In September I traveled to Paris and London.See part 1 of my travelogue here.
I went to see two plays in The Globe theatre in London. The first was a one night only performance of Midsummer Night’s Dream that was a reenactment of how the actors in Shakespeare’s time would have performed a play. The actors didn’t rehearse the play beforehand, and they didn’t have the full text of the play to work with, just their lines and their cues and staging directions. They practiced the dances alone, and they had no idea what their fellow actors would do during the performance. Now this is Midsummer Night’s Dream so all the actors and everyone in the audience knew exactly how the story unfolds, but the lack of rehearsals made this a very live performance.
The Globe stage before the show
The play was sold out in minutes and I’m glad that I managed to get tickets at all. It was an amazing experience. As this was a one night performance the stage was the bare Globe stage – nowhere to hide as the audience surrounds the actors practically from all sides. There was a lady on stage in period costume, sitting with the full text and helping actors in the very few times that they fumbled. The energy was beyond description. It was the most electric staging of Shakespeare that I have ever seen. Everybody was “on” all the time because they weren’t entirely sure what would come next.
It was a raw performance – I later saw another, standard Shakespeare play there and it was much more polished because it was clearly rehearsed and performed several times before we saw it. Yet that was what made this performance so special – the actors’ reaction to their fellow actors was genuine and unvarnished. They were having fun, improvising, owning the text in a way they normally never do. The highlight was the play within the play at the end – seeing the actors laugh to the point where they had trouble saying their lines because Bottom was so very, very hilariously over the top was amazing.
The musicians at the Globe.
One of my favourite places in London is the Phoenix community garden. I spent a lot of time there, and sketched it several times. This was my first and longest sketch of the garden, done on the wonderful Etchr Lab cold pressed watercolour sketchbook:
Fineliner sketch – no pencil underdrawing.Final sketch.
We went to see Disney’s Hercules – a new musical in West End. I wasn’t expecting much as I’m not a fan of the movie, but the musical was one of the best that we saw in the London. The production is stunning, the music is great, the actors were talented – particularly Megara – and the only minus is that Hades was a bit over the top even by the movie standards. They would do better to cut down on the amount of his jokes because they lose their impact otherwise. The Disney merch machine was out in full force that night, and I was one of only a handful that didn’t leave with something from their store.
Hercules the Musical
We spent a day in York, and I started it with a sketch of the York Museum grounds, also in my Etchr Labs watercolour sketchbook:
Fineliner sketchComplete watercolour.
York is full of wonderful bits of history that are just layered freely on each other:
York museum
I did a very quick sketch of this scene later on, on an Exacompta Bristol card:
Quick sketch on Brisol card
I also bought a decent amount of watercolour paints – enough to build out two new palettes that I want to try.
This post is getting long and photo heavy, so I will be completing this trip journal in two additional posts.
As part of the Urban Sketcher’s 2025 Symposium in Poznan I got a very generous goodie bag filled with art supplies from the Symposium sponsors. One of those sponsors was Renesans, a Polish art supply manufacturer, and they gave us a half pan of Kassel Earth extra fine watercolour and a number 3 synthetic watercolour brush.
Today I decided to try them out. I used a Stillman and Birn pocket beta, a Staedtler 0.8 pigment liner and only the Kassel Earth watercolour and the Renesans brush. This is the result:
It’s a sketch of a beautiful building across from a pond in a park in Poznan. I drew it from a photo that I took during my morning run through the park. I was planning on returning to the park during the Symposium but I ended up not having time.
This is the sketch:
I used some of what I learned in the symposium to create more realistic trees.
I rarely sketch in monochrome so this sketch was a challenge. It’s about seeing the grades and shades in a scene, and not the colours, and that’s a hard exercise.
This is the paint and brush on the sketchbook:
And this is a swab of the paint. It’s a classic Van Dyke brown, artist grade quality. The brush was surprisingly good, especially for a synthetic brush. It retained quite a lot of water, and it has a good, sharp point.
Though the paint pan has bubbles in it, which isn’t great, I am happy with the quality of the paint and I would consider using Renesans watercolours in the future. The brush is excellent and I am adding it to my rotation. What a wonderful gift to get!
