Big Celebratory Birthday Update Part 2

A smorgasbord of stuff for your delectation. You can read part 1 here.

13. Big bold announcement: next month is Bloomsday, and after much hemming and hawing i’ve decided to reread James Joyce’s Ulysses and blog about it as I go along.
I’ve read Ulysses three or four times between 2009-2013 but I haven’t touched it since. While I still have some of my notes on this book, my goal isn’t to reconstruct them or to lecture on the topic, but to enjoy a very good book, and see how my memory of it fairs post-chemotherapy (which has affected my memory).
Why should you join along? Because Ulysses is a phenomenally good book that is enjoyable to re-read (but very challenging to read for the first time). It’s funny and touching, profound and full of adventure. It’s just built on very well crafted layers of language, meaning and context, and it’s paradoxically a book that is meant to be re-read, not read. Hopefully I will make it a bit easier and less scary to read for the first time for those brave enough to join me.

14. I have been switching my podcast listening queue around lately, which means that I got to listen to this wonderful two part episode of Alie Ward’s “Ologies”: Salugenology (Why humans require hobbies). Guest Julia Hotz talks about the things that we need to be happy as humans, and the conversation is fun to listen to and enlightening. I highly recommend it, and the “Ologies” podcast in general.

15. I’ve stopped buying eBooks from Amazon after they stopped allowing customers to download the books that they purchased (so you basically don’t own the book that you paid for if you buy in from Amazon now). I still use my Kindle Paperwhite, but I’m buying books from Kobo. I buy them DRM free where possible, and if not I use Calibre to strip them of DRM and then this site to transfer them to my Kindle (if they are DRM free you just use the sendtokindle site to upload them to your Kindle). It took me 30 minutes to get the setup working the first time, and it now adds 1-2 minutes tops to every book purchase, which is plus for me. It means that I don’t mindlessly purchase books that I don’t intend to read, and I actually think through each book purchase. I also noticed that the books I’m interested in are priced slightly cheaper on Kobo, which is a nice little bonus.

16. Using yellow ink (Rohrer and Klingner Helianthus) has been a challenge but also an education. Helianthus is readable enough to be used for my daily todo list, but thanks to this ink I’ve been learning to enjoy using a fountain pen for highlighting purposes. It’s more subtle and better behaved than traditional highlighters, and the colour pops on the page without resorting to neon shades.

17.I am thinking about the next inks to put into rotation, which is a bit unusual for me as I normally start with the pens that I want to fill, and then go find inks that go well with them. I want a blue-black for practical reasons, a cheerful green, a pink or orange, and a turquoise or teal. How do you select which pens and inks you use?

18. A bit of behind the scenes: I draft these posts longhand in a Dingbats notebook and a fountain pen. I think better on paper and it’s a way to use the pens and inks that I have. There are no AI/LLM agents/bots involved in this blog, and that’s the way it will remain. I enjoy writing, I created this blog as a hobby because I enjoy writing, and while I use AI agents as part of my job, I have no intention of letting them take away any part of the creation of this site.

19. Journaling tip #1: If you’ve been feeling down lately, take the time at the end of each day to review your day and score it. It doesn’t matter what scoring system you choose, but I recommend that you keep it simple and not too granular: -1, 0, +1 or 1, 2, 3, or “great”, “OK”, “meh”, “terrible”. You just want a quick way to know if the day was a good day, an average day, or a bad day.
At the end of every day for a week or two think back on what happened throughout the entire day, give it a score, and explain the score in no more than a sentence or two. So for me today was: “OK – was super tired at the start, but I managed to get two naps in and recovered enough to get most of what I planned done”.
At the end of the week, when you do your weekly review and plan ahead what you want to stop doing, start doing and keep doing, use these scores as an input for your decisions.
Repeat this whenever you feel the need to recalibrate.

20. Journaling tip #2: if you’ve stopped journaling and want to restart, don’t attempt to backlog the days that you missed. Forgive yourself the journaling “debt” and start fresh. This is easier to do if you switch something up in your journaling routine – use a new pen, pencil or ink, a new notebook, or write in a new location.

21. A dear friend and colleague has moved to a new job in a different company. While I’m happy for him and I wish him the best of luck, I already miss working alongside him. This brings me to the following journaling tip:

22. Journaling tip #3: Take a journal, either your usual one or a new one for a special journaling “events” and write down a list of names of people that have inspired or taught you something that you are grateful for, and write down what it is they taught you. Start with those that affected you by their positive actions (kindness, encouragement, setting good examples), and then challenge yourself to journal about those that taught you by being negative presences in your life. Did an office bully teach you to be kind? Did the talentless brown-nose teach you about how much you value your integrity?
You can write about both people you personally know and those in the public sphere, and you can return and edit or add on to this list whenever you want. It’s a good reference in troubled times to remind you of who you are, what you stand for, and where you want to be.

