March 2024 in Pens and Paper

With One Week 100 People I’ve been using my fountain pens much more to sketch with, and I fell in love with them again as sketching tools. There’s something about the expressiveness of the line that they bring in that reminds me of pencil more than of fineliner pens when it comes to sketching – a combination of their varying line width and the varying ink shade.

I’ve also purchased more fountain pens than I planned, buying two Franklin Christoph pens from the pen models that they’re retiring: A model 46 in Polar Ice with an extra fine nib and a pocket 66 Italian Ice with a flex extra fine nib. These two join the Leonardo Momento Zero Grande 2.0 Galattica that I purchased from Pen Chalet last month, and the Leonardo Momento Zero Nuvola rose gold that finally arrived this month after I purchased it from Fontoplumo and it was stolen during transit. Fontoplumo were wonderful, and replaced the pen immediately, so I intend to purchase from them again.

I haven’t purchased so many new fountain pens since before the pandemic, but the Leonardo Nuvola was a gift to myself to celebrate two years from chemo, and the Galattica was a gift to myself for surviving a hellish month with my father in hospital. The Franklin Christophs were unexpected purchases made only because they were retiring these models and I was curious about these materials (I already have an Antique Glass model 66 and I love it).

So far the biggest success in terms of nib has been the flex extra fine Franklin Christoph Pocket 66 Italian Ice. The nib has only a slight springiness to it, and I wouldn’t call it a flexible nib in the true sense of the word, but it works well for both sketching and writing. Diamine Earl Grey is one of my favourite inks (a bluish grey with tons of character that is legible even with very fine nibbed pens), so I didn’t hesitate filling an eyedropper pen with it. As eyedroppers have such a tremendous ink capacity, you always need to take into account just how much you love the ink you use in them.

The Leonardo Momento Zero Nuvola was a surprise in terms of the resin on the pen body (I was already familiar with LMZs fantastic fine flex nibs, and great pen and converter design). I was expecting a light blue pen with white “cloud” blotches and black outlines. In reality the black outlines are in a semi transparent brown resin, the white is more off-white/cream, and there’s real depth to the design. A very unusual resin that is both classic and unexpectedly unique.

Caran d’Ache discontinued their ultra-expensive and ultra-sought-after ink series “Colours of the Earth” in 2013 and I managed to get a bottle of the entire series besides Carbon right after they announced they wouldn’t be making them (I had bottles of Amazon, Safron and Sunset before they were discontinued because those were the ones that interested me the most). These inks are well over 10 years old and still fantastic, though the Amazon (the green ink) has darkened a bit and so lost some of its depth. The Caran d’Ache bottles are both gorgeous to look at and terribly designed.

Diamine Coral is the most optimistic of inks, a brightly bright coral ink that glows on the page and works best in generous nibs. I felt like a pick-me-up so I filled the Woodshed pen with it.

I made some interesting eexperiments with notebooks and tried a few new pencils, but this post is getting a little out of hand and so I’ll write about those in a separate post.

Did you use any interesting stationery last month?

February 2024 in Pens and Paper

I started the month ready to spend the first half of it in hospital, with my dad. So the fountain pens I chose were all expendable pocketable pens that I was willing to have stolen (apart from the Schon Design Pocket 6 which was a leftover from January and never left my desk). So that meant I inked 4 Kaweco Sport fountain pens using various ink cartridges that I had on hand.

The portable lineup:

Once my dad got out of hospital and back home, I decided to celebrate by “shopping” from my collection. I inked up a Parker 51 Plum (use the good china!), a Parker Vacumatic, a Franklin Christoph 45L Turqish (spelled like that on their site) Crush that I had purchased but hadn’t inked before, and a vintage Radius Comet (because I heard that the brand was being revived).

The Franklin Christoph EF nib isn’t the best companion to the Eau de Nil as the ink tends to dry in the nib, causing hard start issues. The Radius is a flexible nib of the vintage kind, which means it’s really flexible and not just springy. It also rattles, which makes me not carry it around with me — it stays at home at my desk. The Leonardo is a beautiful pen with a beautiful ink that I refilled immediately — the only Inkvent 2023 ink I did that with. The two vintage Parkers are phenomenal, as usual. The extra fine nib on the vacumatic somehow really well with Diamine Ash, though I was worried at first that the combination would be too light to be readable. The Parker 51 Aeromatic is a treat to use. It’s the rare Plum colour, and it’s got a fantastic nib (as all 51’s have) which pairs very nicely with the Monteblanc The Beatles Psychedelic Purple.

