Morning barista sketch

Went on a 5k run and then went to my favourite cafe and did a quick sketch of the barista. Had more time this morning than last time so this sketch is more detailed.

Before watercolour was added.

Morning sketch at my favourite cafe

My favourite barista, Orit, at work in Bakery North Dizengoff.

Stillman and Birn pocket beta, Windsor and Newton 0.5 fineliner, Roman Szmal Aquarius watercolours.

The sketch

Last of the Squill Sketch

Sketched this on location and then it got too hot so I finished it with watercolours (my normal palette, but with more mixing than usual) at home. The paper is a Stillman and Birn pocket beta.

Finished sketch

Here’s the original sketch:

Nikecraft ISRU Summer Camp

Yesterday was the last day of Tom Sachs and Nikecraft’s I.S.R.U Summer Camp challenge. Since the 17th of August you could download the ISRU (In Situ Resource Utilization) app and participate in a series of “rituals” to earn points towards getting the chance to purchase Sachs’s coveted Mars Yard 3.0 Nike sneakers.

Tape waiting for the Out and Back ritual

So what’s the deal with the shoes? You can see a film about the Mars Yard shoes here, but for me personally they are just cool shoes with an interesting design story. I downloaded the app out of curiosity and even though I participated in all the “rituals” and am currently in the 95th percentile of people on the ISRU app’s leaderboard, I doubt that I will get the chance to purchase them.

Part of my wall in the ISRU app.

I’m writing about this challenge and this app because after a month and a half of participation I think the rituals and habits that I garnered from the experience are worth sharing.

There are six daily rituals in the app, and they were revealed week-by-week. If you plan on participating, I’d suggest adding all the rituals gradually and in the same order that they were added in the app: you are building a set of disciplines after all.

The rituals are:

  • Ten Free Throws – shoot 10 free throws at something. I settled on a small box and a crumpled piece of paper as a ball, and I use an orange and a black sharpie to keep score on the box. This seems silly but it’s a lot of fun and a quick palette cleanser in the middle of the day.
  • Output Before Input – if there’s only one ritual/habit that you should take from this it’s this one. When you wake up, don’t reach for your phone. Create something instead. I started out this ritual by journaling, but now I’m sketching in the morning and it’s the best way to start the day.
  • Out and Back – another great habit – run for 20 minutes, and mark the halfway point. I run for more than 20 minutes usually, and there are rest days when I walk, but this has been a great reminder to get out there and move.
  • Wall Drawing – tire out your arms with push ups, and then draw a line on a “wall” (either a real one or a piece of paper). Stop when your line touches a previous line or when you lift your pencil up from the wall or when you reach the end. Mark your stopping point with a red X. This is a way to get push ups and some interesting artwork done.
  • Read Before Bed – read a physical book before bed instead of staring at a screen. Excellent ritual, and one that I really needed.
  • Medicine Ball – create your own medicine ball out of cans, bubble wrap and duck tape (I used the one in the gym), and perform 5 daily exercises with it.

Apart from these there was a one time “Choose Your Ritual” challenge where you had to create a 1 minute or less movie about your ritual and upload it to the app. This was a tough challenge, but it got me to learn iMovie and how to edit videos on my phone, so I really appreciate it.

Even though the challenge has ended I’ve decided to continue doing these daily rituals and updating the app. These are just good habits to have and the ISRU app is a pretty great habit tracker for these.

There are also some great films that were uploaded to the app as part of the challenge. My favourite is How to Learn How to Surf.

How about you? Did you participate in the challenge? Are you interested in any of these rituals?

Trying out a Renesans Paint and Brush

As part of the Urban Sketcher’s 2025 Symposium in Poznan I got a very generous goodie bag filled with art supplies from the Symposium sponsors. One of those sponsors was Renesans, a Polish art supply manufacturer, and they gave us a half pan of Kassel Earth extra fine watercolour and a number 3 synthetic watercolour brush.

Today I decided to try them out. I used a Stillman and Birn pocket beta, a Staedtler 0.8 pigment liner and only the Kassel Earth watercolour and the Renesans brush. This is the result:

It’s a sketch of a beautiful building across from a pond in a park in Poznan. I drew it from a photo that I took during my morning run through the park. I was planning on returning to the park during the Symposium but I ended up not having time.

This is the sketch:

I used some of what I learned in the symposium to create more realistic trees.

I rarely sketch in monochrome so this sketch was a challenge. It’s about seeing the grades and shades in a scene, and not the colours, and that’s a hard exercise.

This is the paint and brush on the sketchbook:

And this is a swab of the paint. It’s a classic Van Dyke brown, artist grade quality. The brush was surprisingly good, especially for a synthetic brush. It retained quite a lot of water, and it has a good, sharp point.

