Category: Drawing

Weekly Update: One Week 100 People, Newly Inked Pens and Preparing for a Doctor’s Visit

I finished the One Week 100 People challenge on day 4, but kept going for day 5 (which was yesterday) and added a few sketches on day 6 (even though the official challenge is 5 days long). It was the first time that I sketched only live subjects and not from photos, and it really pushed me to find ways to work fast.

Today I added a few final sketches to my Field Notes sketchbook, this time using Faber Castell Pitt brush pens for blocks of colour and a Pilot brush pen for the sketches themselves. I was trying to work mainly with silhouettes and capture people in movement. It took me longer than I thought to capture a mere 6 subjects, mostly because what people do when they walk around nowadays is stare at their phones.

As I wrote two fountain pens dry this week, I filled six new fountain pens, bringing my rotation up to nine pens. Next week I’ll write a post about the pens and inks that I chose, but I will say that there are some pretty rare ones in the rotation this time.

Next week is pretty stressful as I have some tests and a checkup coming up with my hemato-oncologist (that’s a cancer doctor that specializes in blood cancers, which is the kind of cancer that I’m in remission from). I will give out one important tip for anyone who is going to see a doctor for any reason:

Write down ahead of time whatever it is that is bothering you/you need help with, and make sure that it’s in order of importance. There’s a good chance that if you won’t do this you will forget things, or you’ll focus on the least important thing, or you’ll have trouble articulating the issue. A doctor’s office is a stressful location, so you want to take the time and prepare this list in advance when you are sitting calmly at home. Make sure that the first 2-3 items on that list are really the most important things that you want to focus on because there’s a good chance that you’ll only get to focus on these items (your time in there is going to be limited). Reference the list when in the doctor’s office (don’t be embarrassed, there’s nothing embarrassing about being prepared). Be clear and specific, and insist on getting all your questions answered when it comes to these things. Double check before you leave that all the medications you discussed and tests that the doctor ordered were properly documented. Doctors are people too and the electronic medical record systems they work with aren’t the best, so it’s worth checking that everything is in order before you leave (even if you do the check with the medical secretary, just so long as you’re still in the doctor’s office and any errors and omissions can be fixed).

Take care of yourself and have a great week!

One Week 100 People 2025: Day Five

Last official day of the challenge, though I plan on doing a few more sketches tomorrow. These were all done at the gym, from 102-112, including a failed sketch.

My favourite on this page is 111. What’s yours?

One Week 100 People 2025: Day Four

I have a super busy day so I took my sketchbook (Moleskine pocket watercolour) to the gym and did sketches 79-90 there, and then I completed 91-101 sitting on a bench on my way home.

So 100 people completed – the fastest ever I’ve done this challenge, and all of them sketched from life. I plan to complete this page tomorrow and then go back to my Field Notes sketchbook to try another style of sketching people on the move.

As usual, pick which one you like best. I am having trouble choosing.

One Week 100 People 2025: Day Three

It was dark and cold once I finished, and my fingers had trouble grasping the pen because of my neuropathy. My original plan was to finish all 100 today, but I only got to 78. Tomorrow I have very little time to sketch, but I am getting faster and better and capturing quick moving targets.

I am using the watercolour “blobs” mostly as general guides for the size of each sketch. I create them first and then sketch over them later.

These were done on a Moleskine pocket watercolour sketchbook using Schmincke and Daniel Smith watercolours, a water brush and a Staedtler 0.3 pigment liner pen. They each took only a few seconds to sketch.

As usual – pick your favourite. Mine is 56.

One Week 100 People 2025: Day Two

I went out for 45 minutes after work and sketched all of these as fast as I could. I only stopped when it got too dark outside. Yesterday’s sketches were done with a Staedtler 0.5 pigment liner on a Field Notes sketchbook. Today’s sketches were done on a pocket Moleskine watercolour sketchbook using a 0.3 Staedtler pigment liner, a water brush and watercolour.

