Day 8’s ink is Diamine Dream Catcher, a dark blue “extreme sheen” ink. It’s a super saturated ink with so much red sheen that it makes the ink look a bit purplish.
Col-o-ring swab
Here’s another angle of the sheen:
As you can see, the base ink colour barely appears in these samples:
I was using a TWSBI GO with a 1.1 nib to test out Diamine Dream Catcher and I hadn’t seated the nib properly after cleaning (a common issue with my TWSBI GOs is how hard it is to get the nib and feed assembled well enough to not burp out ink or wobble when writing with them). This meant that I almost had the nib burp ink on the page, which is why there are a few smudges in this sample.
Sketching and writing sample on an Apica CD notebook
You can see the lovely dark blue base ink colour pretty well when you write with it, but as soon as the ink dries practically all you can see is red sheen. It also (unsurprisingly as it’s such a saturated ink) takes a long time to dry.
Another angle of the writing and sketching sample
Today’s bear is called Tilly, and she was made by J&P (Jean & Pauline) Bears. I like her face but I don’t like that she’s clothed.
The bear
Diamine have a lot dark blue inks with varying degrees of red sheen, and in this Diamine Dream Catcher is a bit of a disappointment as it doesn’t really stand apart from its predecessors. If you want a super sheen ink, then maybe this will be for you. Personally I don’t plan on buying a full bottle of this.
Day 7’s ink is Diamine Blush, a standard blush pink. This ink is a “super-shader” and the colour is lovely – a dusky pink that will work wonderfully well for greeting cards.
Col-o-ring swab
Whoever named this ink did a fantastic job – Blush perfectly describes the ink colour and the intense amount of shading that you get. It was a lot of fun sketching with this ink, and if it was waterproof it would be an interesting addition to my sketching rotation. As it is, it’s a very attractive ink that I’m pretty sure will be easy enough to clean out and well behaved enough to be safely used in vintage pens. It is slightly on the dry side, so take that into account when selecting a nib to go with it. I used a fine Lamy AL-Star nib.
Writing and sketching sample.
I think that today’s bear is called Abi – her tag was a little confusing. In any case she’s a British bear, made by J&P Mohair Bears – a small maker – and purchased in Stonegate Bears in York. I don’t like bears that are clothed, but I liked this bear’s face enough to overlook her knitted dress.
The bear
Diamine Blush is a wonderful ink, and a good addition to Diamine’s pink ink lineup. I don’t see myself purchasing a full bottle of it, but I will enjoy this sample while it lasts.
On Friday we went to an Urban Sketchers outing in Jaffa. It was celebrating local designers, and there were street performances as well as open studios and an arts and crafts market. The weather was hot and sunny, and the place was pretty packed with people and full of interesting old buildings. The main trouble I had was focusing on what to draw, as there were so many subjects.
I took a new sketchbook, a Pith Oroblanco in A4 size, and an A5 portrait Etchr Labs 100% cotton watercolour sketchbook. I don’t normally work in such a large format, but I decided to challenge myself to use the Oroblanco as much as possible. The 170gsm paper is identical to the one in the smaller Pith Kabosu, and so is great for mixed media and light washes. The Etchr Labs sketchbook is the best watercolour sketchbook that I’ve ever used – the paper works wonderfully with washes, and is very forgiving for mistakes and reworking.
I started out 30 minutes before the official start time, and sketched a local building. I liked the combination of the beautiful old stone building together with the graffiti and the semi wild trees and shrubs. Inspired by Liz Steel’s Patreon sketching community (I just joined it) and December’s theme of “Red” I selected to sketch this building with Diamine Inkvent 2025 Day 3’s Carousel – a red ink – and to highlight the rust colour in the shutters and door. I had enough time to finish the line sketch before going to say hello to Marina, our local chapter head and the organizer of this sketchwalk (a wonderful person and artist). I took reference photos just in case, and then returned and quickly finished the sketch:
First sketch on a Pith Oroblanco
To avoid having to lay down a large wash I used Caran d’Ache Neocolor II to lay in most of the base colour – except for the roof bit (where you can see why laying down a large wash on this paper was problematic).
Initial sketch.
