TWSBI GO and J Herbin Caroube de Chypre Ink Review

I’ve tried shimmering fountain pen inks (inks with little sparkly bits in them) only once before, when J Herbin first started producing them, and they ruined a Lamy Safari pen and converter with their non-removable sparkle. Over time more and more reviews came out lauding these pretty, shiny inks and saying that they’re completely fountain pen friendly nowadays, yet I kept my distance. No amount of glitter was worth another ruined pen, after all.

Enter the TWSBI GO, which is a a TWSBI nib connected to a toy pen that is so cheap that it practically has “Bay State Blue ready” written on it (I still don’t recommend going anywhere near the stainiest of stainy inks, no matter how gorgeous it is).

The packaging is bewilderingly good for such a cheap fountain pen. A cardboard sleeve over a plastic box that puts the cardboard Lamy Safari packaging (and price point) to shame.

Cardboard sleeve with TWSBI logo
Solid plastic box for the pen. I’m not a packaging person, but this is disproportionally good for the price.

Then you open the box, and laugh. The pen looks and feels like a child’s toy, with its cheap feeling plastic, its light weight and ridiculous spring filling mechanism. It takes the ugly duckling bit a step beyond what even other TWSBI functional but ugly pens, like the ECO, have.

Ugly.

But then you start to write with it, and the silly little body has good ink capacity, is easy to fill, and most importantly, it has a TWSBI nib. TWSBI nibs are phenomenally good for the price, and they come in 1.1 stub sizes, which are super fun to use.

Here’s a writing sample with a TWSBI GO 1.1 stub, which I did late at night when I was pretty tired, and so I spelled TWSBI phonetically, so whoopsie.

The ink is J Herbin’s Caroube de Chypre, which I had bought but not yet used. It’s a light, coffee brown ink with a medium amount of shading and some gold sparkle that is just-impossible-to-photograph-unless-you-pour-half-a-bottle-of-the-stuff-on-the-page-so-you’re-going-to-have-to-trust-me-on-this-it-is-pretty.

Writing sample.

Can you get away with using this ink in a work setting? I believe you can, since the colour itself is pretty tame and the sparkle isn’t in your face, but just glints in the light in certain angles.

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This photographed darker than it appears in reality, but is shows some of the depth of shading that you can expect to see with this ink.
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Ugly pen, ugly handwriting, pretty ink.
TWSBI logo on the cap.
The nib, which is the main reason to buy this pen.
Pen grip and pen feed, with ink capacity on display.

The pen itself is a paragon of practicality: super light, super comfortable grip, good ink capacity, excellent nib and feed, easy to use filling mechanism. For less than $20 that’s a tremendous feat on TWSBI’s part and it makes this pen a “no-brainer”. Whether you’re a beginner or a hardened collector, you should have at least one of these in your pen case. It’s a great workhorse, good for experimenting with “dangerous” inks (keep well away from Bay State Blue, yes you, I’m talking to you. I can see what’s in your shopping cart), good as a loaner pen to get more people into the wonderful world of fountain pens, and even good for people experimenting with nib grinds. In the beginner fountain pen category it is uglier than even the platinum preppy, but when it comes to bang for your buck, this pen puts all others to shame.

 

#Inktober 24: Chop

Another weird prompt. Montblanc 149 fountain pen filled with Montblanc psychedelic purple ink, with shading from a water brush, all on a Field Notes Signature sketchbook.

#Inktober 15: Weak

One of the weakest of monsters in D&D: the Kobold.

Zebra disposable brush pen on a Field Notes Signature sketchbook with shading done by a Faber Castell PITT Light Indigo brush pen.

This is before the shading:

#Inktober 14: Clock

I used to have one of these giant alarm clocks growing up. Zebra disposable brush pen on a Field Notes Signature sketchbook.

#Inktober 13: Guarded

Zebra disposable brush pen on a Field Notes Signature sketchbook. I only use one side of the page with these sketchbooks and you can see why. Even doing that doesn’t prevent the sketch on the following page from showing through.

#inktober day 10: flowing

Drew this with a vintage Montblanc 149 and Montblanc’s new Beatles Psychedelic Purple on a Field Notes Signature sketchbook. As usual, purple doesn’t reproduce well – this is a super vibrant ink.

#inktober day 9: His Master’s Voice

Drew this with a vintage Montblanc 149 and Montblanc’s new Beatles Psychedelic Purple on a Field Notes Signature sketchbook. As usual, purple doesn’t reproduce well – this is a super vibrant ink.

A quick sketch of an HMV gramophone needle tin.

#inktober day 8: Star (trek)

Drew this with a vintage Montblanc 149 and Montblanc’s new Beatles Psychedelic Purple on a Field Notes Signature sketchbook. As usual, purple doesn’t reproduce well – this is a super vibrant ink.

#inktober day 7: exhausted

Drew this with a vintage Montblanc 149 and Montblanc’s new Beatles Psychedelic Purple on a Field Notes Signature sketchbook. As usual, purple doesn’t reproduce well – this is a super vibrant ink.