Waterman Phileas Review, or Why, Waterman, Why?

The Waterman Phileas was my first fountain pen, one that I bought after careful research on eBay, shortly after they were discontinued. It cost me £15 at the time, a small fortune for me, and the most I had ever spent on a pen. My RSI was at its worst, and I had to take a lot of notes (I was still in the university), so I splurged mostly out of desperation. Internet research brought up fountain pens as something that could possibly help with my RSI, and so I decided to give it a try. I found the Fountain Pen Network and combed the boards for information about fountain pens for newbies like me. Two pens kept coming up as good first fountain pens to buy: the Lamy Safari, and the Waterman Phileas. It was relatively newly discontinued by Waterman, and so I could find it easily and buy it NOS from a reputable seller. It’s been over 11 years since I bought it, and it’s still one of my favourite pens, and one of my most frequently used ones.

IMG_3546
Look how pretty this pen is! 

The Waterman Phileas is named after Phileas Fogg, Jules Verne’s “Around the World in 80 Days” protagonist. It comes in blue, green, red and black, and is cartridge converter pen with a large two-tone steel nib. The nib and pen have an art deco look to them, and the pen is also designed to look somewhat like a cigar. It’s a classic “fountain pen” look that makes it appear more expensive than it is, and it’s part of the reason why you’ll see it popping up in various commercials, even to this day. It’s a very beautiful and elegant pen that just looks classy.

Unlike it’s cheaper sibling, the Waterman Kultur, the Phileas has a brass insert in the body, which means that it has got some heft to it, weighing (filled, with a converter) 24g, as opposed to the Lamy AL-Star’s 22g (filled, with a converter). The weight is perfectly balanced for writing, especially for beginners, since it encourages you to lay off putting pressure on the pen. The pen let you feel that it’s putting the pressure on for you.

The look of the Phileas is phenomenal, especially for the price, but it’s the nib that made me fall in love with it specifically and with fountain pens in general. I chose the extra fine nib, and it is nothing short of magical. Take a look for yourself:

IMG_3541
From hairline to European fine – the Phileas line variation at work.

Yes, that’s line variation. No, it doesn’t come from applying pressure to the nib. It works like a less extreme Sailor Zoom nib: vary your writing angle just a bit and it will go from 0.4 mm lines to 0.7 mm ones. The nib is also smooth, but gives a little feedback, which reminds me a little of the feedback you get from using a really good pencil. Couple that with the fact that the Phileas is a cartridge converter (with a sizeable converter), and so very easy to clean, and you’ll understand why this is still my favourite sketching fountain pen.

IMG_2315
Drawn with a Phileas, except for the witch’s cloak and hat.

The Phileas accepts long international cartridges, and Waterman is one of the few makers that make those cartridges. They excellent (especially the blue-black) and very convenient when travelling with your fountain pen.

img_3545.jpg
Look at that nib! It’s hard to photograph, but it’s such a great design.

Which brings me back to the beginning of my story. It’s 2019 and I have a substantial collection of fountain pens, most of them costing well over 10 times what the Waterman Phileas cost me. None of them are 10 times the Phileas as a pen. I could have stopped here, but the Phileas has proven to be a gateway into fountain pen madness for many people over the years. It’s a pen to fall in love with, in a way that I haven’t ever fallen in love with my Lamy’s, good-though-they-are. Its design is classic and timeless, and its quality is unparalleled for the price (yes, even today).

SO WHY HAS WATERMAN DISCONTINUED IT? WHY? WHY?

This should have been their Lamy Safari, TWSBI Eco or Pilot Metropolitan  – a more classic version of the beginner’s fountain pen, as opposed to the other’s more modern design. It boggles my mind that they not only discontinued the Phileas, but also it’s cheaper cousin, the Kultur. What on earth are they doing over there? Do they not want new people to fall in love with their pens? It’s the same weird move with their ink line (their refusal to jump on the limited edition/shimmer/sheen ink bandwagon), but even more baffling. YOU WOULD SELL THESE WATERMAN!

So frustrating.

Anyway – if you can get your hands on a Waterman Phileas for a reasonable price, I highly recommend it. It’s a charming pen that will never go out of style.

7 thoughts on “Waterman Phileas Review, or Why, Waterman, Why?

  1. Mikel

    Hello
    Thanks for the post.
    The Kultur is still sold in France… which makes it even more appalling not to see it anywhere else. I suppose they wanted to bring the brand upwards, from stationery shop into department store territory. But in France it remains a widespread brand, even in the student population.
    Both the Kultur are easily found second hand in Spain. I may get two of them some time, because I have two L’Etalon that I had to take for repair due to leaking sections. I fear the problem will come again, and if that happens I will just swap their nibs into a Philéas or Kultur.
    Thanks again for your blog.
    Mikel

    Liked by 1 person

  2. Pingback: Rotring 800 Drafting Pencil Review – Writing at Large

  3. Pingback: Story of My First Pen – Chronicles of a Fountain Pen

  4. nurul

    Was thinking about re-homing my Phileas (bought NOS) because while reliable, it doesn’t excite me (and i have a lot of other pens), but coming across this post… maybe i’ll just hang on to it a little longer.

    Liked by 1 person

  5. fiddler

    YES, completely agree! I’m glad to come across somebody who likes the Phileas as much as I do. It’s the one pen I keep going back to.

    I got my black Phileas in 2004, on my first trip to the US. They were cheap then, only $25-30, and were placed, rather heartlessly, with ballpoint and gel pens at a Staples store. The marbled red and blue ones weren’t as appealing as the black one; the Art Deco theming jumps out on the black. I picked up another Phileas in 2010 as a backup – because even my ‘upgrade’ to a Pelikan M600 just didn’t give me the pleasure that the Phileas did. Smooth nib, beautiful Art Deco accents, and a very satisfying heft that made long writing sessions effortless.

    It was good that I did get that backup, because the original Phileas just vanished one day (still hoping it’ll show up from under some crevice). I’m keeping my second Phileas as new, babying it from microscratches. Really the classiest and smoothest writer I’ve ever come across, just lovely out of the box. Spotted a cheap Kultur today so ordering that, even though it’ll be missing the heft of the brass insert. It’s certain that I will get another NOS Phileas as backup if I come across one at a reasonable price, even if it’s a marbled red/gree/blue (ugh!).

    Liked by 1 person

Leave a comment