Haifa and Jerusalem

This time in pen and markers. The actresses from the wonderful play “The Mystery of the Lost City Guardian (of Doom)” strike again.
A blog about writing, sketching, running and other things

This time in pen and markers. The actresses from the wonderful play “The Mystery of the Lost City Guardian (of Doom)” strike again.

This time in pen and markers. The actresses from the wonderful play “The Mystery of the Lost City Guardian (of Doom)” strike again. I still don’t know what to do with Jerusalem’s background, but I’ll figure something out.
The Waterman Phileas was my first fountain pen, one that I bought after careful research on eBay, shortly after they were discontinued. It cost me £15 at the time, a small fortune for me, and the most I had ever spent on a pen. My RSI was at its worst, and I had to take a lot of notes (I was still in the university), so I splurged mostly out of desperation. Internet research brought up fountain pens as something that could possibly help with my RSI, and so I decided to give it a try. I found the Fountain Pen Network and combed the boards for information about fountain pens for newbies like me. Two pens kept coming up as good first fountain pens to buy: the Lamy Safari, and the Waterman Phileas. It was relatively newly discontinued by Waterman, and so I could find it easily and buy it NOS from a reputable seller. It’s been over 11 years since I bought it, and it’s still one of my favourite pens, and one of my most frequently used ones.

The Waterman Phileas is named after Phileas Fogg, Jules Verne’s “Around the World in 80 Days” protagonist. It comes in blue, green, red and black, and is cartridge converter pen with a large two-tone steel nib. The nib and pen have an art deco look to them, and the pen is also designed to look somewhat like a cigar. It’s a classic “fountain pen” look that makes it appear more expensive than it is, and it’s part of the reason why you’ll see it popping up in various commercials, even to this day. It’s a very beautiful and elegant pen that just looks classy.
Unlike it’s cheaper sibling, the Waterman Kultur, the Phileas has a brass insert in the body, which means that it has got some heft to it, weighing (filled, with a converter) 24g, as opposed to the Lamy AL-Star’s 22g (filled, with a converter). The weight is perfectly balanced for writing, especially for beginners, since it encourages you to lay off putting pressure on the pen. The pen let you feel that it’s putting the pressure on for you.
The look of the Phileas is phenomenal, especially for the price, but it’s the nib that made me fall in love with it specifically and with fountain pens in general. I chose the extra fine nib, and it is nothing short of magical. Take a look for yourself:

Yes, that’s line variation. No, it doesn’t come from applying pressure to the nib. It works like a less extreme Sailor Zoom nib: vary your writing angle just a bit and it will go from 0.4 mm lines to 0.7 mm ones. The nib is also smooth, but gives a little feedback, which reminds me a little of the feedback you get from using a really good pencil. Couple that with the fact that the Phileas is a cartridge converter (with a sizeable converter), and so very easy to clean, and you’ll understand why this is still my favourite sketching fountain pen.

The Phileas accepts long international cartridges, and Waterman is one of the few makers that make those cartridges. They excellent (especially the blue-black) and very convenient when travelling with your fountain pen.

Which brings me back to the beginning of my story. It’s 2019 and I have a substantial collection of fountain pens, most of them costing well over 10 times what the Waterman Phileas cost me. None of them are 10 times the Phileas as a pen. I could have stopped here, but the Phileas has proven to be a gateway into fountain pen madness for many people over the years. It’s a pen to fall in love with, in a way that I haven’t ever fallen in love with my Lamy’s, good-though-they-are. Its design is classic and timeless, and its quality is unparalleled for the price (yes, even today).
SO WHY HAS WATERMAN DISCONTINUED IT? WHY? WHY?
This should have been their Lamy Safari, TWSBI Eco or Pilot Metropolitan – a more classic version of the beginner’s fountain pen, as opposed to the other’s more modern design. It boggles my mind that they not only discontinued the Phileas, but also it’s cheaper cousin, the Kultur. What on earth are they doing over there? Do they not want new people to fall in love with their pens? It’s the same weird move with their ink line (their refusal to jump on the limited edition/shimmer/sheen ink bandwagon), but even more baffling. YOU WOULD SELL THESE WATERMAN!
So frustrating.
Anyway – if you can get your hands on a Waterman Phileas for a reasonable price, I highly recommend it. It’s a charming pen that will never go out of style.

A quick sketch of a building in the Jaffa flea market area.

The outline and cat were drawn with a Waterman Phileas (EF nib) and Noodler’s Heart of Darkness (which I haven’t used in years, no idea why), and the hat and clothes were filled in with a Tombow Fudenosuke dual sided brush pen.
It was a fun challenge, and I really pushed myself this year to try new and different things. Can’t wait for next year’s Inktober!


This quick sketch of people relaxing under an olive tree in Rabin Square, Tel Aviv, was drawn entirely with a Tombow Fudenosuke Brush Pen – Double-Sided – Gray/Black, which is a hard, durable (for a brush pen), waterproof brush pen which has become a staple in my drawing kit. Highly recommended, especially if you’re new to brush pens, or plan to use them with watercolours.


Drawn with dip pen, and inked with brush pens and Uniball Emott.

The left part of the spread is my cat, in Tel Aviv (ink only). The right side of the spread is from a photo I took in a patisserie in Paris, France (ink and watercolour).
