BIGiDESIGN USA Fountain EDC Review

I’m a fan of Big Idea Design (BIGiDESIGN) and have been for years. I’ve supported many of their kickstarters, and they make some of my favourite pens and I have reviewed quite a few of them: Ti Arto Review, Ti Arto EDC Review, BigIDesign Dual Side Click Pen Review, BigIDesign Pens Overview.

When they originally came out with the Fountain EDC, their first fountain pen offering, I decided to not purchase it. I don’t generally like metal fountain pens, and I rarely use pocket fountain pens because of the hassle of posting them every time you write.

Fountain EDC box

So how did I end up with a Fountain EDC?

I backed their kickstarter of course. Big Idea Design launch all of their products via kickstarter, and this one was no different: a kickstarter for an Ultem Fountain EDC made in the USA in their new machine shop there.

You got a sticker and a little badge if you backed the project. Very cool.

The ultem rage swept through the fountain pen community in recent years (? it could be months, time is meaningless to me since cancer and COVID), and left me cold. I found the material ugly, and the fact that it was touted as extra light and durable didn’t make it more attractive to me. It’s basically a plastic that’s available in black or a singularly ugly orangey-yellow, with certain chemical properties that aren’t very applicable to fountain pens (are you steaming your fountain pens or boiling them regularly? If so, ultem might be for you but fountain pens are clearly not). I’m being cynical, I know, but there’s a twist, I promise. It all works out in the end.

Tiny, light and ugly – the Ultem Fountain EDC

Big Idea Design generally work with titanium, so seeing them use another material was intriguing. It was also a material that is perfect for an EDC type of pen, as it’s both light and durable. The yellowish colour also works well with the matte grey of the titanium hardware that they selected for this pen, and unlike other ultem pens, the price of this one was reasonable. So I decided to try the ugly plastic and see what all the fuss was about.

Ultem Fountain EDC in all of its… glory?

So I backed the kickstarter and the pen arrived very quickly (Big Idea Design kickstarters work like that. They deliver on time, and fast). The box was the usual great Big Idea Design box that they’ve been using in recent years, and it came with a sticker and a tiny velcro rubber patch – very cool.

I was stunned by weight of the pen.

It’s a pocket pen, so it’s bound to be light, and I knew that ultem is supposed to be light, but it’s jarring how light it is. The ultem had a nice, matte finish, the ugly yellow did work well with the brushed titanium clip, but the entire weight of the pen is basically in that clip and the (Kaweco) nib.

The pen, posted as it is when you write with it.

This pen has to be used posted, it’s just too short to use it unposted, much like the Kaweco Sport. There’s a step in the back and an o-ring on the cap that make posting supposedly more secure, but you need to make sure you’re applying enough pressure when posting or the cap will go flying off. On the plus side, the cap is made of ultem so it will likely be unscathed, but it really isn’t the most convenient experience.

The Fountain EDC capped

In terms of size it’s about the size of a Kaweco Sport, just a smidge longer, when capped:

Fountain EDC on the left and Kaweco Sport on the right

However, things are different when the pens are posted: the Fountain EDC is significantly longer than the Kaweco Sport. It would be much more comfortable for long writing sessions than the Kaweco Sport if not for two flaws in the design: the cap posting, and the ink flow.

I mentioned the cap becoming easily unposted before, but it’s worth mentioning again. The design of the pen is such that you really need to push the cap on to pen body and check that the o-ring is engaged, otherwise the slightest jarring will pop the cap off.

The second flaw is the most major one with this pen, and it’s a big enough deal that it makes me not recommend this pen until Big Idea Design solve it. The pen has a very, very hard time starting. It’s not related to the cartridges you choose to use, but rather to the design of the nipple that connects to the cartridge. Enough Kickstarter backers had this issue for Big Idea Design to post a YouTube video addressing it. They say that it’s the coating they put on that nipple, and that taking a pin and scraping that coating off should help. Well, I did the procedure more than once with various tools and it helped a bit, but the pen still requires literal shaking every paragraph or so to get the ink flowing again after it dries out.

Fountain EDC drying out sample

As this is the only fountain pen I used as I was travelling for three weeks, this was very frustrating. I love the feel of the pen, but the ink flow issue, the cap issue, and the weird balance with the ultra-light ultem material that makes this pen very back-weighted when posted makes this not a product that I would recommend.

The back-weighting and the cap posting issue should have been taken into account during the design process. The flow issue should have definitely been caught during production, especially as it’s a made in the USA pen (i.e. local to the Big Idea Design people, in a shop owned and operated by them).

