A handwritten journal is an artifact in a way that an app can never be. It’s tactile, endlessly flexible, there to be used and customized in every way possible. Tear out pages, glue stuff in, doodle, scribble, sketch and write whatever you wish however you wish. There’s no autocorrect, nothing editing or censuring your words. Analogue journalling is about freedom, flow and pure creativity.
This is my last day journaling in this journal, and tomorrow I’ll write up the last page and start a new one for the thoughts of that day.
Every time I finish a journal, I use the last two pages to summarize what that journal contains and means to me. Analogue journals are fantastic, but they do make searching for old entries a bit of a chore. Luckily I don’t find myself looking for an old entry that often, and if I do the last two pages help me narrow it down to the specific journal, and the dates and titles to the specific entry.
I also like taking the last few pages as a chance to reflect on the time the journal covers and how things have changed (and I have changed) as the time has gone by. There’s usually about three months in each journal, sometimes more, so that’s a good chuck of time to look back on: short enough to make it simple to summarize and contextualize, and yet long enough to have some impact and meaning. This journal contains two trips abroad, my decision to move into a new career path, and a pandemic that wrecked havoc on everyone I know (including me, of course). That’s quite a lot, even for a journal that covers a relatively long span of time (almost 6 months).
It’s also full of bits and pieces that I stuck in, to make the page come to life. So here’s part of the Diamine Inkvent packaging that I glued in after I opened the last window and before I tossed out the box:
Cool clothing tags also sometimes make it in, especially if it’s from a piece of clothing that I really like:
I got a lot of Star Wars themedvinyl stickers as a gift near the end of last year and a lot of them ended in my journal:
Even the silliest of things can be used to brighten up a page:
There are little drawings and illustrations everywhere:
And bits and pieces of washi tape that were leftover from other projects:
The point is, tomorrow I finish another journal, a small analogue memory artifact that is entirely mine. I created it for me and me only, and it was worth every minute I put into it.
If there’s one habit that you can pick up during your time at home these days, pick journaling. You’ll end up getting quite a treasure in the end, and I’d be truly surprised if you won’t enjoy the process.
I bought this pen in November 2014 from Jetpens after eyeing it for a while. I thought it looked so cool, and I still do. There’s just something about the finish that makes it a little unpleasant for me to hold.
The Moleskine gel refill was great. It’s a shame that they’ve stopped producing it.
Moleskine’s Spring-Summer 2020 catalog is finally available online, and as usual, it’s chock full of new products and updates to existing ones. I recommend that you go spelunking in this massive tome (173 pages!), as you’re bound to find something in it that speaks to you. I’m going to try to cover most of the main changes, but this post is far from a comprehensive review of all that Moleskine Spring-Summer catalog has to offer.
Classic Notebooks Expanded are getting two new colours (their first): Scarlet Red and Sapphire Blue. I’m assuming that this means that they have been a success, although judging by the choice to keep the squared and dotted rulings only in black, some options have likely been more successful than others.
Classic Notebooks Hardcover get two new seasonal colours (Hydrangea Blue and Lemon Green), as has been Moleskine’s custom in recent years. I’m guessing that Hydrangea Blue is going to be as big a hit as Reef Blue was, but I’m still disappointed to see them limit the new colours to their most popular rulings only: ruled and plain. In other news, the Classic XXL has been discontinued, which isn’t really surprising as the A4 size has largely gone on to replace it. The strange thing is that in the Classic Notebooks Softcover lineup the opposite has happened: the XXL is staying on and the A4 is no longer available. Why? Looking over the rest of the catalog there appears to be a major and bewilderingly inconsistent reshuffling going on in the larger sized Moleskines. Some lines kept the XXL, some kept the A4 (the XXL is smaller than the A4), and I’m guessing that the only thing guiding Moleskine’s decision is which size gets purchased more per each line. In any case, if you’re a fan of the larger notebooks I recommend looking over the catalog to make sure that your favourite notebook isn’t getting discontinued. It takes a while for stores to run out of stock, so if you love the Classic XXL for instance, you still have time to stockpile a few while they’re still out there.
On that note I’m still disappointed that the squared reporter notebooks haven’t returned. I was in Porto, Portugal last year and I found a shop that not only had large squared reporter notebooks, but also the Moleskine Van Gogh notebooks that started their whole limited edition lineup, so I filled half my suitcase with those.