I then went in search for the music performance that was supposed to take place in an adjacent street. I managed to sketch the drummer as he was doing a sound check, but then he left and two girls in peculiar 4 armed cheerleader outfits came out and did a sort of otherworldly dance-march. They kept moving but I did manage to capture them. I used Diamine Carousel in a Lamy Safari medium nib for the drummer, and Posca markers for the cheerleader. The tiny cheerleader thumbnail was sketched with a TWSBI Eco 1.1 fountain pen and De Atramentis Document Ink Green Grey.
Quick, loose sketches
I then settled in to prepare to sketch the musicians when they returned. There was a Flamenco dancer in a nearby stage, but the place was too crowded for me to get a good viewing angle of her dancing so I spent the time creating a detailed fountain pen and watercolour sketch of the location where the musicians were supposed to play in. I was hoping to add them in once they started, but their show was delayed and i had to get back to the throwdown. I did get a sketch of their instruments and some local viewers, but I rushed in the end and didn’t get a chance to get proper shadows in. Oh well.
Watercolour sketch
The line work was done with a Platinum Preppy 0.3 filled with De Atramentis Document Ink Black on an Etchr sketchbook:
Ink sketch
There was a lady there that was clearly on her first every Sketchwalk, and my heart went to her. Seeing her struggle made me realize that there are so many things that are obvious to me as a seasoned “sketchwalker” that aren’t obvious to people going out with an Urban Sketchers chapter for the first time. Here are a few useful tips:
Say hello. Sketchwalks start at a meeting point and usually end in the same one. Come a few minutes early and talk to people – they’re usually nice and friendly and share many of your interests. Say hello and introduce yourself to the organizers, and thank them for organizing the walk – it’s a lot of work! If there’s a local special event that’s taking place during the walk, be sure to get the details of the time and place and be there. Even if you don’t end up sketching the event, there is bound to be something else interesting going on, and you’ll help represent the chapter. If you come in late and miss the initial gathering, find a sketcher in the area and politely ask when and where the end meeting is. It’s usually posted in advance, but it is worth double checking.
There’s a throwdown in the end of sketchwalk, and group photo. Even if you don’t like your picture taken, bring your sketches to the throwdown. It’s a great way to see great sketches in a large range of styles, and get inspiration from wonderful artists. Do not compare your work to others. Be generous and specific with complements (“The way you caught the energy between the dancers is amazing!”, “The colour choices are phenomenal – that building really comes to life!” is better than “that’s so pretty!” Although, of course saying a sketch is beautiful is also nice). Take photos not just of your work, but of other’s work that inspires you, especially of those that do work in a style that’s far from your own. Learning and experimentation is part of the Urban Sketchers experience.
Thank the organizers. I know I said that before, it’s worth repeating.
Never ever critique another artist’s work. It’s not that kind of an artistic gathering.
Bring less. We all fail at this (I did too, of course), but the less stuff you bring the more fun you’ll have. Choose one or two sketchbooks, at least one in a size and format you are comfortable with. Bring only the supplies you know you’ll use, not those that you might need. It’s OK to bring something new with you, but if you do I suggest that you force yourself to actually use it, and start the first sketch with it.
Do not bring an easel, particularly not to your first sketchwalk. You want to be mobile and flexible. The best way to get the most out of a sketchwalk is to change locations at least 2-3 times. The idea is to work quickly and loosely and to capture a location from several angles and with different focuses (that’s why it’s called a sketch walk). There will be those that choose to stick to one location, but having an easel tends to force you into a single location, as does having too much gear.
Bring a stool. It doesn’t have to be the most comfortable one in the world, but it does have to be portable. That will allow you to sketch wherever you like, and not just where there’s a free bench or table.
Take reference photos, in case you don’t get to finish a sketch or the lighting changes, or a white van decides to park in front of the building that you were just sketching.
Talk to people. Share art supplies. Ask questions about their process – unless you see that are too absorbed in their work to answer. But people usually are kind and enjoy sharing information and tools with other sketchers. That being said, bring all the gear that you’ll actually need.
If you’re just starting out sketchwalking, use smaller formats (no larger than A5), sketchbooks and not loose paper, and supplies that are portable and well known to you. That will allow you to work faster, and it will give you a chance to get more comfortable with working on location.
Sketchwalks usually last 3 hours. That’s both a lot of time and not enough time. Keep an eye on the clock, take into account that it takes time to warm up, and be kind to yourself, especially during the first 30 minutes. I usually take the first hour to work very quickly and loosely, and leave the last hour, hour and a half to work on a more detailed, well composed piece. Take breaks – sketchwalks are in urban environments so there’s usually a place to grab a coffee and snack (which you can and should sketch – it’s an Urban Sketcher’s tradition!). It’s not a race – the point is to enjoy yourself. I usually take a few minutes to stroll around, getting a feel for the location and the options before I settle in and get to work.
