Ever since I saw the first reviewsofDiamine Earl Grey I have been fascinated by this ink, and only partly because I love, love, love tea. The colour seemed to have shading properties and tonal depths that were similar to the much coveted yet hard to obtain Sailor Studio 123. I had vowed to cut down on my ink purchases, but as I broke down and bought some Diamine Blue (i.e. Christmas) inks, I had to add a small bottle of Diamine Earl Grey to the cart.
This ink is sheer magic. It is very legible (unlike many lighter grey inks), it shades like mad, and even on Rhodia paper you can see a bit of its tonal depth.
On Tomoe River paper the depth of its hidden tones really comes to light:
There’s blue, even slight hints of turquoise, green, yellow, shades of pink, and in the dark recesses hints of warm brown. It’s like the greys I often create on my watercolour palette: a mix of reds, greens and blues, with a dash of brown. The result is a rich, “living” grey that surprises you every time.
I’ll probably skip the Sailor 123 Studio Ink because the price plus shipping plus customs will make it painfully expensive. Now that I have Diamine Earl Grey I don’t feel like I’ve missed out.
It’s the new Caran d’Ache 849 Nespresso limited edition and this time it’s Arpeggio that was chosen. Arpeggio is not only one of Nespresso’s more popular capsules, it’s also a gorgeous purple, which is a huge plus in my book, and big difference from their previous edition, the India.
But first, some photos of the phenomenal packaging of this pen:
The 849 Arpeggio is made out of recycled Nespresso capsules just like its predecessors:
The cardboard cutout the pen comes in still on point: a simple and fitting material designed to perfection to best showcase the pen and its materials.
This came out darker than I would have preferred, but you can just about see the Caran d’Ache brand under the clip, and the “Swiss made” on top.
The 849 Arpeggio is a lovely deep purple, and has a great texture to it. The non-smooth surface makes it much easier to grip than many of the other 849 pens. You can see the difference in texture here between the Arpeggio and one of the 849 Tropics pens:
And here’s the by now familiar “made with recycled Nespresso capsules” tagline on the side:
I changed the refill, and since somebody asked, I thought I’d focus on that for a bit. To change the refill you unscrew the clicker on top, and that might take a bit of fiddling, since it’s pretty securely screwed in. It doesn’t take force, just a bit of patience. Then take out the refill and swap it out with the new refill, and don’t forget to put the front spring on, preserving the right direction it was placed in when it came off.
I replaced the original Caran d’Ache Goliath ballpoint refill with the Parker Quink medium gel refill (it’s 0.7 mm). Here it is in the packaging in case you’re looking for it. I bought a pack of these from the excellent, excellent CultPens (I’m not being paid to say this, I just really appreciate them and what they’re doing. If you’re a non-US pen addict in particular I recommend checking them out).
Here’s a writing sample with the Caran d’Ache Goliath ballpoint refill and the Parker Quink gel refill. If you’re a fan of ballpoints, the Goliath refill is excellent. I just happen to not like ballpoints, so I change them to gel refills whenever I can.
The Caran d’Ache 849 Arpeggio is a beautiful pen that would make for a great gift (if you can bear to part with it). I can’t recommend these series of pens enough, and I can’t wait to see what next year’s edition will be. Nespresso’s capsules come in a variety of pretty nifty colours, so I don’t think that Caran d’Ache can really miss with them.
Parker Quink Blue Black is far from a new ink on the market: it’s been produced and in use for decades. So why bother to write a review about it now?now
Because Covid-19 happened, and it’s turned shipping and shopping into a challenge, and so I have found myself seriously contemplating a “desert island” kind of question:
If the only ink you can buy is ink commonly found in brick and mortar shops, which ink should you buy?
The obvious answer for me is anything Waterman, but specifically Waterman Blue Black, now renamed to “Waterman Mysterious Blue”. But Parker Quink Blue Black is just as readily available, and just as cheaply priced (more or less), and also a workhorse, utilitarian ink that packs a few surprises. So why is it not my go to ink? I’ll get to that near the end, I promise.