Moleskine is fully embracing its phenomenally good fabric cover skills with the addition of the Blend collection as part of its regular lineup. There are two notebooks on offer, both in new colours (Harringbone Purple and Harringbone Blue), in ruled and dotted (!) options. The Blend covers are some of the best that Moleskine has produced in recent years, but they photograph pretty poorly. These are notebooks to see (and feel) in person, and I have no idea what the colour of the Harringbone Purple really is. Even if you’re not a Moleskine fan I recommend getting one of their fabric covered notebooks (the Two-Go notebooks for instance are also fountain pen friendly and have a cool blank on one side lined on the other side setup), just to see how good fabric covered notebooks can be when done properly.
Planners are a giant chunk of the catalog, but I’m not going to go over them because that’s where madness lies. I’ll just point out that the 2021 limited edition planners are Alice’s Adventures in Wonderland, Peanuts, Little Prince (which were all featured in previous years), and the brand new Maneki-Neko. This is the first glimpse in the catalog of the growing Japanese influences on the Moleksine lineup this year (and over the last year or two), a theme that will repeat itself in the limited edition notebook lineup. Also, this is the first year in a while that hasn’t featured Star Wars planners, although the fall catalog may yet rectify that.
This brings us to the most interesting part of the catalog for me, the limited edition notebooks. Here is where Moleksine flexes its design prowess, and the results are always unique, and oftentimes stunning. This year they’ve completed their Harry Potter limited edition lineup, with each HP book getting its own notebook design. You’d be shocked to know that these were super popular and so last year’s four notebooks are hard to find at reasonable prices. I expect this year’s three to sell just as quickly.
That leaves four other limited editions for this year, with only one not having direct Japanese ties:
The Wizard of Oz – These are four large notebooks, two ruled (the green and the red), two plain (the blue and the yellow). They each come with a set of themed stickers, and I love their design. These four and the Sakura are a must buy for me, if I can get my hands on them (thank you, Book Depository, for messing up my Harry Potter pre-order. You’re the best). They feature original artwork from W.W. Denslow and the title of a chapter on the cover, and it looks like they are fabric covered, which is excellent news.
Sakura – this is the second time that Moleskine has come out with Sakura themed notebooks, and the previous round was stunning. I think that this edition is a little plainer, but again, fabric covered notebook in still a lovely design, so I’m probably going to get these, at least in the large size. These come in large and pocket, both ruled and plain, and they include a set of themed stickers.
The Legend of Zelda – in the video game/geeky part of the limited edition notebooks, it’s Nintendo’s Legend of Zelda that gets the Moleskine treatment this time. Again, themed stickers included, but no fabric cover. There is embossing on the cover, and nostalgic, pixalated graphics throughout. This edition also features a numbered (4,999 copies) box, and two large, ruled notebooks. This would have been a great edition for a squared ruling, but Moleskine will be Moleskine, I guess.
One Piece – a manga themed edition of two large notebooks, both ruled, with designs that are really difficult to see properly in the catalog. It comes with a set of themed stickers, and they appear to have gone for wildly different designs with these two notebooks. One appears to have a bold rendering of the Jolly Roger flag, and another is very subtly embossed on a peach cover.
Maneki-Neko – there’s just one notebook here, maybe because the cat of good fortune got its own planner lineup. This appears to be the least imaginative edition of the lot, in the least imaginative ruling (ruled, of course, what else?). There are stickers included here too.
And there’s a fifth limited edition that Moleskine claims is a spring launch, but as I purchased it from a Moleskine store in September, I beg to differ. It is gorgeous though, so I’ll give it a mention anyway:
I am New York – the city themed limited edition notebooks that Moleskine has been issuing in recent years (and at first were only available in Moleskine stores) are some of their best designed notebooks, and that’s saying something. The graphics on the outer cover, the central park scene on the back endpaper and the new your breakfast on the front endpaper are just perfect. I plan on writing a review of this edition later this year, but I can already say that it’s one of my all time favourites (did I mention that it has a fabric cover?).
Now on to the Pro selection of the catalog:
A4 Pro Notebooks are discontinued, but the new Pro Project Planners range comes with Large, X-Large and A4 size and not the XXL. Again, not sure what the thinking is here. As for the Pro Project Planners themselves, these aren’t planners in the traditional sense of the word, but rather planners that have various productivity bits stuck in (there’s brainstorming, project tracking, structured note taking and to do list sections, as well as labeling stickers, goal pages and more). These are clearly business oriented, which explains Moleskine’s choice to produce them only with black covers.
