Tag: Drawing

Weekly Update: Ink Swaps and Quick Sketches

Earlier this week I went to a standup gig – a NY comedian was trying out new material, and it was an interesting (and funny) experience to see him work. Before the show I had about 5 minutes to sketch the people in a nearby cafe, so I sketched this couple using a Staedtler 0.5 Pigment Liner.

In terms of fountain pens the Parker Vacumatic is out of rotation, though I may give Diamine Writer’s Blood a try in another pen soon enough. I decided that I want to have the nib tuned on it, in terms of flow, though I don’t know who I’ll be able to find to do the tuning for me.

I also dumped out the Pilot Iroshizuku Yama Budo out of my Parker 51 as I couldn’t get it to not bleed and feather on practically any paper. I cleaned out the pen and refilled it with Waterman (Tender) Purple ink and it’s been wonderful to use since. Waterman inks are not only fantastically well behaved, beautiful, cheap and very, very easy to clean out of pens, they’re also dry inks. As Parker 51 generally have a generous ink flow, and this one is no different, a dry ink serves particularly well with this pen.

I’ve been reading Mrs Palfrey at the Claremont by Elizabeth Taylor (the British novelist, not the famous actress) and it’s a wonderful study of character, age and aging.

Next week is the Tel Aviv marathon, which is sold out for the very first time. There were no big local running events last year, and there’s clearly a hunger for them.

This week has been crushing from both a personal and a national perspective. I’ve taken solace in friends and in reading, but there have been times where it’s been a struggle. It’s at times like this when I need to remind myself to stop, take a breath, allow myself to feel what I need to feel, and only then pick myself up and move on.

Be kind to yourself and others, and have a great week.

Weekly Update: Model Sketches Take 2

It’s nice to have new pens and inks in rotation. I’m enjoying Diamine’s Writer’s Blood more than I expected, Diamine Autumn Oak is fantastic with a Waterman superflex nib, and Pilot Iroshizuku Tsuki-yo is becoming one of my favourite inks.

Liz Steel and Marc Taro Holmes are hosting the OneWeek100People challenge again this year, and I intend to participate again. The challenge starts on the 3rd of March and officially lasts 5 days. I normally sketch from photos, but this time I want to see if I can do the entire challenge from observation only. It may take me more than 5 days, but I’m OK with that. Are you planning on joining the challenge?

I went to the local art museum again this week, to sketch models in the museum. This was the last time this event was run, and the place was packed with sketchers. I didn’t have the best of locations, but I made the most of it. I sketched with Faber Castell 9000 2B and 3B pencils mostly, and added a touch of colour with Faber Castell Polychromos. The ink sketches were done with a Staedtler Pigment Liner 0.5. The sketchbook I used was once again the French Pascale Éditions. The models did fewer 20 minute poses and more 10 minute ones, which meant scrambling a lot. I wanted to visit the museum after the event, but I was so tired from 3 hours of non-stop sketching that I just went home.

Harman Photo just came out with a brand new colour film, Harman Red. It’s a red-scale film, and I’m curious enough to try and buy a roll or two and test them out. I love the wild, wild results I got with Harman Phoenix and the Harman Red is basically Phoenix pushed even more into red-scale.

Here are the sketches from today, and I hope that you have a great week!

10 minute pose.
10 minute pose.
10 minute pose.
10 minute pose – the hardest pose to draw because of the angle of the head. Had a false start on this one, so had only about 8 minutes for this.
10 minute pose – Staedtler 0.5 pigment liner
10 minute pose
10 minute pose
10 minute pose
The three models. The pose started with just the two top models, and then the third one joined, and it was a 10 minute pose.
A challenging composition, 20 minute pose
10 minute pose. I like the composition on this one – I placed her on the side of the page to give her room for thought.
Final pose, 20 minutes

Weekly Update: Model Sketches

It’s been a hectic week as my team at work is basically crumbling: our new senior member is leaving after just two months, the team lead is leaving after a bit more than a year, and the other team member is on holiday until the end of the month. That just leaves me with two trainees to hold the fort for a while, and it’s far from ideal. As I’m also working my way through an intense certification course, posts on this blog have taken (and will likely continue to take) a bit of a hit.

Reading

I’ve finished reading Looking for a Ship by John McPhee and I’ve reviewed it here. It’s a fascinating narrative of a now extinct world, that of the American Merchant Marine. I’ve now started reading Oliver Burkeman’s Four Thousand Weeks as well as Legends and Lattes by Travis Baldree.