I just received a package from Fontoplumo and I immediately added the pen and inks it contained into rotation. While I already have a good amount of pens inked up, I really wanted to give the Radius 1934 Settimo Cielo Blu a try as soon as I got it. Not only is it a gorgeous looking pen, but I was also curious to see how it compares both the the vintage Radius fountain pen that I own and to my Leonardo fountain pens, as they are also the makers of the Radius.
Apart from the Radius the package contained two inks that I was interested in using as soon as possible, so I inked up a Pelikan M200 Petrol with Pilot Iroshizuku Sui gyoku and a Lamy AL Star with Diamine Forever Raven. The Radius got inked up withe Diamine 150 years Anniversary Regency Blue, a rich royal blue with moderate red sheen that fits the blue swirls on the pen body.
From left to right: Pelikan M200 Petrol, Lamy AL Star Black, Radius Settimo Celio Blu
Comparing the Diamine Forever Raven to Sailor Black reveals that the Sailor is slightly darker than the Raven, but both are dark enough to count as proper black inks (and not dark grey or brown). They both have a bit of shading, but the Raven interests me as a waterproof ink, so I’ll be testing it with some watercolour sketches later on.
Writing sample
The Pilot Iroshizuku Sui gyoku isn’t what I expected. I was hoping for a more prominently green ink, but Sui gyoku is more of a turquoise than a green. I like turquoise inks so that won’t be a problem, but it means that I’m still on the lookout for an interesting, bright, readable green. The shading on this ink is delightful.
Diamine 150 Anniversary Regency Blue is a rich royal blue with some red sheen. It’s very saturated, especially in the Radius nib.
Gorgeous blue swirls on the Radius
The Radius interested me not so much as a revival of the old Italian brand since the original Radius was a minor pen manufacturer, and I wasn’t blown away by the vintage Radius that I own. It seemed to me that the old Radius brand was busy making local copies of what Parker was doing at the time, which is understandable. However, Radius as a sub-brand of Leonardo is interesting since Leonardo have been hiking their prices lately but the Radius remains more affordable and offers resins and pen bodies that are just as attractive as what Leonardo has to offer.
Radius imprint on the nib
I love both the blue, white and brown swirly resin of this pen and the art deco-ish band. It’s a big wide pen, like the Leonardo pens and Viscontis, but light and comfortable to use.
Radius branding and band
One tiny minus with my pen is that as the bottom part of the body tapers down, a smudge of brown resin was left, making it look like there’s permanent dirt on the pen body. Not ideal, but it’s something I can live with.
The smudge
Here’s a writing sample of all three inks on Col-O-Ring cards.
Ink samples
And as a silly little treat I also bought two cartridge boxes of Lamy Pokemon ink cartridges. They are filled with regular black Lamy ink cartridges, which I knew, but is still disappointing – a teal and a red would have been better.
It’s been a while, mostly because life has been hectic, not because I don’t have things to write about. Here’s to trying to get more posts in, even if they aren’t perfect or particularly long.
I’ve just finished another journal (the yellow one on the left in the photo below) and have set up my new one. Both are Stalogy 365 B6 notebooks, and both have a similar initial setup:
1.I flip the notebooks upside down so that the header with the dates is on the bottom and out of the way, as I don’t use it.
2. I use the front endpaper to write an “in case of loss” message (my name, email, phone number and a request for the finder to do the right thing).
New journal on the right, old journal on the left.
3. I use the back endpaper as a sort of “dashboard”. One side gets stickers on it, the other gets a post it with some journaling and review prompts.
Endpaper view of the new journal.
My new journal’s cover was damaged in transit, so I covered the worst of the damage with washi tape. It adds some character to the black cover, and if it gets too grimy or peels off I can always replace it.
My old journal lasted me for 5 months, which is about what these notebooks last for. My Moleskine journals lasted for 3-4 months because they had fewer paged and I used them for scrapbooking as well.
In other news “Writing at Large” is 10 years old. I never thought that I’d be publishing it for so long, but I’m glad that I started it way back in July of 2015, and I hope to keep it going for many years more. I’ve been through a lot over the past decade, and this site reflects a tiny part of that. If I can recommend something it’s to invest your time in your own site and your own work instead of on social media. If you persist, it pays dividends.