First batch when it was still light outside

People moved by in the street so I had seconds to capture each figure (the more detailed ones stopped for a minute or two). As this is what normally happens when you urban sketch, I found this exercise to be very useful.

Second batch finished in the lamp light

Which one is your favourite?

One Week 100 People 2025: Day 1

I didn’t have much time to sketch today so I only got 8 sketches done, but I’m more concerned with getting the sketches done from observation than with getting them done in time.

Weekly Update: Ink Swaps and Quick Sketches

Earlier this week I went to a standup gig – a NY comedian was trying out new material, and it was an interesting (and funny) experience to see him work. Before the show I had about 5 minutes to sketch the people in a nearby cafe, so I sketched this couple using a Staedtler 0.5 Pigment Liner.

In terms of fountain pens the Parker Vacumatic is out of rotation, though I may give Diamine Writer’s Blood a try in another pen soon enough. I decided that I want to have the nib tuned on it, in terms of flow, though I don’t know who I’ll be able to find to do the tuning for me.

I also dumped out the Pilot Iroshizuku Yama Budo out of my Parker 51 as I couldn’t get it to not bleed and feather on practically any paper. I cleaned out the pen and refilled it with Waterman (Tender) Purple ink and it’s been wonderful to use since. Waterman inks are not only fantastically well behaved, beautiful, cheap and very, very easy to clean out of pens, they’re also dry inks. As Parker 51 generally have a generous ink flow, and this one is no different, a dry ink serves particularly well with this pen.

I’ve been reading Mrs Palfrey at the Claremont by Elizabeth Taylor (the British novelist, not the famous actress) and it’s a wonderful study of character, age and aging.

Next week is the Tel Aviv marathon, which is sold out for the very first time. There were no big local running events last year, and there’s clearly a hunger for them.

This week has been crushing from both a personal and a national perspective. I’ve taken solace in friends and in reading, but there have been times where it’s been a struggle. It’s at times like this when I need to remind myself to stop, take a breath, allow myself to feel what I need to feel, and only then pick myself up and move on.

Be kind to yourself and others, and have a great week.

Weekly Update: Model Sketches Take 2

It’s nice to have new pens and inks in rotation. I’m enjoying Diamine’s Writer’s Blood more than I expected, Diamine Autumn Oak is fantastic with a Waterman superflex nib, and Pilot Iroshizuku Tsuki-yo is becoming one of my favourite inks.

Liz Steel and Marc Taro Holmes are hosting the OneWeek100People challenge again this year, and I intend to participate again. The challenge starts on the 3rd of March and officially lasts 5 days. I normally sketch from photos, but this time I want to see if I can do the entire challenge from observation only. It may take me more than 5 days, but I’m OK with that. Are you planning on joining the challenge?

I went to the local art museum again this week, to sketch models in the museum. This was the last time this event was run, and the place was packed with sketchers. I didn’t have the best of locations, but I made the most of it. I sketched with Faber Castell 9000 2B and 3B pencils mostly, and added a touch of colour with Faber Castell Polychromos. The ink sketches were done with a Staedtler Pigment Liner 0.5. The sketchbook I used was once again the French Pascale Éditions. The models did fewer 20 minute poses and more 10 minute ones, which meant scrambling a lot. I wanted to visit the museum after the event, but I was so tired from 3 hours of non-stop sketching that I just went home.

Harman Photo just came out with a brand new colour film, Harman Red. It’s a red-scale film, and I’m curious enough to try and buy a roll or two and test them out. I love the wild, wild results I got with Harman Phoenix and the Harman Red is basically Phoenix pushed even more into red-scale.

Here are the sketches from today, and I hope that you have a great week!