Stationery

My Field Notes order has arrived, as has the 2024 Hobonichi Techo (yes, 2024) that I bought with a Black Friday discount. The Hobonichi will be used to supplement my 2014 Hobonichi when it comes to testing out inks. The 2024 Techo has’s got paper that is close enough to original Tomoe River Paper that’s in my 2014 Techo, though from my understanding the 2025 Hobonuchi’s have worse paper than the 2024 ones, so take that into account if you’re considering buying one. I have posts planned for both purchases, and hopefully I’ll get the time to write them.

Model Sketching

I went to the Tel Aviv Museum of Art today for a special sketching event that they organized: three models dressed in clothing that reflected some of the artwork in the collection, posing for sketches for 3 hours. These were mostly 10 minute sketches, with the last two poses being 20 minute ones. The last pose was a rare treat – a group pose, which is something you don’t get to sketch a lot.

In general when sketching models, whether clothed or not, you have one model that poses. Here there were three, and they switched places, so wherever you sat you got to sketch all three (and you could always sketch a model that was a bit further than the one right in front of you). The museum was busy, and there were children’s plays being shown in the auditorium, and so a lot of kids were around us, sketching on bits of paper with coloured pencils, with parents and grandparents cooing with delight and hovering around. It was wonderful to see how joyously kids took to sketching, whether it was the ladies in the dresses before them, or just anything that came into their imagination.

Here are the sketches I made throughout the event. The sketchbook I used was by French maker Pascale Éditions (it was lovely), and I used a Faber Castell 9000 2B pencil, a Faber Castell 4B Graphite Aquarelle pencil, various Faber Castel Albrecht Dürer watercolour pencils, a Tombow brush pen, and a 0.5 Staedtler Pigment Liner (this was my most used sketching tool).

First sketch. Warming up, so trying to keep it as loose as possible.
20 minute sketch, so I had time for some shading.
The only sketch where I wet the paper slightly with a waterbrush before sketching
20 minute final group pose
Potato quality photo of the three models

Have a great and creative week!

Weekly Update: Ink and Prickly Pears

I haven’t done a watercolour sketch in a while, so I broke out the trusty Moleskine Watercolour sketchbook, my Staedtler Pigment Liners (0.3 and 0.5) and my Schmincke and Daniel Smith watercolours and made this quick sketch:

Prickly pear watercolour sketch

It was fun and it took me less time than I thought, so I should do it more often.

This was a big ink week, as I wrote many of my Inkvent fountain pens dry: Wishing Tree, Snow Globe, Winterberry, Salted Caramel, Pine Needle, Nutmeg, and Wilted Rose. I also dumped Sleigh Ride as I found the ink colour depressing. This leaves me with 9 Inkvent inks still inked in my pens, with most of them half or quarter full. I doubt that I’ll be able to write them all dry by the end of the month, but hopefully I’ll get as close to that as possible. In any case I’ll reassess in the beginning of February if I want to keep using my Diamine Inkvent inks or if I’ll just dump out and clean up whatever I still have inked at the time and start fresh.

I finished reading “The New York Trilogy” and it’s a very Paul Auster book. Next week I’ll start on “The Last Kashmiri Rose” by Barbara Cleverly and finish “The Comfort Crisis” by Michael Easter.

Have a great week full of pens, books and good news.

Weekly Update: Motorcycle Sketch

Running

I’m a week away from getting back to a 10k long run, and the running weather has been pretty perfect so far. I ran a 30 minute hilly recovery run today and for the first time ever I ran it without headphones. I normally run with earbuds and listen to podcasts or music, except during races where I leave my earbuds at home for safety reasons (and to get the full race experience). It was relatively early and the trail I was running through was deserted, so it was quite the experience listening just to birds and the sound of my feet and my breath. This is definitely something that I plan on adding to my running routine.

Reading

I’m two thirds into “The New York Trilogy” by Paul Auster and I’m dreading starting the 3rd and final story. The writing is excellent, but it’s like reading through version after version of Bartleby the Scrivener – not something that you particularly want to do. I’ve come so far that I will finish the book at this point, but after reading several Auster books it’s clear to me that while he’s a very good writer, his books are not for me.

Meanwhile I’ve started on “The Comfort Crisis” by Michael Easter, and though it is clear that it suffers from many of the same problems that books of this kind suffer from (cherry picking or hand waving “research” over complex and nuanced topics), there are some interesting ideas within.

