A blog about writing, sketching, running and other things
Last day of the challenge and I got all 100 (well, 101) people done. Today includes people in the streets near my house as well as people in the shelter.
Field Notes sketchbook and Faber Castell Pitt pens.
As usual this was a fun and challenging challenge to do, and I hope to get to do it again next year.
Still lagging behind a bit since I’m still sick, but these are today’s batch. Hopefully tomorrow will be better.
Field Notes sketchbook and Faber Castell Pitt pens
We had a rocket attack every three hours last night so I was very tired today. Got only 10 sketches out of the 20, although I may be able to get some more tonight.
Field Notes sketchbook, Faber Castell Pitt pens.
Shelter sketches today as well, on a battered Field Notes sketchbook using Faber Castell Pitt pens. I have a cold, so it was a struggle to get these done today.
It’s time for the yearly one week 100 people challenge. This year I’ll be doing most of it out of a bomb shelter.
The first three sketches were done at a morning zoom meeting on a Stillman and Birn Alpha.
The rest were done in the bomb shelter throughout the day, on a a Field Notes sketchbook that has seen some water damage.
Sketched with a Faber Castell Pitt 0.3 pen and brush pens.
I went out for 45 minutes after work and sketched all of these as fast as I could. I only stopped when it got too dark outside. Yesterday’s sketches were done with a Staedtler 0.5 pigment liner on a Field Notes sketchbook. Today’s sketches were done on a pocket Moleskine watercolour sketchbook using a 0.3 Staedtler pigment liner, a water brush and watercolour.
People moved by in the street so I had seconds to capture each figure (the more detailed ones stopped for a minute or two). As this is what normally happens when you urban sketch, I found this exercise to be very useful.
Which one is your favourite?
I mostly use fountain pens when I write. If not fountain pens then gel ink pens. I rarely write in pencil, but I often sketch with pencils, and sometimes when I plan, I pencil things in. Pencil is great for writing impermanence, even though pencil marks last longer than pen ones – unless erased.
Yet there’s always a ballpoint on my desk and in my bag. I don’t like writing with ballpoint – the lines are as dark as I prefer, even with hybrid ballpoints like Uniball Jetstreams, and they oftentimes streak and blob. So why do I have a ballpoint at hand at all times?
Because ballpoint pens are a useful tool. The ink is waterproof , they’re good for signing things, and they’re robust enough to handle being tossed into a bag or a pocket. Ballpoint pens are also good for sketching – you can get a decent amount of shading and character with them (providing you don’t use a Jetstream).
One of the best bang for your buck ballpoints is this pen:
So why do I like the Zebra 301 A BP 0.7?
I like the Zebra 301 A BP enough that I bought a large box of them and I frequently give them away as gifts. People like getting nice pens and if you’re used to cheap, plasticky, disposable ballpoints it’s nice getting a pen that’s a grade or two above what you find in the office supply cabinet.
Here’s a quick sketch done with a Zebra 301A BP 0.7 on a Field Notes Sketchbook. Ballpoint pen sketching isn’t my favourite technique, but it is a very useful technique for quick urban sketching.
I used to be a heavy Twitter use. I discovered the service pretty early on through webcomic artists like Scott Kurtz, and I found the challenge of crafting short tweets to be a fun writing exercise. Yes, I was among those disappointed when they raised the character limit – half the fun of the service was trying to be as clear and concise as possible.
When Twitter stopped supporting third-party clients like Tweetbot, and started becoming an unpleasant place to hang out, I left. It hasn’t gotten better in the interim years and as I have largely cut social media out of my life so I have no plans of ever going back. However, while I don’t miss Twitter (not as it is, not even as it used to be) I do miss the challenge of crafting short and punchy snippets of text: the haiku like nature of tweets. I also have a large pile of unused Field Notes pocket notebooks, and a not insignificant stock of really cool gel ink pens, rollerballs and ballpoints that are all seeing very little use.
Could I put these together to achieve an analog version of what I enjoyed most about Twitter?
Yes, I could and I did and it has been glorious.
I selected a Field Notes notebook out of the the Fall 2024 “Birds and Trees of North America” edition because it’s a beautiful edition, it has lined paper (which I rarely have use for in pocket notebooks), and it seemed appropriate. I randomly selected a Retro 51 Tornado – The System limited edition one which has Uniball Jetstream SXR-600-05 hybrid ballpoint refill in it instead of the original Schmidt refill which I don’t like. Then I started writing down “tweets” in it throughout the day.
I’m not dating them, I’m not counting characters, I’m just limiting myself to a few rows for each entry, and I’m writing them as if I would be publishing them. The writing style is therefore different than what I would write in my journal, and so far it’s also focused exclusively on things that I don’t write about in my journal (mainly reactions to things I did or saw or read). I have no intention of ever publishing anything in this notebook, but I do enjoy the challenge of writing it as if it would be something that I would post somewhere.
So I get to practice my writing skill in a new way, I get to use some of my wonderful Field Notes stash, and I get to use some of my great standard pens. All this without filling the pockets of various billionaires with my work, and without encountering the bots and the foaming hordes of professional haters and rabble rousers online.