The City NotebooksPocket Box is no longer available. I imagine that it wasn’t popular enough for them to keep stocking it.
There are a few additions to the Smart Writing System notebooks. I don’t plan on buying into the system, so I’m not going to cover it here.
The Classic Cap Roller Pens and Classic Click Ballpen in white, tide green, and charcoal grey are being discontinued. The Go Click Ballpen in Pattern Cyan, Magenta Green and Yellow are also being discontinued. These are among the best looking Moleskine Go pens, so that’s a real shame. What’s worse is that Moleskine is discontinuing all of its roller gel (and ballpoint) refills. Their gel refill is Parker size and pretty great, so I really wish they would continue producing it. As it is I’m planning to buy one or two to keep around while I still can (they aren’t cheap).
I personally am a bit disappointed in Moleksine’s Spring-Summer lineup this year compared to their previous Fall-Winter one, but that’s just a matter of taste. There are some real lookers here, and the choice of seasonal colours for their notebook lineup (Hydrangea Blue and Lemon Green) is great. There are a lot of options that are getting discontinued, hopefully to be replaced by others in the future, so it’s worth taking some time to make sure that your favourite combo hasn’t been axed. Old stock of discontinued items will stick around for a while, but if there’s something that you really can’t do without and it’s marked as “no longer available” or “while stocks last” then it’s worth stocking up on it while you still can.
This is an unusual Moleskine limited edition notebook, and I wasn’t planning on reviewing it, but I just finished my Moleskine Moria journal and my hand just reached for this one as my next Moleskine, so here we are.
The Bradley Theodore limited edition Moleskine came out in 2017 as part of Moleskine’s lineup for the Milan Design Week. As far as I can tell the notebooks where designed primarily as a giveaway for the Moleskine’s and Bradley Theodore’s bag collection, and for some reason the three notebook designs somehow landed in the Moleskine UK physical stores. That’s where I found this fellow, languishing on a high shelf in the Moleskine Covent Garden shop, nestled above the Bradley designed bags. The design was bold enough to make me interested.
This notebook is just that front cover, and in this case it’s enough. If I remember correctly it was priced like a regular edition Moleskine, and considering the amount of work that went into the design, I think that it’s a fair price. I don’t like reviewing products that are out of stock, but you may be able to find one on eBay or Amazon marketplace, and there’s a point to this review, trust me.
The ribbon, elastic band and the back pocket hinges are a shade of pink that matches the graffiti design on the cover:
Bradley Theodore’s signature is on the left side of the front endpaper:
And that’s it. The back cover is plain black, there are no stickers/add-ons/cute side-B of the paper band, and there is no real design on the front or back endpapers. It’s probably the cheapest limited edition that Moleskine could make, which brings me to my point:
This notebook is an outlier. It actually surprised me when I opened it up, how little there was here. That made me appreciate even more just how much design work goes into a “regular” Moleskine limited edition notebook.
I’m “moving into” this notebook tomorrow, but it already has one entry that I slipped in from October, and a cool promotional postcard that I stuck inside, plus my “In case of loss” all filled in. If you’re looking for tips on how to start a new journal, I recommend reading the end of this post.
Every year Moleskine comes up with new designs for its planners, and 2020 was no different. On the one hand, it’s great that every year there’s something fresh, on the other hand, if you happened to really love one of their previous designs you are going to be disappointed.
I was planning on being disappointed.
For the past three years I’ve been using the Moleskine pocket weekly notebook to get an idea of how my week looks like (I also use Fantastical as my digital calendar/reminders app), and every year I’ve bought the latest limited edition. Last year’s denim edition was so beautiful and popular I had some hope that it would return in some version or other this year.
So when Moleskine came out with Star Wars themed limited edition planners, I was slightly disappointed, I admit. That disappointment faded away when the new planner arrived.
The design of the cover of this planner is phenomenal. The colour choice, the overlay, the way that it looks like someone stamped or screen printed the design – very ’70s retro, and really well done.
Moleskine’s choice of elastic band colour and the quote on the cover are also great. A red band would have been too much, I think, and the quote is inspirational and makes me smile.
The branding on the back is subtle. It’s a Star Wars planner before it’s a Moleskine planner.