Manufactus notebook that I plan on using for journaling tip #3

Currently Inked Pens March 2025

Of February’s pen lineup only two pens remain inked, the Parker 51 with Waterman Purple, and the Leonardo Momento Zero Bohemian Twilight with Pilot Iroshizuku Tsuki-yo. As they’re both running low on ink, it’s time for a new pen lineup, with a slightly different theme than last month’s one:

All the pens are modern (last time I had more vintage pens than modern ones in rotation) and ones that I haven’t inked in years.
All the inks are ones that I haven’t used in years or ever, apart from one that was in the last rotation but I still haven’t figured out so it got another go.
The ink colours are much brighter than those that I used in February.

Here’s March’s rotation:

Writing sample on Midori MD Cotton paper

Here’s a bit more about every pen and ink combo:

Franklin Christoph 03 modified prototype- Red/White/Black motion with a 1.1 HPSteel cursive calligraphy nib. This is a new pen that I bought last year as my chemo anniversary pen (I buy myself a present every year to mark the occasion). I love the unusual resin colour and pattern, and I like FC’s HPSteel 1.1 nibs. They are just wide enough to really show off the ink without becoming a nightmare to use because it takes ages for the ink to dry.
As nice as the pen is (and it is), the ink is the star in this one in terms of interest: it’s the ORIGINAL J.Herbin 1670 Rouge Hematite, which means that it has NO GLITTER and NO SHEEN. It’s just a deep, bright red with some nice shading and good outlining, but it isn’t full of gold glitter and sheen to the point where you can’t see the base colour. Yes, this is also the bottle that had the problematic crumbly wax cover on the cap, but I really think that I prefer this version to the one they issued later (I have both). I don’t normally use red inks, but this one was perfect for this pen.

Original Rouge Hematite compared to Cosmic Glow on original Tomoe River paper. Note the lack of sheen or shimmer.

TWSBI ECO Saffron fine nib filled with Rohrer & Klingner Helianthus ink. I use yellow inks even less often that I use red inks, but this ink is fairly readable for a yellow ink. It is, however, not going anywhere near a vintage pen as it has a tendency to crust over (as many yellow inks do). I wanted something bright, cheerful and different, and this ink checked all three. The TWSBI ECO is a phenomenal pen for those starting out with bottled fountain pen ink, and I can’t recommend it enough.

Aurora Ipsilon medium nib with Rohrer & Klingner Alt-Goldrün ink. This is my one and only Aurora pen, which I bought years ago in Florence, Italy. Aurora nibs are nice enough, but the pens are priced well above what I believe that they are worth, so I have steered clear of them over the years. The Ipsilon is small pen, but you can’t post it, which is annoying for such a small pen. R&K Alt-Goldrün is a fantastic ink colour – a non standard green with plenty of shading and character – and the only reason I haven’t used it more is because it was tucked away behind two rows of other ink bottles. If you are just starting out with green inks, give Alt-Goldrün a try.

The Ipsilon nib looks ridiculously small but it’s just the design of the section that makes it appear that way. Comparison photo to a TWSBI ECO nib.

Leonardo Momento Zero Blue Hawaii Fine nib with Diamine Steel Blue ink. I have used this pen fairly recently compared to some of the others in this rotation, but the ink has been one that I actually forgot that I have. I love teal and turquoise inks, and Diamine Steel is a beautiful member of this group. There’s a hint of shading with it, and it just pops off the page so nicely. If you want a different take on “boring blue” inks, I highly recommend it.

Montblanc Writer’s Edition Victor Hugo medium nib with Montblanc Around the World in 80 Days ink. I bought this pen in Mora Stylos in Paris before they closed mainly because I adore the Notre Dame de Paris cathedral and it’s featured on this pen. Hugo has the honour of being the saviour of this extraordinary cathedral, and though I shy away from Montblanc limited editions (talk about overpriced) I thought this one was worth purchasing. The ink was last in rotation, in a vintage Montblanc, last month. I just can’t get over how unrelated it is to the green-gold elephant on the box, and I’m not sure what to make of it. I was expecting it to be more like Alt-Goldrün than like the bluish-grey (Payne’s Grey really) that it is.

