I started this one yesterday on location and then discovered that I needed a proper brush to finish it and not just a waterbrush, so I finished it at home today. The flowers are squills, which have a dreadful name in English but they are magnificent flowers and the heralds of autumn.
I just received a package from Fontoplumo and I immediately added the pen and inks it contained into rotation. While I already have a good amount of pens inked up, I really wanted to give the Radius 1934 Settimo Cielo Blu a try as soon as I got it. Not only is it a gorgeous looking pen, but I was also curious to see how it compares both the the vintage Radius fountain pen that I own and to my Leonardo fountain pens, as they are also the makers of the Radius.
Apart from the Radius the package contained two inks that I was interested in using as soon as possible, so I inked up a Pelikan M200 Petrol with Pilot Iroshizuku Sui gyoku and a Lamy AL Star with Diamine Forever Raven. The Radius got inked up withe Diamine 150 years Anniversary Regency Blue, a rich royal blue with moderate red sheen that fits the blue swirls on the pen body.
From left to right: Pelikan M200 Petrol, Lamy AL Star Black, Radius Settimo Celio Blu
Comparing the Diamine Forever Raven to Sailor Black reveals that the Sailor is slightly darker than the Raven, but both are dark enough to count as proper black inks (and not dark grey or brown). They both have a bit of shading, but the Raven interests me as a waterproof ink, so I’ll be testing it with some watercolour sketches later on.
Writing sample
The Pilot Iroshizuku Sui gyoku isn’t what I expected. I was hoping for a more prominently green ink, but Sui gyoku is more of a turquoise than a green. I like turquoise inks so that won’t be a problem, but it means that I’m still on the lookout for an interesting, bright, readable green. The shading on this ink is delightful.
Diamine 150 Anniversary Regency Blue is a rich royal blue with some red sheen. It’s very saturated, especially in the Radius nib.
Gorgeous blue swirls on the Radius
The Radius interested me not so much as a revival of the old Italian brand since the original Radius was a minor pen manufacturer, and I wasn’t blown away by the vintage Radius that I own. It seemed to me that the old Radius brand was busy making local copies of what Parker was doing at the time, which is understandable. However, Radius as a sub-brand of Leonardo is interesting since Leonardo have been hiking their prices lately but the Radius remains more affordable and offers resins and pen bodies that are just as attractive as what Leonardo has to offer.
Radius imprint on the nib
I love both the blue, white and brown swirly resin of this pen and the art deco-ish band. It’s a big wide pen, like the Leonardo pens and Viscontis, but light and comfortable to use.
Radius branding and band
One tiny minus with my pen is that as the bottom part of the body tapers down, a smudge of brown resin was left, making it look like there’s permanent dirt on the pen body. Not ideal, but it’s something I can live with.
The smudge
Here’s a writing sample of all three inks on Col-O-Ring cards.
Ink samples
And as a silly little treat I also bought two cartridge boxes of Lamy Pokemon ink cartridges. They are filled with regular black Lamy ink cartridges, which I knew, but is still disappointing – a teal and a red would have been better.
I finished the One Week 100 People challenge on day 4, but kept going for day 5 (which was yesterday) and added a few sketches on day 6 (even though the official challenge is 5 days long). It was the first time that I sketched only live subjects and not from photos, and it really pushed me to find ways to work fast.
Today I added a few final sketches to my Field Notes sketchbook, this time using Faber Castell Pitt brush pens for blocks of colour and a Pilot brush pen for the sketches themselves. I was trying to work mainly with silhouettes and capture people in movement. It took me longer than I thought to capture a mere 6 subjects, mostly because what people do when they walk around nowadays is stare at their phones.
As I wrote two fountain pens dry this week, I filled six new fountain pens, bringing my rotation up to nine pens. Next week I’ll write a post about the pens and inks that I chose, but I will say that there are some pretty rare ones in the rotation this time.
Next week is pretty stressful as I have some tests and a checkup coming up with my hemato-oncologist (that’s a cancer doctor that specializes in blood cancers, which is the kind of cancer that I’m in remission from). I will give out one important tip for anyone who is going to see a doctor for any reason:
Write down ahead of time whatever it is that is bothering you/you need help with, and make sure that it’s in order of importance. There’s a good chance that if you won’t do this you will forget things, or you’ll focus on the least important thing, or you’ll have trouble articulating the issue. A doctor’s office is a stressful location, so you want to take the time and prepare this list in advance when you are sitting calmly at home. Make sure that the first 2-3 items on that list are really the most important things that you want to focus on because there’s a good chance that you’ll only get to focus on these items (your time in there is going to be limited). Reference the list when in the doctor’s office (don’t be embarrassed, there’s nothing embarrassing about being prepared). Be clear and specific, and insist on getting all your questions answered when it comes to these things. Double check before you leave that all the medications you discussed and tests that the doctor ordered were properly documented. Doctors are people too and the electronic medical record systems they work with aren’t the best, so it’s worth checking that everything is in order before you leave (even if you do the check with the medical secretary, just so long as you’re still in the doctor’s office and any errors and omissions can be fixed).
Last official day of the challenge, though I plan on doing a few more sketches tomorrow. These were all done at the gym, from 102-112, including a failed sketch.
I have a super busy day so I took my sketchbook (Moleskine pocket watercolour) to the gym and did sketches 79-90 there, and then I completed 91-101 sitting on a bench on my way home.
