Tournament of Books 2020: Fleishman is in Trouble

Taffy Brodesser-Akner’s “Fleishman is in Trouble” is a readable book. The pages fly by as you absorb them, looking for something, anything, more than superficial, entitled, dull misery. I kept waiting for the promises humour to appear. I kept waiting for the novel to get to even the basic insights in David Foster Wallace’s “This is Water” as it dug into the daily grind of its rich, white, healthy, able-bodied, cis-gendered, supremely selfish and childish characters. I kept saying, “so what, who cares?” and the novel didn’t answer. What things it had to say about women’s place had been said much more poignantly by authors with a better story to tell.
There is some attempt at narrative sophistication, but that doesn’t land. Akner chooses to use the second person for parts of the narrative, but she doesn’t commit, doesn’t fully create a witness account. Then there’s an attempt to mirror a fictional narrative within the narrative, a magazine article like telling of a divorce falling apart. Again, Akner pulls her punches, the comparison of “divorce story as written by a man vs. divorce story as written by a woman” doesn’t land. At some point I started hoping that she would pull off a trite move like revealing that she’s gender switched the narrative all along, just so I could have something to look forward to. Toby talks about rich people not knowing how to deal with tragedies or hardship in a novel devoid of any tragedies or hardship, as a character, in a cast, that has never truly dealt with the terrors of the world. The only character that has the potential for some depth, Rachel, is rendered as a selfish, driven, social climber with no empathy to anyone but herself.
The novel, like its characters, is pleasantly whiling the time as the world around it burns and it eats beef lo mein.
I read this book as part of the2020 Tournament of Books, where it’s up against Jami Attenberg’s “All This Could Be Yours” in the first round. Both novels are about rich, white people going through a crisis of sorts, but Attenberg’s novel has a depth to it, the darkness of Victor vs. the light of its post-Katrina New Orlean’s residents, that makes it worth spending some time with.
If you’re looking for a “Sex in the City Post Divorce” type of book, “Fleishman is in Trouble” may be what you’re looking for. Otherwise, I’d avoid it.

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