The Montblanc Writer’s Edition Victor Hugo

Finally, speaking of a pen and ink combo that have gotten “lost” in my collection: the Stipula Model T marbled grey pen was also an Italian purchase, and it has a very peculiar fine “flexy” titanium nib. I would characterize the nib as springy, and as my other titanium nib Stipula does, it squeaks sometimes as you write with it. The ink is one that I bought in 2013 in Fahrney’s pen store in Washington DC. Since then I haven’t opened it and used it, mainly because Fahrney’s Tempest Blue is a blue ink, and I don’t use blue inks often. It shades nicely, but other than that it looks close enough to my benchmark blue, Waterman Florida Blue (now renamed to Waterman Serenity Blue), for me not to bother using it often. Waterman Serenity Blue is a best-in-class blue in my opinion because it’s so well behaved, gentle and easy to clean out of pens that you can safely use it in any pen that you have, particularly vintage ones.

The Stipula Model T. A very sleek design.

Weekly Update: Ink Swaps and Quick Sketches

Earlier this week I went to a standup gig – a NY comedian was trying out new material, and it was an interesting (and funny) experience to see him work. Before the show I had about 5 minutes to sketch the people in a nearby cafe, so I sketched this couple using a Staedtler 0.5 Pigment Liner.

In terms of fountain pens the Parker Vacumatic is out of rotation, though I may give Diamine Writer’s Blood a try in another pen soon enough. I decided that I want to have the nib tuned on it, in terms of flow, though I don’t know who I’ll be able to find to do the tuning for me.

I also dumped out the Pilot Iroshizuku Yama Budo out of my Parker 51 as I couldn’t get it to not bleed and feather on practically any paper. I cleaned out the pen and refilled it with Waterman (Tender) Purple ink and it’s been wonderful to use since. Waterman inks are not only fantastically well behaved, beautiful, cheap and very, very easy to clean out of pens, they’re also dry inks. As Parker 51 generally have a generous ink flow, and this one is no different, a dry ink serves particularly well with this pen.

I’ve been reading Mrs Palfrey at the Claremont by Elizabeth Taylor (the British novelist, not the famous actress) and it’s a wonderful study of character, age and aging.

Next week is the Tel Aviv marathon, which is sold out for the very first time. There were no big local running events last year, and there’s clearly a hunger for them.

This week has been crushing from both a personal and a national perspective. I’ve taken solace in friends and in reading, but there have been times where it’s been a struggle. It’s at times like this when I need to remind myself to stop, take a breath, allow myself to feel what I need to feel, and only then pick myself up and move on.

Be kind to yourself and others, and have a great week.

February 2025 Currently Inked Pens

I have finally written dry all of my Inkvent 2024 fountain pens, which means that after two months I get to write with a whole new set of fountain pens and inks. I normally don’t spend too much time selecting which pen and which inks I’ll use next, but this time I decided to use some criteria for the next pens in my rotation:

They need to include at least 50% vintage pens. I don’t use vintage pens with Inkvent inks, and vintage pens make up most of my pen collection.
All the pens need to be pens that I haven’t used in a long time (at least a year). It was time to mix things up.
The inks needed to be inks that are new to me, or that I haven’t used in years, and all of them need to be inks that I haven’t swabbed before. This was not only to mix things up, but to get me to use and swab more inks in my collection, instead of going again and again to a few select favourites.

Here’s February’s fountain pen lineup:

The pens from left to right: Leonardo Momento Zero Bohemian Twilight, Sailor Pro Gear Slim Graphite Lighthouse, Edison Nouveau Premiere Cappuccino, Montblanc 32, Mabie Todd Swan L2 Leverless pen, Waterman 52, Parker 51, Parker Vacumatic Standard double striped jewel.

And here are ink swabs of the inks that I’ll be using:

The Vintage Pens

Parker Vacumatic 1st generation Laminated Burgundy Pearl Double Jewel (striped jewels, striped section) – I adore Parker Vacumatics and this is a “use the good china” pen. The grip section is also laminated (and not plain black), the body is transparent, and the nib is a sharp extra fine gold nib with a bit of character to it. It’s filled with a brand new ink for me, Diamine Writer’s Blood. I never use red inks, but this got raving reviews and seemed dark enough for me to try. I bought the ink in Oxford last year, and the pen years ago from the late Henry Simpole (Henry the Pen Man) in London. I don’t think I inked up this pen since I bought it, as it was too precious, and I still won’t let it leave the house, but I am looking forward to actually using it.

