Living Through Difficult Times and Inktober Day 25

I had a phone call with an old friend today, and he asked me what I do to stay sane these days. I told him that I’m back to my chemo routine:

  • Wake up in the morning, take care of my cats and my plants.
  • Do some form of physical activity: run, gym, Nike Training Club workout, walk, something. This is non-negotiable since without it I get very depressed very quickly.
  • Work as best as I can.
  • Have a conversation with at least one friend. Messaging and emails don’t count — phone calls, zoom calls, face to face only. Yes, it makes a difference. I hate making phone calls too — it’s still worth it.
  • Talk to my family as much as possible.
  • Cuddle my cats. They’re very cuddly, and it helps. The little one in particular is velcro.
  • Journal, at least two times a day (morning and evening). These days I go for a midday session too. Write what’s going on and what I’m feeling to process it.
  • Read. It’s always been a comfort to me, and while most people can’t read during treatments and many can’t bring themselves to read anything but the news now, I’ve always found comfort in books.
  • Build Lego every night. It’s the best meditation ever. You can’t feel scared while building Lego. Your mind can’t race while building Lego. There’s only the Lego. And in the end you have something cool in your hands that you’ve built.

It worked then, and so far it works now.

Weekly Update: Reading and Pen Inking

Long time no update, so I decided that it’s about time to write one up.

Reading

I’ve been in a terrible reading rut, and I blame the book that I’m currently reading: “The Books of Jacob” by Olga Tokarczuk, a 912 (!) page historical epic about Jacob Frank and his followers. I’m halfway through, and I’ve decided to put it aside for now and train my brain to enjoy reading again with some lighter and more fun material.

The book itself is masterfully written and researched, with the narrative made out of a carefully pieced together mosaic of characters, voices and narrative styles. I just cannot handle the subject matter right now. As my rights are being taken away by religious, power hungry fanatics, I don’t want to spend my free time reading about religious, power hungry fanatics. It has reached a point where I balk at the idea of reading again, and that’s just not healthy. I hate giving up on books like that, especially good books, but if I want to actually read again and not just beat myself up for not reading, I’m going to have to start reading something else.

Health

I went through a CPET (Cardiopulmonary Exercise Testing) last week and it was pretty intense. My lungs aren’t working well in high intensity since my chemo, and so a lung specialist sent me to get this test, to see whether my heart or my lungs are the issue.

It started with a spirometry test (which is a simple test done to check your lung capacity and performance), and then went on to the CPET itself. I was hooked up to an EKG and pre-test measurements were taken. Then I was fitted with a special mask and filter that recorded my air intake and CO2 levels. Finally I was put on a special stationary bike, attached to a blood pressure monitor and a blood oxygen level monitor, and told to pedal without stopping until I felt chest pain or was about to faint, or until I was told to stop. As the technician calmly told me, they have a lot of people fainting during this test, which is why they do it on a bike and not a treadmill. I said it was intense, right?

Anyway, I pedalled for my life, with the bike’s resistance being constantly raised, and me gradually getting out of breath. The point was to see why, so I didn’t stop until the technician stopped me, at which point a little over 10 minutes of constant intense exercise had gone by and I was drenched in sweat and panting. H

ere’s hoping that I get some useful insights from the results. In the meanwhile I’m still running 5 times a week, just not as fast as I would like.

Pens and Ink

I wrote most of my pens dry and filled in a new batch, this time consisting of mostly vintage pens. There are also two expensive pens in this rotation, a few old ink favourites and some completely new to me inks, and a weird selection of colours.

