Weekly Update: New Job

There’s been a dearth of new posts this week because I just started a new job, and while it has been great so far, I still haven’t adjusted to it. After being a recluse (out of necessity) for the past year or so, it was a bit of a shock to the system to meet so many new people face to face. I’m not sure yet how my posting schedule or content will change in the coming days and weeks, but I’m hoping that it won’t change too much.

I’ve started the SketchingNow Watercolour course, and I’ve done the first week of classes. This week is all about washes, so I created a grid of all the colours in my palette, showing how each one looks as a watery wash, a juicy wash and a pasty wash (what Mark Taro Holmes terms tea, milk and honey). This was a lot of work, but it did give me a better feel for the potential of the paints in my palette.

There was also an exercise that involved sketching vegetables with a set of juicy washes. Here’s the sketch in progress:

And after it was done:

This was a pretty simple exercise, but nevertheless a lot of fun.

Reading

My reading has been quite eclectic lately. I finished reading “Our Country Friends” by Gary Shteyngart and it turned me off the Tournament of Books list for this year. I’ve got very little patience for the plights of unlikable privileged characters that potter about a story with zero plot except having sex or trying to have sex with each other, and whining about their lives all the time.
I’ve read “Drive” by James S.A.Corey , the first short story in “The Expanse”. It’s completely skippable, so don’t feel the need to read it if you want to get into the series. Also, please don’t start “The Expanse” from this story – it may be chronologically first, but it’s their worst piece of writing so far.
I’ve started reading Ali Smith’s “Companion Piece,” which is a companion piece to her fantastic seasonal quartet of novels. I like her writing so much that I bothered to get a signed hardcover of this book. So far it’s shaping up as an interesting read.

Finally, I’ve plunged back into Henry IIIV’s England with “The Mirror and the Light” by Hillary Mantel. Her writing is mesmerizing and she really brings Cromwell, his peers, family, rivals and the entire period to life.

I’m experimenting with various kinds of new sketchbooks and sketching materials (as well as pens and ink) and I have thoughts about them. I just need to find some time to organize them into something coherent and write it all down. Meanwhile, here’s a quick sketch that I did on a paper bag during a zoom call, using a new brush pen that I’m trying out.

Have a great week!

SketchingNow Watercolour Course Introduction

I’m starting Liz Steel’s SketchingNow Watercolour course next week, and so I spent the weekend completing the three intro lessons to the course. It was nice practicing a bit of brush control after such a long time (for over 6 months I haven’t been able to properly hold and control a brush because of my peripheral neuropathy), and I cleaned my palette after a long time.

Metal watercolour tin filled with half pans of paint.
Clean palette
A sketch of the paints in my palette with a legend.
Intro lesson 1 exercise

My palette is large and I still have 3-4 colours on it that I’m still not sure about. This is the first page of a brand new Moleskine Large Watercolour Sketchbook, the new one in portrait format. Drawing your palette is a great way to start your sketchbook and get over the initial fear of “ruining it”.

Intro 2 exercise – testing the brush

The brush is a Rosemary & Co Kolinsky Sanle one, and I haven’t used it before.

Intro 3: testing the paper. Check out the granulation on the ultramarine.

Overall these were good intro lessons to watercolour sketching and good warmup exercises.