Parker Vacumatic first generation burgundy laminated grip section

Closeup on the striped jewel and the grip section of the Parker Vacumatic

Parker 51 Burgundy aerometric with a silver cap and gold filled arrow clip. I love Parker 51s, they are my absolute favourite fountain pens. I believe this cap is on the rare side, though it’s far from pristine or attractive (it’s blackened in specks, and there are a few scratches and micro scratches on it). The nib is a generous fine, bordering on medium, and like all other 51s that I’ve used, it’s magic. I haven’t used this pen since I bought it, so it’s time to give it a whirl. It’s filled with Pilot Iroshizuku Yama Budo, which is a lovely, sheening burgundy ink, one of the more popular inks in the Iroshizuku lineup. In hindsight coupling this ink with this pen wasn’t the best choice, as the 51 has generous nibs and Iroshizuku inks are on the wet side. It just means that I’ll have to steer clear of cheap paper with this combination.

Waterman Ideal 52 Red Ripple fountain pen with a super flex extra fine nib – my word but this pen has the most glorious nib. The pen itself is elegant and pristine, and because of its age it doesn’t have the ebonite stink to it. The nib is why I bought this pen, and it effortlessly moves between extra fine and broad or double broad lines, with the feed easily keeping up with tines. Like all Waterman nibs that I’ve tried, there is some feedback, so if you like butter on hot pan nibs this one isn’t for you. This is the kind of nib that you can only get in a vintage pen, and it puts modern flex pens to shame. It’s only minus is that this is a lever filler, and I hate cleaning out lever fillers, which is why I rarely use them. This pen is filled with Diamine Autumn Oak, which I haven’t used yet (in bottle form at least – I have cartridges of it). I wanted a brighter ink in this lineup, so Autumn Oak was a perfect choice.

Waterman 52 cap and nib closeup. You know the nib is going to be fabulously flexy once you see that heart shaped breather hole and the slight bend down in the nib.

Writing sample on Midori MD Paper. Notes written with a Platinum Preppy.

Mabie Todd Swan L2 Leverless L205/62? Not sure – Swan did a poor job labeling their pens, and I didn’t write down notes when I bought it. This is a lovely pen that I bought from Henry Simpole years ago because of the phenomenal Swan nib. It’s an oblique flexible nib with Swan’s gimmicky “Leverless” filling system (which is a lever system in disguise, but such were the ’30s – you needed a gimmick to sell pen). I haven’t used it at all since I bought it because I don’t remember the experience of cleaning it out very fondly – imagine all the bother of cleaning out a Lamy 2000, but with a piston that has just one twist of travel. I used Pilot Iroshizuku Asa Gao with this fountain pen, and it’s a gorgeous ink with a good amount of sheen with this nib. I love this shade of royal blue, and I haven’t used this ink in a while. Take a look at the Swan above – it’s almost 100 years old and works perfectly.

Closeup on the nib and cap of the Swan Leverless pen

Montblanc 32 (1967) OM 585 nib – heavens, you can get a gold nibbed, piston filling original Montblanc with an Oblique Medium nib for less than a steel nibbed Pelian M2xx costs? Yes, you can. I love the design of this pen (you can read about it more here) and the nib is great… provided you write in the exact angle it expects. The Swan’s nib is generous in terms of the writing angles it accepts, and the Monblanc 32 is demanding: you will use the nib at the precise angle it is designed for, or it will not work at all! I only wish that the Montblanc Around the World in 80 Days ink was so exact. From the description and the illustration on the box I was expecting a brownish gold ink, maybe with a hint of green. In reality I got a dark, cold grey ink, with a hint of blue to it. No brown, no gold, nothing at all to do with the elephant illustration on the box. I had to double check just to make sure that I hadn’t landed on a bad bottle by chance.

Writing sample on original Tomoe River Paper

Modern Fountain Pens

Sailor Pro Gear Slim Graphite Lighthouse H-EF nib – I haven’t used this pen in over a year, and I wanted a pen with a very fine nib, so that I can use it for note taking. It’s inked up with Sailor Black, a new ink for me and one that’s supposed to be water resistant. I’m using this combination for my certification study notes, and I may also try it out with some watercolours in a sketch, just to see if I can use Sailor Black ink as part of my sketching kit.
Edison Nouveau Premiere Cappuccino fine nib – I bought this pen in early 2012, before they did a run of seasonal limited editions of this pen design. I haven’t used in years, and the same goes for the ink in it: Lamy Petrol. This is a limited edition ink, one that Lamy issued with the Lamy Safari Petrol, and it’s a wonderful blue-black with red sheen.
Leonardo Momento Zero Bohemian Twilight fine nib – this pen has “only” been a year out of rotation, and it’s one of my favourite Leonardos. The colour of the resin is gorgeous, and it works very well with the Pilot Iroshizuku Tsuki-yo ink that it’s filled with. Tsuki-you is a bluish-teal with red sheen and a wet flow, and it suits the Leonardo’s fine nib.