So bottom line:

I really wanted to recommend the Fountain EDC but I really don’t. The pen needs to be redesigned to have better flow, better balance and better capping.

Ultem itself is as ugly as I thought it would be, but it’s a lightweight and durable material with a nice feel to it, so I get the hype a bit better now.

Product design is difficult, even for experienced designers.

March 2024 in Pens and Paper

With One Week 100 People I’ve been using my fountain pens much more to sketch with, and I fell in love with them again as sketching tools. There’s something about the expressiveness of the line that they bring in that reminds me of pencil more than of fineliner pens when it comes to sketching – a combination of their varying line width and the varying ink shade.

I’ve also purchased more fountain pens than I planned, buying two Franklin Christoph pens from the pen models that they’re retiring: A model 46 in Polar Ice with an extra fine nib and a pocket 66 Italian Ice with a flex extra fine nib. These two join the Leonardo Momento Zero Grande 2.0 Galattica that I purchased from Pen Chalet last month, and the Leonardo Momento Zero Nuvola rose gold that finally arrived this month after I purchased it from Fontoplumo and it was stolen during transit. Fontoplumo were wonderful, and replaced the pen immediately, so I intend to purchase from them again.

I haven’t purchased so many new fountain pens since before the pandemic, but the Leonardo Nuvola was a gift to myself to celebrate two years from chemo, and the Galattica was a gift to myself for surviving a hellish month with my father in hospital. The Franklin Christophs were unexpected purchases made only because they were retiring these models and I was curious about these materials (I already have an Antique Glass model 66 and I love it).

Writing samples
The pens

So far the biggest success in terms of nib has been the flex extra fine Franklin Christoph Pocket 66 Italian Ice. The nib has only a slight springiness to it, and I wouldn’t call it a flexible nib in the true sense of the word, but it works well for both sketching and writing. Diamine Earl Grey is one of my favourite inks (a bluish grey with tons of character that is legible even with very fine nibbed pens), so I didn’t hesitate filling an eyedropper pen with it. As eyedroppers have such a tremendous ink capacity, you always need to take into account just how much you love the ink you use in them.

The Leonardo Momento Zero Nuvola was a surprise in terms of the resin on the pen body (I was already familiar with LMZs fantastic fine flex nibs, and great pen and converter design). I was expecting a light blue pen with white “cloud” blotches and black outlines. In reality the black outlines are in a semi transparent brown resin, the white is more off-white/cream, and there’s real depth to the design. A very unusual resin that is both classic and unexpectedly unique.

Caran d’Ache discontinued their ultra-expensive and ultra-sought-after ink series “Colours of the Earth” in 2013 and I managed to get a bottle of the entire series besides Carbon right after they announced they wouldn’t be making them (I had bottles of Amazon, Safron and Sunset before they were discontinued because those were the ones that interested me the most). These inks are well over 10 years old and still fantastic, though the Amazon (the green ink) has darkened a bit and so lost some of its depth. The Caran d’Ache bottles are both gorgeous to look at and terribly designed.

Diamine Coral is the most optimistic of inks, a brightly bright coral ink that glows on the page and works best in generous nibs. I felt like a pick-me-up so I filled the Woodshed pen with it.

I made some interesting eexperiments with notebooks and tried a few new pencils, but this post is getting a little out of hand and so I’ll write about those in a separate post.

Did you use any interesting stationery last month?

One Week 100 People 2024 Day 8 (Final Day)

So I was sick, which made sketching impossible for a few days. I’m still sick but I’m slightly better, so I sat down and powered through the rest of the missing sketches.

As I mentioned last time 61-68 were draw from life, the rest from earthsworld. This site is so much better for reference photos than the flickr gallery I used in previous years that it affected both my speed and my sketching quality. Also, I had a lot more fun sketching these portraits this year. The Leonardo Momento Zero Bohemian Twilight fine nibbed fountain pen was the perfect sketching companion, and Diamine fireside snug performed well on the Stillman and Birn Alpha paper. The larger landscape format also helped make these a joy.
Here are the previous days’ sketches: day 1, day 2, day 3, day 4, day 5, day 6, day 7.

This sketching challenge is always great to do, as it really pushes me outside my comfort zone. If you haven’t yet, I highly recommend giving it a try.

And as usual, which one is your favourite?

One Week 100 People 2024 Day 7

Had a packed day today so only a few minutes to sketch, but all of today’s sketches were done from live subjects.