Writing samples
  • The Henry Simpole Jasmin Pen is one of the most expensive fountain pens I own, and one that doesn’t leave the house because I can never ever replace it. It’s a Conway Stewart button filler with a bouncy 18K gold nib, with silver overlay created by Henry for it. The late Henry’s birthday was on the 4th of July, and so to commemorate him and his work I inked this pen up. I chose the Kyo-iro ink because it’s an interesting dusky purple that I haven’t had enough time with. Like the Jasmine Pen (bought in Portobello Road market), I bought the ink in London (at Choosing Keeping).
  • The Lamy AL Star isn’t interesting, but the ink in it is new to me. The Graf von Faber-Castell Yozakura is a pale and shading pink that I normally would never have purchased, because it’s so light it’s almost unreadable. It was deeply discounted during the closeout of a local pen shop, and I came in late and had very little to buy to show my support. I probably should have inked a much wider nibbed pen with this, but I have a big bottle of it, so there’s always another time.
  • In the Mahjon Q1’s case the pen and nib are interesting, the nib is not. This is one of two pens (the other being the Sailor Fude in the end) which I inked solely for sketching purposes. It’s a weirdly shaped pocket eyedropper fountain pen that I bought with a fude (bent) nib. I’ll probably review it at some time in the future.
  • The Montblanc Victor Hugo was a pen that I bought at the end of last year, during my last visit to Mora Stylos. This was an impulse buy, something that would never have happened if not for the display that Montblanc used to sell this pen. I love the Notre Dame de Paris, I’ve visited her and sketched her many times, and my heart broke when she burnt down. She’s a survivor, and seeing this pen displayed in a diorama of the Notre Dame in all her white glory, I just had to buy it. The ink was a gift that Mr. Mora gave me with the pen.
  • Parker 51 pens. The cocoa and the teal were all purchases made in the local flea market, and the cocoa is part of a set (with a pencil) and the earliest of the bunch (from 1948, a first generation Aerometric). The teal was in pretty bad shape, and took me a while to flush out. The demonstrator Parker 51 is from Mora Stylos, has a gorgeous stub italic nib, and is likely one of the Argentinian, aftermarket demonstrators. The Parker 51 is my favourite pen, and I have a hard time not buying all of them.
  • The Pelikan M205 Petrol was a Black Friday purchase, and I haven’t inked it until now. The nib is great, the pen is great, and Iroshizuku Ama-Iro turquoise ink is quickly becoming one of my favourites. Such an optimistic, summery colour.
  • The Platinums include two Preppy’s that I’m trying out, after being disappointed with their durability in the past. The Plaisir is the pen that’s been inked the longest of the bunch.
  • The Sailor fude is filled with a new ink to me, the Graf von Faber-Castell Carbon Black. The ink was purchased in the same closeout sale as the pink Yozakura, and I’m planning on testing it out as a non-waterproof sketching ink.
  • I wrote the Conklin Lever filler on top dry just as I was planning this post, so it’s here for reference only. I purchased it at Mora Stylos, it’s from 1919 and it’s in user grade condition (cap discolouration, significant brassing, the imprint isn’t in perfect condition). The lever filling mechanism is infuriating to use, both for filling and for cleaning the pen, but there nib is magnificent. It’s a true flex nib, going from medium to triple broad with no effort or railroading, and it’s a joy to use. The fact that I enjoyed it so much, coupled with its tiny ink capacity, meant that it took me about a week to write it dry. I used Waterman Serenity Blue in it, and that ink once again proved its worth in troublesome vintage pens. It’s a great shade of blue that is very pen safe and super easy to clean out of pens (think the opposite to Bay State Blue). A must have for anyone dabbling in vintage pens IMHO.
The pens, from left to right, matching the order of the writing samples with an added guest on top

Other Stuff

I’m working on an adventure for a 30+ tabletop roleplaying convention at the end of the month. I may publish something here about how I write adventures for conventions.

In the meanwhile my D&D 5E game, set in a university like setting and a university town next to it, is progressing nicely. It’s the most complex campaign that I have ever written, but it’s wonderful to see the players rush around in this world, having the time of their lives exploring, interacting and trying to break stuff. D&D is a pure joy and a wonderful escape from the pretty dark reality we live in these days.

