A blog about writing, sketching, running and other things
A long tiring day with two vet visits meant that I had precious little time to sketch. Got up to 60, and sort of them came out surprisingly well.
As expected, with my injury and the way this week is shaping up I likely will finish my sketches only on Tuesday or Wednesday, but I like the results so I’m not in a rush.
Which one is your favourite in this batch?
I really didn’t feel like sketching today, as I discovered that my cat has a large lump on his hind leg so I need to take him to the vet tomorrow. I’m worried about him and so considered skipping today entirely, but ended up sketching some people to distract myself. Same setup as yesterday – Leonardo Momento Zero fountain pen, Diamine Fireside Snug ink, Stillman and Birn Alpha.
Three things happened today:
The result is sketches 12 to 40 (yes, I got that many done in a single sitting). The fact that I have much better reference photos made such a huge difference, as I didn’t have to waste time digging through urban landscape photos in search for half decent portraits. Also, the Earthworld photographs feature People with a capital P – frumpy, old, ugly, real and incredibly beautiful to sketch. The great Leonardo Momento Zero Bohemia Twilight fountain pen with its fine nib and Diamine Fireside Snug also added to the fun – I love this pen and ink combo so much I’m likely going to use it for the rest of the 60 sketches.
So, now which one is your favourite? I have too many to choose from.
I had a busy day yesterday, so I only got three sketches in and didn’t have time to post them. Numbers 9-11 were what I added, with number 9 being sketched with a vintage Parker Vacumatic filled with Diamine Ash and numbers 10 and 11 being sketched with a Franklin Christoph 45L and Diamine Eau de Nil. I loved the lines that the Parker Vacumatic produced, but it’s an extra fine nibbed fountain pen and it really struggled on the tooth of the Stillman and Birn Alpha. These were the last batch sketched from the Street Photography group on Flickr. I found a better source for photos thanks to a great tip from Tina from the wonderful Fuelled by Clouds and Coffee blog.
I almost didn’t post today as I wasn’t up to sketching and I got only three sketches in, none of them great. But I like it when creators show their failures so I’m doing it myself today: my lack of shoulder mobility coupled with a lack of sleep and the difficulty of the subject made for a bad sketching day.
Parker 51 with Montblanc The Beatles Psychedelic Purple on a Stillman and Birn Alpha. Sketched 6-8 were done today. As usual the goal for me is to get to 100 even if it takes more than a week.
Celebrate your failures.
An inauspicious start for this year’s one week 100 people drawing challenge: I hurt my shoulder yesterday and now it’s extremely painful to draw with it. So today’s sketch batch is just five sketches, done with a vintage Radius Comet fountain pen and Diamine Anaranth ink on a hardcover landscape Stillman and Birn Alpha.
These were all sketched from Creative Commons Flickr photos, working for no more than 1-2 minutes per sketch, directly with pen and ink. The expressiveness of this nib has been a lot of fun. Number 5 is my favourite so far, which one is yours?
As I noted earlier, I’ve decided to only post these on my blog this year and not on social media.
2 minute sketch with a Kaweco sport M nib and J.Herbin Bleu Pervenche and a Kuretake water brush.
After applying water:
A 5 minute sketch in pen and watercolour on a Stillman and Birn Pocket Alpha.
When my brother and I visited The Wizarding World of Harry Potter at Universal Orlando we bought a pack of postcards and some postage at Hogsmeade and posted some postcards home. They have a little “Owl Post” booth where you can get your postcard stamped with an owl post stamp, and it’s a charming experience. We ended up with a few postcards left over, so we posted them from our Disney hotel. A few weeks after we got home the postcards arrived and made out day.
I was just at a Shalom Sebba exhibition at the Tel-Aviv Museum of Art and after my visit I went to the museum store and bought some postcards there. Later that evening I spent some time writing postcards for my family, with little sketches inspired by Sebba’s work:
I had no idea where I would post them, as most of the post boxes in my area have been removed, but I wanted to at least try to post them before my dad’s surgery this week. With today’s postal service sending them would be a bit like tossing a message in a bottle into the sea and hoping it would eventually arrive at its destination. Yet there’s something about not just the wonderful experience of receiving snail mail which I wanted to give to my family, but something particular about postcards that made me want make the effort to post these cards that I could more easily hand deliver myself.
More than letter postcards evoke some things to me – a break from routine, a holiday, exotic places, better days. There’s something creative about the selection you make, and they make me want to sketch in them, write in their margins, be creative in the tiny space I’m given to work with. The limited space, zero privacy and the need to withstand the elements at least somewhat makes them a creative challenge we rarely encounter in days where everyone is an instant message away.
Yet that’s what made them appeal to me, because more than anything postcards speak of hope, and these days I need all the hope I can get.
This time I decided to combine testing out a new (to me) India ink, a new (vintage) nib and watercolours. The ink is US made Higgins Black Magic. The bottle shape is unique, and it’s a plastic bottle, not a glass one like my British made inks. While the very wide base of this bottle does cut down the possibility of you accidentally tipping it over, I don’t like the bottle design. The bottle opening is too narrow and tall, and it’s very easy to get ink on your nib holder and hands this way. The ink itself is less shiny and flows wetter than other India inks that I’ve tried, but that’s not a bad thing.
The nibs are Waverley Pen nibs, made in Birmingham (a British steel producing city), and made by Macniven and Camron Ltd.
The tin itself is a delight, with the Waverley Pen advertising doggerel on it (the Pickwick, Own and Waverley were all nibs made by the Macniven & Cameron company). I bought it for a few pounds at Spitalfields market, London, and would have bought the tin even if it was empty:
It’s not empty, but rather filled with dozens of Waverley nibs in excellent condition. I took one out, tested its flexing properties (medium flex), and then primed it as described here. To test a nib for its flexing properties you gently push the tines against your thumbnail (don’t ever do this with fountain pen nibs!).
Here’s the nib. It has a bit of kink to it that helps it hold more ink than it otherwise could hold:
I took one dip and tested out how much ink it holds. It’s quite a lot:
I decided to use it on a Moleskine Watercolour sketchbook. The paper isn’t ideal for dip pens (it’s not smooth and the properties that make it watercolour friendly mean that the ink will spread and feather no matter what), but I wanted to use it with watercolours. As in this case the line sketch wasn’t crucial to me (i.e. it didn’t need to be particularly accurate), I decided to accept some level of feathering and spread for a decent watercolour wash.
Here’s the ink sketch:
A closeup on the onion sketch shows how much line variation you can get from this kind of nib, just how expressive these nibs are, and some of the feathering and spread that I talked about earlier:
Watercolour brings these sketches to life, and makes the ink compromises worth it:
A closeup on the sketches:
The second page:
The group thumbnail:
There are a few things that you need to remember when combining dip pens and watercolours:
Have you tried combining the two mediums? If so, let me know how it went.
Writing at Large 