Paris 2024 Olympics Moleskine Notebooks

Just as I wrote a post about Moleskine no longer making store exclusive limited edition notebooks, my brother went to Paris (during the Olympics) and found not one but two store exclusive limited edition notebooks. Moleskine have officially cooperated with the Paris 2024 Olympic games and they have outdone themselves.

The first notebook is a large lined hardcover notebook that could be purchased standalone, or as part of a set that included three Olympics themed charms (in the colour of the medals) and a pen. The box was sold out, as were the charms (and yet it was still on display in the store window, because reasons). The notebook was still available and it is glorious, a perfect example of Moleskine’s design prowess.

This is the notebook still in the wrapper:

The front facing part of the wrapper has a discreet Paris 2024 logo sticker on the right side. The back part of the wrapper is anything but discreet. There are games logos, games sponsors, multiple designations of the officialness of the notebook, as well as pictures of the notebook cover and the lined interior with its bookmarks (more on them later). It’s busy back here:

Removing the wrapper reveals the notebook itself. The Olympic logo is given its pride of place, and the rest of the cover is given over to a celebration of the Paris 2024 font. The only colours here come from the foiled gold of the flame and the Olympic rings. It’s a classic and sleek design:

I expected the back cover to just be more of the Paris 2024 font in black on white. Instead there’s a set of letters that are gold foiled, and I really like the effect. It’s chic, classy and very well thought out. The Moleskine logo is there, but it doesn’t call attention to itself, and the black rubber band almost disappears from view:

Inside the front endpapers have the usual in case of loss section, the Paris 2024 logo prominently displayed, the Moleskine logo, small and discreet, and a letter in French:

Here’s the letter, from Tony Estanguet, the head of the organizing comittee for Paris 2024 and an Olympic champion. Note that it, unlike the “In Case of Loss” part uses the Paris 2024 font. It’s written in French and is a celebration of the Paris 2024 games and their uniqueness (first opening ceremony not in the stadium, first games with gender parity, first games with Breaking, 100 years since the previous Paris games, first event open to participation by the general public – Marathon for All). It ends with a celebration of the notebook in your hand, which is a nice touch.

The back endpapers have logos of the various Olympic events. As usual, these are well placed and the back pocket and the endpaper prints match perfectly. It’s the little details that matter in these notebooks, and Moleskine always nails them.

Inside the back pocket are some Olympic themed treats: four sticker sheets, and a folded map of the event locations.

The stickers feature the Phryges, the Olympic mascots for the 2024 games, participating in various sports:

Then there’s a stylized map of the various events locations in Paris, France and Tahiti:

Finally, inside the notebook are not one, not two, but three ribbon bookmarks in the colour of the Olympic medals:

All in all this is an extremely well thought out design, one that takes pride in the games and cares about every little detail. It’s a worthwhile memento of the event, and it just shows what Moleskine can do in terms of localized special editions when they put their minds to it.

The second notebook is a soft cover cahier created for those who want a cheaper, more colourful and lightweight alternative commemorative notebook from the event. Here it is wrapped:

Here’s the back cover. Again, lots of info here (the price was half that of the hardcover).

The front cover features a very colourful illustration of Phryges doing various game related things alongside iconic Paris monuments and symbols. There’s a lot of playfulness here, and it’s a delight to look at all the little details here:

The cover has a pleasant texture to it. The back cover has a Phryge in the back waving hello above the Moleskine logo in white:

Moleskine clearly love the Paris 2024 font because it is once again the star in both front and back endpapers, this time with only the numerals in use:

There’s a pocket in the back:

The paper is blank, and it’s stitched using blue thread – very fetching. It lies flat with little effort:

Here’s a writing sample on the paper (both notebooks feature the same standard Moleskine paper – 70/gsm ivory coloured acid-free paper:

Close up on the writing. Fountain pens show the same strange mottled pattern that they do in this kind of paper, and wider, juicier fountain pens will spread:

There is see through and bleeding with the fountain pens and the rollerballs. This paper works best with gel ink pens, ballpoint pens, fineliners and pencils:

All in all these notebooks are well worth their price in my opinion. They are well designed, provide a lovely memento of the Paris 2024 games, and they are unique to the Paris Moleskine stores. I only wish that Moleskine would create more of these for their stores. They were clearly a success in Paris, for good reasons.

