Tag: Swan Mabie Todd

April-May’s Currently Inked Fountain Pens

In the middle of April I inked up a bunch of new fountain pens, and at the end of the month I added two new fountain pens to this rotation. At the rate I’m writing with them I assume that this pen rotation will be with me until around the end of May, when I’ll be putting more “summery” inks into use.

This is a rather eclectic group of pens and inks, but I was mostly looking for inks that I haven’t used for a long time or I haven’t used at all. Here they all are (I was in a rush when I created the writing samples so they’re messy, but life isn’t Instagram, so messy it is):

Messy Writing Sample #1
Messy Writing Sample #2

Mabie Todd Swan “The Swan Pen” 2 nib with Waterman South Sea Blue – a vintage gold plated lever filler pen, this is one of two vintage gold plated pens that I bought in Paris in Mora Stylos years ago. I don’t usually like the bling of gold plated pens, but I was drawn by the fantastic, very wet, flexible swan gold nib, and by the engraving on the pen body.

The Swan Pen

Normally engravings lower the value of a vintage fountain pen, but this one added value for me – I find it endlessly intriguing. This was clearly a Christmas gift, in 1929, and it was likely a lady’s pen, given its size and general level of decoration. I can stare at this pen and spin dozens of stories from that engraving, and this is one of the main reasons I prefer vintage pens. This one is “use grade” – the engraving, the dings on the body, the brassing on the clip, and the multitude of microscratches on it make it so – but I don’t care. It’s a treasure of a pen with a fantastic nib that I got at a very good price and gives me much joy. What else does one need?

Closeup of the inscription XMAS 1929

I chose a Waterman ink for it because they’re the best inks for vintage fountain pens – very gentle, very easy to clean out of a pen, non-staining, and on the dry side (though not as dry as Pelikan 4001 inks) which works well with this very generous nib.

Swan 2 nib with heart shaped breather hole

Leonardo Mother of Pearl fine elastic nib with Kyoto TAG Kyo No Oto 03 Kokeiro ink – I wanted a Leonardo pen in rotation (I love them) and I wanted to try this new ink, and compare it to the Rohrer and Klingner Alt-Goldrün ink that I still had going at the time from March’s rotation. The inks are practically identical, with Alt-Goldrün being perhaps a shade lighter than the 03.

Leonardo Momento Mother of Pearl fountain pen

The Leondardo’s elastic or “flex” nib has cutouts in the nib shoulders to provide it a bit of give. It’s a nice nib that offers some line variation, but is nowhere near what you can get in vintage flex or super-flex nibs (particularly Swan and Waterman).

Closeup of the elastic nib with the cutouts in nib shoulders

Lamy 2000 fine nib with Diamine 150 anniversary Silver Fox ink – this is one of two Lamy 2000s that I have, and I really like this pens as workhorses. Silver Fox was part of the original collection of 150 anniversary inks that Diamine issued and it’s a nice mid grey that is very readable.

Franklin Christoph Model 46 Polar Ice extra fine nib with Bungunox June Bride Something Blue – I filled this pen about a week after the others since I wanted a teal ink that wasn’t in as wet a nib as the Swan. I got this ink as a gift from the Pen Addict Membership back in 2016.

Franklin Christoph Model 45L Turqish Crush extra fine nib with Diamine 150 anniversary Blue Velvet – another original 150 anniversary ink (Diamine later issued a second and perhaps also a third line of inks in this series, I don’t remember). This one is a nice royal blue, and another ink that I had used in years.

From left to right: Lamy 2000, Franklin Christoph Model 46 Polar Ice, Franklin Christoph Model 45L Turqish Crush

Oldwin Art Deco red and black striped ebonite, 18k medium nib with Diamine Writer’s Blood – as I’m writing this I have written this pen dry, mostly because it has a very wet and hungry nib and a standard sized converter. I bought this Oldwin from Mr Mora at Mora Stylos in Paris, and it’s a huge and surprisingly light pen.

Oldwin Art Deco red and black ebonite

The nib is also a very large nib (size 8 and not size 6), and the pen is surprisingly not smelly for an ebonite pen. The feel of the material is fantastic – ebonite is such a warm material – and I like it enough to consider refilling it instead of cleaning it out. Diamine Writer’s Blood has been in rotation recently, but it’s a new ink to me and I’m still trying to figure it out. Having it in this pen made me appreciate it more, as it really showed off its unique colour properties and shading plus sheen.