Modern pens writing sample on Midori MD paper.

Weekly Update: Ink and Prickly Pears

I haven’t done a watercolour sketch in a while, so I broke out the trusty Moleskine Watercolour sketchbook, my Staedtler Pigment Liners (0.3 and 0.5) and my Schmincke and Daniel Smith watercolours and made this quick sketch:

It was fun and it took me less time than I thought, so I should do it more often.

This was a big ink week, as I wrote many of my Inkvent fountain pens dry: Wishing Tree, Snow Globe, Winterberry, Salted Caramel, Pine Needle, Nutmeg, and Wilted Rose. I also dumped Sleigh Ride as I found the ink colour depressing. This leaves me with 9 Inkvent inks still inked in my pens, with most of them half or quarter full. I doubt that I’ll be able to write them all dry by the end of the month, but hopefully I’ll get as close to that as possible. In any case I’ll reassess in the beginning of February if I want to keep using my Diamine Inkvent inks or if I’ll just dump out and clean up whatever I still have inked at the time and start fresh.

I finished reading “The New York Trilogy” and it’s a very Paul Auster book. Next week I’ll start on “The Last Kashmiri Rose” by Barbara Cleverly and finish “The Comfort Crisis” by Michael Easter.

Have a great week full of pens, books and good news.

Weekly Update: Motorcycle Sketch

Running

I’m a week away from getting back to a 10k long run, and the running weather has been pretty perfect so far. I ran a 30 minute hilly recovery run today and for the first time ever I ran it without headphones. I normally run with earbuds and listen to podcasts or music, except during races where I leave my earbuds at home for safety reasons (and to get the full race experience). It was relatively early and the trail I was running through was deserted, so it was quite the experience listening just to birds and the sound of my feet and my breath. This is definitely something that I plan on adding to my running routine.

Reading

I’m two thirds into “The New York Trilogy” by Paul Auster and I’m dreading starting the 3rd and final story. The writing is excellent, but it’s like reading through version after version of Bartleby the Scrivener – not something that you particularly want to do. I’ve come so far that I will finish the book at this point, but after reading several Auster books it’s clear to me that while he’s a very good writer, his books are not for me.

Meanwhile I’ve started on “The Comfort Crisis” by Michael Easter, and though it is clear that it suffers from many of the same problems that books of this kind suffer from (cherry picking or hand waving “research” over complex and nuanced topics), there are some interesting ideas within.

Fountain Pens

I’ve decided to sketch more with my Inkvent ink filled fountain pens to try and run them dry more quickly, so here’s a motorcycle sketch done with a Levenger True Writer Cappuccino with a fine nib and Diamine Nutmeg.

Motorcycle Sketch on Midori MD Cotton paper

Have a nice and peaceful week.

Diamine Inkvent 2024 Summary

For the introduction post to 2024’s Inkvent, see this post.

Diamine Inkvent 2024 Black Edition is the fifth edition of their Inkvent calendars, and I’m sorry to say that it’s by far the worst. Partly it’s 2023’s Inkvent Purple Edition’s fault, as it’s the strongest of the Inkvent calendars to date and so it created high expectations for the Black Edition. But there were several things that went wrong with this year’s calendar that made it an overall disappointing experience:

There are four previous Inkvent calendars, and there’s only so many ink shades in the world. The black edition featured a lot of inks that were pretty similar to ones seen in earlier Inkvent calendars.
This year’s “special effect” was “Extreme Sheen” and it just doesn’t have the same impact as effects like Chameleon and Star Bright that we saw in previous calendars.
The “Extreme Sheen” effect didn’t improve all the inks it was applied to.
Almost a third of the inks in this calendar were in the “dark and bland” range: grey, brown, black. There’s only so much joy a brown ink can spark.
There were very few bright inks and not all the bright were great (see Lemon & Lime and Fruit Cocktail discussed below).
A good number of the inks had very little festive appeal. This wouldn’t have been a big deal if Diamine hadn’t set the festive bar so high: they deliberately name their inks for festive or wintery things. Previous Inkvent calendars did much better in this regard (the first ones, the Blue Edition and Red Edition took this a bit too far), so it’s hard not to be disappointed in the Black Edition’s performance on this front.