Fountain Pens

I’ve decided to sketch more with my Inkvent ink filled fountain pens to try and run them dry more quickly, so here’s a motorcycle sketch done with a Levenger True Writer Cappuccino with a fine nib and Diamine Nutmeg.

Motorcycle Sketch on Midori MD Cotton paper

Have a nice and peaceful week.

Diamine Inkvent 2024 Summary

For the introduction post to 2024’s Inkvent, see this post.

Diamine Inkvent 2024 Black Edition is the fifth edition of their Inkvent calendars, and I’m sorry to say that it’s by far the worst. Partly it’s 2023’s Inkvent Purple Edition’s fault, as it’s the strongest of the Inkvent calendars to date and so it created high expectations for the Black Edition. But there were several things that went wrong with this year’s calendar that made it an overall disappointing experience:

  • There are four previous Inkvent calendars, and there’s only so many ink shades in the world. The black edition featured a lot of inks that were pretty similar to ones seen in earlier Inkvent calendars.
  • This year’s “special effect” was “Extreme Sheen” and it just doesn’t have the same impact as effects like Chameleon and Star Bright that we saw in previous calendars.
  • The “Extreme Sheen” effect didn’t improve all the inks it was applied to.
  • Almost a third of the inks in this calendar were in the “dark and bland” range: grey, brown, black. There’s only so much joy a brown ink can spark.
  • There were very few bright inks and not all the bright were great (see Lemon & Lime and Fruit Cocktail discussed below).
  • A good number of the inks had very little festive appeal. This wouldn’t have been a big deal if Diamine hadn’t set the festive bar so high: they deliberately name their inks for festive or wintery things. Previous Inkvent calendars did much better in this regard (the first ones, the Blue Edition and Red Edition took this a bit too far), so it’s hard not to be disappointed in the Black Edition’s performance on this front.

Here’s all this year’s inks in order (read further on for a breakdown of each group and buying recommendations):

All the 2024 Inkvent Col-O-Ring ink swabs

Blues

There were six blue inks in this year’s Inkvent:

  • Two shimmer inks, Diamine Baltic Breeze and Diamine Icy Lilac. These are nice inks that are very similar to one another and similar to previous blue shimmer inks from past Inkvents. These go into the “nice but not exciting” category, and score decently on festive appeal.
  • Two “Extreme Sheen” inks, Diamine Vibe and Diamine Cosmic Glow. These feature the new effect for this year’s Inkvent and feature it well. Overall these are two of the strongest inks in this year’s calendar in terms of “wow” effect, even though they’re not exactly holiday themed.
  • One chameleon ink, Diamine Snow Globe. The chameleon effect is always nice and interesting, but the base blue ink is nothing new, and it also goes into the “nice by not exciting” category.
  • One Star Bright ink, one of only two Star Bright inks in the calendar, Diamine Chilly Nights. The fact that there are only two Star Bright inks in this calendar contributed to this year’s Inkvent being so underwhelming. There is no greater wow effect than a Star Bright ink on a dark ink, and Diamine Chilly Nights really delivers on that front. The base blue black is very nice, and if you enjoy using shimmer inks then Diamine Chilly Nights is definitely an ink to consider.

All in all the blues in this year’s Inkvent were the strongest overall group by far.

All the blue Inkvent Col-O-Ring ink swabs

Pinks and Reds

There were five pink and red inks in this year’s Inkvent:

  • Three standard inks, Diamine Wilted Rose, Diamine Cranberry and Diamine Lullaby. Diamine Wilted Rose is a nice and interesting “antique” rose colour, Cranberry is a decent but not overly unique ink, and Diamine Lullaby is on the “barely readable” spectrum. Of these three the standout ink is Diamine Wilted Rose, and it’s not a “star” ink by any measure.
  • One scented ink, Diamine Forest Gateau. I loath scented inks so I won’t elaborate on this one.
  • One chameleon ink, Diamine Winterberry. This is the standout ink in this group, one of the few bright and festive inks in this calendar, and a great ink to buy if you’re looking for a “Christmas greeting cards” ink. A breath of fresh air among the washed out and dark colours of this year’s calendar.
All the red and pink Inkvent Col-O-Ring ink swabs

Greens

There were only four greens in this year’s Inkvent:

  • Three chameleon inks, Diamine Lemon & Lime, Diamine Mint Twist and Diamine Pine Needle. Lemon & Lime is unusable even in a wide and generous nib as it’s way too bright and light to be readable. Diamine Mint Twist is the standout ink in this group, the one with the most unique base ink colour. Pine Needle is nice enough, but there have been plenty of inks in this colour before.
  • One “Star Bright” ink, the only other one in the calendar, Diamine Noble Fir. It’s not as impressive as Diamine Chilly Nights because the base ink colour isn’t dark enough for the Star Bright effect to have the most impact. It’s a good, bright green ink though.
All the green Inkvent Col-O-Ring ink swabs