Reading
Finished The Day of the Jackal by Fredrick Forsyth and found it fascinating. I’m planning on reviewing it here.
Started on We Solve Murders by Richard Osman and I’m working on some Ulysses posts.
Health and Fitness
It’s getting hard to run outside, harder than it ever was, in this heat and humidity. Global warming is making treadmill runs more attractive. I’ve started using the NRC app‘s guided treadmill runs and they are pretty good and making treadmill running more bearable.
A mixture of some pens left over from last month, coupled with a slew of new pens in mostly long unused inks characterizes this month’s lineup.
The paper is Hobonichi Techo 2024 this time (I bought it on Black Friday, to compare with the original Tomoe River Paper in my 2014 Hobonichi). The paper in it is almost as good as the original Tomoe River Paper for showing off ink properties.
From June’s rotation I only have:
The mauve Sailor Pro Gear Slim with a music nib and delightful yet discontinued Sailor Jentle Apricot. A readable reddish orange ink with generous shading.
Kaweco AC Sport Carbon fine nib with Diamine Ultra Green. It’s almost written dry but has seen less use than I planned since I’m not in love with the ink colour. It is growing on me though.
Writing sample on Hobonichi 2024 paper
In the end of June I added two new pens into the rotation:
Franklin Christoph x Stilo x Stile 03 Sparkling Rock EF nib with Diamine Earl Grey. Earl Grey is still one of my favourite inks and if you want a readable, interesting grey I highly recommend it.
PenBBS 456 Smog with a RM nib and Pelikan Edelstein Golden Lapis ink. I have no idea what possessed me to fill a vacuum filler with this ink, but I’ll pay for that later. Golden Lapis was a gift from the Pelikan Hubs and has turned out to be my favourite shimmer ink.
Closeup on the sheen on Diamine Holly
The proper July inked pens are:
Franklin Christoph 46 Polar Ice EF nib with Diamine Inkvent 2019 Holly. I reviewed this ink here and I liked it enough to purchase a full bottle of it, though I have rarely used it since. Holly is a dark blue green with a wild red sheen and is saturated enough to pass as a serious businesslike black at a cursory glance, so you can sneak it into office use 🙂
Pilot VP Matte Black M nib with Pilot Iroshizuku Chiku-rin ink. I used to use my VPs a lot more, especially to take notes in meetings, but now I rarely use them because they have a tiny ink capacity and are a bit of a pain to clean out. They do have beautiful nibs, and I wanted a cheerful green ink so the pairing works well.
Visconti Homo Sapiens Lava black EF with Sailor Shikiori Yama Dori – this is the original Homo Sapiens pen, before Visconti did dozens of versions of it, when it took the pen world by storm. I bought mine at Mora Stylos, and they customized the finial with my initials. Yama Dori is a peacock blue with red sheen, and is a wonderful ink in Sailor’s annoying flat Jentle ink bottles.It was almost impossible to fill this pen due to the bottle shape.
Writing sample on Hobnonichi 2024 paper
Esterbrook Estie Sea Glass Journal nib with Diamine Aurora Borealis. I love the Journal nib, and it really shows off the gorgeous teal of Aurora Borealis. There’s some shading with this ink and a hint of red sheen. This ink is one of the few I own in both bottle and cartridge format.
Leonardo Momento Zero Grande 2.0 Galattica Universe F nib filled with Montblanc The Beatles Psychedelic Purple. A wild pen and a wild ink that have wildly jumped in price over the past year or two. I have a handful of Montblanc inks, but I’ve been priced out of the brand now. Leonardo makes great pens, but I no longer feel the need to buy every limited edition they come out with. The Beatles purple is a wonderful PURPLE – bright, not muddy and perfectly midway between red and blue.
Last but very far from least Parker 51 Plum F nib with Sailor Jentle Peche. A rare 51 and a long discontinued ink coupled together to make sure that I use the good china. Parker 51 pens are my favourites, and this one is a gold capped aerometric with a fantastic nib.
