In the middle of April I inked up a bunch of new fountain pens, and at the end of the month I added two new fountain pens to this rotation. At the rate I’m writing with them I assume that this pen rotation will be with me until around the end of May, when I’ll be putting more “summery” inks into use.

This is a rather eclectic group of pens and inks, but I was mostly looking for inks that I haven’t used for a long time or I haven’t used at all. Here they all are (I was in a rush when I created the writing samples so they’re messy, but life isn’t Instagram, so messy it is):

Mabie Todd Swan “The Swan Pen” 2 nib with Waterman South Sea Blue – a vintage gold plated lever filler pen, this is one of two vintage gold plated pens that I bought in Paris in Mora Stylos years ago. I don’t usually like the bling of gold plated pens, but I was drawn by the fantastic, very wet, flexible swan gold nib, and by the engraving on the pen body.

Normally engravings lower the value of a vintage fountain pen, but this one added value for me – I find it endlessly intriguing. This was clearly a Christmas gift, in 1929, and it was likely a lady’s pen, given its size and general level of decoration. I can stare at this pen and spin dozens of stories from that engraving, and this is one of the main reasons I prefer vintage pens. This one is “use grade” – the engraving, the dings on the body, the brassing on the clip, and the multitude of microscratches on it make it so – but I don’t care. It’s a treasure of a pen with a fantastic nib that I got at a very good price and gives me much joy. What else does one need?

I chose a Waterman ink for it because they’re the best inks for vintage fountain pens – very gentle, very easy to clean out of a pen, non-staining, and on the dry side (though not as dry as Pelikan 4001 inks) which works well with this very generous nib.

Leonardo Mother of Pearl fine elastic nib with Kyoto TAG Kyo No Oto 03 Kokeiro ink – I wanted a Leonardo pen in rotation (I love them) and I wanted to try this new ink, and compare it to the Rohrer and Klingner Alt-Goldrün ink that I still had going at the time from March’s rotation. The inks are practically identical, with Alt-Goldrün being perhaps a shade lighter than the 03.

The Leondardo’s elastic or “flex” nib has cutouts in the nib shoulders to provide it a bit of give. It’s a nice nib that offers some line variation, but is nowhere near what you can get in vintage flex or super-flex nibs (particularly Swan and Waterman).

Lamy 2000 fine nib with Diamine 150 anniversary Silver Fox ink – this is one of two Lamy 2000s that I have, and I really like this pens as workhorses. Silver Fox was part of the original collection of 150 anniversary inks that Diamine issued and it’s a nice mid grey that is very readable.

Franklin Christoph Model 46 Polar Ice extra fine nib with Bungunox June Bride Something Blue – I filled this pen about a week after the others since I wanted a teal ink that wasn’t in as wet a nib as the Swan. I got this ink as a gift from the Pen Addict Membership back in 2016.

Franklin Christoph Model 45L Turqish Crush extra fine nib with Diamine 150 anniversary Blue Velvet – another original 150 anniversary ink (Diamine later issued a second and perhaps also a third line of inks in this series, I don’t remember). This one is a nice royal blue, and another ink that I had used in years.

Oldwin Art Deco red and black striped ebonite, 18k medium nib with Diamine Writer’s Blood – as I’m writing this I have written this pen dry, mostly because it has a very wet and hungry nib and a standard sized converter. I bought this Oldwin from Mr Mora at Mora Stylos in Paris, and it’s a huge and surprisingly light pen.

The nib is also a very large nib (size 8 and not size 6), and the pen is surprisingly not smelly for an ebonite pen. The feel of the material is fantastic – ebonite is such a warm material – and I like it enough to consider refilling it instead of cleaning it out. Diamine Writer’s Blood has been in rotation recently, but it’s a new ink to me and I’m still trying to figure it out. Having it in this pen made me appreciate it more, as it really showed off its unique colour properties and shading plus sheen.

Manufactus Cappuccino Brown medium nib with Diamine Bilberry cartridge – this was a gift that I received from a dear friend who was just back from Italy and bought this (and a wonderful leather bound personalized journal) in the Manufactus store in Rome. The photo doesn’t do justice to the richness of the resin on this pen.

The Manufactus has some heft to it, due to the metal body and trim, and while it states that it’s a medium nib, it runs closer to a fine nib in terms of line width. Diamine Bilberry is an interesting ink that I had in cartridge form, and I wanted a more unique ink than the standard black cartridge that came with this pen. Bilberry is saturated enough to pass as black at a cursory glance, but it’s a gorgeous rich purple with gold sheen that works well in this pen.

Apart from these pens I still have about a quarter fill of ink in my TWSBI ECO T Saffron fine nib with Rohrer and Klingner Helianthus going from March’s ink rotation.

Which of these pens interest you the most?