Oldwin nib

Manufactus Cappuccino Brown medium nib with Diamine Bilberry cartridge – this was a gift that I received from a dear friend who was just back from Italy and bought this (and a wonderful leather bound personalized journal) in the Manufactus store in Rome. The photo doesn’t do justice to the richness of the resin on this pen.

Manufactus Cappuccino Brown

The Manufactus has some heft to it, due to the metal body and trim, and while it states that it’s a medium nib, it runs closer to a fine nib in terms of line width. Diamine Bilberry is an interesting ink that I had in cartridge form, and I wanted a more unique ink than the standard black cartridge that came with this pen. Bilberry is saturated enough to pass as black at a cursory glance, but it’s a gorgeous rich purple with gold sheen that works well in this pen.

Manufactus Cappuccino Brown nib

Apart from these pens I still have about a quarter fill of ink in my TWSBI ECO T Saffron fine nib with Rohrer and Klingner Helianthus going from March’s ink rotation.

Which of these pens interest you the most?

February 2025 Currently Inked Pens

I have finally written dry all of my Inkvent 2024 fountain pens, which means that after two months I get to write with a whole new set of fountain pens and inks. I normally don’t spend too much time selecting which pen and which inks I’ll use next, but this time I decided to use some criteria for the next pens in my rotation:

  • They need to include at least 50% vintage pens. I don’t use vintage pens with Inkvent inks, and vintage pens make up most of my pen collection.
  • All the pens need to be pens that I haven’t used in a long time (at least a year). It was time to mix things up.
  • The inks needed to be inks that are new to me, or that I haven’t used in years, and all of them need to be inks that I haven’t swabbed before. This was not only to mix things up, but to get me to use and swab more inks in my collection, instead of going again and again to a few select favourites.

Here’s February’s fountain pen lineup:

The pens from left to right: Leonardo Momento Zero Bohemian Twilight, Sailor Pro Gear Slim Graphite Lighthouse, Edison Nouveau Premiere Cappuccino, Montblanc 32, Mabie Todd Swan L2 Leverless pen, Waterman 52, Parker 51, Parker Vacumatic Standard double striped jewel.

And here are ink swabs of the inks that I’ll be using:

