Big Celebratory Birthday Update Part 4

The final post of this series, you can find part one here, part two here, and part three here. Grab a cup of tea or coffee and settle in – this one is long but there’s a lot going on here that’s worth your time.

32. I have been tracking my memory recall issues (a chemotherapy side effect) using the Tally app, which I’m hesitant to recommend. On the one hand it does work as a quick tracking app for a handful of things, but on the other hand it has a scammy pricing model – a fair price for the first year (and free if you just track up to three things, like I do), but then the subscription jumps to about $5 a month. That may be justified for apps that have a lot of features and utility, but Tally is not one of those apps. Day One, a magnificent journaling app for those who prefer to digitally journal, does much more and costs much less.

33. If you haven’t heard of KT tape and you’re a runner or athlete of any kind (or just injury prone) I highly recommend it (and no, I’m not getting paid for this). It’s a roll of pre-cut elastic fabric tape strips that you use in various configurations and levels of tension to relieve the pain and take some of the load off of injured muscles, tendons or joints. It eases recovery and it’s worth having a roll of it in your house and travelling with a few strips when you go abroad. There are YouTube videos that show you how to apply the tape- just search for the area or injury you want to address and “KT tape” and you’ll find official videos and ones made by physical therapists that will guide you. I recommend going for the Pro or Pro Extreme – they cost a bit more but last longer as their adhesive is stronger so you can keep them on for a few days. The tape leaves no residue and is easy to apply by yourself, although there are areas where another pair of hands does help. If you don’t want to buy the tape online, you can find it at your friendly local running store or in certain sporting goods stores.

34. If you are planning on travelling abroad with older relatives or people with a mobility disability, here are some tips that may help:

Ask for special assistance when you book the flights (there’s an option there). It helps with the long distances and long lines in the airport. Arrive early and wait patiently for the assistance – it’s worth it.
Book hotels and not Airbnbs. You want a place, preferably a well established chain, that you can rely on in terms of catering for your accessibility needs. I can’t tell you how many times we arrived at an Airbnb only to discover that the promised elevator has been broken for weeks, or the place has stairs to the elevator, stairs in the apartment and a bath instead of the promised shower. You want a hotel and not a boutique one because they’ll have an elevator bank, accessible rooms, and someone you can talk to if you run into issues. Chains are good because if there’s an issue with your room there’s a possibility of being catered in another hotel in the network. Contact the hotel ahead of time in writing and reconfirm your needs – elevator, shower with no lip or step, mini-fridge for medication, etc.
Use taxis (or rideshares) and buses, not the metro/underground/subway. There’s less walking involved, there’s less stairs involved, and it’s worth the additional time and money.
Check the parks you plan to visit – some have motorized tours for disabled patrons.
Talk to the staff at museums and exhibitions, preferably ahead of time. There may be an accessible route in that Dior special exhibition that isn’t advertised (there is), or they may tell you that it’s better to arrive at a certain entrance.
Theatres oftentimes have special accommodation and pricing for disabled people and their companions. If it’s not on their official site, email or call them and they will likely be able to help.
Don’t pack your days full, but rather plan or returning to the hotel for an afternoon nap before the evening’s activities.
Plan ahead as much as possible. You are less flexible in your needs so this is not the time to be spontaneous.
I can’t stress this enough: spend time, effort and money when selecting travel insurance. Don’t go for the cheapest option because it’s likely to leave you hanging when you need it. Pay a premium for insurance that pays back upfront and doesn’t have you chasing after it if possible. Take the time to read the small print and talk to them if possible.

35. I have gotten several questions about rucking, so here’s a good article describing what it is and the benefits and risks involved. I will add that you need a good pair of shoes with decent ankle support, you need moisture wicking socks to help avoid blisters (I just use my running socks), and you don’t need to buy a GoRuck bag. In fact I don’t recommend them – they’re heavy, overpriced and don’t provide the back support you want. Instead buy a good hiking day pack (I use the Osprey Manta 24) for about half the price and twice the support. My Osprey Manta comes with a hydration system (2.5 litres, which is a good chunk of the weight in my bag), wide padded straps, load lifters, a great hip belt and sternum strap, plus a mesh that is fantastic for the hot climates I ruck in. Also weigh your bag with useful things – water, food, first aid, extra layers, flashlights, sunscreen, etc. – and not with useless weight plates. Put the heaviest things on top, as close as possible to your shoulder blades and upper back. I use a waterproof Rumpl travel blanket at the bottom of my bag, and 80% of my weight is water. The rest is books, which I don’t mind using as weights as I’m rucking in a city park really close to home. If I was hiking in the great outdoors, I wouldn’t carry anything that wasn’t useful if I somehow got stuck on the way.

36. Do you have to generate QR codes and are tired of the spammy, ad filled sites that provide the service when you Google for it? As Cory Doctorow puts it:

“Just a QR Code” is a new site that generates QR codes, operating entirely in your browser, without transmitting any data to a server or trying to cram ads into your eyeballs. The fact that it runs entirely in-browser means you can save this webpage and work with an offline copy to generate QR codes forever – even if the site goes down:

https://justaqrcode.com/

37. My journal is at that delicious phase where it’s passed the 3/4 full mark but hasn’t reached the “only a handful of pages left” mark. I recommend making it a goal to reach that phase in every notebook you use – it’s the best.