I apologise for the potato quality photo

One Week 100 People 2024 Day 6

A long tiring day with two vet visits meant that I had precious little time to sketch. Got up to 60, and sort of them came out surprisingly well.

As expected, with my injury and the way this week is shaping up I likely will finish my sketches only on Tuesday or Wednesday, but I like the results so I’m not in a rush.

Which one is your favourite in this batch?

One Week 100 People Day 4

Three things happened today:

  1. My shoulder is feeling better.
  2. I have more time.
  3. I found the wonderful Earthworld thanks to Tina from Fuelled by Clouds and Coffee and started using it for reference photos.

The result is sketches 12 to 40 (yes, I got that many done in a single sitting). The fact that I have much better reference photos made such a huge difference, as I didn’t have to waste time digging through urban landscape photos in search for half decent portraits. Also, the Earthworld photographs feature People with a capital P – frumpy, old, ugly, real and incredibly beautiful to sketch. The great Leonardo Momento Zero Bohemia Twilight fountain pen with its fine nib and Diamine Fireside Snug also added to the fun – I love this pen and ink combo so much I’m likely going to use it for the rest of the 60 sketches.

Number 12 was added to this page
I love 14, 17, 18, 20 and 21
I picked up speed with these as I warmed up
Number 36 and 37 really came out well, I think

So, now which one is your favourite? I have too many to choose from.

One Week 100 People Day 3

I had a busy day yesterday, so I only got three sketches in and didn’t have time to post them. Numbers 9-11 were what I added, with number 9 being sketched with a vintage Parker Vacumatic filled with Diamine Ash and numbers 10 and 11 being sketched with a Franklin Christoph 45L and Diamine Eau de Nil. I loved the lines that the Parker Vacumatic produced, but it’s an extra fine nibbed fountain pen and it really struggled on the tooth of the Stillman and Birn Alpha. These were the last batch sketched from the Street Photography group on Flickr. I found a better source for photos thanks to a great tip from Tina from the wonderful Fuelled by Clouds and Coffee blog.

One Week 100 People 2024: Day 1

An inauspicious start for this year’s one week 100 people drawing challenge: I hurt my shoulder yesterday and now it’s extremely painful to draw with it. So today’s sketch batch is just five sketches, done with a vintage Radius Comet fountain pen and Diamine Anaranth ink on a hardcover landscape Stillman and Birn Alpha.

These were all sketched from Creative Commons Flickr photos, working for no more than 1-2 minutes per sketch, directly with pen and ink. The expressiveness of this nib has been a lot of fun. Number 5 is my favourite so far, which one is yours?

As I noted earlier, I’ve decided to only post these on my blog this year and not on social media.

Vintage Radius Comet Fountain Pen Review

In April 2010 back when I was relatively new to collecting vintage fountain pens, I purchased a vintage Radius Comet on the Fountain Pen Network. The body was brown laminated celluloid, just like Parker striped Vacumatics, and you could see the ink levels through the stripes, just like with a Parker Vacumatic, and it had a jewel on the cap, just like a Parker Vacumatic. It was, however, a piston filler, unlike the Parker Vacumatic, and it had a superflex gold nib, also unlike a Parker Vacumatic. So even though I had never heard of the brand before and there was very little information about them to be found, I took the risk and bought the pen. It cost €120 shipped.

Radius Comet

The pen was obviously user-grade, as there was brassing and tarnishing on the hardware, a lot of micro-scratches on the body, and some ambering in parts of the celluloid. It’s still a good looking pen, though.

The stripes had darkened with time, but some still have their original glow

The design of the clip and the jewel on the end of the cap was clearly influenced by the ultra popular Parker Vacumatic.

The jewel on top, a clear copy of the Parker design.

Even though the celluloid has darkened and ambered with time, you can still clearly see the ink levels through the stripes. As a piston filler it has an impressive ink capacity, which works well with the flex nib, as it can lay down a good amount of ink when fully flexed.

You can see the ink levels through the stripes.

It works perfectly – the filling system is and always was a joy to use, and the nib… Well, the literally don’t make nibs like this any more:

The nib

When you apply no pressure it’s a wonderfully smooth fine nib, but when fully flexed it goes up to broad/double broad territory. The feed keeps up with the ink flow with ease, and I’ve never had a hard start with it, ever.

