Vengeful Fortress Part 3: Rohrer and Klingner Lotte SketchINK Mini Review

Welcome back to Vengeful Fortress, a fantasy roleplaying game that I’m drawing in ink and watercolour (no pencil underdrawing, to save time) as I’m running it for my group of players. We’re now in Part 3, and here are Part 1and Part 2 (which also include a review of the sketchbook I’m using, the Stillman and Birn Epsilon).

As you can see, things are starting to heat up. I’m using a TWSBI Diamond 540 fountain pen with a fine nib, filled with Rohrer and Klingner SketchINK Lotte. SketchINK Lotte is a black pigmented and waterproof fountain pen ink. It’s not a saturated ink, and you can see the grey shading quite clearly here in the lettering and the line work. R&K SketchINK Lotte is also a hard starter, so while it does flow well enough when you get it primed up with a few preliminary scribbles, if you put the pen down for even a few minutes, you’re going to have to prime it again. It is, however, waterproof and relatively fast drying, which makes it worth my time using it. In case you’re wondering if “hard starting” is just an issue with this pen or this nib, I have tried R&K SketchINK Emma and Lotte in a Lamy Safari and a Super5 pen and they are hard starters in all cases. It seems to be a property of the ink, perhaps because it dries to relatively quickly, or because of the particular waterproof formula R&K are using here.

So know that you can trust the Rohrer and Klingner SketchINKs with your watercolours, and know that they’re great for when you’re in a rush and don’t want to wait for the ink to dry, but also have a bit of scrap paper for the first few seconds before you use them .

Vengeful Fortress Part 3: Rohrer and Klingner Lotte SketchINK Mini Review

Vengeful Fortress: A Stillman and Birn Epsilon Sketchbook Review Adventure Part 1

A while ago a local art supply shop started stocking a wider variety of Stillman and Birn sketchbooks. I currently use the Stillman and Birn pocket Alpha as my daily sketchbook, but I decided to give the pocket Epsilon a try. The Epsilon features smooth, white 150 gsm pages which should work for pen, ink, dry media and light washes.

This sketchbook is in landscape format, which is what I normally prefer. I was planning to use it once I’ve finished with my current Alpha, but weeks stretched to months and meanwhile this sketchbook has been languishing away, unused.

So when I saw Liz Steel going on a virtual sketch tour in Italy, I was inspired to grab this notebook and fill it with a sketch tour of my own. I initially planned to sketch out my cancelled London trip, and I may yet do that, but something inspired me to take this idea to a completely new direction.

I’m going to sketch out a freeform fantasy roleplaying adventure for my regular D&D group, and use that as a way to test out this sketchbook, and to make good use of my fountain pens.

So without further ado: Vengeful Forest, a fantasy freeform adventure.

Sketch and writing done with TWSBI 540 Diamond F nib and Rohrer and Klingner Lotte SketchINK.

Blue lines done with PenBBS 500 Fine and Sailor Sky High ink.

Frying pan Rapunzel dressed in purple is probably copyrighted by Disney, but one of my players thought it would be funny to make my life interesting, so here she is.

I tried to give each character a distinct enough colour scheme so you’ll be able to recognize them from a distance. Each player had one sentence to describe their character.

The watercolours are Schminke and I used a Windsor and Newton Series 7 number 2 brush and a Rosemary and Co 772 brush

I’ll continue posting as the adventure progresses, but so far this has been a lot of fun, and the players seem to be enjoying it too. The Stillman and Birn Epsilon has been an absolute champ: it takes light washes beautifully, with very little buckling, allowing me to use both sides of each page. It also works well with fountain pens, especially fine nibbed ones, which are commonly used for sketching. The white paper makes everything pop, and even though 150 gsm isn’t much when it comes to watercolour, it did allow for some layering and reworking without turning into a messy paper pulp. This is a sketchbook that I’m definitely going to purchase again.

Vengeful Fortress: A Stillman and Birn Epsilon Sketchbook Review Adventure Part 1

Leuchtturm1917 Sketchbook Review

Leuchtturm1917 entered the busy sketchbook market about a year or two ago, with a lineup of A6, A5 and A4 sketchbooks with white 180 gsm paper.