Bring water and weather appropriate gear. Be a responsible adult and check the weather before you go. Bring a hat and sunscreen, coat, umbrella, etc depending on the weather.
Post to social media, and tag your local chapter. There’s usually a Facebook group, and an Instagram account for the USK chapter. If the sketchwalk involved a local business, museum or organization, be sure to tag them too. You are an ambassador to the community now. Represent this wonderful organization with pride.
If you go on Urban Sketcher Sketchwalks and have tips for newcomers, I would love it if you could reply with them.
Day 6’s ink is Diamine Fir & Fog, a chameleon ink. The base ink colour is an attractive dark grey grey, which is very evocative of fir trees in the fog. The chameleon effect is subtle but lovely – shimmers range from green, through blue and silver, to pink. What you see depends on the lighting conditions, the angle at which you view the paper, and the width of the nib. I used a generous Lamy Safari medium nib.
Col-o-ring swab
The base ink, without the chameleon effect, would have been excellent as an Inkvent ink in and of itself. It’s a muted and characterful green that offers a good amount of shading and interest and is dark enough to be used not just for holiday correspondence or for journaling. The chameleon effect isn’t in your face, over the top shimmer. It’s more like a little secret that only those in the know get to experience.
Writing and sketching sample
Today’s bear is a Canterbury Bear with no name. I like his “frosted tips” fur and his owl-like face (and the fact that he’s from a small maker), which is why I purchased him.
The Bear
Diamine Fir & Fog is a wonderful ink, a great addition to the Inkvent calendar, and definitely an ink that I would consider purchasing a full bottle of in the future. I think it’s a great wintery ink, and it would look even better on cream coloured paper.
What do you think of Fir & Fog? Did you catch the chameleon effect?
Day 5’s ink is Diamine Marie Rose, a standard ink that looks like a thousand island dressing. Apparently Marie Rose is a British seafood or cocktail sauce. I never heard of it before, likely because I don’t eat seafood. In any case the ink colour is unique and beautiful, with plenty of interesting shading.
Col-o-ring swab.
Although Marie Rose is a light ink, it’s dark enough to be readable, and would work particularly well in thin papered notebooks, as there’s bound to be no ghosting or bleed-through.
Writing and sketching sample.
Today’s bear comes with very little information, beyond a price tag and an embroidered tag with the name “SHULTZ” on it. He’s tiny (about the size of a Col-o-ring) but full of character, and proper bear.
The bear
I like Diamine Marie Rose and I’d see myself using it in the future. It’s a light and optimistic ink that’s well behaved, interesting and unique. It makes up a bit for yesterday’s disaster ink.
What do you think? Do you see yourself buying a bottle of Marie Rose ink?
Day 4’s ink is Diamine Smoky Tobacco. It’s a scented sepia ink and I loathe it with every fiber of my being. I hate that it’s named after tobacco, I hate that it’s a scented ink, I hate that it stinks to high heaven, I don’t like the ink’s flow and I’m not a fan of the colour. I have no idea what Diamine were thinking naming an ink after Tobacco and then having it reek of stale Tobacco but it’s a terrible idea and a terrible ink. It went straight to the trash can after this review, and the pen is about to be thoroughly cleaned out.
Col-o-ring swab
The issue is that this ink stinks so much that it actually made my whole notebook smell like it had been in a smokers house for the past few years. I am considering ripping the page out and throwing it to the garbage. If it still smells this badly in a day or two that’s what I’ll do.
Writing and sketching sample
Today’s bear is one of the prettiest in my collection. Her name is Zelda and she’s a Charlie Bear. Her body is so, so heavy but her mohair fur is as soft as it looks. It’s like stroking clouds.
Today’s bear
I am so angry at Diamine for naming an ink after Tobacco, and then going out of their way to give us the full Tobacco experience. Here’s hoping that tomorrow’s ink is better, and that this is the last of Diamine’s scented inks, at least for this year’s Inkvent. Otherwise we might be getting a “dead rat carcass in the chimney” ink, or a “rotting wreath” one.