Here’s all this year’s inks in order (read further on for a breakdown of each group and buying recommendations):

All the 2024 Inkvent Col-O-Ring ink swabs

Blues

There were six blue inks in this year’s Inkvent:

Two shimmer inks, Diamine Baltic Breeze and Diamine Icy Lilac. These are nice inks that are very similar to one another and similar to previous blue shimmer inks from past Inkvents. These go into the “nice but not exciting” category, and score decently on festive appeal.
Two “Extreme Sheen” inks, Diamine Vibe and Diamine Cosmic Glow. These feature the new effect for this year’s Inkvent and feature it well. Overall these are two of the strongest inks in this year’s calendar in terms of “wow” effect, even though they’re not exactly holiday themed.
One chameleon ink, Diamine Snow Globe. The chameleon effect is always nice and interesting, but the base blue ink is nothing new, and it also goes into the “nice by not exciting” category.
One Star Bright ink, one of only two Star Bright inks in the calendar, Diamine Chilly Nights. The fact that there are only two Star Bright inks in this calendar contributed to this year’s Inkvent being so underwhelming. There is no greater wow effect than a Star Bright ink on a dark ink, and Diamine Chilly Nights really delivers on that front. The base blue black is very nice, and if you enjoy using shimmer inks then Diamine Chilly Nights is definitely an ink to consider.

All in all the blues in this year’s Inkvent were the strongest overall group by far.

All the blue Inkvent Col-O-Ring ink swabs

Pinks and Reds

There were five pink and red inks in this year’s Inkvent:

Three standard inks, Diamine Wilted Rose, Diamine Cranberry and Diamine Lullaby. Diamine Wilted Rose is a nice and interesting “antique” rose colour, Cranberry is a decent but not overly unique ink, and Diamine Lullaby is on the “barely readable” spectrum. Of these three the standout ink is Diamine Wilted Rose, and it’s not a “star” ink by any measure.
One scented ink, Diamine Forest Gateau. I loath scented inks so I won’t elaborate on this one.
One chameleon ink, Diamine Winterberry. This is the standout ink in this group, one of the few bright and festive inks in this calendar, and a great ink to buy if you’re looking for a “Christmas greeting cards” ink. A breath of fresh air among the washed out and dark colours of this year’s calendar.

All the red and pink Inkvent Col-O-Ring ink swabs

Greens

There were only four greens in this year’s Inkvent:

Three chameleon inks, Diamine Lemon & Lime, Diamine Mint Twist and Diamine Pine Needle. Lemon & Lime is unusable even in a wide and generous nib as it’s way too bright and light to be readable. Diamine Mint Twist is the standout ink in this group, the one with the most unique base ink colour. Pine Needle is nice enough, but there have been plenty of inks in this colour before.
One “Star Bright” ink, the only other one in the calendar, Diamine Noble Fir. It’s not as impressive as Diamine Chilly Nights because the base ink colour isn’t dark enough for the Star Bright effect to have the most impact. It’s a good, bright green ink though.

All the green Inkvent Col-O-Ring ink swabs

Oranges

There are three oranges in this year’s Inkvent:

Two “Extreme Sheen” inks, Diamine Grotto and Diamine Sleigh Ride. Of the two Diamine Grotto is a great ink, and Sleigh Ride is poorly named and features a rather unattractive combination of an orange base and green-brown sheen. If you like rust effects you might enjoy it, otherwise, Diamine Grotto is the better choice.
One scented ink, Diamine Fruit Cocktail. I think that this is the worst ink in this year’s calendar for having a combination of scent and zero shading.

All the orange Inkvent Col-O-Ring ink swabs

Darks – Greys, Browns, Blacks

There were seven (!) inks in this category in this year’s Inkvent:

Three standard inks, Diamine Marley, Diamine Tundra, and Diamine Potpourri. Of the three Diamine Marley is by far the best, with Diamine Potpourri being too light to be readable (I could have placed this ink in the pinks category, but it’s so greyish and washed out that it felt more in place in this category), and Diamine Tundra being greyish brown, if you’re into that shade.
Two shimmer inks, Diamine Nutmeg and Diamine Salted Caramel. Of the two I prefer Diamine Salted Caramel, though there have been similar enough inks in previous Inkvents for you to feel free to skip this one.
One chameleon ink, Diamine Wishing Tree. The strongest ink in this group and one of the best inks of this year’s Inkvent, Wishing Tree has a great combination of a fantastic base ink colour and a lot of added interest from the chameleon effect.
One “Extreme Sheen” ink that was supposed to be the highlight of this calendar, Diamine Good Tidings. I found it far from “extreme sheening” and the sheen effect was a very unattractive dirty yellow.