Continuing the retro vibe, the front and back endpapers are excellent (although the stickers do stick out, somewhat ruining the effect.
The sticker page itself is cool, but not really planner themed.
The planner itself is in the usual pocket weekly format, with a ton of pages for your information, monthly and yearly planning calendars, and general information (maps, international holidays, etc). Then the actual planner, which is a week on one page, with a notes page opposite it. The paper is thin, which makes the planner thin and light, but there’s going to be show through with everything, and it’s not fountain pen or rollerball friendly. Gel ink, ballpoint and pencil are what works best with it.
There’s not a lot of writing space for each day, but after trying several other formats over the years, this is the one that works for me. It’s just enough to give me a feel for what the week is like, without tempting me to dump everything from my calendar and to-do list on the thing. Only what must go in the planner (appointments, running meets, races, trips, meetings with friends and other events that don’t generally move) gets written down, and so I have a way of seeing exactly how much time I have for various projects during the week. It’s a way for me to make fluid time more concrete and managed.
As usual, there’s a cool B-side to the paper slip around the cover, and this one shows how to make an origami X-Wing.
From previous years’ experience these little notebooks can take a beating, and even though the cover on this planner is white, I expect nothing less from it. If you’re looking for a weekly planner that is lightweight, durable, and well designed, the Moleskine Star Wars 2020 Weekly Planner is worth checking out.
Say hello to the limited edition, numbered Lord of the Rings Moleskine box:
Bold and beautiful, right? This box is new to the 2019 edition of the LotR limited edition Moleksines (reviewed here and here), not to be confused with the more muted LotR limited edition notebooks that Moleskine published back in 2012.
This limited edition box is numbered, like all limited edition Moleskine boxes, and there are 9999 boxes available worldwide. For me this edition is all about the typography and the homage to Tolkien’s illustrations. Notice the fonts used on the front and back of the box, and the fact that the notebook’s details are printed in English, French and Tengwar, an Elven alphabet that Tolkien invented.
You open the box, and are met with this:
The contrast is impressive, and the combination of red, black and gold is striking.
The box itself is a well made cardboard box that can be used to store the notebook, or appropriated to store pens, pencils, pocket notebooks, etc. There’s a black satin ribbon attached so that you can easily pull the notebook out. Very elegant.
Now comes the notebook, the main event. It’s a large ruled Molkesine, with the famous “One ring to rule them all” poem embossed in gold all around the margins, and Tolkien’s illustration of all the rings embossed in gold in the centre.
On the back the inscription on the One Ring appears, embossed in gold:
Again, a dramatic edition that is still elegant and understated.
Inside is where all the fun is. The front endpaper shows a Tolkien illustration of Sauron presumably reaching over the Mountains of Shadow, ready to take over Middle Earth. It looks like this illustration inspired the red and black colour theme of this edition.
On the back is Tolkien’s illustration of the rings over Mount Doom with Barad-dûr in the background, and again the “One Ring to rule them all, One Ring to find them,/One Ring to bring them all and in the darkness bind them” inscription.
The add-on is the Cirth alphabet, as it is for all the notebooks in this series:
Which brings us to the one minor thing I don’t like about this edition: the colour of the ribbon bookmark. It’s a light yellow that glitters in the light because of the material its made of, and it’s clearly meant to evoke the One Ring. That’s a lovely idea, but I think that it fails on execution. The bookmark looks pale and vapid compared to everything else about the notebook, almost disappearing into the page. A red bookmark would have probably been better, since a gold one would probably come out tacky.
The 2019 Lord of the Ring Moleskine limited edition notebooks are very well designed. They pay beautiful homage to Tolkien’s illustration and work, and the limited edition box is no different. These are much better than their 2012 counterparts, and make great gifts for the LotR fan in your life.
As usual, these are well made, robust notebooks that can handle a beating with aplomb, but they aren’t, nor are they meant to be, fountain pen friendly. I use gel ink pens or ballpoints in mine, and recommend that you do too.
This week I celebrated two years of daily journaling. While I’ve been keeping journals for years, until the last two years I’ve only done so sporadically. Journaling was something that I did only when things got really rough, to keep myself going, or when I was travelling, to preserve the memories of my trip. I used pocket notebooks for my sporadic journals, as it was more important for me to capture things than to reflect on them. It was a utilitarian process, not an enjoyable one. I knew that once I decided to really start a journaling habit, that would have to change.