38. These little fans are a lifesaver. I’ve used them on trips, on buses with fault ACs, when I’m outdoors waiting in the sweltering heat, etc. Again, not an affiliate link and this isn’t a paid anything – it’s purely a recommendation of a product that I’ve been using and enjoying for a few years.

39. Journaling Tip #4: Did you have weird, overblown reaction to something or someone recently? Take the time to journal about the experience. Write down what happened (facts only), what was your reaction/feeling (be honest), why it’s surprising under the circumstances and finally why do you think that you reacted the way that you did? Does it reveal something about how you view yourself, your insecurities or fears?

40. Lightening Book Review #7: What We Talk About When We Talk About Love, by Raymond Carver. This is a collection of 17 short stories set in rural American in the 70’s first published in 1981 and it hasn’t aged well. The protagonists drink a LOT, they are violent, sexist, despairing and desperate. It’s like watching a series of car crashes – you become numb to the experience after the third or fourth. Carver can write, and there are a few gems here, but it’s all so very miserable and depressing – like hosting an alcoholic for a week. Their stories may be intriguing, but they’re also all so very terrible and tragic that there’s only so much of it that you can take.

41. I opened a new Moleskine notebook – after not having opened a new one in over a year. This is the one will be used for some writing projects, and it’s one of my favourite limited editions, the Blue Note Hub Tones edition. I’ll maybe post a review of it later, but for now, this is a reminder to use the good china.

42. Journaling Tip #5: look at someone close to you, someone you admire for having a skill or approach to life that you don’t have, and write down what you can do over the next few days, week, month to be more like what you like them. That’s what got me to go to more plays, concerts, shows and exhibitions now instead of just waiting until I’m on holiday abroad.

43. Great advice from Adam Savage’s latest Tested livestream – Q-Tip: Quit Taking It Personally. More often than not other people’s behaviour and choices has nothing do with you and everything to do with them.

That’s it – 43 points for 43 years. Have a great week!

Big Celebratory Birthday Update Part 2

A smorgasbord of stuff for your delectation. You can read part 1 here.

13. Big bold announcement: next month is Bloomsday, and after much hemming and hawing i’ve decided to reread James Joyce’s Ulysses and blog about it as I go along.
I’ve read Ulysses three or four times between 2009-2013 but I haven’t touched it since. While I still have some of my notes on this book, my goal isn’t to reconstruct them or to lecture on the topic, but to enjoy a very good book, and see how my memory of it fairs post-chemotherapy (which has affected my memory).
Why should you join along? Because Ulysses is a phenomenally good book that is enjoyable to re-read (but very challenging to read for the first time). It’s funny and touching, profound and full of adventure. It’s just built on very well crafted layers of language, meaning and context, and it’s paradoxically a book that is meant to be re-read, not read. Hopefully I will make it a bit easier and less scary to read for the first time for those brave enough to join me.

14. I have been switching my podcast listening queue around lately, which means that I got to listen to this wonderful two part episode of Alie Ward’s “Ologies”: Salugenology (Why humans require hobbies). Guest Julia Hotz talks about the things that we need to be happy as humans, and the conversation is fun to listen to and enlightening. I highly recommend it, and the “Ologies” podcast in general.

15. I’ve stopped buying eBooks from Amazon after they stopped allowing customers to download the books that they purchased (so you basically don’t own the book that you paid for if you buy in from Amazon now). I still use my Kindle Paperwhite, but I’m buying books from Kobo. I buy them DRM free where possible, and if not I use Calibre to strip them of DRM and then this site to transfer them to my Kindle (if they are DRM free you just use the sendtokindle site to upload them to your Kindle). It took me 30 minutes to get the setup working the first time, and it now adds 1-2 minutes tops to every book purchase, which is plus for me. It means that I don’t mindlessly purchase books that I don’t intend to read, and I actually think through each book purchase. I also noticed that the books I’m interested in are priced slightly cheaper on Kobo, which is a nice little bonus.

16. Using yellow ink (Rohrer and Klingner Helianthus) has been a challenge but also an education. Helianthus is readable enough to be used for my daily todo list, but thanks to this ink I’ve been learning to enjoy using a fountain pen for highlighting purposes. It’s more subtle and better behaved than traditional highlighters, and the colour pops on the page without resorting to neon shades.

17.I am thinking about the next inks to put into rotation, which is a bit unusual for me as I normally start with the pens that I want to fill, and then go find inks that go well with them. I want a blue-black for practical reasons, a cheerful green, a pink or orange, and a turquoise or teal. How do you select which pens and inks you use?

18. A bit of behind the scenes: I draft these posts longhand in a Dingbats notebook and a fountain pen. I think better on paper and it’s a way to use the pens and inks that I have. There are no AI/LLM agents/bots involved in this blog, and that’s the way it will remain. I enjoy writing, I created this blog as a hobby because I enjoy writing, and while I use AI agents as part of my job, I have no intention of letting them take away any part of the creation of this site.

