In the recent Pen Addict Podcast, Brad and Myke discussed their top 5 pens, and that made me think about my top 5 pens. Do I even have a top 5? I never actually ranked my pens until now — I just use them.

After a bit of thought, I came up with this list of my favourite five pens. These are all perfect for long writing sessions, but they’re not necessarily the best for begninners, or for showing off your handwriting, so take that into consideration before you purchase any of these:

Nakaya Cigar Piccolo Negoro Kise Hon Kataji black/red with elastic flexible medium rhodium nib — that’s quite a mouthful for a relatively small pen. This pen was made to order for me, and I had to wait quite a while and pay quite a bit for it, but it was totally worth it. The nib is a dream, and like no other nib that I own — it’s springy. It isn’t a wet noodle by any stretch, but shows a good amount of line variation, is very comfortable to write with, and is super easy to clean. The most beautiful pen that I own, in a very understated way, it’s the best all-rounder in this list.

Parker 51 — I have quite a collection of these vintage classics, and I have yet to be disappointed with one. They somehow manage to make my handwriting really good looking, and they are fun to write with (though a bit of a pain to clean). Not the prettiest of pens, but I love their sleek looks, and they are workhorses.

Franklin Cristoff Model 66 Stabilis Antique Glass with a 1.1 stub converted to an eyedropper pen — this pen is gorgeous, comfortable for long term writing, helps show off ink (both because you can see it sloshing around and since it lays down a significant line), and makes even the simplist handwriting look great without going overboard in terms of line thickness. It’s also super simple to clean out (though beware of staining inks), and the nib is a stunner, especially for a steel nib.

Ti Arto with a Uni-ball UMR-85N refill— this has now become my daily journaling pen, and although it isn’t a fountain pen it is comfortable for long writing sessions, mainly because it has a relatively thick barrel and is relatively light for a machined pen. It writes well on all types of paper, including Moleskines, is relatively cheap, and accepts a dizzing array of refills. This is a pen that I don’t mind slipping into my pocket or tossing into my bag — it’s built to last and can take the punishment.

Lamy 2000 Fine — this pen is not without faults, as the little metal prongs that hold the cap in place can get in the way of your grip, and my old 2000 is cracking in several places (ugly-fixed with superglue), but I still love it. The gold nib allows for just enough line variation to make it perfect for both writing and sketching, and the capacity is just fantastic. I’m also a big fan of its understated looks, but if you’re looking for something with more zing, this may not be the pen for you. I also bought another one, in extra-fine (after my old 2000 started cracking), and I have to say that its nib isn’t as good as my old 2K. So I’d recommend it, but only if you’re willing to tune it (either yourself, or take it to a nibsmith), if necessary.

These are my workhorses, and at any given time at least two or three of these are in use. Experimenting with pens in nice, but when you’re working on writing a novel or have a good chunk of writing to do, the snazzy wet noodles and music nibs give way to more dependable choices that are also always a joy to use.