All the dark Inkvent Col-O-Ring ink swabs

Summary

So these are the inks that I would consider buying from this year’s calendar (with the addition of Diamine Winterberry if you see yourself needing a festive red ink): Diamine Marley (interesting duo-chrome ink), Diamine Wishing Tree (duo-chrome interesting base shade ink with great chameleon effect), Diamine Grotto (great base orange ink with attractive extreme sheen), Diamine Mint Twist (unique green with a chameleon effect), Diamine Vibe (attractive dark turquoise ink with great extreme sheen), and Diamine Cosmic Glow (great royal blue base ink and wild extreme sheen).

All the inks that I would consider buying Inkvent Col-O-Ring ink swabs

As a reminder, this year’s Inkvent wasn’t sold out, which means that if you’re interested in these inks and haven’t yet gotten the calendar you can expect it to be on sale in various places soon enough. It’s a great way to get a good amount of varied ink samples, and each little bottle is good for at least 2-3 fillings (plus there’s a big 30ml bottle in day 25).

Midyear, at around June or July, Diamine will come out with the “Black Edition” of these inks. These are 50ml editions of the Inkvent 2024 Black Edition inks, in gorgeous glass bottles. They make for great gifts, and are worth getting as they’re very well priced for the “premium ink” experience.

I have 20 fountain pens filled with Inkvent inks in rotation at the moment, and it will take me a while to work my way through them. Will I do Inkvent again next year? I don’t know. The price plus shipping has gotten steeper every year, and this year’s calendar was a pretty big disappointment in my opinion. When pre-orders start for next year’s Inkvent (if there will be one), I’ll have to really consider it.

What are your favourite inks from this year’s Inkvent? What did you think of the Inkvent Black Edition?

Diamine Inkvent 2024 Day 25

This is the Diamine Inkvent 2024 Day 25 door:

Day 25’s ink is a full 30ml bottle of Diamine Good Tidings, a black ink with what is meant to be gold Extreme Sheen. I used an Esterbrook Estie with a Journal nib to test this ink out.

I don’t think that I could be more disappointed in a “grand finale” Inkvent ink. Diamine Good Tidings would obviously need to be black because this is the Black Edition of the Inkvent calendar, but the choice to make it an “Extreme Sheen” ink was a poor one. I understand the logic behind this choice (“Extreme Sheen” is a new ink property for this year’s calendar, so of course the ultimate ink of the year needs to have this property), but the result is very underwhelming. The sheen is barely observable, and the result is just a deep black ink.

Even on original Tomoe River Paper you can barely see the sheen, and when it appears it makes Good Tidings a less attractive ink to behold, not a more attractive one. The choice of silver shimmer or a chameleon effect would have been better for this ink. When the sheen does appear it’s a sickly yellow colour, not the gold that Diamine were likely going for.

On Rhodia paper Good Tidings simply looks like a very saturated black ink, with no visible sheen. The drying times aren’t great, but if you’re looking for a solid black fountain pen ink Diamine Good Tidings is pretty good.

On Midori MD Cotton paper the sheen becomes more visible, but it’s far from what I would term “extreme sheen” and it mostly fades to the background. You can barely see hints of it in the writing in today’s bear sketch:

Only at a sharp angle and close up you can see the yellowish gold where the ink pooled, such as in the eyes. The nib I used lays down a generous amount of ink, so I would have expected to see more of the sheen than actually appeared here:

Close up of the sketch on Midori MD Cotton paper

The final bear for this year is Tossi, designed by Margarete Nedballa, numbered 115 out of 399 and made by Clemens Bear (so he’s a German bear). I don’t normally like clothed bears, but I liked this fellow’s hat and the way that it matched his unusual nose, which is why I got him. He’s from a store in York called “Christmas Angels” which was wonderful and is now closed (it didn’t survive the pandemic). It was dedicated to Christmas toys and decorations all year round, and had a collectors’ teddy bear room on the top floor.

Diamine Good Tidings is a nice black ink that I will likely use quite a bit, but for the crowning glory of this year’s Inkvent it’s a bit of a disappointment. I was expecting something with more pizzazz, more of a wow effect.