What do you think about these notebooks? Would you purchase one or both of them?

August’s Currently Inked Fountain Pens

August is going to be a month of pens and inks that I haven’t used in a good long while. While I still have a small amount of ink in four of my July pens (the Kanelea, the TWSBI ECO-T Saffron, the Big I Design Fountain EDC and the Schon Design Faceted Pocket 6), they will all be written dry by the end of next week at the latest. It was time for a new lineup, and this is this month’s assortment:

The TWSBI ECO-T is one of my favourite TWSBI designs, and so I have a few of them. The TWSBI ECO-T Mint Blue hasn’t been in use for about two years, so I decided to pull it out and use the Sailor Studio 162 with it, just for colour matching reasons. The 162 is an ink that I’ve used a few months ago but I really like it, so I felt like giving it another month in rotation.

The Lamy Safari Pink Cliff is a recent purchase that I made in Paris last April. I’ve only now inked it up as I wasn’t sure what ink to use with it — until all the discussion about the new (and not as great) Lamy Dark Lilac ink made me want to use the original Lamy Dark Lilac ink. I purchased a bottle of Dark Lilac and the Dark Lilac Safari back when they first came out, but I haven’t used the ink very much. It’s wet and very saturated and so it works best with only a handful of paper options that I have. Still, it’s a very attractive ink.

Visconti Homo Sapiens — this is the original Homo Sapiens, the one that created quite a splash when it came out. At the time it was my most expensive fountain pens, and it’s still one of my most precious pens. I bought it at Mora Stylos in Paris and had it customized with the special initial badges on the finial. I got Pilot Iroshizuku Shin Kai as a gift with my purchase, and though I love this ink I haven’t used it in a while simply because I misplaced it behind another rarely used ink.

The pens from top to bottom- TWSBI ECO T Mint Blue, Lamy Safari Pink Cliff, Visconti Homo Sapiens, Parker 51 Flighter, Sailor Pro Gear Slim Manyo Cherry Blossom, Leonardo Momento Zero Grande 2,0 Galattica Universe

Vintage Parker 51 pens are my absolute favourites, to the point where I have a hard time seeing one in the wild and not buying it. This Parker 51 Flighter hasn’t been in use in years, but in the spirit of “use the good china” I’ve inked it up. Pilot Iroshizuku Fuyu Syogun used to be my favourite grey ink — and then Diamine came out with a series of excellent grey inks and Sailor came out with the 123. I haven’t used it in years, so I dusted off the bottle and decided to give it another try.

The Sailor Pro Gear Slim Many Cherry Blossom has been in rotation relatively recently, but the ink inside it, the Sailor Shikiori Sakura Mori, is one I haven’t used in years. I don’t have or use many pink inks, but I decided I needed something to brighten up this lineup, and the Sakura Mori ink is relatively readable. It also perfectly matches this pen, which is a nice bonus.

Leonardo Momento Zero Grande 2.0 Galattica Universe is also a relatively recently purchased pen that has been in rotation not too long ago. I just love the Momento Zero so much that I decided I wanted to ink one up, and so I chose the Pilot Iroshizuku Syo Ro to ink it up with. I haven’t used this inks in years, and I love teal inks so it was about time.

What have you got inked up for this month? Anything new? Old favourites or long forgotten pens or inks?

July’s Currently Inked Fountain Pens

This month features a few new inks, and a lot of old favourites that I haven’t used for a while.

Big Idea Design’s Fountain EDC is far from perfect, and yet I’ve inked it up again. It’s the ultem and the ease of capping an uncapping it – it makes it a great EDC fountain pen even though it still has infuriating flow issues. This, however, is the last time I’m inking it for a while (after filling it three times in a row) as I have lost patience with getting it to work properly when I’m journalling. The Schneider Cognac is a new ink for me, a cartridge packet that I bought in London for a pretty steep discount. The colour is a nice orange brown with a good amount of shading and good flow.

