Protest sketch
Powerful speeches and half a million people at the main protest to return the hostages and for a better leadership this evening.
Bring them home now.



A blog about writing, sketching, running and other things
Powerful speeches and half a million people at the main protest to return the hostages and for a better leadership this evening.
Bring them home now.



Sketched at tonight’s protest, watercolour completed at home.


I’ve been unhappy with my watercolour palette lately, and so I’ve been experimenting with new colours instead of some of the old ones. I usually swap out one colour at a time, try out the new colour for a while, and then either keep it or swap it out for something else. This time I’m doing my usual swap procedure, and also building a completely new palette on the side. The idea is to speed up the new colour discovery process, as there are 5-6 colours that I want to replace in my current palette, and that’s a lot.
The first colour to leave was Daniel Smith Cerulean Blue Chromium. I have too many similar blues and it’s slowing me down having to decide between them every time I need a blue. In its place I swapped Daniel Smith Rhodenite Genuine, which is a bright pink.

I then sketched one of the scenes from the 2024 Paris Olympics Breaking final, which I was going to see in person before I had to cancel my trip. Luckily my brother was there and sent me photos and videos, which I had fun sketching from. There was a lot of purple in this scene, so I had fun mixing Rhodenite with blues and purples on my palette.

The new palette is something I’m building in a Daniel Smith plastic paintbox. It’s not a box that I’d regularly use (it doesn’t have enough mixing space for me), but it’s useful for the testing I want to do.

I then set up a legend in my sketchbook:

Next I broke ou the Alvaro Catagnet Daniel Smith Master Artist set and filled the pans with paint. I’ll give them 2-3 days to completely dry out before finishing the legend and trying them out. I would never have built a palette which is so heavily skewed towards reds, but this is part of the experiment – after a heavily blue skewed palette it’s time to try something new.

I can’t wait to give these new paints a try. I’ve worked with the Schmincke versions of Yellow Ochre (I no longer use it because of its opacity), Viridian (way to artificial a green for my tastes), Ultramarine Blue and Cobalt Blue, but it will be interesting to see Daniel Smith’s take on these colours.
I got a set of Bic Kids markers and decided to sketch today’s coffee with them. You don’t need expensive drawing supplies to draw, and not every sketch needs yo be perfect.

It was blistering hot so this took less than 5 minutes.

The Drehgriffel pencil sketch was just a doodle I made during a boring meeting.
I have recently purchased the Rohrer and Klingner limited edition Ebony iron gall ink, and I’ve filled one of my Lamy Safaris with it. While iron gall fountain pen ink can be corrosive to pens, and it does change colour over time, it does have a pretty nifty trait: it’s waterproof when dry.
So I made this quick sketch with my Lamy Safari extra fine nibbed fountain pen on a Cass Art recycled paper sketchbook:

And then I added some watercolour to the sketches (note that although this isn’t watercolour paper, the paper in this sketchbook does take light watercolour washes):

As expected, it worked pretty well. Note two things about the combination of iron gall ink and watercolour:
1. The ink must be dry before applying the watercolour.
2. As the water causes the paper fibers to expand, your ink lines may “spread” or display soft edges if you apply watercolour over them. You can see this in both sketches. Different paper will lead to different results, of course.
This was a fun little experiment, and a great way to test out this ink a bit more.

Have you ever used iron gall ink with watercolour in your sketches?
I want to live like him if I ever get to live to my 90s.

Am I starting a new sketch journaling habit? Too early to tell. Meanwhile, I’m having fun teaching myself to sketch fast and loose.


Used a Uniball pin 0.8 fineliner and three Stabilo Boss highlighters in their new colour range on a Cass Art recycled paper sketchbook.

These two sketches were both done on the soft covered vegan Italian made Cass Art sketchbook. It has recycled paper inside which doesn’t look like or behave like recycled paper.
I sketched this in 3-4 minutes while sitting in the Phoenix Community Garden in London, and then took a lot of reference photos with my phone.

Later on I added watercolour to the sketch:

This is a 5-7 minute sketch of the stalls in Spitalfield market done with a sepia Faber Castell Pitt pen on the same Cass Art notebook.

I bought this sketchbook on a complete whim, because it was relatively inexpensive and I liked the look of it. I liked it so much I returned later on and bought a second sketchbook with a different cover colour.
What surprising and unexpectedly good products have you found lately?