The pens in order of appearance here, from top to bottom.
A smorgasbord of stuff for your delectation to celebrate my birthday. You can read part 1 here and part 2 here. Only one more part after this one…
23. Lightening Book Review #3: The Vinyl Detective – Noise Floor by Andrew Cartmel. This is the the 7th Vinyl Detective book and possibly the weakest so far. Set in the world of 1980s electronic music it’s not about finding a rare vinyl record this time, but rather finding an aging electronic musician. There’s the usual hipster/foodie/audiophile vibes but the plot is air thin, you will immediately know whodunnit in the whodunnit, and there’s a desperate attempt to give this Scooby-Do style adventure an “edginess” using aging threesomes and references to John Fowler’s The Magus. There is the usual boring insistence on describing every turn in every journey the protagonists take, and the characters are even more cartoony than usual. The only truly enjoyable scene is the village fête in the end, and even that is highly unbelievable. Feel free to skip this one, unless you’re looking for a cozy, featherlight read between other books and there’s nothing better lined up.
Scene from today’s run
24. Lightening Book Review #4:The Vinyl Detective – Underscore, by Andrew Cartmel. This is why I still read this series – a cozy and highly imaginative adventure with a likeable cast, in a charming and vivid setting. The crime is stylized, the new characters are vivacious and it reminds me of my favourite book in the series, Victory Disc (book #3). Take a trip back to London in the 60s, with a dash of family drama, a hint of Italian passion thrown in, and of course a sprinkling of good music.
25. Lightening Book Review #5:The Thursday Murder Club, by Richard Osman. While we’re on the topic of cozy mysteries, this one was a treat. Unexpected plot full of twists and turns, a memorable and original cast of characters, a unique setting, humour and heartache, and a it dared to touch on actual issues with substance (aging, sickness and death, religious oppression, capitalism and corruption, and the limitations of the law and its enforcers). A very enjoyable read and not just because Elizabeth is now one of my favourite fictional characters.
26. My Apple Watch Ultra 2 has been acting up lately – it’s almost 2 years old and it’s been losing battery power and struggling to keep track of my laps in the pool. So far a full charge and a restart before every swim have helped, but it’s annoying. A watch at this price level should be able to last for 3 years at least, and yet we’ve somehow been trained to expect to upgrade our watches every year or two at the most, if only because they lose their ability to keep a charge after the first year or so. Originally my watch lasted almost 3 days between charges (and I’m a very active person). Now I have to charge it once a day. I’ve been contemplating moving to a Garmin for my workouts and switching back to an analog watch, but I use some of the Apple Watch capabilities to keep track of my health post treatments, so we’ll see.
27. I have ordered the Moleskine Limited Edition Peanuts notebooks (the yellow lined large hardcover and two sets of the extra large cahier notebooks). There’s something about this collection that I find irresistible, and so they will be part of my birthday gifts this year.
28. There’s something tragic about an unfilled and unfulfilled notebook and I have too many of those lying around. I’m considering what to do with them, especially with those that I’ve started using and have abandoned after a few pages. Let me know in the comments if you have any ideas.
29. Tomorrow I start reading Ulysses having just finished The Obstacle is the Way, the last book that I planned to read in May.
30. Lightening Book Review #6:The Obstacle is the Way by Ryan Holiday. I read the 10th anniversary edition of this book, which has a new introduction and a few additions to it. This is a very digestible intro to stoicism, competently written and researched by a man with a marketing background, but it had the same affect on me that Seth Godin’s books have: it glanced on my brain and left no mark. It was hard to concentrate on this book not because it was challenging but because it was not: it was like eating easily digestible, flavourless popcorn with sprinklings of anecdotal salt at the beginning of each tiny chapter. You are left hungry and unsatisfied at the end, not sure what exactly you consumed. Philosophy should make you sit up and pay attention, think, stretch your mind and sweat a bit. It was divorced from its gravitas, substance and challenge in this book, and that’s a pity.