19. Journaling tip #1: If you’ve been feeling down lately, take the time at the end of each day to review your day and score it. It doesn’t matter what scoring system you choose, but I recommend that you keep it simple and not too granular: -1, 0, +1 or 1, 2, 3, or “great”, “OK”, “meh”, “terrible”. You just want a quick way to know if the day was a good day, an average day, or a bad day.
At the end of every day for a week or two think back on what happened throughout the entire day, give it a score, and explain the score in no more than a sentence or two. So for me today was: “OK – was super tired at the start, but I managed to get two naps in and recovered enough to get most of what I planned done”.
At the end of the week, when you do your weekly review and plan ahead what you want to stop doing, start doing and keep doing, use these scores as an input for your decisions.
Repeat this whenever you feel the need to recalibrate.

20. Journaling tip #2: if you’ve stopped journaling and want to restart, don’t attempt to backlog the days that you missed. Forgive yourself the journaling “debt” and start fresh. This is easier to do if you switch something up in your journaling routine – use a new pen, pencil or ink, a new notebook, or write in a new location.

21. A dear friend and colleague has moved to a new job in a different company. While I’m happy for him and I wish him the best of luck, I already miss working alongside him. This brings me to the following journaling tip:

22. Journaling tip #3: Take a journal, either your usual one or a new one for a special journaling “events” and write down a list of names of people that have inspired or taught you something that you are grateful for, and write down what it is they taught you. Start with those that affected you by their positive actions (kindness, encouragement, setting good examples), and then challenge yourself to journal about those that taught you by being negative presences in your life. Did an office bully teach you to be kind? Did the talentless brown-nose teach you about how much you value your integrity?
You can write about both people you personally know and those in the public sphere, and you can return and edit or add on to this list whenever you want. It’s a good reference in troubled times to remind you of who you are, what you stand for, and where you want to be.

Manufactus notebook that I plan on using for journaling tip #3

Big Celebratory Birthday Update Part 1

It’s been a long while since I’ve posted a weekly update, and it’s my birthday week, so to celebrate I decided to write 43 points (split up to several posts to make them more manageable), in no practical order:

After a bit of drama I have managed to enrol to the 2025 Urban Sketchers’ Symposium in Poznan, Poland. I will be posting about my sketchbook and art supplies packing list later on, but do let me know in the comments if you’ll be there.
Rising tariffs and shipping costs have made online pen, ink and paper purchases prohibitively expensive for me. This may not be a bad thing, as it should encourage me to use the large stash of “stuff” that I already have.
I have been gifting people nice notebooks and pens lately, and it’s been a surprisingly heartwarming success. Giving people a notebook that matches their style and needs, coupled with a pen that suites them and an encouragement to start journaling about their lives has been one of the joys of my life in recent months.
Moleskine came out with a cool Peanuts collection of notebooks and Blackwing pencils (plus a backpack and set of pins). It’s refreshing to see them use the XL cahiers for a limited edition, as I don’t think they’ve done that since the Art collection about a decade ago.
Lightening Book Review #1 (I have a huge pile of books to review and not enough time to write a dedicated post for all of them): When the Moon Hits Your Eye, John Scalzi. Scalzi is normally very good at humorous sci-fi, but this book is not one of his successes. It’s an overtly silly, very lightweight book that is not on par with the other books he groups in this loosely thematic trilogy, The Kaiju Preservation Society and Starter Villain. It really suffers from the constant jumping around amongst a giant cast – the plot loses momentum, and you find it hard to connect to any set of characters. While it was not great hardship reading it and it’s a decent light read, feel free to skip this one and wait for the next instalment of his “Old Man’s War” series.
It’s OK to splurge and buy yourself flowers every once in a while, if you enjoy flowers.
I’ve started rucking, which is basically walking at a brisk pace outside with weight on your back. I use an Osprey hiking daypack weighed down mostly with water, but also with a giant cookbook, my journal and kindle, which brings it to around 10kg of weight. I take a break about 15 minutes into my session to sit outside and journal or meditate. If you’re curious, start with a bag that has a waist belt and not too much weight for too long, and skip the $400 overhyped specialized bags and weight plates.
Go see a play (not a musical or comedy) at your local theatre. It’s a great way to open yourself to new ideas and perspectives – especially those that you don’t agree with.
Lightening Book Review #2: Lessons in Chemistry, Bonnie Garmus. I really wanted to like this book, but the combination of graphic, repetitive and unrelenting “period piece” misogyny and sexual assault coupled with a frankly unbelievable, non-relatable and largely unlikable heroine made it impossible. Couple this with an even less believable daughter and dog (though the dog is cute), lots of didactic and condescending lecturing that is so blatantly not period true and can at times be needlessly offensive (was the vegetarian bashing necessary?) and this was a book that I didn’t really enjoy. The cooking show, dog and rowing bits were nice, though.
Marvel’s Thunderbolts*/New Avengerts is a delightful, touching, thrilling and generally great movie. It’s well worth the cinema visit, and I plan to rewatch it once it lands on Disney+.
Please don’t do things just so that you can post about them on social media. That’s no way to live your life. It’s the equivalent of voluntarily turning yourself into one of the Matrix human batteries – for AI training models’ and advertisers' use.
Here’s a recent sketch that I did:

Have a great week and see you in part 2.

April-May’s Currently Inked Fountain Pens

In the middle of April I inked up a bunch of new fountain pens, and at the end of the month I added two new fountain pens to this rotation. At the rate I’m writing with them I assume that this pen rotation will be with me until around the end of May, when I’ll be putting more “summery” inks into use.