Speaking of both dark reality and things that cheer me up:

  • It’s week 27 of the pro-democracy protests, and we’re still showing up in numbers (that are growing again). It’s great seeing whole families show up, including the dogs, to say no to stripping the judicial branch of its oversight powers.
  • I’ve been sketching people’s dogs, and it’s a pure delight to try and capture their personality with each sketch. Plus, it’s making people happy, which is a good thing.
  • I’ve managed to help a few people get back to running, and that’s always a joy. Go get some exercise. Do something you enjoy, and even 10 minutes is enough. As Dr. Jen Gutner says, exercise is like finding money in the street: if you find $10 lying around, you’re not going to leave them there because they aren’t $100. Invest a little in yourself, because you’re worth taking 10 minutes a day for.

Packaging into Bookmarks: A Quick Repurposing Project

I love Present and Correct’s packaging and I didn’t want to throw it away, so I repurposed it as bookmarks using some washi tape and scissors.

This was originally glued to a paper bag.

The have these cool vintage lending slips glued to their paper bags so I cut it off the bag, and used washi tape on the back to tidy things up a bit. I’m currently using this in the book that I’m reading (Drive Your Plow Over the Bones of the Dead), and I love it.

The next bookmark is messy but I don’t care. I took a slightly crumpled brown envelope that contained pencils, cut out the interesting part and taped it shut with washi tape. I didn’t bother using a ruler so it’s a bit wonky but I don’t care. The result is still useful and I like its imperfections.

It took a few minutes to create these, and they make me smile. I enjoy giving new life to old packaging, and I hope this and my paper bag sketches inspire you to give it a try yourself.

Wrapping Some Books

I just finished wrapping some children’s books for my friends’ children and I really like what I got out of some brown wrapping paper and Posca paint markers.

The books are all by Philip Reeve and Sarah McIntyre and they’re a delight that’s fun to read even as an adult (the mark of a good children’s book in my opinion).

Can you guess which book is under which wrapper?

Stormy Sea and Gonfu Tea

Today’s sketchbook page, as part of Liz Steel’s SketchingNow Sketchbook Design course.

Stillman and Birn Beta sketchbook, Schminke watercolours, Lamy fountain pens (Fine, Medium, 1.1 stub), vintage Eagle 4h pencil.

Paper Mate SharpWriter Mechanical Pencil

If you follow any makers on YouTube you probably saw this ugly yet somehow charming little mechanical pencil in action. The Paper Mate SharpWriter is a strange beast, full of surprises. It’s a mechanical pencil with a twist mechanism in the tip instead of a click mechanism under the cap, it actually has a serviceable eraser, and it’s non-refillable. It’s as if Paper Mate saw the “Think Different” ad and said, “yes, but how can we apply that to a mechanical pencil?”

Paper Mate SharpWriter.

First of all, you can buy the Paper Mate SharpWriter in many different widths, as long as they’re all 0.7mm. This has the added value of saving Paper Mate the need to indicate the lead width on the pencil, because there’s only one width to rule them all. I can’t honestly fault them for that. It’s a pencil that’s meant for students and bills itself as having less lead breakage, and so 0.7mm is the way to go.

There are some interesting things going on with the business side of this pencil. First and foremost, that’s where the lead propelling mechanism is, which caught me by surprise. It’s a twist mechanism, and it’s pretty sophisticated as it allows you to easily extend and retract the lead to suit your needs. The second part is the “lead cushioning mechanism” which means that the lead springs up and down as you right, preventing you from breaking it if you exert too much pressure. It works, but I’m not a fan as it makes me feel as if the lead is broken inside and I have to extend it to get rid of the small broken piece and reach the “real” lead left inside. It’s going to take some time for me to get used to it.

Writing and erasing sample.

The eraser is downright phenomenal, as it actually erases things quite well, and doesn’t tear into the page. The lead itself is a solid HB 0.7mm lead that is smooth and on the slightly darker side of HB.