I highly recommend this practice, whether you do it with a fancy Field Notes or just any pocket notebook you have on hand. Using a notebook of this size will remind you to keep your entries short, and it’s something that you can easily carry with you and use in waiting rooms, boring meetings, or when you need a little break between tasks throughout the day.
Give it a try and let me know how it goes.
Is there a book that you want to read but scares you? It’s too long, or too technically demanding, or its subject matter is challenging — is there such a book on your virtual or physical bookshelf?
I have several such books waiting to be read. I also make a point to read several such books each year. They’re nearly always worth the effort.
Goodreads and its annual reading challenge make readers favour short, quick reads, skim reading and light reading. This is not by chance, but this isn’t a post about the failures of Goodreads as a platform. This is a post about reading difficult books, and the point is that if you want to challenge yourself you’re going to have to make a concerted effort on your own.
You will have to motivate yourself because reading platforms and book clubs skew towards books that can be read quickly and relatively easily, and we’re being trained daily to shorten our attention span and ruin our capacity to concentrate and think by platforms like TikTok, Instagram and YouTube. To read difficult books is to go against the grain, to retrain your mind to deep, meaningful thought, to long stretches of concentration, to a higher level of empathy. It’s the difference between a fast food burger and an evening with a 3 star Michelin chef showing off his best work. It’s worth it, but it costs more.
If you chose to go on that challenging but worthwhile journey, here are some tips to help you along the way:
I’m currently reading Paul Auster’s 4321, which is a challenging read due to its length and its structure. Later on this year I plan to reread James Joyce’s Ulysses (I read it twice cover to cover already, and studied it while taking my degree). I’m considering tracking my rereading here, in case someone wants to follow along. Let me know in the comments if that’s something that may interest you.
I started the month ready to spend the first half of it in hospital, with my dad. So the fountain pens I chose were all expendable pocketable pens that I was willing to have stolen (apart from the Schon Design Pocket 6 which was a leftover from January and never left my desk). So that meant I inked 4 Kaweco Sport fountain pens using various ink cartridges that I had on hand.
The portable lineup:
Once my dad got out of hospital and back home, I decided to celebrate by “shopping” from my collection. I inked up a Parker 51 Plum (use the good china!), a Parker Vacumatic, a Franklin Christoph 45L Turqish (spelled like that on their site) Crush that I had purchased but hadn’t inked before, and a vintage Radius Comet (because I heard that the brand was being revived).
The Franklin Christoph EF nib isn’t the best companion to the Eau de Nil as the ink tends to dry in the nib, causing hard start issues. The Radius is a flexible nib of the vintage kind, which means it’s really flexible and not just springy. It also rattles, which makes me not carry it around with me — it stays at home at my desk. The Leonardo is a beautiful pen with a beautiful ink that I refilled immediately — the only Inkvent 2023 ink I did that with. The two vintage Parkers are phenomenal, as usual. The extra fine nib on the vacumatic somehow really well with Diamine Ash, though I was worried at first that the combination would be too light to be readable. The Parker 51 Aeromatic is a treat to use. It’s the rare Plum colour, and it’s got a fantastic nib (as all 51’s have) which pairs very nicely with the Monteblanc The Beatles Psychedelic Purple.
In terms of paper I’ve been using Kokuyo A4 KB paper which I cut to half size (so A5) to manage my daily to do list. The paper is relatively cheap and very fountain pen friendly. I’m also able to use both sides of the page despite there being some show through.
I’ve got a Field Notes Heavy duty on my desk at home and at work, and I just bought a new stock of them. These are where I jot down quick notes, phone call details, doodles during boring meetings. When they’re filled up they get tossed out as nothing in them is permanent — everything important in them moves to somewhere else as I work my way through them.
I have finally found a use for my Dingbats notebooks (beyond giving them away as gifts, as I have in the past): this lined purple hippo one is my blog notebook. I discovered that I have a much easier, much quicker time writing blog posts if I first draft them on paper, and this is where I do it in. I’ll likely write a dedicated post to this notebook soon.
Apart from them I still use the notebooks I used last month.
I’ve been using the Drehgriffel Nr. 2 as my daily driver. I use pencils extensively to plan, as my plans tend to change, and there’s something about this solid little mechanical pencil that makes me want to use it.
Apart from that I brought two pencils into the rotation, to try to use. One is from my last purchase from the late and great C.W. Pencils Enterprise, and it’s the “Big Dipper” J.R. Moon Pencil Co 600. It’s an oversized pencil, the kind of pencil that kids who are learning to write are expected to use. I’ve been having pretty significant neuropathy in my hands lately and I thought that this would be nice and easy to use, as after all it’s designed for kids just learning to develop their fine motor skills. So far it’s been a disappointment – the eraser and ferrule make it very top heavy, and I’ve been having a hard time manipulating it. I can’t imagine kids using this pencil and having an easy time with it. I like the over the top red foil with gold writing look though, so I haven’t given up on it yet.
The second pencil is a Blackwing Volumes 56, the baseball themed one. The core is soft and dark, and I’ve been using it for quick and loose sketches. I’m trying to ease into one week 100 people by training myself to work faster than I normally would.
What did you use in February? Any planner changes? Pencil revelations? Pen preferences?
Writing at Large 