Day 3’s ink is Diamine Carousel. It’s a red pigment ink – which should mean that it’s waterproof, something that I will test later on.
Col-o-ring swab
Carousel is an orangey/coral red ink that flowed well in my Lamy Safari medium nib. There’s a bit of shading with this ink, which surprised me. I wasn’t expecting any shading because it’s a pigmented ink, and from my experience they tend to be “flatter”. In any case Carousel is a bright and cheerful colour, perfect for the season.
Sketch and writing sample.
I had to check if Diamine Carousel is waterproof, so I sketched one of the beaches near my apartment. I then waited for the ink to completely dry, and painted over it with watercolours. It worked perfectly, as you can see, and I actually like the effect of sketching with such a peculiar colour of ink.
Watercolour sketch
Today’s bear is Lialu, and he’s a Dean’s bear, and another one of the few blue bears that I own. Look what a serious little fellow he is:
Today’s bear – very dignified and distinguished
Diamine Carousel is a fun ink that’s completely waterproof when dry, and a joy to sketch with. I will certainly enjoy sketching with it, and time will tell if I’ll be adding it to my waterproof ink collection later next year. For scenes with lots of greens I think it would work particularly well, as it makes greens pop.
I went to see a local production of Singer, a play by Peter Flannery. It was phenomenal but it kept me up at night, which meant that the following morning I headed straight to my local cafe. I sketched the barista but something didn’t work in terms of getting her face right – she turned out sadder than she is. Sketching tired is rough.
Sketch on Stillman and Birn pocket Beta
Here’s the rather messy pencil and pen sketch. I can tell just by the line quality that I was very, very tired.
A day later I went to sketch at the nearby park and you can see the difference in the line quality in this sketch:
Sketch on a Pith Kabosu sketchbook
Initial sketch:
Later that week the film photographs that I’d had developed were returned to me. Here are a few of my favourites:
The local community cat that I feed twice a day coming to say hi
I love the atmosphere that the film gives this simple photo:
Ramat Hanadiv rose garden
All of these photos are unedited. I’ll likely clean them up later on.
Bridge over water at a nature reserve near Haifa
There was a fire on the roof of a nearby hotel. I took this photo a day after the fire, and you can see the damage:
Cat failing to hunt a crow:
A stall at the local farmer’s market:
A stall at the local farmer’s market. You can see the see in the background.
I was supposed to run at a 10k night race on Wednesday, but I wasn’t feeling too good and I was apprehensive about dealing with the crowds so I ran the distance by myself a few hours before the official race start. It was a good decision as I was really struggling during the first 3k – but I did manage to finish, and finish strong.
I finished reading “Helmet for My Pillow” by Robert Leckie (a powerful narrative, but not as punchy as “With the Old Breed”), read “Death of a Nurse” by M.C. Beaton as a palate cleanser, and I’ve now started “The Shattering Peace”, John Scalzi’s long awaited sequel to his Old Man’s War series.
I’ve been overwhelmed with the responses to my Pelikan Hubs post. Thank you all for your kindness and for the thought and effort you put into your comments. I read them all, I just wasn’t able to respond to all of them this week.
Speaking of the Hubs, all of my pre-hubs inked pens have been written dry, which means that I currently have a 100% Pelikan rotation, plus some Platinum Preppy’s that I use for sketching.
My Tom Sachs Nikecraft Mars Yard 3.0 sneakers arrived! I worked so hard to earn these and they were so expensive that for a moment I wondered if I’d ever wear them. But then I saw the bottom of the box:
Perfection.
The box is so well designed:
Box lidBox side
There are even hidden ten bullets:
There are two sets of sockliners that come with these shoes, one made of cork and one made of mesh:
And here are the shoes themselves:
Mars Yard 3.0
Yes, I am wearing them, and yes, they are very comfortable. They aren’t in any way loud or attention grabbing, but that’s part of why I like them so much.
Not a poser.
I’m nearing the end of reading “Helmet for My Pillow” by Robert Leckie. It’s a powerful narrative, but I think that “With the Old Breed” packed more punch. I also went to the Pelikan Hubs 2025 and you can read all about that here. I’ve now only got Pelikans inked up (and one Platinum Preppy), which is an interesting experience.
I sketched a new barista at my favourite cafe. The customers kept cutting off the view so I gave up on sketching the rest of the counter at some point. I was using my arttoolkit palette, which is ultra portable and contains a different set of paints than what I’m used to using. The notebook is a Stillman and Birn pocket Beta:
I went to develop film last week, and also went to an artist’s open house and splurged on a new painting. Have good art on your walls. It makes a difference.