Kanilea Pen Co Haleakala Silhouette is gorgeous and overpriced pen that I haven’t used in a while. Sailor studio 123 ink was also in my previous rotation, but I now have two bottles of this most gorgeous of grey inks, so I feel like I should give it more use.

Omas Bibliotheque Nationale is a pen that I bought about a decade ago at Mora Stylos in Paris. The nib is extraordinary, and I decided that I wanted to use it again. It lays a thick, juicy line of ink that works well with Diamine Earl Grey. Diamine Earl Grey is not only a great grey ink at a fraction of Sailor Studio 123’s cost, it also doesn’t bleed through to the other side of the paper in even the Omas’s generous ink. So I get a dark grey with plenty of shading and character, but I can also journal on the other side of the page.

Rotring Levenger 600 is a wonderful pen that Rotring needs to make more of, and Sailor Jentle Sky High is a discontinued ink that Sailor likely makes under a different name and a higher price now. I like the colour, even though it’s a blue and blue inks tend to be boring, and the Rotring works well in use for my office notes.

Sailor Pro Gear Slim Graphite Lighthouse is one of the last Sailor pens that I bought, and it’s one of my favourites. The H-EF nib is extremely fine, and not for everyone. Sailor Jentle Epinard is a great discontinued dark green ink from Sailor, and they likely make something similar under a different name and higher price (or you can find a parallel Diamine ink for much cheaper). The Sailor Jentle ink’s discontinuation was when I bought this and the other Jentle inks in use here, and I kind of regret my shopping rush. There’s no point in buying discontinued ink, as you’ll likely easily find something else similar to that (something that doesn’t use the Jentle ink’s terrible flat bottle design), or something better.

Schon Design faceted pocket six patina is a great pocket pen, and the Schneider Bermuda Blue is a great teal ink. The shading on this ink is excellent, and if I get a chance to buy another box of cartridges when this one is empty, I will.

The TWSBI ECO T isn’t as interesting to me as the ink inside it. I’ve been wanting to try out Diamine Ancient Copper for a long time, and when I was in Oxford I managed to get a bottle. It does not disappoint – great flow, great shading, great rich burnt sienna colour.

I haven’t used the Platinum 3776 in a while, and I almost forgot what a great workhorse of a pen it is. Sailor Jentle Ultramarine, a very bluish purple, long discontinued, is kind of on the boring side.

Here are the pens from top to bottom:

Big Idea Design Fountain EDC

Kanilea Pen Co Haleakala Silhouette

Omas Bibliotheque Nationale LE from 1999

Rotring Levenger 600

Sailor Pro Gear Slim Graphite Lighthouse

Schon Design Faceted Pocket Six Patina

TWSBI ECO T Saffron

Platinum 3776 Demonstrator

What have you got inked up this month?

Sketching with Iron Gall Fountain Pen Ink: Rohrer and Kilngner Ebony

I have recently purchased the Rohrer and Klingner limited edition Ebony iron gall ink, and I’ve filled one of my Lamy Safaris with it. While iron gall fountain pen ink can be corrosive to pens, and it does change colour over time, it does have a pretty nifty trait: it’s waterproof when dry.

So I made this quick sketch with my Lamy Safari extra fine nibbed fountain pen on a Cass Art recycled paper sketchbook:

And then I added some watercolour to the sketches (note that although this isn’t watercolour paper, the paper in this sketchbook does take light watercolour washes):

As expected, it worked pretty well. Note two things about the combination of iron gall ink and watercolour:

1. The ink must be dry before applying the watercolour.

2. As the water causes the paper fibers to expand, your ink lines may “spread” or display soft edges if you apply watercolour over them. You can see this in both sketches. Different paper will lead to different results, of course.