The Paper Mate SharpWriter isn’t a pretty of fancy mechanical pencil, but it’s comfortable to hold, lightweight, and has a playful colour scheme that recalls a woodcase pencil. And like a woodcase pencil, it’s disposable, which is where my only real beef with this pencil lies. Yes, this is a student pencil, and so it’s likely to get lost or somehow broken (it’s far from flimsy, but where there’s a will, there’s a way), and if the pencil won’t be lost, the leads will, and yet… The last thing the world needs is more plastic waste.

So, do I recommend the Paper Mate SharpWriter? No, and not because there’s anything wrong with the pencil, it’s just that there’s very little justification for a disposable mechanical pencil when there are cheap, good and even great refillable options to be had in the market.

But I do understand the makers who have fallen for this ugly duckling.

Knitting

My late grandmother was a talented knitter, but I never had the sense to ask her to teach me to knit while she was still alive. I asked my parents’ neighbour, a lovely lady in her late 80s, to teach me to knit and crochet. She tried several times but there’s a difference between knowing how to knit and teaching someone else how to knit. In the end she always asked me what I wanted to knit, grabbed the wool and knitted it herself for me. I love the things she knitted me as the result of these sessions, but that’s beside the point.

I tried to teach myself to knit using books and youtube videos. Each time I’d create a crooked mess and give up. Yesterday I sat down yet again, this time with a new book (the funny and lovely “Stitch n’ Bitch” by Debbie Stoller), and when four rows into my first swatch I blew it again, I stopped, searched for “common knitting mistakes” on YouTube and figured out where I had gone wrong. It took several videos but once I figured it out, I started over and managed to create my very first garter stitch swatch (20 stitches by 30 rows). I’m proud of myself for sticking with it, even though it really sucked at first. I only wish that my grandmother could have seen and critiqued it.

Bruni Embroidered Nesspresso Capsule

I decided to make an embroidered key chain as a birthday gift, which is why I practiced creating an embroidered Nespresso capsule keychain in the first place.

I used an embroidery hoop this time, as well as thicker fabric. The white fabric allowed me to pencil in my design for Bruni, the fire spirit from Frozen 2.

Not sure that you can see but his white belly is embroidered with sparkling thread.

The pieces ready for assembly: clean and crushed Nespresso capsule, cardboard backing and embroidered piece.

The back of the capsule:

The finished piece:

This turned out much better than my first try, even though there’s still room for improvement. This new fabric didn’t mount like I expected because it was thicker than I had planned and the result is the little gap you see in the bottom. I plan on making more of these, so I’ll hopefully get better with practice.

30 Days of Drawing: Days 1-5

I decided not to take part in Inktober this year. Instead I’ll be drawing at least one page a day in my Stillman and Birn pocket Alphas. It happens that there are just a few pages left in my first pocket Alpha, the one I got gifted by Stillman and Birn as part of their sponsorship of Gabi Campanario’s Urban Sketches Porto 2018 symposium class. I use multiple sketchbooks at the same time, and finishing and starting a notebook is always the hardest part for me. So I decided to challenge myself to finish my old Stillman and Birn pocket Alpha and start on a new one, by challenging myself to draw at least a page a day for 30 days straight.

I will be batch uploading these 5 days at a time, so here’s what I drew on the 17th of September until today, the 21st of September:

Painting Minis

ReaperCon started yesterday and for the first time ever I’m actually able to participate. Yesterday I just listened to the classes, but today I jumped back in to painting minis.

This is the Reaper Bones Townsfolk Rioting Villager. After I took these photosI went back and softened the shading on his face a bit. I gave him a dirty, rusty pitchfork, and I tried not to take too much time on him (it still took longer than I would have liked). I also had a bad time with cutting off the mold lines, so I gave up after a few tries. In any case he’s not a display piece, but meant to be used in a game (when I can return to in person games).

He looks scary, right?

I made a wet palette out of an old takeout box, some paper towels and a bit of parchment paper. I’ll later improve on it, but for now it gets the job done. I’m also experimenting with a new of taking painting notes in a notebook, but l’ll see if it works before I write about it.

Wet palette.