A blog about writing, sketching, running and other things
I’m done! It took me longer than I expected, but it was a warm day today, so I took a brush pen and sketched people on the move, from life and not from photos. I’m glad that I participated in this challenge, and I hope that it will kickstart my urban sketching again.
I’m posting this at a bit of delay, as we’re having a cold spell and my neuropathy has really been giving me tough time. Logically I should have given up on this project, but I’m stubborn, so I won’t.
These were all sketches with Lamy Safaris and various De Atramentis Document inks.
We’re having a cold snap this week, which means bad news for my hands. So there’s only 6 new sketches today, but at least I am back to pen and ink, and I haven’t been confined to gesture drawings (not that they’re bad, I just wanted to practice my portraits).
As I expected I didn’t reach 100 people sketches in 5 days, but I still intend to get to 100 sketches, so I’m plowing on. My hands are still wrecked with neuropathy so today’s sketches are all pencil sketches, all of them using various Blackwings. Hopefully tomorrow I’ll be able to get back to ink and watercolour, but if not I’ll break out my vintage pencils and give them a spin.
My hands still really hurt, but I don’t want to give up the challenge, so I pushing on with pencil sketches. I’ve pulled out my Blackwings and am giving them a spin.
Sketched this spread despite my hands killing me throughout the sketch. I still have poor control over the brush but I sketched it despite that because I really missed drawing. So glad that I got it done.
Here are some process photos:
We had our weekly zoom call with our old family friend, Joe. I did my best to sketch him while we talked. It was slow, hard work and came out only so-so, mainly because my neuropathy is really bad lately (which is also why there’s been a dearth of posts). Still, I’m glad that I tried.
Drawn with a Lamy LX Palladium, fine nib, filled with Diamine Harmony (an Inkvent 2021 ink).
Writing done with a PenBBS 535 Year of the Ox, RF nib, filled with Pilot Iroshizuku Ina-Ho.
The sketchbook is a Stillman and Birn Alpha 5.5’’ x 8.5’’.
I finished the Ramat Hanadiv spread today, drawing the second page from photos, as I had a few moments when I could sort of feel my hands.
I wish I knew what these palm trees were called. They looked amazing.
I’ve been trying to draw better foliage, which made me want to investigate the various greens I can mix from my current palette. So for the first time I dedicated time and a few sketchbook pages to experiment with green watercolour mixes. I thought that the process would be tedious and boring, but it ended up being very interesting. Mixes that looked like mud on the palette came to life on the page. I discovered a whole host of green hues that I had no idea that I had access to. And once again I fell in love with Schmincke’s Glacier Green.
Note: DS stands for Daniel Smith and Sch for Schmincke. The paper is Stillman and Birn Alpha.
I had a strange Yom Kippur this year, as is to be expected. I decided to commemorate it in my sketchbook, this time using Faber Castel Albrecht Durer watercolour pencils in addition to my usual Schmincke and Daniel Smith watercolour mixture.
Drawn on a Stillman and Birn Alpha. Ink is Iroshizuku Ina Ho (lines), Robert Oster Fire and Ice (heading and text) and Sailor 123 (2021).
Writing at Large 