Ink swabs on Col-o-Ring cards

The Vintage Pens

  • Parker Vacumatic 1st generation Laminated Burgundy Pearl Double Jewel (striped jewels, striped section) – I adore Parker Vacumatics and this is a “use the good china” pen. The grip section is also laminated (and not plain black), the body is transparent, and the nib is a sharp extra fine gold nib with a bit of character to it. It’s filled with a brand new ink for me, Diamine Writer’s Blood. I never use red inks, but this got raving reviews and seemed dark enough for me to try. I bought the ink in Oxford last year, and the pen years ago from the late Henry Simpole (Henry the Pen Man) in London. I don’t think I inked up this pen since I bought it, as it was too precious, and I still won’t let it leave the house, but I am looking forward to actually using it.
Parker Vacumatic first generation burgundy laminated grip section
Closeup on the striped jewel and the grip section of the Parker Vacumatic
  • Parker 51 Burgundy aerometric with a silver cap and gold filled arrow clip. I love Parker 51s, they are my absolute favourite fountain pens. I believe this cap is on the rare side, though it’s far from pristine or attractive (it’s blackened in specks, and there are a few scratches and micro scratches on it). The nib is a generous fine, bordering on medium, and like all other 51s that I’ve used, it’s magic. I haven’t used this pen since I bought it, so it’s time to give it a whirl. It’s filled with Pilot Iroshizuku Yama Budo, which is a lovely, sheening burgundy ink, one of the more popular inks in the Iroshizuku lineup. In hindsight coupling this ink with this pen wasn’t the best choice, as the 51 has generous nibs and Iroshizuku inks are on the wet side. It just means that I’ll have to steer clear of cheap paper with this combination.
Parker 51 cap and nib closeup
  • Waterman Ideal 52 Red Ripple fountain pen with a super flex extra fine nib – my word but this pen has the most glorious nib. The pen itself is elegant and pristine, and because of its age it doesn’t have the ebonite stink to it. The nib is why I bought this pen, and it effortlessly moves between extra fine and broad or double broad lines, with the feed easily keeping up with tines. Like all Waterman nibs that I’ve tried, there is some feedback, so if you like butter on hot pan nibs this one isn’t for you. This is the kind of nib that you can only get in a vintage pen, and it puts modern flex pens to shame. It’s only minus is that this is a lever filler, and I hate cleaning out lever fillers, which is why I rarely use them. This pen is filled with Diamine Autumn Oak, which I haven’t used yet (in bottle form at least – I have cartridges of it). I wanted a brighter ink in this lineup, so Autumn Oak was a perfect choice.
Waterman 52 cap and nib closeup. You know the nib is going to be fabulously flexy once you see that heart shaped breather hole and the slight bend down in the nib.
Writing sample on Midori MD Paper. Notes written with a Platinum Preppy.
  • Mabie Todd Swan L2 Leverless L205/62? Not sure – Swan did a poor job labeling their pens, and I didn’t write down notes when I bought it. This is a lovely pen that I bought from Henry Simpole years ago because of the phenomenal Swan nib. It’s an oblique flexible nib with Swan’s gimmicky “Leverless” filling system (which is a lever system in disguise, but such were the ’30s – you needed a gimmick to sell pen). I haven’t used it at all since I bought it because I don’t remember the experience of cleaning it out very fondly – imagine all the bother of cleaning out a Lamy 2000, but with a piston that has just one twist of travel. I used Pilot Iroshizuku Asa Gao with this fountain pen, and it’s a gorgeous ink with a good amount of sheen with this nib. I love this shade of royal blue, and I haven’t used this ink in a while. Take a look at the Swan above – it’s almost 100 years old and works perfectly.
Closeup on the nib and cap of the Swan Leverless pen
Writing sample on Midori MD Paper. Notes written with a Platinum Preppy.
  • Montblanc 32 (1967) OM 585 nib – heavens, you can get a gold nibbed, piston filling original Montblanc with an Oblique Medium nib for less than a steel nibbed Pelian M2xx costs? Yes, you can. I love the design of this pen (you can read about it more here) and the nib is great… provided you write in the exact angle it expects. The Swan’s nib is generous in terms of the writing angles it accepts, and the Monblanc 32 is demanding: you will use the nib at the precise angle it is designed for, or it will not work at all! I only wish that the Montblanc Around the World in 80 Days ink was so exact. From the description and the illustration on the box I was expecting a brownish gold ink, maybe with a hint of green. In reality I got a dark, cold grey ink, with a hint of blue to it. No brown, no gold, nothing at all to do with the elephant illustration on the box. I had to double check just to make sure that I hadn’t landed on a bad bottle by chance.
Montblanc 32 semi hooded nib
Writing sample on Midori MD Paper. Notes written with a Platinum Preppy.
Writing sample on original Tomoe River Paper

Modern Fountain Pens

  • Sailor Pro Gear Slim Graphite Lighthouse H-EF nib – I haven’t used this pen in over a year, and I wanted a pen with a very fine nib, so that I can use it for note taking. It’s inked up with Sailor Black, a new ink for me and one that’s supposed to be water resistant. I’m using this combination for my certification study notes, and I may also try it out with some watercolours in a sketch, just to see if I can use Sailor Black ink as part of my sketching kit.
  • Edison Nouveau Premiere Cappuccino fine nib – I bought this pen in early 2012, before they did a run of seasonal limited editions of this pen design. I haven’t used in years, and the same goes for the ink in it: Lamy Petrol. This is a limited edition ink, one that Lamy issued with the Lamy Safari Petrol, and it’s a wonderful blue-black with red sheen.
  • Leonardo Momento Zero Bohemian Twilight fine nib – this pen has “only” been a year out of rotation, and it’s one of my favourite Leonardos. The colour of the resin is gorgeous, and it works very well with the Pilot Iroshizuku Tsuki-yo ink that it’s filled with. Tsuki-you is a bluish-teal with red sheen and a wet flow, and it suits the Leonardo’s fine nib.
Modern pens writing sample on Midori MD paper.