This was a fun little experiment, and a great way to test out this ink a bit more.

Have you ever used iron gall ink with watercolour in your sketches?

May 2024 Currently Inked Pens

April was a travel month which meant that I cleaned out all of my fountain pens apart from the Big Idea Design Fountain EDC that I took with me on my travels. So in the beginning of May I inked up five more fountain pens, many of them with new inks that I bought during my trip.

The Big Idea Design Fountain EDC is still a troublesome writer, but I keep reaching for it, so it’s still in the rotation with its second cartridge of Diamine Autumn Oak. Diamine Autumn Oak is a reddish orange with a lot of shading and it’s dark enough to be readable even with a fine nibbed pen.

There are two Franklin Christophs currently in my rotation (I misspelled the brand name in the writing sample, my apologies), and I am using them to compare the Sailor Studio 123 ink to the 224 ink. 224 is slightly more bluish and has less of a pink tint to it, but both are so similar that if you’re looking for 123 and it’s out of stock, you could use 224 and likely not notice the difference. I’ve been using these pens so much that I wrote the Sparkling Rock dry already, and the Thomas Hall Tibaldi edition is well on its way to joining it.

The Momento Zero Mother of Pearl is a gorgeous pen with a gorgeous, springy nib, and a joy to write with. Sailor studio 162, which I purchased on a whim at Choosing Keeping in London, is now one of my favourite inks. It’s a very unique shade of green/teal that makes me want to fill the same pen with it the minute I write it dry.

The Lamy Safari Savannah has Pilot Iroshizuku Kosumosu ink in it because I wanted something bright after all the muted greys and greens. The issue is that previously the pen had a shimmer ink in it and I apparently didn’t clean out all the particles, so I now have a shimmer version of Kosumosu. The result is fetching so I don’t mind this accident, but I will have to properly dismantle the pen and give it a thorough cleaning once I write it dry. It’s about halfway full now.

I like Rohrer and Klingner inks so when I saw the limited edition Ebony iron gall ink at Choosing Keeping, I immediately bought it. It’s very well behaved for an iron gall ink, but it’s not really a saturated black. I prefer darker blacks, but I’m getting used to the shading that Ebony provides.

A slightly late addition to the flock is the Leondardo Momento Zero Grande 2.0 Galattica Universe fountain pen, which arrived just in time for my birthday. It’s a stunning pen, and this photo does not do it justice. I knew I wanted a turquoise ink in it, and I haven’t used Bungo Box’s June Bride Something Blue in a while, so that’s the ink I chose. It was difficult to fill the pen from the flat Sailor shaped bottle, and I didn’t get a full piston-full of ink in it because of the awkward shape of the bottle. Lesson learned for next time.

What pens and inks did you use in May?

BIGiDESIGN USA Fountain EDC Review

I’m a fan of Big Idea Design (BIGiDESIGN) and have been for years. I’ve supported many of their kickstarters, and they make some of my favourite pens and I have reviewed quite a few of them: Ti Arto Review, Ti Arto EDC Review, BigIDesign Dual Side Click Pen Review, BigIDesign Pens Overview.

When they originally came out with the Fountain EDC, their first fountain pen offering, I decided to not purchase it. I don’t generally like metal fountain pens, and I rarely use pocket fountain pens because of the hassle of posting them every time you write.

So how did I end up with a Fountain EDC?

I backed their kickstarter of course. Big Idea Design launch all of their products via kickstarter, and this one was no different: a kickstarter for an Ultem Fountain EDC made in the USA in their new machine shop there.

You got a sticker and a little badge if you backed the project. Very cool.

The ultem rage swept through the fountain pen community in recent years (? it could be months, time is meaningless to me since cancer and COVID), and left me cold. I found the material ugly, and the fact that it was touted as extra light and durable didn’t make it more attractive to me. It’s basically a plastic that’s available in black or a singularly ugly orangey-yellow, with certain chemical properties that aren’t very applicable to fountain pens (are you steaming your fountain pens or boiling them regularly? If so, ultem might be for you but fountain pens are clearly not). I’m being cynical, I know, but there’s a twist, I promise. It all works out in the end.