In terms of paper I’ve been using Kokuyo A4 KB paper which I cut to half size (so A5) to manage my daily to do list. The paper is relatively cheap and very fountain pen friendly. I’m also able to use both sides of the page despite there being some show through.

Kokuyo A4 KB paper cut in half to A5 size. This is why standards are great.

I’ve got a Field Notes Heavy duty on my desk at home and at work, and I just bought a new stock of them. These are where I jot down quick notes, phone call details, doodles during boring meetings. When they’re filled up they get tossed out as nothing in them is permanent — everything important in them moves to somewhere else as I work my way through them.

Field Notes Heavy Duty pocket spiral bound reporter notebooks

I have finally found a use for my Dingbats notebooks (beyond giving them away as gifts, as I have in the past): this lined purple hippo one is my blog notebook. I discovered that I have a much easier, much quicker time writing blog posts if I first draft them on paper, and this is where I do it in. I’ll likely write a dedicated post to this notebook soon.

Apart from them I still use the notebooks I used last month.

Pencils

I’ve been using the Drehgriffel Nr. 2 as my daily driver. I use pencils extensively to plan, as my plans tend to change, and there’s something about this solid little mechanical pencil that makes me want to use it.

Apart from that I brought two pencils into the rotation, to try to use. One is from my last purchase from the late and great C.W. Pencils Enterprise, and it’s the “Big Dipper” J.R. Moon Pencil Co 600. It’s an oversized pencil, the kind of pencil that kids who are learning to write are expected to use. I’ve been having pretty significant neuropathy in my hands lately and I thought that this would be nice and easy to use, as after all it’s designed for kids just learning to develop their fine motor skills. So far it’s been a disappointment – the eraser and ferrule make it very top heavy, and I’ve been having a hard time manipulating it. I can’t imagine kids using this pencil and having an easy time with it. I like the over the top red foil with gold writing look though, so I haven’t given up on it yet.

The second pencil is a Blackwing Volumes 56, the baseball themed one. The core is soft and dark, and I’ve been using it for quick and loose sketches. I’m trying to ease into one week 100 people by training myself to work faster than I normally would.

What did you use in February? Any planner changes? Pencil revelations? Pen preferences?

Leuchtturm1917 A5 dot grid comparison: standard, 120 gsm, Bullet Journal

A few months ago I started using the Leuchtturm1917 Bullet Journal – at first as it was intended, but very quickly it turned into a general weekly and quarterly planner for me. As I neared the halfway mark of the notebook I decided to purchase a replacement, but instead of buying another Bullet Journal I purchased a 120gsm dot grid Leuchtturm A5 notebook. The paper was the same in both notebooks, and as I didn’t use any of the Bullet Journal features and the 120gsm notebooks are slightly cheaper, I thought that it would be a good replacement.

While I was still waiting for my 120gsm notebook to arrive, I happened to find a light grey standard (or 80gsm) dot grid A5 Leuchtturm notebook at a local store at a decent price. I purchased it and decided to compare the three notebooks.

The Bullet Journal is the most expensive of the three, but also comes with the most “stuff”. There’s a booklet that explains how to bullet journal, stickers for bullet journaling, a specially formatted front endpaper, a key for bullet journaling, three ribbon bookmarks instead of two, and several pages with dedicated bullet journal appropriate titles (intentions, index, future log). It has the fewest colour options (just three) and features Bullet Journal branding on the front cover and the spine.

The Leuchtturm 120g notebook has a few more colour options, and is basically a stripped down Bullet Journal edition. In terms of thickness the two notebooks are the same (i.e. very thick notebooks, about twice the thickness of a Moleskine), but the 120g notebook has just two ribbon bookmarks (instead of three), no special endpapers, stickers (beyond the regular ones that come with each Leuchtturm notebook), titled pages, key or booklet. It’s cheaper than the Bullet Journal and has the same paper that the Bullet Journal has.

120gsm on the left, Bullet Journal on the right

Same thickness and form factor:

The regular Leuchttuem dot grid (which I’ll refer to as the standard from now on) is 20% thinner than the other two, features 80gsm paper and not 120gsm and like the 120g has two ribbon bookmarks, label stickers for the notebook, and a pocket on the back. It’s also a bit lighter than the two other notebooks.

Standard on the left, Bullet Journal on the right

Where the standard notebook wins in a knockout is page count. The standard has 251 pages, the 120gsm has 203 pages and the Bullet Journal has 205 pages, but several of those pages feature dedicated Bullet Journal titles (Index, Future Log, etc).

