craftsmanship and design.
There are gold undertones to the finish that, coupled with the grooves on the pen body, the glittering gold clip and the Cerakote finish texture on everything, make this pen mesmerising.
The clip has a gold Cerakote finish that evokes the golden undertones of the blue metallic Cerakote finish on the pen body. The gold is muted, and helps make the pen classy not flashy 🙂
The finish adds texture to an already textured pen (due to the Tactile Turn rings that are engraved on all the body). This makes the pen easy to grip, as it has an almost sandy feel to it.
The Tactile Turn Nautilus isn’t a light pen and is top heavy, but it’s still a pen that’s a joy to write with. If you’re considering a Tactile Turn pen, or any machined pen for that matter, I recommend giving the Nautilus a try.
In lieu of a longer review, if you have any questions, please post them in the comments and I’ll be glad to answer.
I am a huge fan of Karas Kustoms machined pens, and I have their Render K, Ink, EDK, and Retrakt but I only recently purchased a Bolt v2. Why? For one thing, I was waiting for an interesting colour combination to come along. For another, I have the Bolt v1 one and have found it practically unusable, so I was hesitant to give the v2 a try. But then Karas Kustoms created a bluish-grey and orange Bolt v2, and the colour combination made me decide to give the Bolt a second chance.
I’m glad that I did.
The Bolt v2 that I bought has a bluish-grey and orange anodization and fluted grooves in the grip. My Bolt v1 is raw aluminium, has no grooves in the grip section, and as you can see, is very, very long. This is the main reason that I couldn’t use the Bolt v1, as I have small hands and the pen is about 15cm long, which makes it unwieldy. The Bolt v2 is about 2cm shorter, and so about standard size of a pen.
The v1 and v2 Bolt have a similar design, but the Bolt v1 is a much more impressive pen, even with no anodization. Every time I pulled it out, people asked what it was, and said that it looked like a surgical tool. The Bolt v2 is more practical, and while it’s an attractive pen, it (so far) hasn’t been one to draw too much attention to itself. That may be a good thing, because someone did make an attempt to steal my Bolt v1 when I brought it to the office, which is why I stopped bringing it with me.
The bolt mechanism on the v1 and v2 are very similar, but the v2’s mechanism has been streamlined and rounded (see the bottom of the cutout) which means that it’s much easier to engage than the v1. It makes the v2 much nicer to use, and as an added bonus, it turns the pen into a great fidget tool.
I know that the seam between the grip and the body of the Bolt v1 looks tighter and better fitting than the Bolt v2’s but those looks are misleading. Like the rest of Karas Kustoms v1 pens, the threads that connect the pen grip and pen body were the weakest point on the pen. The threads kept unscrewing themselves, at times while I was writing with the pen. It’s no wonder that they have been redesigned from scratch in the v2, as you can see below:
The threads start in a shoulder, are much tighter, and there’s an added o-ring at the bottom. All these together prevent the pen from unscrewing itself unless you deliberately want to unscrew it.
If you have an interest in machined pens, and specifically in bolt action machined pens, then a Karas Kustoms Bolt v2 should be high up on your list. It’s been my daily pen for a few weeks, and I don’t see it leaving my rotation any time soon. I would recommend checking out Karas’s special projects, since the colourways there are often more striking than in their regular line.