This is a rather eclectic group of pens and inks, but I was mostly looking for inks that I haven’t used for a long time or I haven’t used at all. Here they all are (I was in a rush when I created the writing samples so they’re messy, but life isn’t Instagram, so messy it is):

Mabie Todd Swan “The Swan Pen” 2 nib with Waterman South Sea Blue – a vintage gold plated lever filler pen, this is one of two vintage gold plated pens that I bought in Paris in Mora Stylos years ago. I don’t usually like the bling of gold plated pens, but I was drawn by the fantastic, very wet, flexible swan gold nib, and by the engraving on the pen body.

Normally engravings lower the value of a vintage fountain pen, but this one added value for me – I find it endlessly intriguing. This was clearly a Christmas gift, in 1929, and it was likely a lady’s pen, given its size and general level of decoration. I can stare at this pen and spin dozens of stories from that engraving, and this is one of the main reasons I prefer vintage pens. This one is “use grade” – the engraving, the dings on the body, the brassing on the clip, and the multitude of microscratches on it make it so – but I don’t care. It’s a treasure of a pen with a fantastic nib that I got at a very good price and gives me much joy. What else does one need?

I chose a Waterman ink for it because they’re the best inks for vintage fountain pens – very gentle, very easy to clean out of a pen, non-staining, and on the dry side (though not as dry as Pelikan 4001 inks) which works well with this very generous nib.

Swan 2 nib with heart shaped breather hole

Leonardo Mother of Pearl fine elastic nib with Kyoto TAG Kyo No Oto 03 Kokeiro ink – I wanted a Leonardo pen in rotation (I love them) and I wanted to try this new ink, and compare it to the Rohrer and Klingner Alt-Goldrün ink that I still had going at the time from March’s rotation. The inks are practically identical, with Alt-Goldrün being perhaps a shade lighter than the 03.

Leonardo Momento Mother of Pearl fountain pen

The Leondardo’s elastic or “flex” nib has cutouts in the nib shoulders to provide it a bit of give. It’s a nice nib that offers some line variation, but is nowhere near what you can get in vintage flex or super-flex nibs (particularly Swan and Waterman).

Closeup of the elastic nib with the cutouts in nib shoulders

Lamy 2000 fine nib with Diamine 150 anniversary Silver Fox ink – this is one of two Lamy 2000s that I have, and I really like this pens as workhorses. Silver Fox was part of the original collection of 150 anniversary inks that Diamine issued and it’s a nice mid grey that is very readable.

Franklin Christoph Model 46 Polar Ice extra fine nib with Bungunox June Bride Something Blue – I filled this pen about a week after the others since I wanted a teal ink that wasn’t in as wet a nib as the Swan. I got this ink as a gift from the Pen Addict Membership back in 2016.

Franklin Christoph Model 45L Turqish Crush extra fine nib with Diamine 150 anniversary Blue Velvet – another original 150 anniversary ink (Diamine later issued a second and perhaps also a third line of inks in this series, I don’t remember). This one is a nice royal blue, and another ink that I had used in years.

From left to right: Lamy 2000, Franklin Christoph Model 46 Polar Ice, Franklin Christoph Model 45L Turqish Crush

Oldwin Art Deco red and black striped ebonite, 18k medium nib with Diamine Writer’s Blood – as I’m writing this I have written this pen dry, mostly because it has a very wet and hungry nib and a standard sized converter. I bought this Oldwin from Mr Mora at Mora Stylos in Paris, and it’s a huge and surprisingly light pen.

The nib is also a very large nib (size 8 and not size 6), and the pen is surprisingly not smelly for an ebonite pen. The feel of the material is fantastic – ebonite is such a warm material – and I like it enough to consider refilling it instead of cleaning it out. Diamine Writer’s Blood has been in rotation recently, but it’s a new ink to me and I’m still trying to figure it out. Having it in this pen made me appreciate it more, as it really showed off its unique colour properties and shading plus sheen.

Manufactus Cappuccino Brown medium nib with Diamine Bilberry cartridge – this was a gift that I received from a dear friend who was just back from Italy and bought this (and a wonderful leather bound personalized journal) in the Manufactus store in Rome. The photo doesn’t do justice to the richness of the resin on this pen.

The Manufactus has some heft to it, due to the metal body and trim, and while it states that it’s a medium nib, it runs closer to a fine nib in terms of line width. Diamine Bilberry is an interesting ink that I had in cartridge form, and I wanted a more unique ink than the standard black cartridge that came with this pen. Bilberry is saturated enough to pass as black at a cursory glance, but it’s a gorgeous rich purple with gold sheen that works well in this pen.

Apart from these pens I still have about a quarter fill of ink in my TWSBI ECO T Saffron fine nib with Rohrer and Klingner Helianthus going from March’s ink rotation.

Which of these pens interest you the most?

How I Use My Notebooks: New Streamlined Weekly Review Format

A few months ago I published an overview of my new weekly review format. I had been successfully using it for a few months at the time, and I have since continued to use it until about a month ago. Since then I’ve tweaked it a bit to streamline things and speed up the review process. If you found my previous review format a bit confusing or elaborate, you might want to try my new one.