All three notebooks open flat, feature an off white paper, and the last 20 pages are perforated so you can tear them out. The standard and 120gsm contain two lined table of content pages, which the Bullet Journal does not. The Bullet Journal is also the only one to contain special divisions on the paper, which are notated on the front endpaper:

The front endpaper on the standard and the 120gsm look very similar, but the 120gsm has a bit of additional branding:

The stickers on the standard and 120gsm are the same, and are meant to be used on the cover and spine, to label the notebook:

The pockets on all three notebooks look and function pretty much the same.

Back endpapers and pocket in the Standard and 120gsm

The table of contents pages on the standard and 120gsm is useful if you use your notebook for project management or meeting notes, for instance, and want to be able to quickly reference a certain page. The pages are already numbered, so it’s just a matter of building the reference pages in a way that makes sense to you. This doesn’t exist in the Bullet Journal because Leuchtturm is assuming that you’ll be using the official Bullet Journal way of referencing and finding pages.

What Leuchtturm confusingly calls Bookmarks – two index pages in the Standard and 120gsm

Now for the paper. The dot grid is the same on all three, but the paper in the standard is by far the inferior of the three. The page is practically transparent (you can see the Leuchtturm1917 logo on the back pocket on the bottom of the page) and you will have show through with all kinds of inks, pens and nib sizes, and bleed through with most pens and inks (including wider gel ink pens!):

This is a notebook that you either need to use with a very specific kind of pen, or be willing to write on only one side of the page (therefore giving up on the price and page number advantage of the notebook):

Show through and bleed through on the Standard. Even the gel inks faired poorly.

Here’s a close up of the way the ink behaved. This is fountain pen friendly paper in terms of it not spreading or feathering, but the bleed through and show through will limit you to fine and extra fine nibs and less saturated inks:

No feathering, some spread with the Retro 51 refill

The 120gsm paper on both the Bullet Journal and the 120gsm notebook fair much better:

You can definitely use both sides of the page with this notebook, and feel free to toss every kind of nib width and ink at it — I haven’t found one that it can’t handle.

Back of the 120gsm (Bullet Journal was the same)

I’ve been using the Bullet Journal for a while now and I have had no problems using even broad and flexible nibs on it, with wet inks. Inks take time to dry on it, but they don’t bleed through.

Ink test page with example of wet and wide nibs on the Bullet Journal

The paper in all three journals is off white. That may bother you. Here’s the page with a sample of a white page next to it:

Paper colour sample – Leuchtturm vs white paper

At the bottom and the left side of the page you can see the special Bullet Journal divisions, meant to help you create various BuJo formats of things. They’re very unobtrusive, so you can easily ignore them if you don’t need them:

Bullet Journal markings on the bottom and on the left margin

So, basically:

Standard — cheapest one, thinnest and lightest with the most pages. Works only if you use fine gel ink pens or fine and extra-fine nibs with unsaturated or light coloured inks. If you write with a heavy hand, or prefer to use ballpoints this paper will likely note work for you, as you’ll carve your way through several pages without really intending to. If you’re willing and able to work around its limitations, it’s worth getting. It’s also more widely available and comes with a much larger range of cover colours than the other two.

120gsm – when in doubt, get this notebook. It’s got the best paper for the least amount of money of the three. If two ribbon bookmarks aren’t enough for you, it’s likely that you’ll need more than three anyway — get post it tabs. If you don’t have to have the Bullet Journal addons and formatting, save a few bucks and get this notebook. You’ll also have a few more cover colour options.

Bullet Journal — get this if you want to use the Bullet Journal method or you want to try it. If you end up deciding not to use the method, you’re still left with a great notebook, and you can buy the 120gsm next time.

I hope this helps clarify things a bit. Personally I’m currently using the Bullet Journal as a regular notebook (my quarterly planning, weekly planner and long term lists are in it) after failing to find value in the Bullet Journal system, and the standard notebook for work projects. The 120gsm will replace the Bullet Journal once I’ve filled it.

Journaling Series: On Finishing a Journal

As I’m writing this I’m two or three pages away from finishing another journal. It’s not the first journal that I’ve finished, but somehow it’s always a tiny, little momentous occasion. After all from the moment we crack open a new notebook and dare to write on its pristine pages we envision this outcome: a notebook chock full of words, sketches and mementos.

Slightly frayed and ink stained but this Stalogy 365Days B6 notebook has served me well for about 6 months

For me the end of a journal offers a change to review and reflect on its contents. The last few pages aren’t used for normal journaling, but rather are reserved for me to write notes in as I leaf through the completed journal’s pages. What key moments does it hold? What revelations? How can I look back with kindness at moments of weakness or failure, and how can I learn and grow from them? This is not always a pleasant or easy experience, but I have always found it worthwhile.