Oranges

There are three oranges in this year’s Inkvent:

  • Two “Extreme Sheen” inks, Diamine Grotto and Diamine Sleigh Ride. Of the two Diamine Grotto is a great ink, and Sleigh Ride is poorly named and features a rather unattractive combination of an orange base and green-brown sheen. If you like rust effects you might enjoy it, otherwise, Diamine Grotto is the better choice.
  • One scented ink, Diamine Fruit Cocktail. I think that this is the worst ink in this year’s calendar for having a combination of scent and zero shading.
All the orange Inkvent Col-O-Ring ink swabs

Darks – Greys, Browns, Blacks

There were seven (!) inks in this category in this year’s Inkvent:

  • Three standard inks, Diamine Marley, Diamine Tundra, and Diamine Potpourri. Of the three Diamine Marley is by far the best, with Diamine Potpourri being too light to be readable (I could have placed this ink in the pinks category, but it’s so greyish and washed out that it felt more in place in this category), and Diamine Tundra being greyish brown, if you’re into that shade.
  • Two shimmer inks, Diamine Nutmeg and Diamine Salted Caramel. Of the two I prefer Diamine Salted Caramel, though there have been similar enough inks in previous Inkvents for you to feel free to skip this one.
  • One chameleon ink, Diamine Wishing Tree. The strongest ink in this group and one of the best inks of this year’s Inkvent, Wishing Tree has a great combination of a fantastic base ink colour and a lot of added interest from the chameleon effect.
  • One “Extreme Sheen” ink that was supposed to be the highlight of this calendar, Diamine Good Tidings. I found it far from “extreme sheening” and the sheen effect was a very unattractive dirty yellow.
All the dark Inkvent Col-O-Ring ink swabs

Summary

So these are the inks that I would consider buying from this year’s calendar (with the addition of Diamine Winterberry if you see yourself needing a festive red ink): Diamine Marley (interesting duo-chrome ink), Diamine Wishing Tree (duo-chrome interesting base shade ink with great chameleon effect), Diamine Grotto (great base orange ink with attractive extreme sheen), Diamine Mint Twist (unique green with a chameleon effect), Diamine Vibe (attractive dark turquoise ink with great extreme sheen), and Diamine Cosmic Glow (great royal blue base ink and wild extreme sheen).

All the inks that I would consider buying Inkvent Col-O-Ring ink swabs

As a reminder, this year’s Inkvent wasn’t sold out, which means that if you’re interested in these inks and haven’t yet gotten the calendar you can expect it to be on sale in various places soon enough. It’s a great way to get a good amount of varied ink samples, and each little bottle is good for at least 2-3 fillings (plus there’s a big 30ml bottle in day 25).

Midyear, at around June or July, Diamine will come out with the “Black Edition” of these inks. These are 50ml editions of the Inkvent 2024 Black Edition inks, in gorgeous glass bottles. They make for great gifts, and are worth getting as they’re very well priced for the “premium ink” experience.

I have 20 fountain pens filled with Inkvent inks in rotation at the moment, and it will take me a while to work my way through them. Will I do Inkvent again next year? I don’t know. The price plus shipping has gotten steeper every year, and this year’s calendar was a pretty big disappointment in my opinion. When pre-orders start for next year’s Inkvent (if there will be one), I’ll have to really consider it.

What are your favourite inks from this year’s Inkvent? What did you think of the Inkvent Black Edition?

Diamine Inkvent 2024 Day 25

This is the Diamine Inkvent 2024 Day 25 door:

The door

Day 25’s ink is a full 30ml bottle of Diamine Good Tidings, a black ink with what is meant to be gold Extreme Sheen. I used an Esterbrook Estie with a Journal nib to test this ink out.

Col-O-Ring swab

I don’t think that I could be more disappointed in a “grand finale” Inkvent ink. Diamine Good Tidings would obviously need to be black because this is the Black Edition of the Inkvent calendar, but the choice to make it an “Extreme Sheen” ink was a poor one. I understand the logic behind this choice (“Extreme Sheen” is a new ink property for this year’s calendar, so of course the ultimate ink of the year needs to have this property), but the result is very underwhelming. The sheen is barely observable, and the result is just a deep black ink.

