This is the first time I’ve used colour blocks to design a page in this way, with vertical drawings and horizontal text. This page was created as a contained composition for Liz Steel’s Sketchbook Design course (highly recommended, especially if you have a basic handle on drawing and sketching already). I normally would have just done an overlapped jumble of all the things that we cooked that evening, to convey a bit of the chaos of cooking so much in just an hour and a half, but I forced myself to think of a way of creating some of that night’s feeling using a contained composition. The vibrant turquoise was what brought this page to life for me: a joyful colour that connects me with what I learned about Mexico during that evening, and the happiness of cooking my way through a small part of the wonderful Mexican cuisine.
BTW – I just noticed that Jenny Mason from The Finer Point also took the Sketchbook Design course. I love the vibrant spreads that she’s created. Go check them out.
I’m still working to clear my backlog, as life is starting to get back to normal. This spread was part of the Sketchbook Design course assignment focusing on contained compositions. I find drawing night scenes in watercolour particularly difficult and so I tend to avoid them. However, I couldn’t pass on the chance to draw the night heron I saw at night, and so this spread emerged.
I’ve had a rough two weeks, with my mom going through surgery to remove tumours during a Covid lockdown and other stuff crumbling at the same time. Starting to get back to my my routine again, which means posting here, working on a review and working on another short story.
This page shows a deserted Dizengoff street, which I haven’t seen since the first lockdown, last spring.
Tel Aviv Municipality has come up with a great way to support local businesses during the lockdown. Once a day at 11:00 they open the option for around 30-40 people to purchase a box from a local business. The box costs 50 NIS, and comes with a zoom session with the store owner, where you learn about their business and make something together. There was a beer box, a sushi box, a stationery box, a magic shop box, a cocktail box, a pickles box, and more. The boxes proved to be more popular than city hall envisioned, so after a few days they limited it to one box per resident. Luckily I managed to get three boxes before the limit took place, and this was the first one. We learned how to make two plant holders out of reclaimed pallet wood from a lovely design studio in Jaffa called Molet. They create kits and give workshops using wood pallets and the results are charming and fun. My dad had a workshop with them before the pandemic and really enjoyed it, and I’ll try and get the people at work to go to a workshop there once we can.
This sketchbook page was created as part of Liz Steel‘s Sketchbook Design course and explores using collage and colour blocks as design elements.
I don’t often get to see grey herons during my runs, so I decided to make a hero of this sketchbook page. Drew a map for the first time in my sketchbook and it was hard and took longer than I expected.Drawing the ramen bowl was also challenging, but I really like the results. I like this spread even though at the beginning I thought that I’d have to trash it, because some terrible masking tape that I used tore into the right page quite badly. Glad that I stuck with it.
I tried to get my hands on the Timex X DDC Scout watch designed by Aaron Draplin for three times before I managed to snag one. They are sold out so quickly that if you want one you really need to set an alarm and be quick with your keyboard and mouse. Then our local post office tried to do a vanishing act with my package, but finally, a month after I ordered it, I got my hands on this orange and black beauty. I only use analogue watches, usually Swatch watches (in recent years it was System 51 Swatch mechanical watches), but I’ve never owned such a heavy watch. It took me a day to get used to it, and since then it has been my constant companion. It is a beast of a MACHINE but an eye catching one, and I couldn’t be happier with my purchase. I highly recommend getting one, if you have any interest in watches.
Another page from my sketchbook, created as part of Liz Steel‘s excellent Sketchbook Design course. Went on a run and saw a makeshift outdoors synagogue in the park. Prayers take place outside now, as we’re in lockdown number three.
Saw an RSC and Young Vic production about “Swingin’ the Dream” a 1939 musical that had a star studded cast and seemingly checked all the boxes for success (jazz musicals and Shakespeare were popular at the time, so why not create a mashup of the two?), yet tanked and was canned after only 13 performances. What is fascinating isn’t just the failure itself, but that there is so little evidence of the musical ever existing. A musical number and a Pyramus and Thesbe scene are all that is left. The evening I saw was a one off, but it piqued my curiosity enough for me to want to learn more and see more about it. You can read more about the production here and here.
Material list: Stillman & Birn A5 Beta, Schminke watercolours, Lamy Safari (medium and fine nibs), Lamy Joy 1.1 nib, Noodler’s Lexington Grey and Noodler’s Black.
This page, created for Liz Steel‘s Sketchbook Design course, is about secondary sketches and borders, and has a little hidden colour block in it. The original spread was a little lacklustre and disjointed. The Viennoise in the corner looked particularly sad. Adding a secondary sketch of the Maison Kayser bakery (where I bought it), with a touch of blue and bluish grey to the background really brought it to life.
The bananas and orange got a shadow which serves more as a grey colour block, making their warm colours more prominent. Adding borders in Noodler’s Lexington Grey (to the bananas and orange watercolour) and Noodler’s Black (to the narcissus) was the final touch that pulled this page together.
I’m enjoying the course very much, even though the past two weeks have been personally hectic. I’ve been working on a short story to submit to a competition (got it done in time and accepted), and some bad news regarding the health of a family member have meant less sketching time than I would have liked. Hopefully the coming weeks will be better.
By the way, the local branch of Maison Kayser, in Tel Aviv’s port (I haven’t visited the Rothschild one yet), is excellent. Their vanilla chocolate chip danish, sandwiches, and baguettes are sublime, and it’s a fun place to visit. They had the misfortune of opening after the pandemic started, but they seem to be managing well, so I think we’ll be seeing them around for a good while yet.
Drawn on a Stillman & Birn Beta, with Lamy fountain pens, Noodler’s ink and Schminke watercolours.
I think that there’s nothing better than plain pasta or pasta with a little cheese if you’re not feeling your best: it’s perhaps the ultimate comfort food. I created this page as part of my Sketchbook Design course with Liz Steel, and this one is all about exploring how to use text as part of my page design. Gave Rohrer & Kilngner Helianthus ink a spin, which is also something that I decided to experiment with. Like many yellow/orange inks it tends to crystallize on the nib and feed, so I’m “sacrificing” a Pelikan Pelikano for the effort. Pelikanos are great beginners pens that don’t get much love in the community probably because they are less ubiqutous than Lamy Safaris and their standard nib offering is a Pelikan medium which is very wide. If you’re an artist I recommend purchasing one (with a converter), as they have less tendency to dry out (with permanent inks) than Lamy Safaris and they indestructible workhorses that have very smooth (and wide) nibs.
Drawing made with Schmincke watercolours on a Stillman & Birn Beta which I’m still on the fence about. It’s better than the Alpha for watercolour washes, but it’s still not great, and it’s not great for pen and ink or fineliners. Also the glue connecting the sections isn’t the best, as it needs forcing apart once you hit a new section, and oftentimes leaves an unseemly tear in the middle. The sketchbooks are good, I just wish that the sections were sewn together and that the paper would lean into being watercolour paper more – so that they would be perfect. However, changes like these would mean a price increase, which would make them unappealing, since a large part of the Stillman & Birn softcover sketchbook appeal is their price. In the end it’s a nice sketchbook that I don’t feel too precious about, which is the main point, and is why I’ll continue using it.