This is also a time when I consider whether I need to switch a journal format or not. I’ve been using the Stalogy Editor’s Series 365Days B6 notebook for the past two journals and I’ve been happy with it, so that’s what I’ll continue using for now.

What about you? Do you have any “end of journal” or “end of notebook” habits and rituals?

How I Use My Notebooks: My Kindle Unread Book List

One of the things that I set up in my Leuchtturm1917 Bullet Journal is a list of the unread books on my Kindle. It’s supremely easy to buy books on a Kindle, as the whole system is set up a way to make book purchasing as fast and frictionless as possible.

This is a problem for me.

I love books, I adore reading, and I have pretty large group of friends that love reading too. This means that I’m inundated with great recommendations that run the gamut from light hearted fantasy and sci-fi to contemporary and classic literary fiction, with a whole host of fiction and non-fiction books in the middle (I don’t read horror and I don’t read romances and I rarely read poetry but that’s about the only limits I have in terms of my reading tastes). I get several such book recommendations a month, and with my initial impulse to rush out and buy them, and with the ease of purchasing books on a Kindle, things could get out of hand very quickly. This was one of the reasons why for years I was so resistant to buying a Kindle.

You see, it’s very easy to lose track of just how many unread books you have on your device. Even if you sort by unread books, you just don’t get a real feel for how many of them are actually waiting to be read. There’s no bookshelf groaning with the weight of unread books, and I was feeling the lack of that.

Enter my list of unread books on my Kindle:

It’s a simple numbered list of books that I haven’t read and are on my device. As I read a book, I cross it out. As I purchase more books I add them to the end of the list. As I’ve gotten into the habit of downloading samples, I’ve started to write them down too so they don’t get out of hand. It’s super simple, as bare-bones as it can be, and as practical as possible. The point is just to give my brain an idea of the scale of unread books on my device, and it works.

It works.

I’ve stopped compulsively buying books in the fear of “running out of something to read” or “forgetting what I was recommended”. Recommendations go into my GoodReads “Want to Read” list. And my brain can now see that there’s just no chance that I’ll run out of things to read any time soon. If I buy something I have to go over the list and convince myself that what I’m buying deserves precedence over the lovely books waiting patiently in line, some of them for years. I also photograph this list and keep it on my phone for reference, to prevent me from accidentally buying the same book in physical format (unless I purposefully intend to, which is rare).

What about the physical books stacked on shelves, some of them two books deep? I would love to have such a list for them as well, but that task is too daunting for me now. I remember where my books are visually, and moving them all just to catalogue them not only seems like an awful lot of backbreaking work, it will destroy my “memory catalogue of books”. So it seems that my physical books will remain uncatalogued for years to come.

Do you keep a list of all the books you own but haven’t read yet? Do you just keep a list of the books you intend to read next? Do you track your physical books in some way?

Moleskine Bullet Notebook Review

Moleskine came out with a “Bullet Notebook” obviously geared for Bullet Journalling (BuJo) relatively recently. The BuJo started out on a squared large Moleksine notebook (surprise, surprise), and only later Ryder Carroll moved to Leuchtturm as his notebook supplier of choice. What surprised me was that Moleskine actually cared enough about BuJo to come out with a new offering, when they aren’t known for rushing out with new notebook formats very often.

The bullet notebook is part of Moleskine’s is part of their Art lineup, which usually has better paper than their usual lineup, as it’s used for sketching or watercolours. The choice is a bit peculiar, but it speaks to where Moleskine appears to think that BuJo fits: not in their business lineup, but within the artists’ and creatives’ one.

It comes in three cover options: black, coral pink, and aquamarine. That is also a peculiar choice for them, as normally products in the Art lineup come in any colour you want so long as it’s black. The bullet notebook comes with 120 gsm ivory coloured paper and is supposedly fountain pen friendly. Note the supposedly in that sentence, we’ll get to that later on. It is noticeably thicker and heavier than their standard large hardcover notebooks, and it comes with two bookmarks in different colours – in the case of the coral pink one is pink and one is grey. Fetching.

Now we come to where this notebook really becomes interesting, the interior. The first page of “Personal Data” is taken directly out of Moleskine’s planners. There’s a bit of fluff at the end that I don’t think comes standard with their planners, but I still recommend not filling this page, ever. Especially not the passport details, driver’s license and any other thing that can be used to ID you should you lose or misplace this notebook.

Personal data. I’ve used this notebook for over two months, and this page remains purposefully pristine.

The next spread is the very cool Moleskine world map, the same one that you can find in many of their planners and other travel related products.