So the first thing I did was pick a notebook that I knew I’d want to use, and use daily. The only rules were that it had to make me happy, and that it had to be large enough for me to be able to actually write in it, not just jot things down. I wasn’t looking for the best notebook with the best paper in the best format (I don’t think that exists, actually, but for us stationery geeks the search is always on), just a good enough notebook for me.
I also decided very early on that I couldn’t use a fountain pen for this, because I wanted a pen that I could write with even not under the most ideal circumstances. I was also planning for both the notebook and the pen to bash around freely in my bag. These were going to be used and look used.
I chose Moleskine large ruled hardcover notebooks as my notebook of choice, and the uni-ball Signo RT 0.5 gel ink pen as my pen/refill (UMR-85N) of choice. I wanted a sturdy lined notebook that I’d enjoy using and looking at once it was done, and after years of neglecting the Moleskine for other notebooks I came back to it because of some of their limited edition designs. I knew that I was going to use the uni-ball Signo RT 0.5 as my pen or refill of choice (inside a BigiDesign Ti Arto or Ti Arto EDC), so I didn’t need fountain pen friendly paper. I had decided to pick up the steady journaling habit by starting with a travel journal, which I already had some experience with, and then carrying on from there. On the first evening of a trip to London I happened to walk by the Moleskine store in Covent Garden, and I decided to go in and check out what they had. There was a beautifully designed Batman limited edition notebook in exactly the kind of format I was looking for, and it was only available for sale at the Moleskine stores. I bought it, unwrapped and stamped it with the Moleskine Covent Garden stamps, and I haven’t looked back.
That pen and notebook combo has hardly changed over the years. What has changed is the format I use to journal, and the amount of daily journaling I do. When I started out I was used to only jotting a few lines down here and there when I journaled, so I knew I couldn’t expect to write 4-5 pages per day right from day one. Starting with just a paragraph to half a page a day, I pretty quickly moved to one page per day of just writing.
Then I saw a Neistat Brothers video on Youtube and realized that I could use my journal as a visual capturing device as well, and anything could go in it, so long as it made me remember a moment or a place.
That’s when the notebooks really started to get bloated. From clothing labels to business cards and ticket stubs, if I can put glue on it and it’s visually appealing or evocative, it goes in. I almost always also write a little note for future me, to remind myself what I’m looking at and why it’s there. That change really made these notebooks a kind of personal artifact for me, and I can’t say how precious they’ve all become.
At a certain point I started getting ambitious, moving from writing one page a day to two pages, then four pages, then six. That’s when I had to take a step back and make sure that I wasn’t burning out on journaling for all the wrong reasons. I enjoy writing and I enjoy journaling, but I’m also trying to write fiction, and my journal can’t become something that consumes that, an excuse for not writing. It’s also easy to get carried away and want to finish the notebook as fast as possible just so you can open a fresh one, or brag (even if it’s only to yourself) that you’ve finished a notebook. Nowadays I write one or two pages a day for most days, moving up to more pages only if I really have something special to write about.
Life also happens, and oftentimes it’s scary and ugly, a black hole that threatens to consume all that is good in your life, including journaling. My mom got unexpectedly and very seriously ill last year, and we’ve been struggling with her disease ever since. When she was in hospital I couldn’t bring myself to journal. I backlogged those (thankfully few) dark days, and I realized that I would have to accept that as much as journaling is important to me, family comes first, so backlogging is going to have to become acceptable. I try to backlog as little as possible, but some days just demand that.
I also draw a little in my notebook, tiny thumbnails of things that I want to remember later, or that I just feel like drawing. These are usually food doodles, as I don’t really like to photograph my food.
If you’re looking for some journaling tips, I wrote two posts on that subject here and here. If there’s one thing I can leave you with it’s that if you want to journal, you need to figure out a way to it make it work for you, and be ready to adapt as your life changes over time. There is no perfect journaling system, or perfect journaling notebook, there’s only what works for you.
“Frodo gave a cry, and there was, fallen upon his knees at the chasm’s edge. But Gollum, dancing like a mad thing, held aloft the ring, a finger still thrust within its circle.
“Precious, precious, precious!” Gollum cried. “My Precious! O my Precious!” And with that, even as his eyes were lifted up to gloat on his prize, he stepped too far, toppled, wavered for a moment on the brink, and then with a shriek he fell. Out of the depths came his last wail precious, and he was gone.”
