Paris London 2025 Part 2

In September I traveled to Paris and London. See part 1 of my travelogue here.

I went to see two plays in The Globe theatre in London. The first was a one night only performance of Midsummer Night’s Dream that was a reenactment of how the actors in Shakespeare’s time would have performed a play. The actors didn’t rehearse the play beforehand, and they didn’t have the full text of the play to work with, just their lines and their cues and staging directions. They practiced the dances alone, and they had no idea what their fellow actors would do during the performance. Now this is Midsummer Night’s Dream so all the actors and everyone in the audience knew exactly how the story unfolds, but the lack of rehearsals made this a very live performance.

The Globe stage before the show

The play was sold out in minutes and I’m glad that I managed to get tickets at all. It was an amazing experience. As this was a one night performance the stage was the bare Globe stage – nowhere to hide as the audience surrounds the actors practically from all sides. There was a lady on stage in period costume, sitting with the full text and helping actors in the very few times that they fumbled. The energy was beyond description. It was the most electric staging of Shakespeare that I have ever seen. Everybody was “on” all the time because they weren’t entirely sure what would come next.

It was a raw performance – I later saw another, standard Shakespeare play there and it was much more polished because it was clearly rehearsed and performed several times before we saw it. Yet that was what made this performance so special – the actors’ reaction to their fellow actors was genuine and unvarnished. They were having fun, improvising, owning the text in a way they normally never do. The highlight was the play within the play at the end – seeing the actors laugh to the point where they had trouble saying their lines because Bottom was so very, very hilariously over the top was amazing.

The musicians at the Globe.

One of my favourite places in London is the Phoenix community garden. I spent a lot of time there, and sketched it several times. This was my first and longest sketch of the garden, done on the wonderful Etchr Lab cold pressed watercolour sketchbook:

Fineliner sketch – no pencil underdrawing.
Final sketch.

We went to see Disney’s Hercules – a new musical in West End. I wasn’t expecting much as I’m not a fan of the movie, but the musical was one of the best that we saw in the London. The production is stunning, the music is great, the actors were talented – particularly Megara – and the only minus is that Hades was a bit over the top even by the movie standards. They would do better to cut down on the amount of his jokes because they lose their impact otherwise. The Disney merch machine was out in full force that night, and I was one of only a handful that didn’t leave with something from their store.

Hercules the Musical

We spent a day in York, and I started it with a sketch of the York Museum grounds, also in my Etchr Labs watercolour sketchbook:

Fineliner sketch
Complete watercolour.

York is full of wonderful bits of history that are just layered freely on each other:

York museum

I did a very quick sketch of this scene later on, on an Exacompta Bristol card:

Quick sketch on Brisol card

I also bought a decent amount of watercolour paints – enough to build out two new palettes that I want to try.

This post is getting long and photo heavy, so I will be completing this trip journal in two additional posts.

Edit: you can read part 3 here.

Paris London 2025 Trip Part 1

I recently returned from a pretty long trip to Paris and London with my family. I ended up sketching a lot more than I normally do during trips, largely thanks to things that I learned during the Urban Sketchers Symposium in Poznan (more on that in a later post). Here is part 1 of some highlights from my trip.

Quick sketch in a Stillman & Birn pocket beta while I was waiting for my flight

Centre Pompidou, my favourite museum in the world, was closing down until 2030 (!) so I went to pay it a last visit. Already parts of the colourful outside facade have been repainted white, and I’ve never seen the area around the museum so deserted.

The iconic Pompidou facade

The library was the only area still accessible, and it had been turned into a giant project playground for German photographer Wolfgang Tillmans to work with. It was something that only Pompidou could do, and it was breathtaking, thought provoking, fun, interesting, and unique. I wish I could have spent hours there, but at this point in my trip I became badly ill and for the entire Paris leg of the trip I was struggling.

The Pompidou library transformed.

I ended up largely not eating in Paris, but this was my first meal there – in the fantastic Patisserie Viennoise in the Latin Quarter.

Stillman and Birn pocket alpha watercolour sketch

We also went to a new museum, the Bourse de Commerce and I saw this great artwork on the way there:

The museum was in between putting up exhibitions, so while a large part of it was closed we managed to view some great and moving art pieces with relatively few crowds and at a discounted price. I did a VERY quick sketch while I was there:

Stillman and Birn pocket alpha watercolour sketch

This is the artwork that I was sketching.

And this little fellow is also part of the art exhibits there:

We then took the Eurostar to London. This is where I switched sketchbooks – this sketch of a boy and his father having lunch at a table across from me at Wagamama is the last sketch I created in my Stillman and Birn pocket beta. The beta has decent watercolour paper but it’s not half as good as the paper in my Etchr labs watercolour sketchbook, and the glued in pages make it a struggle to create full page spread sketches, as you can see here:

Last trip sketch in the Stillman and Birn pocket beta.

I created my first sketch in an Etchr lab cold pressed watercolour notebook while in the Greenwich Park herb garden and the paper is astonishingly good. Here’s the ink sketch (my tree sketches have gotten so much better thanks to a workshop I took in Poznan):

Etchr lab watercolour sketchbook sketch

And here is the watercolour:

The paper not only makes the colours pop, it actually allowed me ample time and space to work with the washes, adding layers of well blended colours that gave depth and life to the scene. Never have I ever seen the importance of good quality watercolour paper demonstrated so well. I have about half a dozen sketches of this garden throughout the years and this is by far the best one.

That’s it for part 1, I’ll try and upload part 2 later this week.

Edit: part 2 can be found here.

Journaling Series: Travel Journaling

The intro post to this series is here, journaling for mental clarity is here, journaling through fear is here. Journaling to clear your mind is here. Journaling to work out choices is here. The 5 year diary is here.

I recently got back from a trip, and later this year I have another trip planned so I thought that I’d dedicate a post to travel journaling.

My travel journaling differs pretty significantly from my normal, daily journaling in a few key ways:

1. I move to digital journaling.

2. I journal to share and not just for myself.

3. I oftentimes backlog journal.

Here’s a breakdown of what I do when it comes to travel journaling and why:

Digital Journaling

While my daily journal is always analog, when I’m traveling I switch to using Day One. There are several reasons for this:

1. The entry point to my travel journaling entries is the photos I take, and journaling makes me take more thoughtful photos. I used photos to capture a moment or tell the story of where I was, when and why. The entries in Day One then expound on that.

2. I compile my daily entries to share them with my family back home. It’s a way for us all to participate in the adventure, in a way.

3. I tend to return to the same places, and it’s easier to search what I liked or didn’t like about a place, or a place name using Day One than it is digging through notebook pages.

4. Writing quick entries on my phone while waiting in line for stuff is both convenient and helps the time go by faster, and my phone is always on me.

A digital photo of analog tools.

Journaling to Share

I normally write only for myself in my journal, but when I travel journal, I write with sharing in mind. While I don’t share my entries to social media or this blog, I do share them with my family.

Backlog Journaling (or Giving Myself a Break)

It’s often the case that I’m too busy to journal as things are happening, or during the day that they occur. In that case I just take pictures, sometimes supplementing them with a note on the list of activities done and places visited. When I have more time (for example on the flight back home) I can backlog these entries – with the added bonus that I get to live through them again.