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D&D Drawing Notebooks Reviews

Vengeful Fortress: A Stillman and Birn Epsilon Sketchbook Review Adventure Part 1

A while ago a local art supply shop started stocking a wider variety of Stillman and Birn sketchbooks. I currently use the Stillman and Birn pocket Alpha as my daily sketchbook, but I decided to give the pocket Epsilon a try. The Epsilon features smooth, white 150 gsm pages which should work for pen, ink, dry media and light washes.

This sketchbook is in landscape format, which is what I normally prefer. I was planning to use it once I’ve finished with my current Alpha, but weeks stretched to months and meanwhile this sketchbook has been languishing away, unused.

So when I saw Liz Steel going on a virtual sketch tour in Italy, I was inspired to grab this notebook and fill it with a sketch tour of my own. I initially planned to sketch out my cancelled London trip, and I may yet do that, but something inspired me to take this idea to a completely new direction.

I’m going to sketch out a freeform fantasy roleplaying adventure for my regular D&D group, and use that as a way to test out this sketchbook, and to make good use of my fountain pens.

So without further ado: Vengeful Forest, a fantasy freeform adventure.

Sketch and writing done with TWSBI 540 Diamond F nib and Rohrer and Klingner Lotte SketchINK.
Blue lines done with PenBBS 500 Fine and Sailor Sky High ink.
Frying pan Rapunzel dressed in purple is probably copyrighted by Disney, but one of my players thought it would be funny to make my life interesting, so here she is.
I tried to give each character a distinct enough colour scheme so you’ll be able to recognize them from a distance. Each player had one sentence to describe their character.

The watercolours are Schminke and I used a Windsor and Newton Series 7 number 2 brush and a Rosemary and Co 772 brush

I’ll continue posting as the adventure progresses, but so far this has been a lot of fun, and the players seem to be enjoying it too. The Stillman and Birn Epsilon has been an absolute champ: it takes light washes beautifully, with very little buckling, allowing me to use both sides of each page. It also works well with fountain pens, especially fine nibbed ones, which are commonly used for sketching. The white paper makes everything pop, and even though 150 gsm isn’t much when it comes to watercolour, it did allow for some layering and reworking without turning into a messy paper pulp. This is a sketchbook that I’m definitely going to purchase again.

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D&D Drawing Ink Pens Reviews

Franklin Christoph Antique Glass Model 66 and Robert Oster River of Fire Review

Every once in a while Franklin Christoph comes out with a batch of their pens in “Antique Glass”, a clear acrylic with a bit of a green tint to it that makes it look like an old coke bottle. The material is both minimalist and beautiful. It allows you to show off the ink that you’re using while still having a pen that has more character than a run-of-the-mill demonstrator. Franklin Christoph’s pens and the nibs that they use are excellent and very well priced. The result is that these limited runs having a waiting list (from which a 100 names are drawn), and there’s a good chance that you won’t be able to even get on that. I had to wait for two years until I was able to purchase mine.

The wait is worth it though.

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The Franklin Christoph Model 66 is a long and sleek pen that can’t be posted. The pen is light but still substantial, because of the extra acrylic in the finial. I was worried at first that it would be top heavy, but the Model 66 is perfectly balanced, and one of my favourite pens for long writing sessions.

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The Model 66 is a demonstrator pen that is built to be eye-droppered. Yes, you can use the supplied converter or cartridges, but what’s the point of having a pen that looks like this if not to eye dropper it? Franklin Christoph even supply the requisite o-rings and silicone grease, making it super easy to transform it into an eye dropper.

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The pen body is made of smooth acrylic on the outside, but is pebble textured on the inside. The result shows off the ink colour and the pen colour even more, but it also means that staining inks have even more surface area to stain. I decided early on to use only turquoise, teal, blue and green inks in this pen, as even if they stained the pen it would work well with its “natural hue”.

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You can see the greenish “antique glass” tint best in the cap.

In terms of design, this is a desk pen and is designed as one, so it has one flat side which keeps it from rolling off the table even though it’s a clipless pen.

There’s a wide variety of Jowo nibs that you can order with your pen, and I decided to pay a little extra for a Mike Masuyama medium italic nib. The nib is buttery smooth, and the feed keeps up with flow. This italic isn’t super sharp, which is a plus for me, and together with the large ink capacity that an eye-dropper pen offers, it’s writing heaven.

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The Franklin Christoph Model 66 Antique Glass with a Mike Masuyama medium italic (what a mouthful) is build to show off interesting inks. Although I would never use shimmering inks in it, it’s great for inks that shade or sheen. And Robert Oster is the king of sheening inks.

The River of Fire is a dark teal ink that has significant red sheen and a good amount of shading.

I felt like drawing a D&D map here, I don’t know why.

As usual with inks of this kind, the paper and nib affect how much sheen or shading you see. This nib is perfect for that, and the paper I used here is Tomoe River Paper, which brings out the best in every ink.

You can see a bit of the properties of the ink here, particularly the shading, but this ink really does have a lot of sheen. It’s just difficult to photograph, so you can only see a bit of the golden red that happens where the ink pools.

This is such a pretty ink. Look how much variation and interest it offers:

So, if you can get on one of the Franklin Christoph antique glass waiting lists, I highly recommend it. As for the Robert Oster River of Fire, I think that it’s a gorgeous ink, but it’s not unique enough in Robert Oster’s large ink offering. If you have something in the turquoise or teal shade in their lineup, then there’s probably no need to buy the River of Fire. If yo don’t then I recommend this ink since it’s wild and yet dark enough to “pass” in an office setting.

 

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D&D Drawing

#Inktober Day 30: Jolt

In D&D blue dragons are electricity dragons, and this was what I could think of for this not so great prompt.

Staedtler pigment liner and Faber Castell Pitt brush pens on a Field Notes Signature sketchbook.

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D&D Drawing

#Inktober 15: Weak

One of the weakest of monsters in D&D: the Kobold.

Zebra disposable brush pen on a Field Notes Signature sketchbook with shading done by a Faber Castell PITT Light Indigo brush pen.

This is before the shading:

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D&D Drawing

Character sketches from this night’s Dungeon World game

We have a colourful group, and I really enjoyed drawing these characters.

Our brave cleric:

And our dwarf barbarian:

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D&D Drawing

D&D Game, February 5, 2018: The Zombie Beholder Brothers

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D&D

D&D Game, January 22, 2018

A quick sketch of our DM (we play using Discord):

We found a skeleton key, to go with last session’s skeletons:

And a rotting, not at all suspicious satchel:

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D&D Drawing

D&D Game January 8, 2018

Tonight’s D&D game, the first of the year, featured a group of card playing skeletons (that whooped our ass with table legs), a fog spewing magical wooden chest, and a blood thirsty cursed flail that’s our fighter’s new best friend.

A session to remember.