― J.R.R. Tolkien, The Return of the King
The Mount Doom Moleskine limited edition is the most dramatic of the Lord of the Rings themed notebooks to come out this year, and justifiably so. The red and black provide eye catching high contrast that are in complete opposition to the grey on grey Moria notebook.
This notebook will pop out the moment you see it on the store shelf.
Sauron’s eye gazes upon you. Notice the use of the LotR typeface, and Elven script, on the paper band.
The front cover shows Mount Doom in all its Tolkien illustrated glory, with Frodo and Samwise as little golden dots against its grey and red horror.
The design continues on the spine, with Tolkien’s sign on embossed in red at the top.
The back cover, with the edge of mount doom and Sauron’s all seeing eye in red.
The choice of red elastic closure and a black cover is perfect for this notebook, and the gold embossing of the date, the scene and Frodo and Samwise really pops.
The front end page with Tolkien’s pencil drawings of an aerial view of Mordor. The drawing is very nice, but it does make the “In case of loss” pretty obscure. You can either go extra bold here, or try to blend in and hope that someone will notice.
The aerial map of Mordor continues on the back end page. As usual, but still worth noting, the map is completely aligned with the back pocket.
The extra with this edition is the Cirith alphabet booklet.
The red and black theme continues here.
A closeup on the back pocket, with its red sides and the map that continues into the back pocket.
This is a ruled notebook, and it comes with a red ribbon bookmark. Unless you use inks like Noodler’s bulletproof black, it isn’t fountain pen friendly. Then again, it isn’t marketed as such (Moleskine has other notebooks for that).
The B-side of the paper band details Frodo and Sam’s journey.
I love these Lord of the Rings limited editions (I’m using the Moria one as my daily journal). The mount Doom edition is befitting of the dramatic climax of The Lord of Rings trilogy. If you’re a LotR fan this is definitely a must buy, and probably the best designed notebook of this edition.
Every once in a while Moleskine comes out with something completely new. About a year ago it was the Time limited edition notebooks: a new format of notebook, with thicker paper, and a distinct new design.
This is the Blue Time notebook. Each one has a different colour theme (blue, black, green and brown), a different motif embossed on the cover in foil, and comes in either ruled (lined) or plain (blank) pages.
The Time notebook is thinner than a regular Moleskine, but feels substantial because of its thick chipboard covers. This is a notebook clearly designed to sit on your desk and not be bashed around in your bag, as the covers bruise and stain easily.
The Time notebooks have 140 pages of 100 gsm white, acid-free paper. They are themed around old ornamental motifs and paper making techniques, and so they feature marbled paper for their endpapers.
The spine is fabric covered, and the pages are set and sewn like any Moleskine notebook, so apart from the very first and very last page, they all open flat.
The foil emboss/deboss on the cover is beautiful and understated. The Time notebook features an elastic band and a back pocket, but no ribbon bookmark. Perhaps Moleskine thought that the index and numbered pages are enough.
I love the transparent band, and the way they dealt with the “In case of loss” area on the front endpaper.
The marbling effect on the endpapers is gorgeous, even though it’s a print and not actual hand marbled paper.
Again, someone bothered to align the pocket and back cover prints. Well done.
Since the first page of the notebook doesn’t open flat, Moleskine just put a blank page with a title there. I wish they would have done another throwaway page like that after the last page, but they didn’t.
The index! Two pages, and suitable for people with tiny hand writing and short titles for their pages. It’s a nice idea, though.
The pages of this notebook are numbered, and… fountain pen friendly. Not sort of fountain pen friendly, actually, deliberately fountain pen friendly. This is a notebook “for precious thoughts” after all.
I deliberately tested this notebook with juicy, italic and stub nibs, and it handled it like a champ. The paper shows some shading, though not as much tomoe river paper, obviously, and fast drying times. If you use nibs that lay down a lot of saturated ink there will be a tiny bit of bleed through and some show through, but for medium or fine nibs you likely won’t encounter this issue.
The other side of the page:
The paper is smooth, but not glass smooth, so it will work well with pencil if that’s what you prefer to use.
Moleskine doesn’t make the Time notebook collection anymore, but you can still find them pretty easily. I wish that this paper and format were available in other editions, or even in their regular lineup, and I’m glad to see that they’re still experimenting with their formats, not just with cover designs.
If you can get your hands on one of these notebooks and the format appeals to you, I recommend it.