The covers of the Leuchtturm1917 sketchbooks come in a wide variety of colours, which is a rarity in this market. Usually you find sketchbooks in black, or maybe one or two other colours, but Leuchtturm has decided to offer these in all the colour options available in their regular lineup.

The sketchbook contains 96 pages of acid free 180 gsm paper, and it opens flat. There’s a note in the back packaging that says that the paper is colourfast, and shows a sketch made with a fineliner and markers. More on that later.

There’s a place to write your name and address on the front cover. I recommend writing your name and email address instead. It’s more practical, and more secure.

There is a back pocket. I don’t really think that it’s necessary in a sketchbook, but it’s nice to have.

Leuchtturm offers two unique things with its sketchbook. One is the offer to personalize it with an embossing of your choice. During last year’s Urban Sketchers they personalized the sketchbooks that they gave away as part of the symposium’s package, and the result is very nice.

Now for the heart of the notebook, it’s paper. The pages lie flat with a bit of coaxing, and are thick and substantial. You have to really layer down markers for them to bleed through, and there’s no show through, meaning you can use each page on both sides.

So how does the paper behave? It depends on the medium. This sketchbook excels at dry media (pencils, couloured pencils, conte crayons, etc).

It’s pretty horrible with wet media, including fountain pen ink, watercolour washes, and ink washes. The paper buckles, shows off colour poorly, turns into a grainy mess, and and the ink feathers and spreads. I wouldn’t recommend it even for the lightest washes. All the vibrancy of my schminke watercolours turned into a muddy mess here (the sketch was done with a medium nibbed fountain pen and R&K Emma SketchINK):

Even with fineliners you’re going to have spread. If you like sharp lines, find a different sketchbook.

Again, even from a bit of a distance you can see the spread. That’s just a shame, because if the paper was a little less absorbent then this would be an excellent sketchbook.

This brings me to my frustration with the picture on the back end of the paper band, the one showing a tiny marker and fineliner drawing. This is my experience using markers and fineliners on this notebook:

There’s no option to layer or blend the markers, but that’s OK. This isn’t marker specific paper after all. But even for casual use, or just for use with fineliners/brush pens this paper isn’t great.

So do I recommend this sketchbook? It depends. If the way it looks makes you want to use it, then yes, it’s a notebook for you. I’ve been using this sketchbook for my journal comics mainly to test it out. Will I continue using it? Only because I already have a body of work in it. Otherwise, there are better options out there, ones that aren’t only pencil great, but also work with pen, ink and light watercolour washes (the Stillman and Birn Alpha sketchbooks come to mind).

Leuchtturm1917 Sketchbook Review

Dare to Dream: Eurovision 2019 Tel Aviv Euro Village

A quick sketch on location of the Eurovision 2019 Tel Aviv Euro Village as it was filling up.

Leuchtturm1917 Sketchbook, Super5 0.7 fountain pen and Rohrer and Klingner Lotte ink.

Dare to Dream: Eurovision 2019 Tel Aviv Euro Village

Jaffa in the Sunshine

It looks like another year without winter here. I drew this during an Urban Sketchers sketch crawl, but since the sun was right in my face and it was blazing hot (31 degrees centigrade), I didn’t place the shadows properly.

Moleskine large watercolour notebook, Lamy Safari medium, Rohrer and Klingner Emma SketchINK, Schmincke watercolours.

Jaffa in the Sunshine

#Inktober 17: Swollen

My favourite prompt so far because it gave me an excellent excuse to draw the pufferfish.

Super5 fountain pen with 0.7 calligraphy nib, Rohrer and Klingner Lotte SketchINK on a Field Notes Signature sketchbook with shading done with a Faber Castell PITT Light Indigo brush pen.

#Inktober 17: Swollen

Place de la Sorbonne sketch

I had less than 20 minutes for this one, so it came out all wrong in terms of the proportions of the Sorbonne building, but by the time I realised this it was too late, and I had a plane to catch. Posting this here because even mistakes have some charm to them.

SketchINK Lotte ink in a Super5 0.7 fountain pen on a Stillman and Birn pocket Alpha and Schmincke watercolours.

Place de la Sorbonne sketch