The new review format consists of four questions that I answer at the end of every week before I build next week’s plan. I write down my answers in my regular journal (currently the Stalogy 365 B6) using last week’s plan as a reference. Here are the new questions:

What Worked – no change from last time, except that I allow myself to elaborate more and I don’t emphasize the order of the things that I did and that I want to keep doing. I discovered that it doesn’t really matter if something worked because I changed things, remained consistent or stopped doing something, the only thing that really matters is that it worked. Being more loose here allows me to spend more time reflecting positively on the week instead of worrying about writing things in a certain order.
An example from the past week – exercise. I got a 10k in, my first speed run since my last race, two gym sessions, two swimming sessions, two rucking sessions and a bunch of walking and NTC pre and post workout stretches. Prioritizing these sessions in my weekly plan, doing them first thing in the morning and setting out workout clothes and gym/pool bags the night before really aided my success.
What Didn’t Work – this changed slightly to not only include things that didn’t work due to planning, priorities, “life” or infrastructure but also things that cause me anxiety or distress that need some rethinking.
An example from the past week – I went back to watching YouTube videos as a “self soothing” source of comfort. We live in stressful times and I’m going through a stressful period at work, so it’s clear that I need something to provide this “warm blanket” function. The issue is that I oftentimes use reading as a source of comfort, and I’m currently reading a book that is purposefully designed to induce anxiety in the reader.
Note that at this point I’m not focusing on what to do about the things that didn’t work. My point is just to acknowledge them and if relevant name the feelings they induce.
What’s Next – this is the biggest difference from the previous review format. Here I write down what I plan to try and keep or change or observe in the coming week. This feeds directly into my weekly plan, and will help me get the most out of last week’s experiences.
So in the case of the examples above, I’m going to keep to an identical general exercise plan in the coming week, and I’m going to add a “comfort book” to my current reading rotation.
If anything more long term needs to happen due to these reviews I will just add it to my quarterly plan. The point is not just to blindly follow a plan, but to try things, observe, reflect and change them if needed.

You’ll note that I removed the “people of the week” section. I just found it redundant, as these three questions generally cover it.

As usual, I’d love to hear more about your weekly review formats, and if you found this helpful.

Currently Inked Pens March 2025

Of February’s pen lineup only two pens remain inked, the Parker 51 with Waterman Purple, and the Leonardo Momento Zero Bohemian Twilight with Pilot Iroshizuku Tsuki-yo. As they’re both running low on ink, it’s time for a new pen lineup, with a slightly different theme than last month’s one:

All the pens are modern (last time I had more vintage pens than modern ones in rotation) and ones that I haven’t inked in years.
All the inks are ones that I haven’t used in years or ever, apart from one that was in the last rotation but I still haven’t figured out so it got another go.
The ink colours are much brighter than those that I used in February.

Here’s March’s rotation:

Writing sample on Midori MD Cotton paper

Here’s a bit more about every pen and ink combo:

Franklin Christoph 03 modified prototype- Red/White/Black motion with a 1.1 HPSteel cursive calligraphy nib. This is a new pen that I bought last year as my chemo anniversary pen (I buy myself a present every year to mark the occasion). I love the unusual resin colour and pattern, and I like FC’s HPSteel 1.1 nibs. They are just wide enough to really show off the ink without becoming a nightmare to use because it takes ages for the ink to dry.
As nice as the pen is (and it is), the ink is the star in this one in terms of interest: it’s the ORIGINAL J.Herbin 1670 Rouge Hematite, which means that it has NO GLITTER and NO SHEEN. It’s just a deep, bright red with some nice shading and good outlining, but it isn’t full of gold glitter and sheen to the point where you can’t see the base colour. Yes, this is also the bottle that had the problematic crumbly wax cover on the cap, but I really think that I prefer this version to the one they issued later (I have both). I don’t normally use red inks, but this one was perfect for this pen.

Original Rouge Hematite compared to Cosmic Glow on original Tomoe River paper. Note the lack of sheen or shimmer.

TWSBI ECO Saffron fine nib filled with Rohrer & Klingner Helianthus ink. I use yellow inks even less often that I use red inks, but this ink is fairly readable for a yellow ink. It is, however, not going anywhere near a vintage pen as it has a tendency to crust over (as many yellow inks do). I wanted something bright, cheerful and different, and this ink checked all three. The TWSBI ECO is a phenomenal pen for those starting out with bottled fountain pen ink, and I can’t recommend it enough.

Aurora Ipsilon medium nib with Rohrer & Klingner Alt-Goldrün ink. This is my one and only Aurora pen, which I bought years ago in Florence, Italy. Aurora nibs are nice enough, but the pens are priced well above what I believe that they are worth, so I have steered clear of them over the years. The Ipsilon is small pen, but you can’t post it, which is annoying for such a small pen. R&K Alt-Goldrün is a fantastic ink colour – a non standard green with plenty of shading and character – and the only reason I haven’t used it more is because it was tucked away behind two rows of other ink bottles. If you are just starting out with green inks, give Alt-Goldrün a try.

The Ipsilon nib looks ridiculously small but it’s just the design of the section that makes it appear that way. Comparison photo to a TWSBI ECO nib.