31. There’s no greater joy than crumpling yesterday’s to do list and tossing it out.
Of February’s pen lineup only two pens remain inked, the Parker 51 with Waterman Purple, and the Leonardo Momento Zero Bohemian Twilight with Pilot Iroshizuku Tsuki-yo. As they’re both running low on ink, it’s time for a new pen lineup, with a slightly different theme than last month’s one:
All the pens are modern (last time I had more vintage pens than modern ones in rotation) and ones that I haven’t inked in years.
All the inks are ones that I haven’t used in years or ever, apart from one that was in the last rotation but I still haven’t figured out so it got another go.
The ink colours are much brighter than those that I used in February.
Here’s March’s rotation:
Writing sample on Midori MD Cotton paper
Here’s a bit more about every pen and ink combo:
Franklin Christoph 03 modified prototype- Red/White/Black motion with a 1.1 HPSteel cursive calligraphy nib. This is a new pen that I bought last year as my chemo anniversary pen (I buy myself a present every year to mark the occasion). I love the unusual resin colour and pattern, and I like FC’s HPSteel 1.1 nibs. They are just wide enough to really show off the ink without becoming a nightmare to use because it takes ages for the ink to dry. As nice as the pen is (and it is), the ink is the star in this one in terms of interest: it’s the ORIGINAL J.Herbin 1670 Rouge Hematite, which means that it has NO GLITTER and NO SHEEN. It’s just a deep, bright red with some nice shading and good outlining, but it isn’t full of gold glitter and sheen to the point where you can’t see the base colour. Yes, this is also the bottle that had the problematic crumbly wax cover on the cap, but I really think that I prefer this version to the one they issued later (I have both). I don’t normally use red inks, but this one was perfect for this pen.
The FC 03The HPSteel 1.1 nibOriginal Rouge Hematite compared to Cosmic Glow on original Tomoe River paper. Note the lack of sheen or shimmer.
TWSBI ECO Saffron fine nib filled with Rohrer & Klingner Helianthus ink. I use yellow inks even less often that I use red inks, but this ink is fairly readable for a yellow ink. It is, however, not going anywhere near a vintage pen as it has a tendency to crust over (as many yellow inks do). I wanted something bright, cheerful and different, and this ink checked all three. The TWSBI ECO is a phenomenal pen for those starting out with bottled fountain pen ink, and I can’t recommend it enough.
TWSBI ECO Saffron
Aurora Ipsilon medium nib with Rohrer & Klingner Alt-Goldrün ink. This is my one and only Aurora pen, which I bought years ago in Florence, Italy. Aurora nibs are nice enough, but the pens are priced well above what I believe that they are worth, so I have steered clear of them over the years. The Ipsilon is small pen, but you can’t post it, which is annoying for such a small pen. R&K Alt-Goldrün is a fantastic ink colour – a non standard green with plenty of shading and character – and the only reason I haven’t used it more is because it was tucked away behind two rows of other ink bottles. If you are just starting out with green inks, give Alt-Goldrün a try.
Aurora IpsilonThe Ipsilon nib looks ridiculously small but it’s just the design of the section that makes it appear that way. Comparison photo to a TWSBI ECO nib.
Leonardo Momento Zero Blue Hawaii Fine nib with Diamine Steel Blue ink. I have used this pen fairly recently compared to some of the others in this rotation, but the ink has been one that I actually forgot that I have. I love teal and turquoise inks, and Diamine Steel is a beautiful member of this group. There’s a hint of shading with it, and it just pops off the page so nicely. If you want a different take on “boring blue” inks, I highly recommend it.
Leonardo Momento Zero Hawaii
Montblanc Writer’s Edition Victor Hugo medium nib with Montblanc Around the World in 80 Days ink. I bought this pen in Mora Stylos in Paris before they closed mainly because I adore the Notre Dame de Paris cathedral and it’s featured on this pen. Hugo has the honour of being the saviour of this extraordinary cathedral, and though I shy away from Montblanc limited editions (talk about overpriced) I thought this one was worth purchasing. The ink was last in rotation, in a vintage Montblanc, last month. I just can’t get over how unrelated it is to the green-gold elephant on the box, and I’m not sure what to make of it. I was expecting it to be more like Alt-Goldrün than like the bluish-grey (Payne’s Grey really) that it is.