Writing sample on Midori MD paper with Diamine Amaranth

Leonardo has revived the brand in recent years, and now you can buy a brand new Radius with a cartridge/converter system, resin body and (obviously non-flexible) steel nib for around €150, not including shipping. No modern pen manufacturer is capable of creating a pen like the vintage Radius or any of its contemporaries, neither in body material, nibs or filling systems at the price that they were once made. It’s a question of both volume and lost knowledge and tooling, which means that the vintage and new Radius pens have very little to do with each other beyond having the same brand name.

Buying vintage is always a risk in a way buying modern pens isn’t, but the value for money still cannot be beaten. I might buy a modern Radius at some point in the future (I like their designs and I’m curious about the pens), but I have no doubt that in terms of looks, nib and filling system it won’t be able to hold a candle to its well-worn and well-loved vintage namesake.

February 2024 in Pens and Paper

I started the month ready to spend the first half of it in hospital, with my dad. So the fountain pens I chose were all expendable pocketable pens that I was willing to have stolen (apart from the Schon Design Pocket 6 which was a leftover from January and never left my desk). So that meant I inked 4 Kaweco Sport fountain pens using various ink cartridges that I had on hand.

The portable lineup:

Once my dad got out of hospital and back home, I decided to celebrate by “shopping” from my collection. I inked up a Parker 51 Plum (use the good china!), a Parker Vacumatic, a Franklin Christoph 45L Turqish (spelled like that on their site) Crush that I had purchased but hadn’t inked before, and a vintage Radius Comet (because I heard that the brand was being revived).

The Franklin Christoph EF nib isn’t the best companion to the Eau de Nil as the ink tends to dry in the nib, causing hard start issues. The Radius is a flexible nib of the vintage kind, which means it’s really flexible and not just springy. It also rattles, which makes me not carry it around with me — it stays at home at my desk. The Leonardo is a beautiful pen with a beautiful ink that I refilled immediately — the only Inkvent 2023 ink I did that with. The two vintage Parkers are phenomenal, as usual. The extra fine nib on the vacumatic somehow really well with Diamine Ash, though I was worried at first that the combination would be too light to be readable. The Parker 51 Aeromatic is a treat to use. It’s the rare Plum colour, and it’s got a fantastic nib (as all 51’s have) which pairs very nicely with the Monteblanc The Beatles Psychedelic Purple.

In terms of paper I’ve been using Kokuyo A4 KB paper which I cut to half size (so A5) to manage my daily to do list. The paper is relatively cheap and very fountain pen friendly. I’m also able to use both sides of the page despite there being some show through.

Kokuyo A4 KB paper cut in half to A5 size. This is why standards are great.

I’ve got a Field Notes Heavy duty on my desk at home and at work, and I just bought a new stock of them. These are where I jot down quick notes, phone call details, doodles during boring meetings. When they’re filled up they get tossed out as nothing in them is permanent — everything important in them moves to somewhere else as I work my way through them.

Field Notes Heavy Duty pocket spiral bound reporter notebooks

I have finally found a use for my Dingbats notebooks (beyond giving them away as gifts, as I have in the past): this lined purple hippo one is my blog notebook. I discovered that I have a much easier, much quicker time writing blog posts if I first draft them on paper, and this is where I do it in. I’ll likely write a dedicated post to this notebook soon.

Dingbats Puple Hippo A5 lined notebook

Apart from them I still use the notebooks I used last month.

Pencils

I’ve been using the Drehgriffel Nr. 2 as my daily driver. I use pencils extensively to plan, as my plans tend to change, and there’s something about this solid little mechanical pencil that makes me want to use it.

Apart from that I brought two pencils into the rotation, to try to use. One is from my last purchase from the late and great C.W. Pencils Enterprise, and it’s the “Big Dipper” J.R. Moon Pencil Co 600. It’s an oversized pencil, the kind of pencil that kids who are learning to write are expected to use. I’ve been having pretty significant neuropathy in my hands lately and I thought that this would be nice and easy to use, as after all it’s designed for kids just learning to develop their fine motor skills. So far it’s been a disappointment – the eraser and ferrule make it very top heavy, and I’ve been having a hard time manipulating it. I can’t imagine kids using this pencil and having an easy time with it. I like the over the top red foil with gold writing look though, so I haven’t given up on it yet.

Big Dipper J.R. Moon 600

The second pencil is a Blackwing Volumes 56, the baseball themed one. The core is soft and dark, and I’ve been using it for quick and loose sketches. I’m trying to ease into one week 100 people by training myself to work faster than I normally would.

Blackwing Volumes 56

What did you use in February? Any planner changes? Pencil revelations? Pen preferences?