10 minute pose.
10 minute pose.
10 minute pose.
10 minute pose – the hardest pose to draw because of the angle of the head. Had a false start on this one, so had only about 8 minutes for this.
10 minute pose – Staedtler 0.5 pigment liner
10 minute pose
10 minute pose
10 minute pose
The three models. The pose started with just the two top models, and then the third one joined, and it was a 10 minute pose.
A challenging composition, 20 minute pose
10 minute pose. I like the composition on this one – I placed her on the side of the page to give her room for thought.
Final pose, 20 minutes

Weekly Update: Model Sketches

It’s been a hectic week as my team at work is basically crumbling: our new senior member is leaving after just two months, the team lead is leaving after a bit more than a year, and the other team member is on holiday until the end of the month. That just leaves me with two trainees to hold the fort for a while, and it’s far from ideal. As I’m also working my way through an intense certification course, posts on this blog have taken (and will likely continue to take) a bit of a hit.

Reading

I’ve finished reading Looking for a Ship by John McPhee and I’ve reviewed it here. It’s a fascinating narrative of a now extinct world, that of the American Merchant Marine. I’ve now started reading Oliver Burkeman’s Four Thousand Weeks as well as Legends and Lattes by Travis Baldree.

Stationery

My Field Notes order has arrived, as has the 2024 Hobonichi Techo (yes, 2024) that I bought with a Black Friday discount. The Hobonichi will be used to supplement my 2014 Hobonichi when it comes to testing out inks. The 2024 Techo has’s got paper that is close enough to original Tomoe River Paper that’s in my 2014 Techo, though from my understanding the 2025 Hobonuchi’s have worse paper than the 2024 ones, so take that into account if you’re considering buying one. I have posts planned for both purchases, and hopefully I’ll get the time to write them.

Model Sketching

I went to the Tel Aviv Museum of Art today for a special sketching event that they organized: three models dressed in clothing that reflected some of the artwork in the collection, posing for sketches for 3 hours. These were mostly 10 minute sketches, with the last two poses being 20 minute ones. The last pose was a rare treat – a group pose, which is something you don’t get to sketch a lot.

In general when sketching models, whether clothed or not, you have one model that poses. Here there were three, and they switched places, so wherever you sat you got to sketch all three (and you could always sketch a model that was a bit further than the one right in front of you). The museum was busy, and there were children’s plays being shown in the auditorium, and so a lot of kids were around us, sketching on bits of paper with coloured pencils, with parents and grandparents cooing with delight and hovering around. It was wonderful to see how joyously kids took to sketching, whether it was the ladies in the dresses before them, or just anything that came into their imagination.

Here are the sketches I made throughout the event. The sketchbook I used was by French maker Pascale Éditions (it was lovely), and I used a Faber Castell 9000 2B pencil, a Faber Castell 4B Graphite Aquarelle pencil, various Faber Castel Albrecht Dürer watercolour pencils, a Tombow brush pen, and a 0.5 Staedtler Pigment Liner (this was my most used sketching tool).

First sketch. Warming up, so trying to keep it as loose as possible.
20 minute sketch, so I had time for some shading.
The only sketch where I wet the paper slightly with a waterbrush before sketching
20 minute final group pose
Potato quality photo of the three models

Have a great and creative week!

Shana Tova and Quick Update

  • Shana Tova to all who celebrate the Jewish New Year. The passing year has been an extremely tough one on a personal and national level. I sincerely hope that the coming year will be better in every possible way, that the hostages will return and we will have some much needed peace in our region.
  • I’ve had a lot of the worst kind of upheaval at work during the past two weeks and so I haven’t been keeping up with all the comings and goings in the stationery-sphere. There has been drama of the ugly kind, which I don’t intend to get into. I will just say that this blog is LGBTQIA+ friendly (I am a member of the community myself), and anyone equating homosexuality to murder is both extremely wrong and very hateful person.
  • I have had to take a break in the SketchingNow Travel Sketching course but am now returning to it and will be making a post about the second week of classes (Shapes).
  • I will not be participating in Inktober this year. I just don’t have the time for it, and I want to focus on working through the Travel Sketching course instead, as I have some travel planned for later this month and I’m hoping to incorporate what I learned into my travels.