The Montblanc Writer’s Edition Victor HugoThe Victor Hugo death mask on the capThe nib, which features Victor Hugo
Finally, speaking of a pen and ink combo that have gotten “lost” in my collection: the Stipula Model T marbled grey pen was also an Italian purchase, and it has a very peculiar fine “flexy” titanium nib. I would characterize the nib as springy, and as my other titanium nib Stipula does, it squeaks sometimes as you write with it. The ink is one that I bought in 2013 in Fahrney’s pen store in Washington DC. Since then I haven’t opened it and used it, mainly because Fahrney’s Tempest Blue is a blue ink, and I don’t use blue inks often. It shades nicely, but other than that it looks close enough to my benchmark blue, Waterman Florida Blue (now renamed to Waterman Serenity Blue), for me not to bother using it often. Waterman Serenity Blue is a best-in-class blue in my opinion because it’s so well behaved, gentle and easy to clean out of pens that you can safely use it in any pen that you have, particularly vintage ones.
The Stipula Model T. A very sleek design. The Model T titanium nib.
Another busy week at work coupled with a packed weekend means that this update will be bullet-point style:
I ran my first race of the year, a 10K in what turned out to be surprisingly warm weather. I’ve been using the Nike Running Club App’s 10k race plan, for both this race and the one I ran in Disney World last October and it’s proven to be fantastic. I wish I could say the same about the app, which has lately had annoying audio issues that have made it downright unusable at times.
In preparation for next week’s One Week 100 People challenge I’ve been using a Field Notes Sketchbook, and I’ve grown to appreciate its portability. It’s not suited for wet media, but for pen, ink and pencil it works well. All the sketch photos here were done on a Field Notes Sketchbook, and I’ll be reviewing it sometime in the future.
I’m down to only five inked fountain pens, and I’ll likely write one or two of them dry next week. I’ll be updating my pen rotation sometime late next week, possibly looking to add some more spring-time ink colours to the darker inks I currently have in use.
I’ve finished reading Legends and Lattes by Travis Baldree, bringing my February book count to three. The book was just the sort of cozy, light read that I needed at the time, and I enjoyed it enough to immediately buy the sequel (which is actually a prequel) Bookshops and Bonedust.
I spent an annoyingly long time downloading all of my kindle books to my laptop before Amazon locked that option out. I’ve also moved to using Kobo to buy eBooks. I will admit that it’s not as convenient as buying ebooks from Amazon, but I’m angry enough at them for the change to put in the extra effort required. I bought Bookshops and Bonedust on Kobo and then used the Amazon “Send to Kindle” website to transfer my purchase (it was easy because Travis Baldree, bless him, demanded that the book be DRM free). I also bought another book (a bit on that in the next bullet) that had DRM applied, so I had to do some Calibre work to strip it of DRM before sending it to my Kindle. Next time the whole process should take only a minute or two extra beyond the usual Kindle book purchasing process, and again, for me it’s worth it.
After listening to Oxford poetry professor Tara Stubbs’s wonderful Demystifying Poetry podcast (Apple Podcasts, Spotify) I bought my first poetry book in years, the anthology “Staying Alive”. Even if you’re not a poetry lover, give the podcast a listen. It’s well worth your time.
I mostly use fountain pens when I write. If not fountain pens then gel ink pens. I rarely write in pencil, but I often sketch with pencils, and sometimes when I plan, I pencil things in. Pencil is great for writing impermanence, even though pencil marks last longer than pen ones – unless erased.
Yet there’s always a ballpoint on my desk and in my bag. I don’t like writing with ballpoint – the lines are as dark as I prefer, even with hybrid ballpoints like Uniball Jetstreams, and they oftentimes streak and blob. So why do I have a ballpoint at hand at all times?
Because ballpoint pens are a useful tool. The ink is waterproof , they’re good for signing things, and they’re robust enough to handle being tossed into a bag or a pocket. Ballpoint pens are also good for sketching – you can get a decent amount of shading and character with them (providing you don’t use a Jetstream).
One of the best bang for your buck ballpoints is this pen:
Zebra 301A BP
So why do I like the Zebra 301 A BP 0.7?