Tiny, light and ugly – the Ultem Fountain EDC

Big Idea Design generally work with titanium, so seeing them use another material was intriguing. It was also a material that is perfect for an EDC type of pen, as it’s both light and durable. The yellowish colour also works well with the matte grey of the titanium hardware that they selected for this pen, and unlike other ultem pens, the price of this one was reasonable. So I decided to try the ugly plastic and see what all the fuss was about.

Ultem Fountain EDC in all of its… glory?

So I backed the kickstarter and the pen arrived very quickly (Big Idea Design kickstarters work like that. They deliver on time, and fast). The box was the usual great Big Idea Design box that they’ve been using in recent years, and it came with a sticker and a tiny velcro rubber patch – very cool.

I was stunned by weight of the pen.

It’s a pocket pen, so it’s bound to be light, and I knew that ultem is supposed to be light, but it’s jarring how light it is. The ultem had a nice, matte finish, the ugly yellow did work well with the brushed titanium clip, but the entire weight of the pen is basically in that clip and the (Kaweco) nib.

The pen, posted as it is when you write with it.

This pen has to be used posted, it’s just too short to use it unposted, much like the Kaweco Sport. There’s a step in the back and an o-ring on the cap that make posting supposedly more secure, but you need to make sure you’re applying enough pressure when posting or the cap will go flying off. On the plus side, the cap is made of ultem so it will likely be unscathed, but it really isn’t the most convenient experience.

In terms of size it’s about the size of a Kaweco Sport, just a smidge longer, when capped:

Fountain EDC on the left and Kaweco Sport on the right

However, things are different when the pens are posted: the Fountain EDC is significantly longer than the Kaweco Sport. It would be much more comfortable for long writing sessions than the Kaweco Sport if not for two flaws in the design: the cap posting, and the ink flow.

I mentioned the cap becoming easily unposted before, but it’s worth mentioning again. The design of the pen is such that you really need to push the cap on to pen body and check that the o-ring is engaged, otherwise the slightest jarring will pop the cap off.

The second flaw is the most major one with this pen, and it’s a big enough deal that it makes me not recommend this pen until Big Idea Design solve it. The pen has a very, very hard time starting. It’s not related to the cartridges you choose to use, but rather to the design of the nipple that connects to the cartridge. Enough Kickstarter backers had this issue for Big Idea Design to post a YouTube video addressing it. They say that it’s the coating they put on that nipple, and that taking a pin and scraping that coating off should help. Well, I did the procedure more than once with various tools and it helped a bit, but the pen still requires literal shaking every paragraph or so to get the ink flowing again after it dries out.

As this is the only fountain pen I used as I was travelling for three weeks, this was very frustrating. I love the feel of the pen, but the ink flow issue, the cap issue, and the weird balance with the ultra-light ultem material that makes this pen very back-weighted when posted makes this not a product that I would recommend.

The back-weighting and the cap posting issue should have been taken into account during the design process. The flow issue should have definitely been caught during production, especially as it’s a made in the USA pen (i.e. local to the Big Idea Design people, in a shop owned and operated by them).

So bottom line:

I really wanted to recommend the Fountain EDC but I really don’t. The pen needs to be redesigned to have better flow, better balance and better capping.

Ultem itself is as ugly as I thought it would be, but it’s a lightweight and durable material with a nice feel to it, so I get the hype a bit better now.

Product design is difficult, even for experienced designers.

March 2024 in Pens and Paper

With One Week 100 People I’ve been using my fountain pens much more to sketch with, and I fell in love with them again as sketching tools. There’s something about the expressiveness of the line that they bring in that reminds me of pencil more than of fineliner pens when it comes to sketching – a combination of their varying line width and the varying ink shade.