Yesterday was the 2025 Pelikan Hubs event. Pelikan is so wonderful to organize these events, so generous and thoughtful with their gifts, and I love the company and their pens so much that I’m really heartbroken that this isn’t just a glowingly happy post.
This isn’t Pelikan’s fault. Their organization was as usual, impeccable. Their gift was tremendous – a beautiful box, with the Edelstein’s ink of the year Apricot Achat, a postcard and a notepad. Everything was so well designed it was breathtaking to open the box and see it all laid out perfectly.
The box
Here’s the open box and the postcard:
The open box and the postcard
Here’s the notepad. You can see the design on the cover better in the next photo, but the paper is smooth, thick and perfectly fountain pen friendly.
Small notepad
I love the design of the cover of the box, the postcard and the cover of the notepad. It’s playful but elegant, and it works well together and ties in well with the typography and the design of the Edelstein box. That’s a 10/10 for design and quality.
Everything that was in the box: postcard, Edelstein Apricot Achat ink, and notepad
The that we received is the Edelstein Apricot Achat, which is the ink of the year 2025. The bottle is gorgeous, and the ink is non-shimmer this year, so it should be easy to clean out of pens.
Edelstein Apricot Achat
The ink itself is indeed an apricot ink, with a hint of shading. It’s bright but light – a tad too light for me if I’m honest. I think that this exact ink just slightly more saturated would have been the perfect orange for people who like their orange right in the middle of the orange spectrum – not too yellow or too red.
Swab on Col-o-Ring
I filled a Pelikan M215 Rechteck (rectangle) with this ink, but I chose poorly, forgetting that it has an EF nib. Pelikan EF are on the wide side, but this ink would fare better in a medium or even a broad nib. I will still enjoy it as it works well with the other inks I currently have in rotation, but if you are looking to use this ink I’d suggest wide and generous nibs for it.
Writing sample on Kokuyo paper.
I tried it on the Postcard. The paper isn’t coated but is still rather sleek:
The postcard with an ink swab and writing sample
So thank you very much Pelikan for organizing this worldwide event and for your wonderful gift! I am actually considering buying the matching M200 because I like the look of the ink.
Now for the sad and ugly part:
Pen collection has a misogyny problem. I have experienced it during the previous Pelikan Hubs, I have experienced it when I tried to buy pens in brick and mortar shops, in flea markets, from pen makers. I experienced it during this year’s Pelikan Hubs and I’m tired of it, and kind of tired of all the talk about how wonderful and welcoming the pen community is. It’s wonderful and welcoming if you’re a guy, and time and again I have seen it close ranks and snarl if you’re a gal.
Just during yesterday’s event, where I stayed on for less than an hour (and even that was just to be at the edge of the group photo), I was told several times that:
Women don’t collect pens.
Only men collect pens.
I am not a real pen collector.
I can’t possibly be a pen collector.
I can’t possibly have enrolled to the Pelikan hub.
I am there as someone’s plus one.
Women don’t understand pen collecting.
I am a rare bird, the exception to the rule.
They had facts to back it up, they said. Their closed pen collectors group only had three women in it. That proved the point. I eye-rolled so hard. I had met and talked to one of the other female collectors at last year’s event and I fully understand why she didn’t brave this treatment to collect her gift this year. It’s because nobody wants to go out of their way to spend their precious free time with a bunch of *holes.
There are women collectors, they have every right to enjoy this hobby, and if you’re a guy and you don’t see women in your group, it’s not because they don’t collect pens. It’s because you’ve created a group that women don’t want to join.
Do better.
End of rant – and to end on a more positive note, I did manage to do a few 2-3 minute sketches while I was waiting for the group photo:
Sketched with Pelikan M805 Ocean Swirl F nib and Montblanc Maya Blue on a Pith Kabosu SketchbookSketched with Pelikan M605 Stresemann M nib and Sailor Ink Studio 123 on a Pith Kabosu Sketchbook
Thank you again Pelikan for the wonderful event. I intend to return next year even if the menfolk find my presence abhorrent. There were a few nice fellows that were willing to talk to me, and I will not let the trolls dissuade me from participating in a hobby that I have been enjoying for close to 20 years.
Writing at Large 