Different angle of Col-O-Ring swab

Even on original Tomoe River Paper you can barely see the sheen, and when it appears it makes Good Tidings a less attractive ink to behold, not a more attractive one. The choice of silver shimmer or a chameleon effect would have been better for this ink. When the sheen does appear it’s a sickly yellow colour, not the gold that Diamine were likely going for.

Writing sample on original Tomoe River paper

On Rhodia paper Good Tidings simply looks like a very saturated black ink, with no visible sheen. The drying times aren’t great, but if you’re looking for a solid black fountain pen ink Diamine Good Tidings is pretty good.

Writing sample on Rhodia paper

On Midori MD Cotton paper the sheen becomes more visible, but it’s far from what I would term “extreme sheen” and it mostly fades to the background. You can barely see hints of it in the writing in today’s bear sketch:

Bear sketch on Midori MD Cotton paper

Only at a sharp angle and close up you can see the yellowish gold where the ink pooled, such as in the eyes. The nib I used lays down a generous amount of ink, so I would have expected to see more of the sheen than actually appeared here:

Close up of the sketch on Midori MD Cotton paper

The final bear for this year is Tossi, designed by Margarete Nedballa, numbered 115 out of 399 and made by Clemens Bear (so he’s a German bear). I don’t normally like clothed bears, but I liked this fellow’s hat and the way that it matched his unusual nose, which is why I got him. He’s from a store in York called “Christmas Angels” which was wonderful and is now closed (it didn’t survive the pandemic). It was dedicated to Christmas toys and decorations all year round, and had a collectors’ teddy bear room on the top floor.

The bear

Diamine Good Tidings is a nice black ink that I will likely use quite a bit, but for the crowning glory of this year’s Inkvent it’s a bit of a disappointment. I was expecting something with more pizzazz, more of a wow effect.

That’s it for this year’s Inkvent. I will be posting a summary post with buying recommendations and an overview of all the inks over the weekend. In the meanwhile have a Merry Christmas, a Happy Hanukah, and peaceful holidays.

Diamine Inkvent 2024 Day 24

This is the Diamine Inkvent 2024 Day 24 door:

The door

Day 24’s ink is Diamine Salted Caramel, a caramel brown ink with bronze shimmer. I used a Diplomat Elox fountain pen with an extra fine nib to test out this ink.

Col-O-Ring swab

Diamine Salted Caramel is a raw sienna brown ink with a good amount of shading and a good amount of shimmer that shows through even with an extra fine nib. The bronze shimmer gives it a festive, golden sparkle.

Close up of Col-O-Ring swab

Here’s a closer look at the shimmer effect in this ink:

Different angle of Col-O-Ring swab

On original Tomoe River paper you can see both the shading and the shimmer quite significantly:

Writing sample on original Tomoe River paper

However, even on more absorbent Rhodia paper and with an extra fine nib the shimmer and shading are evident. As only the day before yesterday featured a brown ink with shimmer (Diamine Nutmeg), it was a bit surprising to see another brown ink with shimmer make its appearance. I like Salted Caramel more than Nutmeg, though, because it’s a warmer shade of brown.

Writing sample on Rhodia paper

Here’s another look at the Rhodia paper writing sample, where both shading and shimmering are apparent:

Different angle of writing sample on Rhodia paper

And here’s a comparison of Diamine Nutmeg to Diamine Salted Caramel:

Col-O-Ring swab comparison of Diamine Nutmeg to Diamine Salted Caramel

I enjoy sketching with brown inks, and Diamine Salted Caramel was no different. I did have some weird flow issues at start, but they passed so maybe it was a one time thing. Salted Caramel shades beautifully, and so it’s nice to loosely sketch with it.

Bear sketch on Midori MD Cotton paper

You can see where I had flow issues on the top right corner of Pumpkin’s head (the faded brown lines beneath the more prominent ones):

Close up of bear sketch on Midori MD Cotton paper

This tiny, tiny bear is called Pumpkin and she’s 3 of 4, made by Maddy Aldis, and is very, very heavy as she’s filled with lead shot. I love her wild look and her pastel rainbow colours, which is why I got her.

The bear

I would have liked to have seen a different shade of ink, one that isn’t brown, but having Salted Caramel make its appearance on day 24 isn’t the end of the world. It’s a nice, warm brown with lovely shading and shimmer, and it’s not its fault that Diamine Nutmeg was there two days before it. It’s a great festive ink to write greeting cards with, and I had fun sketching with it.