Leonardo Momento Zero Blue Hawaii Fine nib with Diamine Steel Blue ink. I have used this pen fairly recently compared to some of the others in this rotation, but the ink has been one that I actually forgot that I have. I love teal and turquoise inks, and Diamine Steel is a beautiful member of this group. There’s a hint of shading with it, and it just pops off the page so nicely. If you want a different take on “boring blue” inks, I highly recommend it.

Montblanc Writer’s Edition Victor Hugo medium nib with Montblanc Around the World in 80 Days ink. I bought this pen in Mora Stylos in Paris before they closed mainly because I adore the Notre Dame de Paris cathedral and it’s featured on this pen. Hugo has the honour of being the saviour of this extraordinary cathedral, and though I shy away from Montblanc limited editions (talk about overpriced) I thought this one was worth purchasing. The ink was last in rotation, in a vintage Montblanc, last month. I just can’t get over how unrelated it is to the green-gold elephant on the box, and I’m not sure what to make of it. I was expecting it to be more like Alt-Goldrün than like the bluish-grey (Payne’s Grey really) that it is.

The Montblanc Writer’s Edition Victor Hugo

Finally, speaking of a pen and ink combo that have gotten “lost” in my collection: the Stipula Model T marbled grey pen was also an Italian purchase, and it has a very peculiar fine “flexy” titanium nib. I would characterize the nib as springy, and as my other titanium nib Stipula does, it squeaks sometimes as you write with it. The ink is one that I bought in 2013 in Fahrney’s pen store in Washington DC. Since then I haven’t opened it and used it, mainly because Fahrney’s Tempest Blue is a blue ink, and I don’t use blue inks often. It shades nicely, but other than that it looks close enough to my benchmark blue, Waterman Florida Blue (now renamed to Waterman Serenity Blue), for me not to bother using it often. Waterman Serenity Blue is a best-in-class blue in my opinion because it’s so well behaved, gentle and easy to clean out of pens that you can safely use it in any pen that you have, particularly vintage ones.

The Stipula Model T. A very sleek design.

Weekly Update: 10K Race, Field Notes Sketchbook and Poetry Anthology

Another busy week at work coupled with a packed weekend means that this update will be bullet-point style:

I ran my first race of the year, a 10K in what turned out to be surprisingly warm weather. I’ve been using the Nike Running Club App’s 10k race plan, for both this race and the one I ran in Disney World last October and it’s proven to be fantastic. I wish I could say the same about the app, which has lately had annoying audio issues that have made it downright unusable at times.

In preparation for next week’s One Week 100 People challenge I’ve been using a Field Notes Sketchbook, and I’ve grown to appreciate its portability. It’s not suited for wet media, but for pen, ink and pencil it works well. All the sketch photos here were done on a Field Notes Sketchbook, and I’ll be reviewing it sometime in the future.
I’m down to only five inked fountain pens, and I’ll likely write one or two of them dry next week. I’ll be updating my pen rotation sometime late next week, possibly looking to add some more spring-time ink colours to the darker inks I currently have in use.

I’ve finished reading Legends and Lattes by Travis Baldree, bringing my February book count to three. The book was just the sort of cozy, light read that I needed at the time, and I enjoyed it enough to immediately buy the sequel (which is actually a prequel) Bookshops and Bonedust.
I spent an annoyingly long time downloading all of my kindle books to my laptop before Amazon locked that option out. I’ve also moved to using Kobo to buy eBooks. I will admit that it’s not as convenient as buying ebooks from Amazon, but I’m angry enough at them for the change to put in the extra effort required. I bought Bookshops and Bonedust on Kobo and then used the Amazon “Send to Kindle” website to transfer my purchase (it was easy because Travis Baldree, bless him, demanded that the book be DRM free). I also bought another book (a bit on that in the next bullet) that had DRM applied, so I had to do some Calibre work to strip it of DRM before sending it to my Kindle. Next time the whole process should take only a minute or two extra beyond the usual Kindle book purchasing process, and again, for me it’s worth it.
After listening to Oxford poetry professor Tara Stubbs’s wonderful Demystifying Poetry podcast (Apple Podcasts, Spotify) I bought my first poetry book in years, the anthology “Staying Alive”. Even if you’re not a poetry lover, give the podcast a listen. It’s well worth your time.

Have a great week!

How I Use My Notebooks: Twitter Replacement Field Notes

I used to be a heavy Twitter use. I discovered the service pretty early on through webcomic artists like Scott Kurtz, and I found the challenge of crafting short tweets to be a fun writing exercise. Yes, I was among those disappointed when they raised the character limit – half the fun of the service was trying to be as clear and concise as possible.

When Twitter stopped supporting third-party clients like Tweetbot, and started becoming an unpleasant place to hang out, I left. It hasn’t gotten better in the interim years and as I have largely cut social media out of my life so I have no plans of ever going back. However, while I don’t miss Twitter (not as it is, not even as it used to be) I do miss the challenge of crafting short and punchy snippets of text: the haiku like nature of tweets. I also have a large pile of unused Field Notes pocket notebooks, and a not insignificant stock of really cool gel ink pens, rollerballs and ballpoints that are all seeing very little use.

Could I put these together to achieve an analog version of what I enjoyed most about Twitter?

The Birds and Trees of North America, Fall 2024 seasonal edition of Field Notes.

Yes, I could and I did and it has been glorious.

