In early January we had a bout of very foggy days and I took photos of various city scenes in the lockdown and the fog thinking that I’d later draw them. I thought that drawing fog in watercolour would be pretty straightforward, because what is easier than just drawing wet on wet and letting the watercolour do its thing? But after looking more closely at the photos I realized that fog isn’t just grey sky melting into the landscape, it’s also a muting of colours, a flattening of the landscape, the lack of shadow. In the end I drew two small landscapes, one urban and one of the park, and although they were challenging I enjoyed drawing them enough to want to have the same experience with the text. The grey writing in Hebrew in the bottom right corner is a line out of a well known rock song that embodies a lot of the spirit of Tel Aviv. It was written using Diamine Silver Fox on a semi-wet background, to facilitate ink spread.
These drawing also showcase a shift I have made in my palette and my mixing over the past few weeks. Once things settle down I’ll probably post about my new palette.
I created this page as part of Liz Steel‘s excellent Sketchbook Design course. I remember drawing it while listening to a live Q&A with the Mischief Theatre improvisors on Instagram. I got back to building Legos after more than 20 years because I saw how much joy Adam Savage took in building Legos and I decided that I wanted some of that childhood joy back too.
I discovered that legos have become much more sophisticated these days, especially the Ideas and Architecture sets, and that building Legos puts me into a zen like mood that beats anything I’ve been able to achieve with meditation so far. My mind becomes calm and focused on the step that I’m on and I can utterly forget about my problems for a few hours. If I didn’t have budget and space limitations I would be knee-deep in the giant Millennium Falcon set as we speak.
Today I discovered that a local Lego guru is collecting money to buy sets for kids that are going to spend Passover in the Oncology departments of various local children’s hospitals. For years he’s been purchasing sets for kids, teenagers and young adults that are hospitalized for long periods of time, at first entirely from his own pocket, and now with the help of donations as well.
If you can, treat yourself and someone you care for to something like a Lego set, or a nice pen, or a cool notebook or just a half hour of listening to them talk about whatever they want to. I think we could all use a little kindness pick me up right now.
This is the first time I’ve used colour blocks to design a page in this way, with vertical drawings and horizontal text. This page was created as a contained composition for Liz Steel’s Sketchbook Design course (highly recommended, especially if you have a basic handle on drawing and sketching already). I normally would have just done an overlapped jumble of all the things that we cooked that evening, to convey a bit of the chaos of cooking so much in just an hour and a half, but I forced myself to think of a way of creating some of that night’s feeling using a contained composition. The vibrant turquoise was what brought this page to life for me: a joyful colour that connects me with what I learned about Mexico during that evening, and the happiness of cooking my way through a small part of the wonderful Mexican cuisine.
BTW – I just noticed that Jenny Mason from The Finer Point also took the Sketchbook Design course. I love the vibrant spreads that she’s created. Go check them out.
I’m still working to clear my backlog, as life is starting to get back to normal. This spread was part of the Sketchbook Design course assignment focusing on contained compositions. I find drawing night scenes in watercolour particularly difficult and so I tend to avoid them. However, I couldn’t pass on the chance to draw the night heron I saw at night, and so this spread emerged.
I’ve had a rough two weeks, with my mom going through surgery to remove tumours during a Covid lockdown and other stuff crumbling at the same time. Starting to get back to my my routine again, which means posting here, working on a review and working on another short story.
This page shows a deserted Dizengoff street, which I haven’t seen since the first lockdown, last spring.
Tel Aviv Municipality has come up with a great way to support local businesses during the lockdown. Once a day at 11:00 they open the option for around 30-40 people to purchase a box from a local business. The box costs 50 NIS, and comes with a zoom session with the store owner, where you learn about their business and make something together. There was a beer box, a sushi box, a stationery box, a magic shop box, a cocktail box, a pickles box, and more. The boxes proved to be more popular than city hall envisioned, so after a few days they limited it to one box per resident. Luckily I managed to get three boxes before the limit took place, and this was the first one. We learned how to make two plant holders out of reclaimed pallet wood from a lovely design studio in Jaffa called Molet. They create kits and give workshops using wood pallets and the results are charming and fun. My dad had a workshop with them before the pandemic and really enjoyed it, and I’ll try and get the people at work to go to a workshop there once we can.
This sketchbook page was created as part of Liz Steel‘s Sketchbook Design course and explores using collage and colour blocks as design elements.
I don’t often get to see grey herons during my runs, so I decided to make a hero of this sketchbook page. Drew a map for the first time in my sketchbook and it was hard and took longer than I expected.Drawing the ramen bowl was also challenging, but I really like the results. I like this spread even though at the beginning I thought that I’d have to trash it, because some terrible masking tape that I used tore into the right page quite badly. Glad that I stuck with it.
I tried to get my hands on the Timex X DDC Scout watch designed by Aaron Draplin for three times before I managed to snag one. They are sold out so quickly that if you want one you really need to set an alarm and be quick with your keyboard and mouse. Then our local post office tried to do a vanishing act with my package, but finally, a month after I ordered it, I got my hands on this orange and black beauty. I only use analogue watches, usually Swatch watches (in recent years it was System 51 Swatch mechanical watches), but I’ve never owned such a heavy watch. It took me a day to get used to it, and since then it has been my constant companion. It is a beast of a MACHINE but an eye catching one, and I couldn’t be happier with my purchase. I highly recommend getting one, if you have any interest in watches.
Another page from my sketchbook, created as part of Liz Steel‘s excellent Sketchbook Design course. Went on a run and saw a makeshift outdoors synagogue in the park. Prayers take place outside now, as we’re in lockdown number three.
Saw an RSC and Young Vic production about “Swingin’ the Dream” a 1939 musical that had a star studded cast and seemingly checked all the boxes for success (jazz musicals and Shakespeare were popular at the time, so why not create a mashup of the two?), yet tanked and was canned after only 13 performances. What is fascinating isn’t just the failure itself, but that there is so little evidence of the musical ever existing. A musical number and a Pyramus and Thesbe scene are all that is left. The evening I saw was a one off, but it piqued my curiosity enough for me to want to learn more and see more about it. You can read more about the production here and here.
Material list: Stillman & Birn A5 Beta, Schminke watercolours, Lamy Safari (medium and fine nibs), Lamy Joy 1.1 nib, Noodler’s Lexington Grey and Noodler’s Black.