What do you think of Diamine Salted Caramel? Do you prefer it to Diamine Nutmeg?

Diamine Inkvent 2024 Day 23

This is the Diamine Inkvent 2024 Day 23 door:

The door

Day 23’s ink is Diamine Pine Needle, a sap green with chameleon shimmer in green and blue. I used a Lamy AL Star with a broad nib to test out this ink.

Col-O-Ring swab of Diamine Pine Needle

Here’s a close up of Diamine Pine Needle’s Col-O-Ring swab. There’s a bit of shading with this ink, and the chameleon shimmer adds interest to what otherwise would be not the most interesting shade of green.

Close up of Col-O-Ring swab of Diamine Pine Needle

Here’s the Col-O-Ring swab from a different angle, where you can better see the chameleon shimmer:

Different angle of Col-O-Ring swab of Diamine Pine Needle

Diamine Pine Needle is definitely one of the more festive inks in this year’s calendar, and it’s delightfully neither grey nor brown, which is an added bonus. I use sap green as the base green of my watercolour palette so it was nice to get to see it in a different context and with a bit of chameleon pizzazz added.

Writing sample on Rhodia paper

Here’s the chameleon effect on the Rhodia paper. You can also see that Diamine Pine Needle shades quite nicely:

Different angle of writing sample on Rhodia paper

You can see the shading more clearly on original Tomoe River paper:

Writing sample on original Tomoe River paper

Even without the chameleon shimmer Pine Needle would have been a nice ink, but with it it’s one of the best inks in this year’s Inkvent. Here’s today’s bear sketch on Midori MD Cotton paper:

Sketch on Midori MD Cotton paper

A different angle to show off the chameleon shimmer of Diamine Pine Needle:

Different angle of sketch on Midori MD Cotton paper

Today’s tiny bear is Oliver, a one of a kind handmade bear by June Kendall for Hardy Bears, a small English maker. His mohair is two toned and gorgeous and I love his classic teddy bear look in minuscule size.

The bear

Diamine Pine Needle isn’t really the blue green shade of pine needles, but I don’t care much. It’s a nice, festive ink with a good amount of shading and lovely chameleon shimmer, and it’s one of the brightest inks in this year’s Inkvent. It’s like a breath of fresh air after all of the drab and muted colours we’ve seen this year.

What do you think of Diamine Pine Needle? Do you like this shade of green?

Diamine Inkvent 2024 Day 22

This is the Diamine Inkvent 2024 Day 22 door:

The door

Day 22’s ink is Diamine Nutmeg, a greyish-brown ink with gold shimmer. I used a Levenger True Writer fountain pen with a fine nib to test out this ink.

Col-O-Ring swab of Diamine Nutmeg

Diamine Nutmeg has a mousy brown base colour with a good amount of shading, and with gold shimmer that saves this ink from being a bland, depressing disappointment.

Close up of Col-O-Ring swab of Diamine Nutmeg

The gold shimmer does two things for Diamine Nutmeg: it warms up what would otherwise be a “cold” brown, and it adds interest and life to this ink.

Different angle of Col-O-Ring swab of Diamine Nutmeg

This year’s Inkvent seems laden with grey, brown, and dark inks, and Diamine Nutmeg fits right in with this crowd. What “saves” it is the gold shimmer, because otherwise it would be the last sort of ink colour you’d want to see in a holiday themed calendar.

Writing sample on Rhodia paper

Here’s a close up on some of the shading and the glitter. This is a rare case where I would have actually welcomed more glitter:

Close up of writing sample on writing paper

On original Tomoe River paper you see more of the shading:

Writing sample on original Tomoe River Paper

The photo of today’s bear sketch came out weirdly dark, I don’t know why. In any case, Diamine Nutmeg is a nice enough ink to sketch with, and as I expected it shades even more on Midori MD Cotton paper than it does on Rhodia paper, but still I wouldn’t call it a very interesting ink.

Bear sketch on Midori MD Cotton paper

Here’s a close up of the shading and the shimmer:

Close up of bear sketch on Midori MD Cotton paper

Today’s bear is an unnumbered Clemens bear (so he’s a German bear). I love his solid squatness and his squashed face, which is why I got him.

The bear

I don’t know what made Diamine lean into the darker and more muted side of the ink colour spectrum this year, but the result isn’t inspiring or festive. Diamine Nutmeg is saved somewhat by its shimmer, and it most certainly fits its name, but I still don’t see myself wanting to use it with any regularity.

What do you think of the ink selection this year so far? Do you like Diamine Nutmeg?