I selected a Field Notes notebook out of the the Fall 2024 “Birds and Trees of North America” edition because it’s a beautiful edition, it has lined paper (which I rarely have use for in pocket notebooks), and it seemed appropriate. I randomly selected a Retro 51 Tornado – The System limited edition one which has Uniball Jetstream SXR-600-05 hybrid ballpoint refill in it instead of the original Schmidt refill which I don’t like. Then I started writing down “tweets” in it throughout the day.

Rocky Mountain and Mexican Screech Owls Field Notes notebook (illustrated by Rex Brasher) and Retro 51 Tornado The System limited edition pen

I’m not dating them, I’m not counting characters, I’m just limiting myself to a few rows for each entry, and I’m writing them as if I would be publishing them. The writing style is therefore different than what I would write in my journal, and so far it’s also focused exclusively on things that I don’t write about in my journal (mainly reactions to things I did or saw or read). I have no intention of ever publishing anything in this notebook, but I do enjoy the challenge of writing it as if it would be something that I would post somewhere.

So I get to practice my writing skill in a new way, I get to use some of my wonderful Field Notes stash, and I get to use some of my great standard pens. All this without filling the pockets of various billionaires with my work, and without encountering the bots and the foaming hordes of professional haters and rabble rousers online.

I highly recommend this practice, whether you do it with a fancy Field Notes or just any pocket notebook you have on hand. Using a notebook of this size will remind you to keep your entries short, and it’s something that you can easily carry with you and use in waiting rooms, boring meetings, or when you need a little break between tasks throughout the day.

Give it a try and let me know how it goes.

February 2025 Currently Inked Pens

I have finally written dry all of my Inkvent 2024 fountain pens, which means that after two months I get to write with a whole new set of fountain pens and inks. I normally don’t spend too much time selecting which pen and which inks I’ll use next, but this time I decided to use some criteria for the next pens in my rotation:

They need to include at least 50% vintage pens. I don’t use vintage pens with Inkvent inks, and vintage pens make up most of my pen collection.
All the pens need to be pens that I haven’t used in a long time (at least a year). It was time to mix things up.
The inks needed to be inks that are new to me, or that I haven’t used in years, and all of them need to be inks that I haven’t swabbed before. This was not only to mix things up, but to get me to use and swab more inks in my collection, instead of going again and again to a few select favourites.

Here’s February’s fountain pen lineup:

The pens from left to right: Leonardo Momento Zero Bohemian Twilight, Sailor Pro Gear Slim Graphite Lighthouse, Edison Nouveau Premiere Cappuccino, Montblanc 32, Mabie Todd Swan L2 Leverless pen, Waterman 52, Parker 51, Parker Vacumatic Standard double striped jewel.

And here are ink swabs of the inks that I’ll be using:

The Vintage Pens

Parker Vacumatic 1st generation Laminated Burgundy Pearl Double Jewel (striped jewels, striped section) – I adore Parker Vacumatics and this is a “use the good china” pen. The grip section is also laminated (and not plain black), the body is transparent, and the nib is a sharp extra fine gold nib with a bit of character to it. It’s filled with a brand new ink for me, Diamine Writer’s Blood. I never use red inks, but this got raving reviews and seemed dark enough for me to try. I bought the ink in Oxford last year, and the pen years ago from the late Henry Simpole (Henry the Pen Man) in London. I don’t think I inked up this pen since I bought it, as it was too precious, and I still won’t let it leave the house, but I am looking forward to actually using it.

Parker Vacumatic first generation burgundy laminated grip section

Closeup on the striped jewel and the grip section of the Parker Vacumatic

Parker 51 Burgundy aerometric with a silver cap and gold filled arrow clip. I love Parker 51s, they are my absolute favourite fountain pens. I believe this cap is on the rare side, though it’s far from pristine or attractive (it’s blackened in specks, and there are a few scratches and micro scratches on it). The nib is a generous fine, bordering on medium, and like all other 51s that I’ve used, it’s magic. I haven’t used this pen since I bought it, so it’s time to give it a whirl. It’s filled with Pilot Iroshizuku Yama Budo, which is a lovely, sheening burgundy ink, one of the more popular inks in the Iroshizuku lineup. In hindsight coupling this ink with this pen wasn’t the best choice, as the 51 has generous nibs and Iroshizuku inks are on the wet side. It just means that I’ll have to steer clear of cheap paper with this combination.

Waterman Ideal 52 Red Ripple fountain pen with a super flex extra fine nib – my word but this pen has the most glorious nib. The pen itself is elegant and pristine, and because of its age it doesn’t have the ebonite stink to it. The nib is why I bought this pen, and it effortlessly moves between extra fine and broad or double broad lines, with the feed easily keeping up with tines. Like all Waterman nibs that I’ve tried, there is some feedback, so if you like butter on hot pan nibs this one isn’t for you. This is the kind of nib that you can only get in a vintage pen, and it puts modern flex pens to shame. It’s only minus is that this is a lever filler, and I hate cleaning out lever fillers, which is why I rarely use them. This pen is filled with Diamine Autumn Oak, which I haven’t used yet (in bottle form at least – I have cartridges of it). I wanted a brighter ink in this lineup, so Autumn Oak was a perfect choice.