Though the paint pan has bubbles in it, which isn’t great, I am happy with the quality of the paint and I would consider using Renesans watercolours in the future. The brush is excellent and I am adding it to my rotation. What a wonderful gift to get!

End of Summer Sea View Sketch

I started this one yesterday on location and then discovered that I needed a proper brush to finish it and not just a waterbrush, so I finished it at home today. The flowers are squills, which have a dreadful name in English but they are magnificent flowers and the heralds of autumn.

This was drawn using a very limited and somewhat unusual palette – the Roman Szmal Aquarius mini watercolour set for urban sketchers. I purchased it and the 50th anniversary special edition Caran d’Ache Neocolor II Lush set at the Urban Sketchers Poznan Symposium‘s art market. It was a real challenge to work with a set that didn’t include any of the colours that I’m used to using, and combine it with a medium (Neocolors II) that I’ve only used once or twice before. I like the results enough to challenge myself to create more of these in the future.

This is what was done on location:

Radius Settimo Cielo Blu, Diamine 150 Regency Blue, Diamine Forever Raven, Pilot Iroshizuku Sui gyoku

I just received a package from Fontoplumo and I immediately added the pen and inks it contained into rotation. While I already have a good amount of pens inked up, I really wanted to give the Radius 1934 Settimo Cielo Blu a try as soon as I got it. Not only is it a gorgeous looking pen, but I was also curious to see how it compares both the the vintage Radius fountain pen that I own and to my Leonardo fountain pens, as they are also the makers of the Radius.

Apart from the Radius the package contained two inks that I was interested in using as soon as possible, so I inked up a Pelikan M200 Petrol with Pilot Iroshizuku Sui gyoku and a Lamy AL Star with Diamine Forever Raven. The Radius got inked up withe Diamine 150 years Anniversary Regency Blue, a rich royal blue with moderate red sheen that fits the blue swirls on the pen body.

From left to right: Pelikan M200 Petrol, Lamy AL Star Black, Radius Settimo Celio Blu

Comparing the Diamine Forever Raven to Sailor Black reveals that the Sailor is slightly darker than the Raven, but both are dark enough to count as proper black inks (and not dark grey or brown). They both have a bit of shading, but the Raven interests me as a waterproof ink, so I’ll be testing it with some watercolour sketches later on.

Writing sample

The Pilot Iroshizuku Sui gyoku isn’t what I expected. I was hoping for a more prominently green ink, but Sui gyoku is more of a turquoise than a green. I like turquoise inks so that won’t be a problem, but it means that I’m still on the lookout for an interesting, bright, readable green. The shading on this ink is delightful.

Diamine 150 Anniversary Regency Blue is a rich royal blue with some red sheen. It’s very saturated, especially in the Radius nib.

Gorgeous blue swirls on the Radius

The Radius interested me not so much as a revival of the old Italian brand since the original Radius was a minor pen manufacturer, and I wasn’t blown away by the vintage Radius that I own. It seemed to me that the old Radius brand was busy making local copies of what Parker was doing at the time, which is understandable. However, Radius as a sub-brand of Leonardo is interesting since Leonardo have been hiking their prices lately but the Radius remains more affordable and offers resins and pen bodies that are just as attractive as what Leonardo has to offer.

Radius imprint on the nib

I love both the blue, white and brown swirly resin of this pen and the art deco-ish band. It’s a big wide pen, like the Leonardo pens and Viscontis, but light and comfortable to use.

Radius branding and band

One tiny minus with my pen is that as the bottom part of the body tapers down, a smudge of brown resin was left, making it look like there’s permanent dirt on the pen body. Not ideal, but it’s something I can live with.

The smudge

Here’s a writing sample of all three inks on Col-O-Ring cards.

Ink samples

And as a silly little treat I also bought two cartridge boxes of Lamy Pokemon ink cartridges. They are filled with regular black Lamy ink cartridges, which I knew, but is still disappointing – a teal and a red would have been better.

Weekly Update: New Journal and 10 Years of Writing at Large

It’s been a while, mostly because life has been hectic, not because I don’t have things to write about. Here’s to trying to get more posts in, even if they aren’t perfect or particularly long.

I’ve just finished another journal (the yellow one on the left in the photo below) and have set up my new one. Both are Stalogy 365 B6 notebooks, and both have a similar initial setup:

1.I flip the notebooks upside down so that the header with the dates is on the bottom and out of the way, as I don’t use it.

2. I use the front endpaper to write an “in case of loss” message (my name, email, phone number and a request for the finder to do the right thing).

New journal on the right, old journal on the left.

3. I use the back endpaper as a sort of “dashboard”. One side gets stickers on it, the other gets a post it with some journaling and review prompts.

Endpaper view of the new journal.