I’ve also purchased more fountain pens than I planned, buying two Franklin Christoph pens from the pen models that they’re retiring: A model 46 in Polar Ice with an extra fine nib and a pocket 66 Italian Ice with a flex extra fine nib. These two join the Leonardo Momento Zero Grande 2.0 Galattica that I purchased from Pen Chalet last month, and the Leonardo Momento Zero Nuvola rose gold that finally arrived this month after I purchased it from Fontoplumo and it was stolen during transit. Fontoplumo were wonderful, and replaced the pen immediately, so I intend to purchase from them again.

I haven’t purchased so many new fountain pens since before the pandemic, but the Leonardo Nuvola was a gift to myself to celebrate two years from chemo, and the Galattica was a gift to myself for surviving a hellish month with my father in hospital. The Franklin Christophs were unexpected purchases made only because they were retiring these models and I was curious about these materials (I already have an Antique Glass model 66 and I love it).

So far the biggest success in terms of nib has been the flex extra fine Franklin Christoph Pocket 66 Italian Ice. The nib has only a slight springiness to it, and I wouldn’t call it a flexible nib in the true sense of the word, but it works well for both sketching and writing. Diamine Earl Grey is one of my favourite inks (a bluish grey with tons of character that is legible even with very fine nibbed pens), so I didn’t hesitate filling an eyedropper pen with it. As eyedroppers have such a tremendous ink capacity, you always need to take into account just how much you love the ink you use in them.

The Leonardo Momento Zero Nuvola was a surprise in terms of the resin on the pen body (I was already familiar with LMZs fantastic fine flex nibs, and great pen and converter design). I was expecting a light blue pen with white “cloud” blotches and black outlines. In reality the black outlines are in a semi transparent brown resin, the white is more off-white/cream, and there’s real depth to the design. A very unusual resin that is both classic and unexpectedly unique.

Caran d’Ache discontinued their ultra-expensive and ultra-sought-after ink series “Colours of the Earth” in 2013 and I managed to get a bottle of the entire series besides Carbon right after they announced they wouldn’t be making them (I had bottles of Amazon, Safron and Sunset before they were discontinued because those were the ones that interested me the most). These inks are well over 10 years old and still fantastic, though the Amazon (the green ink) has darkened a bit and so lost some of its depth. The Caran d’Ache bottles are both gorgeous to look at and terribly designed.

Diamine Coral is the most optimistic of inks, a brightly bright coral ink that glows on the page and works best in generous nibs. I felt like a pick-me-up so I filled the Woodshed pen with it.

I made some interesting eexperiments with notebooks and tried a few new pencils, but this post is getting a little out of hand and so I’ll write about those in a separate post.

Did you use any interesting stationery last month?

One Week 100 People 2024 Day 8 (Final Day)

So I was sick, which made sketching impossible for a few days. I’m still sick but I’m slightly better, so I sat down and powered through the rest of the missing sketches.

As I mentioned last time 61-68 were draw from life, the rest from earthsworld. This site is so much better for reference photos than the flickr gallery I used in previous years that it affected both my speed and my sketching quality. Also, I had a lot more fun sketching these portraits this year. The Leonardo Momento Zero Bohemian Twilight fine nibbed fountain pen was the perfect sketching companion, and Diamine fireside snug performed well on the Stillman and Birn Alpha paper. The larger landscape format also helped make these a joy.
Here are the previous days’ sketches: day 1, day 2, day 3, day 4, day 5, day 6, day 7.

This sketching challenge is always great to do, as it really pushes me outside my comfort zone. If you haven’t yet, I highly recommend giving it a try.

And as usual, which one is your favourite?

One Week 100 People 2024 Day 7

Had a packed day today so only a few minutes to sketch, but all of today’s sketches were done from live subjects.

I apologise for the potato quality photo

One Week 100 People 2024 Day 6

A long tiring day with two vet visits meant that I had precious little time to sketch. Got up to 60, and sort of them came out surprisingly well.

As expected, with my injury and the way this week is shaping up I likely will finish my sketches only on Tuesday or Wednesday, but I like the results so I’m not in a rush.

Which one is your favourite in this batch?

Writing at Large

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