Waterman 52 cap and nib closeup. You know the nib is going to be fabulously flexy once you see that heart shaped breather hole and the slight bend down in the nib.

Writing sample on Midori MD Paper. Notes written with a Platinum Preppy.

Mabie Todd Swan L2 Leverless L205/62? Not sure – Swan did a poor job labeling their pens, and I didn’t write down notes when I bought it. This is a lovely pen that I bought from Henry Simpole years ago because of the phenomenal Swan nib. It’s an oblique flexible nib with Swan’s gimmicky “Leverless” filling system (which is a lever system in disguise, but such were the ’30s – you needed a gimmick to sell pen). I haven’t used it at all since I bought it because I don’t remember the experience of cleaning it out very fondly – imagine all the bother of cleaning out a Lamy 2000, but with a piston that has just one twist of travel. I used Pilot Iroshizuku Asa Gao with this fountain pen, and it’s a gorgeous ink with a good amount of sheen with this nib. I love this shade of royal blue, and I haven’t used this ink in a while. Take a look at the Swan above – it’s almost 100 years old and works perfectly.

Closeup on the nib and cap of the Swan Leverless pen

Montblanc 32 (1967) OM 585 nib – heavens, you can get a gold nibbed, piston filling original Montblanc with an Oblique Medium nib for less than a steel nibbed Pelian M2xx costs? Yes, you can. I love the design of this pen (you can read about it more here) and the nib is great… provided you write in the exact angle it expects. The Swan’s nib is generous in terms of the writing angles it accepts, and the Monblanc 32 is demanding: you will use the nib at the precise angle it is designed for, or it will not work at all! I only wish that the Montblanc Around the World in 80 Days ink was so exact. From the description and the illustration on the box I was expecting a brownish gold ink, maybe with a hint of green. In reality I got a dark, cold grey ink, with a hint of blue to it. No brown, no gold, nothing at all to do with the elephant illustration on the box. I had to double check just to make sure that I hadn’t landed on a bad bottle by chance.

Writing sample on original Tomoe River Paper

Modern Fountain Pens

Sailor Pro Gear Slim Graphite Lighthouse H-EF nib – I haven’t used this pen in over a year, and I wanted a pen with a very fine nib, so that I can use it for note taking. It’s inked up with Sailor Black, a new ink for me and one that’s supposed to be water resistant. I’m using this combination for my certification study notes, and I may also try it out with some watercolours in a sketch, just to see if I can use Sailor Black ink as part of my sketching kit.
Edison Nouveau Premiere Cappuccino fine nib – I bought this pen in early 2012, before they did a run of seasonal limited editions of this pen design. I haven’t used in years, and the same goes for the ink in it: Lamy Petrol. This is a limited edition ink, one that Lamy issued with the Lamy Safari Petrol, and it’s a wonderful blue-black with red sheen.
Leonardo Momento Zero Bohemian Twilight fine nib – this pen has “only” been a year out of rotation, and it’s one of my favourite Leonardos. The colour of the resin is gorgeous, and it works very well with the Pilot Iroshizuku Tsuki-yo ink that it’s filled with. Tsuki-you is a bluish-teal with red sheen and a wet flow, and it suits the Leonardo’s fine nib.

Modern pens writing sample on Midori MD paper.

Paris 2024 Breaking Sketch and Building New Palettes

I’ve been unhappy with my watercolour palette lately, and so I’ve been experimenting with new colours instead of some of the old ones. I usually swap out one colour at a time, try out the new colour for a while, and then either keep it or swap it out for something else. This time I’m doing my usual swap procedure, and also building a completely new palette on the side. The idea is to speed up the new colour discovery process, as there are 5-6 colours that I want to replace in my current palette, and that’s a lot.

The first colour to leave was Daniel Smith Cerulean Blue Chromium. I have too many similar blues and it’s slowing me down having to decide between them every time I need a blue. In its place I swapped Daniel Smith Rhodenite Genuine, which is a bright pink.

Samples of some of the colours I considered swapping in. Amethyst Genuine was a genuine disappointment – I don’t think I’ve seen such a bland, pale, washed out purple anywhere.

I then sketched one of the scenes from the 2024 Paris Olympics Breaking final, which I was going to see in person before I had to cancel my trip. Luckily my brother was there and sent me photos and videos, which I had fun sketching from. There was a lot of purple in this scene, so I had fun mixing Rhodenite with blues and purples on my palette.

The new palette is something I’m building in a Daniel Smith plastic paintbox. It’s not a box that I’d regularly use (it doesn’t have enough mixing space for me), but it’s useful for the testing I want to do.

This box came as part of a set of two, one of which had paints in it.

I then set up a legend in my sketchbook:

Next I broke ou the Alvaro Catagnet Daniel Smith Master Artist set and filled the pans with paint. I’ll give them 2-3 days to completely dry out before finishing the legend and trying them out. I would never have built a palette which is so heavily skewed towards reds, but this is part of the experiment – after a heavily blue skewed palette it’s time to try something new.

I can’t wait to give these new paints a try. I’ve worked with the Schmincke versions of Yellow Ochre (I no longer use it because of its opacity), Viridian (way to artificial a green for my tastes), Ultramarine Blue and Cobalt Blue, but it will be interesting to see Daniel Smith’s take on these colours.

Writing at Large

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