So 100 people completed – the fastest ever I’ve done this challenge, and all of them sketched from life. I plan to complete this page tomorrow and then go back to my Field Notes sketchbook to try another style of sketching people on the move.
As usual, pick which one you like best. I am having trouble choosing.
It was dark and cold once I finished, and my fingers had trouble grasping the pen because of my neuropathy. My original plan was to finish all 100 today, but I only got to 78. Tomorrow I have very little time to sketch, but I am getting faster and better and capturing quick moving targets.
I am using the watercolour “blobs” mostly as general guides for the size of each sketch. I create them first and then sketch over them later.
These were done on a Moleskine pocket watercolour sketchbook using Schmincke and Daniel Smith watercolours, a water brush and a Staedtler 0.3 pigment liner pen. They each took only a few seconds to sketch.
I went out for 45 minutes after work and sketched all of these as fast as I could. I only stopped when it got too dark outside. Yesterday’s sketches were done with a Staedtler 0.5 pigment liner on a Field Notes sketchbook. Today’s sketches were done on a pocket Moleskine watercolour sketchbook using a 0.3 Staedtler pigment liner, a water brush and watercolour.
First batch when it was still light outside
People moved by in the street so I had seconds to capture each figure (the more detailed ones stopped for a minute or two). As this is what normally happens when you urban sketch, I found this exercise to be very useful.
I didn’t have much time to sketch today so I only got 8 sketches done, but I’m more concerned with getting the sketches done from observation than with getting them done in time.
Another busy week at work coupled with a packed weekend means that this update will be bullet-point style:
I ran my first race of the year, a 10K in what turned out to be surprisingly warm weather. I’ve been using the Nike Running Club App’s 10k race plan, for both this race and the one I ran in Disney World last October and it’s proven to be fantastic. I wish I could say the same about the app, which has lately had annoying audio issues that have made it downright unusable at times.
In preparation for next week’s One Week 100 People challenge I’ve been using a Field Notes Sketchbook, and I’ve grown to appreciate its portability. It’s not suited for wet media, but for pen, ink and pencil it works well. All the sketch photos here were done on a Field Notes Sketchbook, and I’ll be reviewing it sometime in the future.
I’m down to only five inked fountain pens, and I’ll likely write one or two of them dry next week. I’ll be updating my pen rotation sometime late next week, possibly looking to add some more spring-time ink colours to the darker inks I currently have in use.
I’ve finished reading Legends and Lattes by Travis Baldree, bringing my February book count to three. The book was just the sort of cozy, light read that I needed at the time, and I enjoyed it enough to immediately buy the sequel (which is actually a prequel) Bookshops and Bonedust.
I spent an annoyingly long time downloading all of my kindle books to my laptop before Amazon locked that option out. I’ve also moved to using Kobo to buy eBooks. I will admit that it’s not as convenient as buying ebooks from Amazon, but I’m angry enough at them for the change to put in the extra effort required. I bought Bookshops and Bonedust on Kobo and then used the Amazon “Send to Kindle” website to transfer my purchase (it was easy because Travis Baldree, bless him, demanded that the book be DRM free). I also bought another book (a bit on that in the next bullet) that had DRM applied, so I had to do some Calibre work to strip it of DRM before sending it to my Kindle. Next time the whole process should take only a minute or two extra beyond the usual Kindle book purchasing process, and again, for me it’s worth it.
After listening to Oxford poetry professor Tara Stubbs’s wonderful Demystifying Poetry podcast (Apple Podcasts, Spotify) I bought my first poetry book in years, the anthology “Staying Alive”. Even if you’re not a poetry lover, give the podcast a listen. It’s well worth your time.
I mostly use fountain pens when I write. If not fountain pens then gel ink pens. I rarely write in pencil, but I often sketch with pencils, and sometimes when I plan, I pencil things in. Pencil is great for writing impermanence, even though pencil marks last longer than pen ones – unless erased.
Yet there’s always a ballpoint on my desk and in my bag. I don’t like writing with ballpoint – the lines are as dark as I prefer, even with hybrid ballpoints like Uniball Jetstreams, and they oftentimes streak and blob. So why do I have a ballpoint at hand at all times?
Because ballpoint pens are a useful tool. The ink is waterproof , they’re good for signing things, and they’re robust enough to handle being tossed into a bag or a pocket. Ballpoint pens are also good for sketching – you can get a decent amount of shading and character with them (providing you don’t use a Jetstream).
One of the best bang for your buck ballpoints is this pen:
Zebra 301A BP
So why do I like the Zebra 301 A BP 0.7?
It’s made from aluminium, so it’s light and ultra durable. It also wears really well.
I love the pen body design and colour.
The grip and click mechanism are good: well designed and well made. You get a decisive click from this pen, and the plastic grip has enough texture to it to make writing as comfortable as possible without all the lint gathering, stickiness and durability issues of softer grips.
No tip wiggle.
It comes with a good, dependable, black refill that is replaceable.
Clip and click mechanism
I like the Zebra 301 A BP enough that I bought a large box of them and I frequently give them away as gifts. People like getting nice pens and if you’re used to cheap, plasticky, disposable ballpoints it’s nice getting a pen that’s a grade or two above what you find in the office supply cabinet.
Grip
Here’s a quick sketch done with a Zebra 301A BP 0.7 on a Field Notes Sketchbook. Ballpoint pen sketching isn’t my favourite technique, but it is a very useful technique for quick urban sketching.
Writing at Large 