The next set of pages is where the bullet notebook starts to get interesting. It’s an index, with the first entry already printed inside: Pen Test on page 149. This is classic BuJo, and Moleskine delivers. There are five index pages, which should be enough for practically anyone’s needs.

Inside there are 148 pages of ivory coloured 120 gsm dot grid paper. That’s less than there is in a regular Moleskine, but the paper is significantly thicker, and already the notebook is thicker and heavier than their standard notebook. They put the maximum number of sheets they could without making the notebook too bulky. The pages lay flat, and Moleksine’s binding and covers are built for endurance. The pages are numbered, which is also something that Moleskine doesn’t normally do, but fits well with the Bullet Journalling Method.

There is space in the back for pen tests, so I immediately used it to test a slew of fountain pens. Moleskine claims that the bullet notebook is fountain pen friendly. It is not. There’s spread, there’s bleed-through, show through and sometimes spidering. This isn’t a fountain pen friendly paper on any count.

The back pocket has something new and interesting going on. Moleskine stuck folded piece of paper on the back pocket and on the outside it looks like regular dot grid paper:

But when you fold it out there’s a key page inside. Very elegant and clever.

I like that Moleskine are experimenting with new formats. I don’t like that they advertise this paper as fountain pen friendly when it clearly isn’t. The bullet notebook comes with a sheet of stickers that I didn’t bother photographing because it just looks like a sheet of solid pink, but it’s actually made of small stickers in various geometric shapes.

If you are looking to get into BuJo but enjoy working with mixed media or fountain pens, then look elsewhere. In terms of cost the Moleskine Bullet Notebook is about the same price as the official Leuchtturm one, and you get a better deal buying that if only for the official booklet. If you are looking for a more minimalist setup that what the official Bullet Journal offers and you aren’t planning on using fountain pens, than this is a decent offering, especially as it comes with more cheerful cover options. It is un-opinionated enough to be useful even to those who have never heard of BuJo in their lives. Do I see myself buying another one of these in the future? No. I am struggling to finish using the one that I have now (because I’m not a fan of dot grid). But I am glad that Moleskine is willing to give new notebook formats and paper types a try. If this notebook had this exact paper but in plain white or squared white, I would have bought a stack of them.

Inktober Day 10: Sunrise of the Independence Garden

Had an unusual start to the day, with an early morning walk before my usual morning run. I’m embracing the spirit of experimentation with these, so this one was sketched using diluted Sennelier shellac based ink (non fountain pen friendly) in waterbrushes, paired with a fine nibbed TWSBI ECO filled with J. Herbin Emerald of Chivor, and a Diplomat Aero with a fine nib filled with Colorverse Golden Record. The Midori MD Cotton paper does not take nicely to any amount of moisture and there was bleed through (and of course see through) to the other side of the page, but in general it held up much better than I expected.

Independence Garden at Sunrise. Playing about with various kinds of inks.

Here are all the tools used for this quick sketch:

From left to right: waterbrush filled with blue in, waterbrush filled with sepia ink, TWSBI ECO, Diplomat Aero and a waterbrush filled with water.

And here’s the complete page:

Inktober Day 9: Surfers near the Marina

Today’s sketch includes a frame and characters drawn with a Staedtler pigment fineliner 0.1 pen, a sky drawn with a Vertex and kyo no oto Sakuranezumi ink, a sea drawn with a TWSBI ECO filled with J. Herbin Emerald of Chivor, a lighthouse sketch with a Platinum 3776 UEF nib filled with Sailor Epinard, and a beach and breaker sketch done with a Diplomat Aero and Colorverse Golden Record (plus a waterbrush).

Here’s the whole pen lineup used to create this page:

Inktober Day 8: Trash Beach Volleyball

Very, very quick sketch of an exhibit of people playing beach volleyball and lounging on the the beach – all made out of plastic trash recovered from the sea. It’s quite sobering to see it all displayed like that in the Tel Aviv port. We need to be much better stewards of our oceans and planet.
Drawn with a Platinum Plaisir fountain pen on a Midori MD Cotton A4 notebook.

Here is the full page spread together with the infamous Platinum Plaisir:

Inktober Day 7: Succah Exhibit

There’s a wild succah exhibit near the TLV mall in Tel Aviv, and it’s a lot of fun to walk around it and try and guess what everything was originally. This succah is made out of discarded bits of “junk”, you see, and the point is to make a point about recycling and sustainability. In any case it was challenging for a very quick little sketch (I’m working very fast and loose with these), and as I mentioned before, the Platinum Plaisir fountain pen I used here isn’t the most fun pen to use. The Midori MD Cotton paper deserves better.

Writing at Large

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