I took two swabs and writing samples of the Parker Quink Blue Black, mainly because I thought that the first swab didn’t show off the correct colour of the ink. The left hand writing sample was done with a dip pen, and the swab was done with a brush. The right side was done with Henry Simpole’s Jasmin pen and a Conway Stewart medium nib, with the swab being done with a q-tip. The right hand sample is truer to the colour of the ink, although you can get a more teal/turquoise colour out of the ink in certain nibs (as is true with Waterman Mysterious Blue). This changeability is part of the charm of blue-black inks.
It’s also worth noting that Parker Quink Blue Black both shades and has a red sheen, so it’s far from a bog standard, boring ink. Here’s an ink that can be fun at the same time as it makes you look serious.
Waterman Mysterious Blue leans a bit more into the teal/turquoise side of things, but it doesn’t sheen as much as Parker Quink Blue Black. Here’s the ink on Paperblanks paper (I snagged a fountain pen friendly Paperblanks a few years back and have been using it to test inks ever since):
There’s a red sheen even on the Paperblanks paper, in every spot where the ink pooled (so the bottom half of these letters for instance):
And here it is on Tomoe River paper, showing off shading and sheen. The photo came out a shade lighter than in reality, but that was the only way that I could show some of that sheen off.
Parker Quink Blue Black is neither waterproof or water resistant, just like Waterman Mysterious Blue. Yet it takes a bit more time and effort to clean the Parker ink out of pens than the Waterman’s (my gold standard for easy cleaning ink). It’s vintage pen safe, and an excellent staple ink, available practically everywhere that sells stationery or art supplies. In times where shipping prices have skyrocketed and many places no longer offer shipping to all destinations, it’s good to know that there are still good, cheap and widely available ink options out there.
When Caran d’Ache came out with this year’s limited edition Nespresso capsule 849 pen I breathed out a sigh of relief. I’m not a fan of their India capsules, and their olive green colour doesn’t speak to me, so I thought that it would be an easy pen to skip. Their previous collaboration, the Darkhan, was an excellent pen overall, especially as a gift purchase to the Nespresso or pen lover in your life, and I also loved the capsules and loved their colour.
Well Cult Pens celebrated their 15th anniversary, and I needed some refills, and somehow or other the India 849 found itself in my basket. I thought I would gift it away, but once it arrived I knew that this pen is staying with me.
As with the previous edition, the packaging on this pen is genius. It shows off the pen and what it is beautifully, and it’s so well made and well considered. On the front there’s the “This was a Nespresso capsule” label, and a sketch of the pen that fits perfectly with the way the pen is presented in the box (that’s not left to chance. The box is designed so the pen will stay put in semi profile and show off the subtle “Caran d’Ache” logo underneath the clip).
On the back there’s a short explanation about what makes this pen special:
Inside the pen is securely slotted in its superbly designed cardboard housing, and here you can catch the first glimpse of why I decided to keep this pen: its colour.
This is a beautiful pen that doesn’t photograph well. Its colour is wild, if subtle could be wild. It’s a cool grey with a slightly green hue. I’ve never had a pen like it, and the result is very, very cool.
Unlike most 849’s and just like the Darkhan edition, this pen has writing on it beyond the hidden Caran d’Ache and the “Swiss Made”:
The 849 is a ballpoint and has an excellent out of the box Goliath Caran d’Ache refill. I’m not a fan of ballpoints, so I switched my refill out with the 0.7 Parker gel refill in black, and now I can’t put this pen down. This pen weighs more than the featherweight 849, and it has a textured finish. The result is the 849 pen, only better.
I highly recommend this pen to anyone who is even slightly interested in the Caran d’Ache 849, as it’s a significant improvement over an already great pen design. It makes for a great gift, and a great pen to carry around with you (just make sure nobody tries to nick it from you). I hope that Caran d’Ache and Nespresso continue this collaboration, and I can’t wait to see which capsule colour they select next.