My new journal’s cover was damaged in transit, so I covered the worst of the damage with washi tape. It adds some character to the black cover, and if it gets too grimy or peels off I can always replace it.

My old journal lasted me for 5 months, which is about what these notebooks last for. My Moleskine journals lasted for 3-4 months because they had fewer paged and I used them for scrapbooking as well.

In other news “Writing at Large” is 10 years old. I never thought that I’d be publishing it for so long, but I’m glad that I started it way back in July of 2015, and I hope to keep it going for many years more. I’ve been through a lot over the past decade, and this site reflects a tiny part of that. If I can recommend something it’s to invest your time in your own site and your own work instead of on social media. If you persist, it pays dividends.

Reading

Finished The Day of the Jackal by Fredrick Forsyth and found it fascinating. I’m planning on reviewing it here.

Started on We Solve Murders by Richard Osman and I’m working on some Ulysses posts.

Health and Fitness

It’s getting hard to run outside, harder than it ever was, in this heat and humidity. Global warming is making treadmill runs more attractive. I’ve started using the NRC app‘s guided treadmill runs and they are pretty good and making treadmill running more bearable.

Have a great week and be kind to each other.

July’s Currently Inked Fountain Pens

A mixture of some pens left over from last month, coupled with a slew of new pens in mostly long unused inks characterizes this month’s lineup.

The paper is Hobonichi Techo 2024 this time (I bought it on Black Friday, to compare with the original Tomoe River Paper in my 2014 Hobonichi). The paper in it is almost as good as the original Tomoe River Paper for showing off ink properties.

From June’s rotation I only have:

The mauve Sailor Pro Gear Slim with a music nib and delightful yet discontinued Sailor Jentle Apricot. A readable reddish orange ink with generous shading.

Kaweco AC Sport Carbon fine nib with Diamine Ultra Green. It’s almost written dry but has seen less use than I planned since I’m not in love with the ink colour. It is growing on me though.

Writing sample on Hobonichi 2024 paper

In the end of June I added two new pens into the rotation:

Franklin Christoph x Stilo x Stile 03 Sparkling Rock EF nib with Diamine Earl Grey. Earl Grey is still one of my favourite inks and if you want a readable, interesting grey I highly recommend it.

PenBBS 456 Smog with a RM nib and Pelikan Edelstein Golden Lapis ink. I have no idea what possessed me to fill a vacuum filler with this ink, but I’ll pay for that later. Golden Lapis was a gift from the Pelikan Hubs and has turned out to be my favourite shimmer ink.

Closeup on the sheen on Diamine Holly

The proper July inked pens are:

Franklin Christoph 46 Polar Ice EF nib with Diamine Inkvent 2019 Holly. I reviewed this ink here and I liked it enough to purchase a full bottle of it, though I have rarely used it since. Holly is a dark blue green with a wild red sheen and is saturated enough to pass as a serious businesslike black at a cursory glance, so you can sneak it into office use 🙂

Pilot VP Matte Black M nib with Pilot Iroshizuku Chiku-rin ink. I used to use my VPs a lot more, especially to take notes in meetings, but now I rarely use them because they have a tiny ink capacity and are a bit of a pain to clean out. They do have beautiful nibs, and I wanted a cheerful green ink so the pairing works well.

Visconti Homo Sapiens Lava black EF with Sailor Shikiori Yama Dori – this is the original Homo Sapiens pen, before Visconti did dozens of versions of it, when it took the pen world by storm. I bought mine at Mora Stylos, and they customized the finial with my initials. Yama Dori is a peacock blue with red sheen, and is a wonderful ink in Sailor’s annoying flat Jentle ink bottles.It was almost impossible to fill this pen due to the bottle shape.

Writing sample on Hobnonichi 2024 paper

Esterbrook Estie Sea Glass Journal nib with Diamine Aurora Borealis. I love the Journal nib, and it really shows off the gorgeous teal of Aurora Borealis. There’s some shading with this ink and a hint of red sheen. This ink is one of the few I own in both bottle and cartridge format.

Leonardo Momento Zero Grande 2.0 Galattica Universe F nib filled with Montblanc The Beatles Psychedelic Purple. A wild pen and a wild ink that have wildly jumped in price over the past year or two. I have a handful of Montblanc inks, but I’ve been priced out of the brand now. Leonardo makes great pens, but I no longer feel the need to buy every limited edition they come out with. The Beatles purple is a wonderful PURPLE – bright, not muddy and perfectly midway between red and blue.

Last but very far from least Parker 51 Plum F nib with Sailor Jentle Peche. A rare 51 and a long discontinued ink coupled together to make sure that I use the good china. Parker 51 pens are my favourites, and this one is a gold capped aerometric with a fantastic nib.

The pens in order of appearance here, from top to bottom.

What have you got in your pens this month?