It’s made from aluminium, so it’s light and ultra durable. It also wears really well.
I love the pen body design and colour.
The grip and click mechanism are good: well designed and well made. You get a decisive click from this pen, and the plastic grip has enough texture to it to make writing as comfortable as possible without all the lint gathering, stickiness and durability issues of softer grips.
No tip wiggle.
It comes with a good, dependable, black refill that is replaceable.
Clip and click mechanism
I like the Zebra 301 A BP enough that I bought a large box of them and I frequently give them away as gifts. People like getting nice pens and if you’re used to cheap, plasticky, disposable ballpoints it’s nice getting a pen that’s a grade or two above what you find in the office supply cabinet.
Grip
Here’s a quick sketch done with a Zebra 301A BP 0.7 on a Field Notes Sketchbook. Ballpoint pen sketching isn’t my favourite technique, but it is a very useful technique for quick urban sketching.
I’m a big fan of Big Idea Design pens, ever since I bought their Ti Arto (still their most innovative and all around useful pen). I have their Ti Click EDC and liked it enough to buy the Cerakote version, their Ti Arto EDC, the Ti Mini (and the Mini Click and Mini Bolt), their Dual Side Click, their Fountain Pen EDC, their Bolt and Slim Bolt, Pocket Pro, some of them in several versions. I’m on their mailing list whenever they come out with a new Kickstarter (Big Idea Design use Kickstarter as a pre-order system, with very little risk to backers and a nice discount on whatever new product they’re working on), and I tend to back almost every new pen they come out with.
Base Line Bolt Action sketched on Moleskine paper with a Base Line Bolt Action
So when I got the email about the new Base Line Bolt Action titanium pen Kickstarter, I backed it. Unsurprisingly the Kickstarter was successful and the pen arrived in time. While the base price of the Base Line Bolt Action pen is $65 (including free world wide shipping), the Kickstarter price I paid was $55. I’m mentioning the price up front because this is one of the main selling points of this pen.
So what do you get for $65 all-inclusive? The Base Line Bolt is a short (116mm or 4.59 inch length, 11 mm or 0.435 width) full metal machined pen, with a titanium (or brass, or copper) body and clip, a Schmidt P900 ballpoint refill (it’s compatible with Parker style refills) and a bolt action mechanism that is smooth and fun to fidget with. As usual for Big Idea Design, the brass and copper versions cost the same as the titanium one.
You also get a decent enough package, one that is good enough to ship to someone as a gift. Even after our local post office mangled the package, it came out mostly intact with just a few dings. It’s a solid shrink wrap covered cardboard box, with the pen nestled inside on a foam insert.
The front of the box
The pertinent information about the pen is printed on the back of the box, with a reference to the Big Idea Design YouTube channel, where you can learn more about the pen.
The back of the box
The pen itself is well protected inside the box and comes wrapped in a plastic sheath. While I would have preferred a more environmentally friendly box, I appreciated the packaging because considering the shape that the padded envelope came in, I would have likely gotten a less than pristine pen without it.
The Base Line Bolt arrives well packaged.
Moving on to the pen itself, the Base Line Bolt is an interesting departure for Big Idea Design. Normally the pens that they make feature some sort of clever mechanism that allows for things like supporting every kind of pen refill there is, or having two kinds of click mechanisms on the same pen. The Base Line Bolt is instead focused on price point: when everyone else is raising their prices, can Big Idea Design make a good, affordable, machined metal bolt action pen?
The Base Line Bolt
The answer is “it depends”. Big Idea Design isn’t really inventing the wheel with the Base Line Bolt – the pen itself is a combination of the Ti Pocket Pro, and the Slim Bolt Action pen. It is, however, cheaper than both of these pens, which is again, the Base Line Bolt’s main selling point. As the name suggests – if you’re looking to get into your first machined pen, or you’re looking for a bread-and-butter EDC pen, the Base Line Bolt is what Big Idea Design expect you to buy. I largely agree with them, but more on that later.