That’s it for this year’s Inkvent. I will be posting a summary post with buying recommendations and an overview of all the inks over the weekend. In the meanwhile have a Merry Christmas, a Happy Hanukah, and peaceful holidays.

Diamine Inkvent 2024 Day 24

This is the Diamine Inkvent 2024 Day 24 door:

Day 24’s ink is Diamine Salted Caramel, a caramel brown ink with bronze shimmer. I used a Diplomat Elox fountain pen with an extra fine nib to test out this ink.

Diamine Salted Caramel is a raw sienna brown ink with a good amount of shading and a good amount of shimmer that shows through even with an extra fine nib. The bronze shimmer gives it a festive, golden sparkle.

Here’s a closer look at the shimmer effect in this ink:

On original Tomoe River paper you can see both the shading and the shimmer quite significantly:

However, even on more absorbent Rhodia paper and with an extra fine nib the shimmer and shading are evident. As only the day before yesterday featured a brown ink with shimmer (Diamine Nutmeg), it was a bit surprising to see another brown ink with shimmer make its appearance. I like Salted Caramel more than Nutmeg, though, because it’s a warmer shade of brown.

Here’s another look at the Rhodia paper writing sample, where both shading and shimmering are apparent:

Different angle of writing sample on Rhodia paper

And here’s a comparison of Diamine Nutmeg to Diamine Salted Caramel:

Col-O-Ring swab comparison of Diamine Nutmeg to Diamine Salted Caramel

I enjoy sketching with brown inks, and Diamine Salted Caramel was no different. I did have some weird flow issues at start, but they passed so maybe it was a one time thing. Salted Caramel shades beautifully, and so it’s nice to loosely sketch with it.

You can see where I had flow issues on the top right corner of Pumpkin’s head (the faded brown lines beneath the more prominent ones):

Close up of bear sketch on Midori MD Cotton paper

This tiny, tiny bear is called Pumpkin and she’s 3 of 4, made by Maddy Aldis, and is very, very heavy as she’s filled with lead shot. I love her wild look and her pastel rainbow colours, which is why I got her.

I would have liked to have seen a different shade of ink, one that isn’t brown, but having Salted Caramel make its appearance on day 24 isn’t the end of the world. It’s a nice, warm brown with lovely shading and shimmer, and it’s not its fault that Diamine Nutmeg was there two days before it. It’s a great festive ink to write greeting cards with, and I had fun sketching with it.

What do you think of Diamine Salted Caramel? Do you prefer it to Diamine Nutmeg?

Diamine Inkvent 2024 Day 23

This is the Diamine Inkvent 2024 Day 23 door:

Day 23’s ink is Diamine Pine Needle, a sap green with chameleon shimmer in green and blue. I used a Lamy AL Star with a broad nib to test out this ink.

Here’s a close up of Diamine Pine Needle’s Col-O-Ring swab. There’s a bit of shading with this ink, and the chameleon shimmer adds interest to what otherwise would be not the most interesting shade of green.

Close up of Col-O-Ring swab of Diamine Pine Needle

Here’s the Col-O-Ring swab from a different angle, where you can better see the chameleon shimmer:

Different angle of Col-O-Ring swab of Diamine Pine Needle

Diamine Pine Needle is definitely one of the more festive inks in this year’s calendar, and it’s delightfully neither grey nor brown, which is an added bonus. I use sap green as the base green of my watercolour palette so it was nice to get to see it in a different context and with a bit of chameleon pizzazz added.

Here’s the chameleon effect on the Rhodia paper. You can also see that Diamine Pine Needle shades quite nicely:

You can see the shading more clearly on original Tomoe River paper:

Even without the chameleon shimmer Pine Needle would have been a nice ink, but with it it’s one of the best inks in this year’s Inkvent. Here’s today’s bear sketch on Midori MD Cotton paper:

A different angle to show off the chameleon shimmer of Diamine Pine Needle:

Different angle of sketch on Midori MD Cotton paper

Today’s tiny bear is Oliver, a one of a kind handmade bear by June Kendall for Hardy Bears, a small English maker. His mohair is two toned and gorgeous and I love his classic teddy bear look in minuscule size.

Diamine Pine Needle isn’t really the blue green shade of pine needles, but I don’t care much. It’s a nice, festive ink with a good amount of shading and lovely chameleon shimmer, and it’s one of the brightest inks in this year’s Inkvent. It’s like a breath of fresh air after all of the drab and muted colours we’ve seen this year.

What do you think of Diamine Pine Needle? Do you like this shade of green?

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