The bolt mechanism, clip and finial of the pen, down to the T8 Torx screw and stepped machining, was first conceived with the Bolt Action pen. If you sliced off the business part of these two pens (and ignored the orange Cerakote on the Carryology pen), these two pens would be identical:
The Carryology version of the Bolt Action pen on top, and the Base Line Bolt on the bottom
Compare the Ti Pocket Pro with the Base Line Bolt and you can see what Big Idea Design were going for: they’re almost identical in length and in design (and they ship with the same refill), with the Base Line Bolt just being a slimmer, slightly longer version of the Pocket Pro, that supports less refill types. The difference here lies in the mechanism – the Ti Pocket Pro is a twist pen, and the Base Line Bolt is a bolt action pen. My guess is that the bolt action will be more popular because it looks good, works well, and is a fun fidget toy.
Ti Pocket Pro in metallic Cerakote blue on top, Base Line Bolt pen in the middle, black DLC with Damascus bolt and clip Bolt Action pen on the bottom
Another way to look at the Base Line Bolt is as an oversized Mini Bolt Action pen, but one way or another, this isn’t a pen that they had to factor in a lot of R&D time to design. They’ve done it before, and they know that it works. Thus the innovation in this pen lies mostly in its price point, which is also what Big Idea Design emphasizes in their marketing.
Mini Bolt in black DLC on top Base Line Bolt in the middle, Uniball Signo RT on the bottom
The Base Line Bolt is great as an everyday carry pen that you have in your bag or pocket and use to jot down a few words, maybe sign a document, or leave a note on someone’s desk. It’s too small and the Schmidt P900 ballpoint refill that it comes with is too frustrating to use in long writing sessions (the refill skips every once in a while). The choice of the design, the refill it comes with, and the refill compatibility (Parker style refills) is geared towards that – a pen used to write a paragraph or two at a time, not much more.
If you want a pen for longer writing sessions, you need to look at Big Idea Designs larger pens: the Ti Arto, the Bolt Action or Slim Bolt, the Click or Dual Click pens, etc. The Base Line Bolt is build to be the Ti Pocket Pro’s counterpart: the same pen with a bolt mechanism that supports only Parker refills, for a lower price.
Close up on the bolt and the finial
The biggest minus of the Base Line Bolt is that you need a separate tool to take the pen apart and change the refill. This isn’t the first Big Idea Design pen to require this, but I still don’t like this design choice. That being said, my assumption is that the audience for this pen (namely the EDC crowd) will have a way to deal with a T8 Torx screw. The pen ships with a decent enough refill (the Schmidt P900 costs around $1 retail, while the Parker costs $4-5, which explains why you won’t find pen sellers that use the Parker refills), and a ballpoint is the obvious choice for an EDC pen. Gel refills tend to deal poorly with temperature swings, and aren’t normally waterproof, which makes them less viable as an EDC pen refill choice.
Should you buy this pen? It depends:
If you’re looking for a gift pen for someone new to machined pens, this is a great choice that costs a fraction of what other machined pen manufacturers ask for titanium, copper or brass machined pens. The closest competitor in price and quality is Karas Kustoms, and you’re getting a different beast there (they make great pens, just not as compact).
If you’re new to machined pens and want a compact EDC pen, then the Base Line Bolt is a great choice for you.
If you’re curious about bolt action pens, or copper and brass machined pens, then this is likely the cheapest way you can try them out for yourself (using a high quality pen with great warranty and support).
If you’re looking for an EDC pen that is sleek and without the “tacticool” vibe of aggressive knurling or glass breakers, then the Base Line Bolt is a great choice.
If you are looking for a workhorse pen, one that you can write your next novel with, the Base Line Bolt isn’t for you.
If you already have a good selection of machined pens, particularly Big Idea Design pens, then you’ll likely not find the Base Line Bolt to be very exciting or particularly interesting. I’d skip this pen.
If you want to experiment with many refill types, pick the Ti Pocket pro or any one of the Big Idea Design’s full sized pens (the Ti Arto supports the most refills).
The Base Line Bolt is a solid addition to the Big Idea Design pen portfolio, and at $65 all-inclusive you get a lot of pen. Mine will reside permanently in my bag, as an “emergency pen” for those times where I need a pen but I haven’t brought my pen cases with me.
Writing at Large 